Let me start by saying that it’s about time. I’m not sure how many 2 Broke Girls viewers realize this, but Garrett Morris was an original SNL cast member. With that in mind it’s almost shocking how little the show has decided to do with Earl. On a typical episode I can count all of his lines on one hand, and by the time the twenty-something minutes are up I still have a few fingers left over.
“The Sax Problem” that’s of concern this week is strictly Earl’s, and in much the same way Sophie and Oleg got the most character development in “And the Basketball Jones” last Wednesday he takes centre stage [no pun intended]. Given how often Morris has been relegated to the sidelines I was actually apprehensive about how he would do being given so much heavy lifting, but I never should have doubted him. Continue reading
Posted in Comedy, music, review, television, writing
Tagged 2 Broke Girls, And the Sax Problem, Beth Behrs, Caroline, CBS, drugs, Earl, Garret Morris, heroin, jazz, Jennifer Coolidge, Jonathan Kite, junk, Kat Dennings, Max, Oleg, plot, pregancy, review, Ruby, S5E9, saxophone, smack, sober, Sophie, writing
You can read a better introduction at the beginning of last year’s awards, but I can quickly fill in for any new readers out there that I began reading at a fairly young age and continued on to study literature in college. That being said reading and literature have been a part of my life for about as far back as I can remember.
This second installment of the Evan Yeong Literary Awards seeks to once again call attention to the artistic medium that I love most, taking note of the books I read in the past year and [at least this time around, solely] praising the standouts. A lot of pages were put away in 2015, and it was actually a challenge this year to keep the number of winners to just under a dozen.
In 2015 I once again resolved to read 52 books and this time met my goal; sweet success. You can check out a full list [with the exact dates of when I read each one] at this link.
book that most helps “the cause/mission”
Anansi Boys by Neil Gaiman
The former as used by the hosts of the podcast Black Men Can’t Jump and the latter being the name of Joseph Philip Illidge’s column on Comic Book Resources, both terms are ultimately defined as work that progresses diversity. To that effect, White British author Gaiman is one of its truest champions, crafting a fantastical novel that lets its characters fall under the default race of reader’s assumptions only to have that torn away, much to even [or especially] my chagrin, in later pages. Fantasy as a genre is not often populated by men and women of colour, at least in Western fiction, and to have this novel exist, as well as be supported by such an unshakable talent, is a wonderful thing.
novel that doesn’t, and then does, live up to the hype
The Catcher in the Rye in J. D. Salinger
Published in 1951
The only thing I knew about this [in]famous work of fiction prior to reading it is that the murderer of one of The Beatles was obsessed with it and that it has been a frequently banned book, so I was not at all expecting the tale of a teenager who just wanted to drink some drinks and go on some dates and figure out what adolescence is really about. On that same note, I also didn’t think I would be exposed to some of the most raw and honest writing about what it’s like to be a dumb, lost kid. I still don’t fully understand what all the hubbub was about, but I also see why so many dating profiles have it featured as their favourite book. Continue reading
Posted in Comedy, literature, race, religion, review, sex, writing, Youth
Tagged Anansi Boys, Angus Thongs and Full-Frontal Snogging, awards, best, books, Claire Messud, Cynthia Bond, Dave Eggers, Evan Yeong Literary Awards, fantasy, genre, Guy Gavriel Kay, J. D. Salinger, Larissa Lai, Louise Rennison, Miranda July, Neil Gaiman, Pink Moon, race, romance, Ruby, sad lady lit, Salt Fish Girl, Stef Ann Holm, The Catcher in the Rye, The First Bad Man, The Woman Upstairs, Tigana, virgin, Your Fathers Where Are They? And the Prophets Do They Live Forever?