Twitter has changed the way news is reported. The Black Lives Matter movement has been particularly successful in raising awareness for cases of police brutality that generally would have been overlooked by mainstream news channels.
Arguably the second most important aspect of Twitter is its ability to connect celebrities to their fan base. With the prevalence of these two features, it’s hardly surprising that celebrities and celebrity events have become more politicized.
This year’s Academy Awards are a prime example of this overlap between the celebrity world and political struggles that have been highlighted via Twitter. Below, I’ve included a few notable examples of Twitter flexing its muscles at the Oscars
I’m not going to dwell too much on the circumstances of the #OscarsSoWhite boycott, since Gordon and Evan have already thoroughly explained its context. However, I do want to talk a bit about how the controversy was handled by the Oscars host, Chris Rock.
Overall, I thought Rock did a great job calling out the Academy without reducing his monologue to a humourless lecture. However, in his article for Salon, Arthur Chu points out that,
Acting like caring about day-to-day violence in the streets and the impact media and culture have on that violence are somehow mutually exclusive — a common, frustrating, tired argument anyone who talks about racism in media will inevitably see dozens of times in the comments section — ignores history.
It ignores the many, many arguments that have been made about how the excuses made for the deaths of Trayvon Martin and Mike Brown frequently come verbatim from untrue stereotypes out of TV and movies, how the only way Darren Wilson’s description of Brown as a “demon” who was “bulking up to get through the bullets” could possibly make sense to anyone is after a lifetime of media portrayals of the scary superhuman black man. It ignores Martin Luther King going out of his way to call Nichelle Nichols and tell her not to quit “Star Trek” because having a black woman on TV who wasn’t a domestic servant mattered. It ignores the ongoing civil rights protests around the Oscars back in the 1960s and ’70s, including Marlon Brando making history as the first and only best actor winner to boycott the ceremony, sending American Indian Movement activist Sacheen Littlefeather to accept the award in his place.
Similarly, several activists have since pointed out the one-dimensionality of calling for more black representation only to appeal to Asian-American stereotypes for a laugh. Continue reading
How To Fix American Horror Story
Seems like just yesterday that I was extolling the virtues of a bold little show called American Horror Story.
In one of the most (unfairly) reviled and (fairly) stagnant genres, AHS was raising the bar. Ushering in a whole new flock of horror fans and giving the long-timers a much needed breath of fresh air. It offered intrinsically good stories and managed to offer cutting social justice commentary at the same time.
So what on earth happened?
We can debate where it all went wrong, but I don’t think anybody can deny that the show is suffering on all fronts, and not even the Evan Peters fanservice is enough to hold it together. [Spoilers from this point on. -Ed.]
The dude’s the be-all-end-all, if the show’s female fans are to be believed
I could spend all day listing my litany of complaints about the past couple seasons- the skull-numbing boredom of AHS: Freak Show, the abysmally scattered and campy AHS: Hotel (I will never forgive Lady Gaga’s inclusion)…
I **** you not, the woman’s so vain that her character seduced a gay guy and it was somehow supposed to be taken as her being “progressive”
…but you probably wouldn’t need me for any of that (again though, **** everything about Gaga’s role in this show).
What I’d like to do instead is offer my own armchair suggestions for recapturing that eldritch magic the first couple seasons had. Because I hope that maybe, just maybe, some bored writer will stumble across this piece and think “hey, that’s not a half bad idea!”
Because I’m also that vain.
Not as vain as Gaga though- Miss “I Need To Appear In A Different Crazy Outfit In Every ****ing Scene And Fondle My Harem of Identical Dudes.”
Okay, I promise I’m done.
So, anonymous and probably non-existent AHS employee who’ll probably never see this, here’s one horror fan’s humble recommendations for restoring one of his favorite shows to its former glory. Continue reading →
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Posted in bizarreness, science fiction, television, writing
Tagged ahs, american horror story, Asylum, cosmic horror, Coven, Fan Theory, Fant Art, feminism, freak show, horror, hotel, Lady Gaga, Lovecraft, Moira, Murder House, soap opera, Social Commentary, Southern Gothic, space, television, writing