Tag Archives: New Girl

The Dungeons and Dragons Episode

D&DTVLast night The Big Bang Theory aired its 122nd episode, entitled “The Santa Simulation.” News that its premise hit the internet and avid television watchers everywhere began to cry what may one day become a familiar saying, “Community did it first!” Every single one of them was wrong.

A full year before “Advanced Dungeons and Dragons,” [one of the best episodes of Community‘s second season, in my opinion] there was “Jen the Fredo,” the first episode of British sitcom The IT Crowd‘s fourth season. Both of these episodes were some of the best of their respective shows, so I was pretty excited for what TBBT had to offer.

The thing about the D&D-centric episode is how it’s been used as a plot device. As a role-playing game the players are able to reveal aspects about themselves that might not otherwise come out, and you can see this being done with various degrees of effectiveness  in each episode. Spoilers for all three episodes past this point.

The IT Crowd [S4E1]
“Jen the Fredo”

I realize that most of you have not seen, or maybe even heard of, The IT Crowd. Let me sum in up in that it is, in my ways, what The Big Bang Theory could be. It’s a show about two, well, nerds that work in the IT department of a large company and their boss, who knows nearly nothing about computers. One of the best aspects of the show is that it brings you into the nerdiness of Moss and Roy, and in watching you begin to feel like you really relate to them, becoming equally frustrated when people ask them for help with their computers.

“Jen the Fredo” is, if you’ve seen The Godfather films [which I haven’t], a clear reference to the character Fredo, whose job it was to take out of town businessman and “show them a good time.” Jen takes on the role of helping to entertain a few business partners, but ultimately fails when she takes them to see “The Vagina Monologues.”

Enter Dungeons and Dragons. Moss has been preparing to DM [Dungeon Master, can be used as a verb] and convinces Jen that it’s exactly what these gentlemen are looking for. The best part is, he succeeds [I had a great YouTube clip here but someone decided to make it private].

While the idea of entertaining [and riveting] a few rowdy businessmen with a little D&D is hilarious in and of itself, but there’s more to it than that. Moss uses the game to confront Roy about the latter’s painful breakup, something he’d been avoiding talking about for a while. The conclusion is tear-filled and, more importantly, immensely funny. You can catch it on Netflix, or here, though you didn’t hear that from me.

Community [S2E14]
“Advanced Dungeons and Dragons”

This episode has easily the most actual gameplay of the three, since essentially the entire episode consists of the Greendale Seven playing D&D in the library. It also treats the source material the most lovingly, complete with a voice over and fantastically appropriate score.

The game is set up due to Jeff wanting to help out “Fat Neil,” a young man planning to end his life [understated by the narration] due to his new nickname. Once everything is set up, with Abed as the DM, things really get going.

Each member of the study group essentially plays a version of themselves, with the voice over near the beginning describing them as “Troy the Obtuse,” and “Britta the Needlessly Defiant.” They react to the situations within the game as they normally would, with Jeff impatient and unwilling to put up with nonsense as usual. The best parts, however, are when you discover a little something about the character you thought you knew, well-illustrated in the following scene with Annie:


In this episode Pierce owns his most [as far as I’m concerned] unpopular role: The Villain. Incensed at being excluded from the game he steals Fat Neil’s magical sword and runs away, later using D&D manuals to cheat and garner immense power to himself.

Everything ends, as usual, with a fairly warm and fuzzy conclusion. Pierce is defeated, mostly through his friends forgiving him for his dickishness [hence his title, “Pierce the Dickish]. Neil’s spirits are lifted and he finds the motivation to keep on living.

The Big Bang Theory [S6E11]
“The Santa Situation”

A “guys’ night” is happening and the activity of choice is Dungeons and Dragons, which is territory you’d have expected these characters to have explored in-depth quite a few seasons back. Heck, as far as I can recall they spent more time playing Settlers of Catan than throwing around a 12-sided dice.

The game begins and Leonard, the DM, lets it drop that their quest is to rescue Santa Claus. Queue Sheldon’s disappointed face due to the fact that he a) loves D&D and b) hates Christmas. Also Raj gets shot in the face with a cannon in the first few minutes of the game, highlighting the fragility of life in a world that values perception checks.

Oh, and they ditch their respective girlfriends to play, which led to this scene, the last line of which was delivered excellently:

This was originally a series of four gifs, but I didn't want to embed each one in this order, so I just took a screenshot instead. I think it still works.

Using the structure of the game Leonard gets Sheldon to sing [all five verses of] “Good King Wenceslas”  and all three remaining players to play “Jingle Bells” using, the obvious instrument of choice, bells.

Upon finding Jolly Old St. Nick in chains they move forward to rescue him, only to have Sheldon cast a paralyzing spell on his companions. He then confronts Santa [or Leonard, in this case] and tells the heartbreaking story of how he asked Father Christmas for only one thing as a child, to have his grandfather back. He then walks out, leaving the old many to die.

In Conclusion

As far as really exploring well-established characters, Community probably succeeds the most, by virtue that it only has the one central plot that revolves around a single game of D&D. While it does feature Pierce continuing on his course to become more cartoonishly evil, Britta’s response to the beleaguered gnomes is a perfect example of how her character will react both in and out of the real world.

The IT Crowd and The Big Bang Theory tread the very similar ground. Moss uses the game to force Roy to come to terms with the love he lost, something that would have been impossible otherwise. Sheldon’s childhood experience with Santa Claus never would have come about without Leonard guiding him to that place where he could talk to the man who disappointed him.

My hope is that there will be a continuation of this trend, with there having being one D&D episode per year from 2010-2012. As the current DM of an ongoing gothic horror campaign I am well-aware of the storytelling capabilities of the game as well as how enjoyable it is to know people you know well deal when presented with fantastical situations. Although 2/3 of the above shows do feature “nerds” I’m sure that this could still appear in the more bizarre sitcoms, such as New Girl and Happy Endings.

Girl Don’t Need A Man To Get Into Hilariously Comedic Situations

This past Monday a new show called The New Normal premiered on NBC. I wasn’t able to catch the pilot, though I did make sure to watch a preview to see what it was all about. You can watch the whole thing if you want, but what I want you to see is right near the beginning:

So at around 22 seconds into the trailer we’re shown that Goldie’s good-for-nothing husband has cheated on her, which becomes the catalyst to her drive across America to begin life anew with eight-year-old daughter.

Continue reading

Girls: 2 Broke and One New [Pt. 3] – Race

As you may have guessed by the title, this is the third and final part of my observations about the relatively new shows 2 Broke Girls and New Girl. To read the first two posts about cast and humour click on the respective words, or just scroll down if you’re already on the front page.

RACE

For the most part, I’ve already gone into great deal about this topic and 2 Broke Girls in my post titled “Michael Patrick King, Definitely Not Being Racist.” To summarize a lot of what I’ve already written in a few words, the show is not great when it comes to boiling people of different ethnicities down to their bare bones stereotypes. Or they’re really great at it, depending on your point of view.

Per episode the show has a much greater number of new characters as its stars find themselves stumbling into such locales as a thrift store and a pharmacy in a Jewish neighbourhood. With that being said, they’re given countless opportunities to put different spins on people from different cultures and backgrounds, but fall flat again and again. I’d recommend that you turn to the post I linked to in the paragraph above to get a more in-depth look on the matter.

The show’s approach to race has made it the recipient of a lot of flak, and their most recent decision to alleviate said criticism is to bring in a “hot Asian guy.” A casting call was put out last month which sought to find an attractive male of Asian descent to act as a love interest to Beth Behr’s Caroline Channing. While this may seem to be a dictionary definition for “affirmative action,” it may be a step in the right direction.

On the other hand, we have New Girl, a show whose approach to race is summed up quite nicely in the following video clip:


Just like Morgan Freeman and his approach to Black History Month, New Girl tackles race by not making it a big deal. And it does so flawlessly in the first few episodes. The pilot has Zooey Deschanel’s Jess meet a perfectly nice Asian guy who later stands her up on their date. Yes, he’s made out to be a douchebag, and no, that’s not particularly flattering, but you know what else it’s not? A stereotype.

Similarly, in the third episode, “Wedding,” the newlyweds are an interracial couple, with an Asian groom and a Caucasian  bride. There is not a single character who makes a big deal out of it, and everyone on the show takes it as completely normal. Because it is. This is not a situation I can see the writers of 2 Broke Girls passing up for comedy, and the fact that I’m 100 percent certain of that is a sad thing.

Since it’s not plumbing the depths of New York City for people from different ethnicities and the like, New Girl has less diversity than 2 Broke Girls. That being said, its treatment of nonwhite characters is, well, nothing special, which is great. A mixed race group of students might show up, or an Asian judge [“Bells” and “Jess  & Julia” respectively], but no one makes jabs or even hints at ethnic stereotypes. The closest thing the show gets to a joke about race is Winston’s one-liner about Black Friday [I had a YouTube clip but it doesn’t work now; sory].

I’d seen that video of Morgan Freeman years ago, but it never struck me until recently how true it is. If the media simply acknowledges that we live in an incredibly diverse world and stops calling attention to details as nongermane as ethnicity, then we can live in a world where racism truly ends.

Girls: 2 Broke and One New [Pt. 2] – Humour

This is the second part of a three-part series on CBS’ 2 Broke Girls and Fox’s New Girl, both shows that premiered in the fall of 2011. In yesterday’s post I went into some detail about the cast of both shows, and this time I’m going to address the element of both that, hopefully, helps them put the “com” in sitcom.

HUMOUR

2 Broke Girls was created by Michael Patrick King, the openly gay writer whose claim to fame is HBO’s Sex and the City [he wrote all of the season premieres and finales, and was responsible for its adaptation to the big screen], and Whitney Cummings, comedian and star of her own NBC sitcom, Whitney.

Cummings has, for the most part, been preoccupied with her show, and because of that it’s King who takes the onus for much of the show’s writing. Now I do want to save a lot of potential content for tomorrow and the final part of this series, so what I’m going to share are a few of his words about where the show is coming from:

I think our show is a big, ballsy comedy, but it has a bigger heart than it has balls.

I feel that it is broad and brash and very current.

I consider our jokes really “classy-dirty.” They’re high low-brow. I think they’re fun and sophisticated and naughty and I think everybody likes a good naughty joke.

“Ballsy” is a pretty accurate statement for a show on a broadcast network that has, by my count, averaged nearly two rape jokes per episode. It also describes well the decision to include in this week’s episode, “And The Kosher Cupcakes,” a 13-year-old Jewish boy implying he’d soon be receiving oral sex from one of the show’s female leads.

Edginess aside, do I think it’s funny? As evidenced by the video proceeding this paragraph Kat Dennings has her tone down when it comes to delivering dry, deadpan lines. Beth Behrs’ Caroline has a knack for visual humour [see last week’s: “And The Broken Hearts”] and even Oleg, the lascivious fry cook, has his moments where you can’t help but grin at his audacity. Whether it’s funny throughout, however, is a different story.


Continuity and pacing aside, a lot of the times lines fall flat. “And The Broken Hearts” featured a joke between Jennifer Coolidge’s Sophie and Jonathan Kite’s Oleg where the two riffed on the variations on the word “come,” a scene so horrid that I’m cringing as I rewatch it. The show may not shy away from dealing with topics like masturbation and drug abuse, but “shock and awe” doesn’t always equal “amuse” or even “entertain.”

New Girl was and is created, produced, and written by Elizabeth Meriwether; her largest claim to fame is the 2011 Natalie Portman and Ashton Kutcher-driven comedy No Strings Attached.

Now I don’t have the public uproar that surrounds 2 Broke Girls available to create articles about New Girl, so I’m going to have to address its humour with largely my own words. Though the show began with the passable premise that a quirky female teacher moving in with three men was going to create conflict, the show has since moved beyond that in leaps and bounds.

Zooey Deschanel was, without question, the reason many tuned in, but I don’t believe it’s why they return. Jake Johnson’s Nick and Max Greenfield’s Schmidt both own their roles, and are arguably even funnier when clashing with each other. Case in point:


Where King’s show relies on a lot of wordplay and snarky jabs, courtesy of Kat Dennings, Meriwether’s is one that puts the “domestic” and the “comedic” in “dom com.” In addition, the characters all bring their own brand of humour to the table, with Schmidt’s douchiness, Nick’s freakouts [see above], or Jess’, well, Zooey-ness.

It’s not even that the show shies away from sex and the like. An entire episode revolved around Jess seeing Nick’s penis [much to Schmidt’s curiosity], and her willingness to have a threesome is strangely adorable. The difference is that it’s not overly-raunchy or in-your-face; for the show sex is another part of life, and one that’s plainly funny as opposed to darkly so.

I realize that there are significantly more clips from New Girl, but the fact is that I think the show is funnier overall, and you can always look for more stuff from 2 Broke Girls on YouTube if you’d like. As the head writer, King has a pretty decent cast of characters [again, see last post] available to him, and if he wants to give them lots of sarcasm and whatnot that’s entirely up to him. It’s fine to be “ballsy” or “classy-dirty” but the intention should be to have your audience laughing, not shaking their heads and saying “I can’t believe they just said that.”

Girls: 2 Broke and One New [Pt. 1] – Cast

This academic year has been the beginning of many new shows for me, with 2 Broke Girls and New Girl topping the list. I say “topping” of course to mean the most recent televisual acquisitions, as opposed to the highest quality among programs that I watch.

To be honest, this post has been a long time in coming due to the fact that a) I can’t resist the fact that the shows have such similar titles, and b) I’ve been comparing them ever since they both premiered last fall. With that in mind, I will be writing a total of three posts, Tuesday to Thursday, with each concentrating on a particular aspect of the two shows.

So, without further ado:

CAST

2 Broke Girls stars Kat Dennings and Beth Behr as Max and Caroline respectively, the former a jaded city girl and the latter a penniless heiress. The two work at a diner, accompanied by owner Han Lee, fry cook Oleg, and cashier Earl. Recently Sophie, the Polish owner of a house cleaning business, has become a recurring cast member.

In spite of the seemingly large main cast, the focus is primarily on the titular characters [if anyone jokes in the comments about a particular character I suppose I could’ve chosen my wording better]. The show mainly revolves around Max and Caroline, regulating everyone else to the sidelines at best.

New Girl stars, of course, the ever-cheery Zooey Deschanel as the titular [there’s that word again] character Jess. Alongside her are her roommates Nick, Schmidt, and Winston. Joining them is her model friend of indeterminate ethnicity Cece. I’m not counting Lizzy Caplan because, well, she’s going to leave the show eventually [a thought which makes me cry].

From left to right: Cece, Winston, Nick, Jess, and Schmidt.

It would be near impossible for the show to solely follow the Jess’ zany antics, and thankfully, it doesn’t try to. Her three roommates have more than once carried their own B and C plots, with Nick even competing for the central storyline in the episode “Jess & Julia.”

At first glance the two casts may appear shockingly similar: two females, three males, a single black man in both groups. As mentioned earlier, however, the difference begins in who the camera focuses on. 2 Broke Girls is very much a show about two girls in New York trying to make a living, and their exploits specifically. New Girl is about four [sorry, Cece, but you’re not always around] people and their lives, regardless of whether or not they’re with each other. A subplot in the latter could be all about Schmidt and his attempts to sleep with his boss, but there are no opportunities in the former for an episode that switches back and forth between Max and Caroline trying to make money and Earl, sitting behind his desk at the diner.

The reasons for this could vary pretty greatly. 2 Broke Girls has a traditional three-camera setup, and as a result is filmed on sets resembling a diner, apartment, et cetera. This gives New Girl an upper hand in featuring its various characters being in different locales given its single camera format. The real reason, however, is the amount of characterization given to each cast member. We know that Max is street smart and snarky and kind of bitter, Caroline is naive yet strong and persistent. The characters on the edges, though, are a lot more two-dimensional. Early is a father figure of sorts. Oleg is a womanizer. Han is . . . Asian. I would go into what the characters of New Girl are all about, but I don’t have room. It’s not to say that they’re immensely deep, multi-faceted character, but compared to much of the cast of 2 Broke Girls, yes. Basically, yes.

Not to deride the acting talents of Kat Dennings or Beth Behrs. The two have great comedic chemistry and, when given the right lines, are very funny. And that’s not to say that Jonathan Kite as Oleg and Garret Morris as Earl don’t have their moments; there have been episodes where I regard the Ukrainian fry cook with something akin to warmth. The fact is that these are talented actors who have been relegated to supporting roles, taking up ten to fifteen percent of screentime per episode.

These three posts weren’t meant to be a competition, but New Girl definitely wins in terms of cast. This also isn’t meant to go into how funny the characters or writing are [that’s for tomorrow], but simply an observation of how a full cast can be well utilized. Come back tomorrow afternoon for Part 2!