Tag Archives: Arthur Chu

Stereotypes and Tokenism: What Daredevil Did Wrong and What Riverdale Appears to Be Doing Right

So right off the bat, I want to say that Arthur Chu of Jeopardy-winning fame has already done much of the groundwork for me with his [spoiler-filled] article “Not Your Asian Ninja: How the Marvel Cinematic Universe Keeps Failing Asian-Americans“. In it he recounts his primary disappointment with the second season of Netflix’s Daredevil, namely that the Asians presented in that show are generally villains across the board.

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Not only are they of an evil persuasion, they’re also, as the title of his piece implies, mostly ninjas. In terms of sheer volume the vast majority of Asians seen on screen during the season’s 13 episodes are that particular brand of martial artist. The rest are, in terms of representation, gangsters, white collar criminals, and crime lords. It is, as Chu says, “Not a good look.”

He picks the Kitchen Irish, a gang of an obvious ethnic background, as his primary example of the show using nuance with a people group. Matthew Murdock, the titular crimefighter himself, is of Irish descent, and another character nicknamed “Grotto” is a former member of the mob who elicits sympathy from both the show’s cast and its audience. While I understand that Irish heritage is unique and distinct from many others, and that people of Irish descent suffered extreme racism in early American history, what shouldn’t be ignored is the fact that on the surface they are White. As are the members of fellow gang the Dogs of Hell. As are Murdock’s friends Karen Page and Foggy Nelson. As is Frank Castle, the Punisher, as well as newspaper editor Mitchell Ellison. Television is full of White people, and with Daredevil being no exception simply stating that there are varied roles within even one subgroup feels like a given.

Unfortunately, Asians fail even when stacked up against other racial minorities. Continue reading

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The Power of Twitter Showcased at the Oscars: #OscarsSoWhite, #YesAllWomen, and #AskHerMore

Twitter has changed the way news is reported. The Black Lives Matter movement has been particularly successful in raising awareness for cases of police brutality that generally would have been overlooked by mainstream news channels.

Arguably the second most important aspect of Twitter is its ability to connect celebrities to their fan base. With the prevalence of these two features, it’s hardly surprising that celebrities and celebrity events have become more politicized.

This year’s Academy Awards are a prime example of this overlap between the celebrity world and political struggles that have been highlighted via Twitter. Below, I’ve included a few notable examples of Twitter flexing its muscles at the Oscars

#OscarsSoWhite

I’m not going to dwell too much on the circumstances of the #OscarsSoWhite boycott, since Gordon and Evan have already thoroughly explained its context. However, I do want to talk a bit about how the controversy was handled by the Oscars host, Chris Rock.

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Overall, I thought Rock did a great job calling out the Academy without reducing his monologue to a humourless lecture. However, in his article for Salon, Arthur Chu points out that,

Acting like caring about day-to-day violence in the streets and the impact media and culture have on that violence are somehow mutually exclusive — a common, frustrating, tired argument anyone who talks about racism in media will inevitably see dozens of times in the comments section — ignores history.

It ignores the many, many arguments that have been made about how the excuses made for the deaths of Trayvon Martin and Mike Brown frequently come verbatim from untrue stereotypes out of TV and movies, how the only way Darren Wilson’s description of Brown as a “demon” who was “bulking up to get through the bullets” could possibly make sense to anyone is after a lifetime of media portrayals of the scary superhuman black man. It ignores Martin Luther King going out of his way to call Nichelle Nichols and tell her not to quit “Star Trek” because having a black woman on TV who wasn’t a domestic servant mattered. It ignores the ongoing civil rights protests around the Oscars back in the 1960s and ’70s, including Marlon Brando making history as the first and only best actor winner to boycott the ceremony, sending American Indian Movement activist Sacheen Littlefeather to accept the award in his place.

Similarly, several activists have since pointed out the one-dimensionality of calling for more black representation only to appeal to Asian-American stereotypes for a laugh. Continue reading