Last week, I asked what exactly it meant to be White. Today, I’d like to step back and show you what it was that brought up this question in the first place.
It was this image here:
Now that got posted by a friend of mine. Good guy, but with a habit (in my opinion) of reposting whatever liberal dreck pops into his FB feed without taking the time to question it. Allow me to break down why that image is such festering garbage.
First and foremost, it’s unbelievably racist. Not white-hoods-and-burning-crosses racist (we’ll get to them in a minute) – we’re talking the condescending, insidious racism of White liberal elites.
“Because I’ll endorse Obama and speak at the Women’s March, but **** Asians and Palestinians.”
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Tagged African-American, Allegany, Amernian Genocide, Appalachia, Armenian, asian, Asian-American, BET, bigotry, black, Bosniak, classism, Cletus the slack jawed yokel, Deliverance, environment, gay, Hick, Holocaust, identity, Infrastructure, irish, It's Always Sunny In Philadelphia, Italian, jewish, McPoyle, Meryl Streep, non-white, People of Wal-Mart, Polish, poverty, privilege, Redneck, Roma, Rural, Scandinavian, Srebrenica, The Beverly Hillbillies, Todd Berry, Trump, white, White trash
I began the first installment of this two-parter making note of the long and ultimately wearying experience it has been, starting with Doctor Strange going into pre-production and continuing on to the recent exposure of the Swinton-Cho Letters. While I spent time describing the ups and downs of casting news what I neglected to mention, and what I’m going to focus on today, is the outset and ultimate resurgence of an argument in defence of whitewashing.
That’s right, an argument defending what Wikipedia helpfully defines as “a casting practice [. . .] in which white actors are cast in historically non-white character roles.” The very faint silver lining is that the justification here does not revolve around star power and A-list draw, or the idea that “the best person for the role” was hired, the latter of which rarely ever swings the other direction. In spite of not being deeply rooted in these ways of thinking, however, the argument is remains deeply flawed.
Before we get into that, however, we should probably get to its origin story.
Like I Said Last Time, “It’s Always Podcasts”
Having to hit all of this again it’s important to be thankful for small blessings, with one being that I don’t need to hear C. Robert Cargill’s voice again due to already having done the research for another post. The person in question was one of the screenwriters for Doctor Strange, and dropped in on the Double Toasted podcast mid-April to answer a few questions about it.
Eventually, and unsurprisingly, the issue of the Ancient One’s casting was brought up. Cargill’s response, as transcribed by CINEMABLEND’s “The Blunt, Yet Difficult Reason Doctor Strange’s Ancient One Isn’t Asian”, is as follows:
“The Ancient One was a racist stereotype who comes from a region of the world that is in a very weird political place. He originates from Tibet. So if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people who think that that’s bullshit and risk the Chinese government going, ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.’ If we decide to go the other way and cater to China in particular and have him be in Tibet [. . .] If you think it’s a good idea to cast a Chinese actress as a Tibetan character, you are out of your damn fool mind and have no idea what the fuck you’re talking about.”
In essence Cargill chalked the reasons for the casting decision up to politics and economics, implying that having the character played by a Tibetan would cause Marvel Studios to lose out on Chinese box office sales. He also suggests quite strongly that, conversely, having a Chinese actor play a Tibetan would cause a large amount of controversy. This was picked up by sites from IndieWire to ScreenRant to The Hollywood Reporter, with several using words like “reveal” in their headlines, as if a longstanding mystery had finally been solved.
The justifications he laid out were to become the go-to response for every commenter looking to defend the Swinton’s casting, and why not? After all, as one of the screenwriters of the film Cargill should be a direct and dependable source. The answer to that hypothetical starts with what happened a few short days later- Continue reading
Posted in art, Asia, bizarreness, comics, film, geography, lgbt, politics, race, writing
Tagged Ancient One, argument, Asia, box office, C. Robert Cargill, Cargill, casting, China, defence, defense, Doctor Strange, Double Toasted, film, George Takei, justification, Kathmandu, lesbian, lgbt, Nepal, Overwatch, Political, politics, Rogue One, Scott Derrickson, Tibet, Tibetan, Tilda Swinton, Tracer, Urgyen Badheytsang, whitewashing
Well folks, it happened. In a move that continues to shock the world, Britain has dramatically voted to leave the European Union.
And make no mistake readers- the Brexit is the worst thing that has ever happened. Or the best thing. Or…
For all the outrage, jubilation, and wild speculation, the reality of the situation is that most folks have been caught off guard by this decision- and probably none moreso than folks on this side of the Atlantic.
Plenty of conservatives- including potential American president Donald Trump- have applauded the Brexit, claiming it to be a victory for small government, autonomy, and “making Britain great again.”
Which is something that should probably concern the rest of the world…
On the other hand, liberals have been howling that the Brexit represents a secession not simply from Europe but from progressive values, freedom of movement, and a commitment to peace and unity in general.
With all that noise, dear readers, it can be tough to hear the truth.
And unfortunately, we don’t have it either. The reality is that this is an absurdly complicated issue with far-reaching implications and plenty of ramifications that we can only guess at. So rather than add to the din, we here at Culture War Reporters have gathered the most pertinent issues for your own consideration. Continue reading
Posted in bizarreness, Europe, geography, government, Islam, news, politics, race, Travel, Youth
Tagged Brexit, Britain, Catalonia, democracy, EDL, elitist, England, english, EU, European Union, Geert Wilders, ireland, Islamophobia, Jingoist, Marine Le Pen, Nationalism, nationalist, Negatives, northern ireland, Positives, racist, Referendum, Schegen, scotland, Seccession, Sicily, Trump, UK, wales, Xenophobic
I read Harry Potter.
Didn’t love it.
Which puts me in perhaps one of the smallest minorities on the planet, between folks who’ve been struck by lightning multiple times and folks named “Craig Craigerson”.
Now I, like many, was enthralled at first. Tore through ’em at a lightning pace. But as the series wore on, I found myself drifting away from it. Certain issues I’d have been more willing to forgive as a kid just didn’t hold up. Problems like-
- Why is the reportedly most powerful wizard in the world a high school principal?
- Why are these kids not also being taught history, literature, and chemistry?
- Is Voldemort such a nerdy loser that his plan for domination gets undone by his insistence on conquering his old school?
Also, why not just shoot the guy?
I mean seriously- he clearly views Muggles [non magic-users] in such low regard that he’d never see it coming. Granted, this is the issue I have with Doctor Who, Sherlock, and most British shows, but I do think that there’s few problems a well-aimed .44 can’t solve.
Yes, that’s a distinctly American attitude, and part of my problem with Rowling’s latest venture.
Posted in America, art, Europe, geography, government, history, literature, media, writing
Tagged America, American, appropriation, cultural appropriation, Culture, depth, Fantastic Beasts and Where to Find Them, gun control, Harry Potter, history, JK Rowling, literature, Muggle, no-maj, politics, USA, writing
I like the Harry Potter books. I just can’t say I love them [my favourite YA series of novels is Percy Jackson & the Olympians], and after having finished all seven and catching the last few movies in theatres haven’t thought about them much. Certainly not enough to give the Pottermore website, created by Rowling to give HP fans what they continue to jones for, even a cursory visit.
On that same note I haven’t really been following Fantastic Beasts and Where to Find Them, a prequel and spin-off to the film franchise, aside from perking up at the idea that protagonist Newt Scamander might be something other than White. I briefly mentioned it back in 2013 when covering the inherent problem with assuming that White is the norm, but ultimately stopped paying attention after it was officially announced last June that Eddie Redmayne had been cast in the role.
That said, fantasy worlds and the worldbuilding involved in their creation have always interested me, and I didn’t hesitate to click on a link a friend had shared on Facebook stating that Rowling had “[revealed] four wizarding schools, including one in the United States“, with the latter being one of the settings in the upcoming film. After all, if one of the aforementioned magical places of learning was to be in North America chances were that the other three were located elsewhere. Harry Potter and the Goblet of Fire had always been my favourite of the series, with one of the many reasons being that it featured the two other wizarding schools and characters from them, expanding the universe beyond the borders of Great Britain. Continue reading
Posted in Africa, film, geography, literature, race
Tagged Africa, Africa is not a country, Asia, Beauxbatons Academy of Magic, Binyavanga Wainaina, brazil, Castelbruxo, continent, country, Democratic Republic of Congo, Durmstrang Insititute, Fantastic Beasts and Where to Find Them, fantasy, geography, Harry Potter, Hogwarts, How to Write About Africa, Ilvermorny, J. K. Rowling, Japan, Mahoutokoro, Pottermore, Uagadou, Uganda, wizarding school