Twitter has changed the way news is reported. The Black Lives Matter movement has been particularly successful in raising awareness for cases of police brutality that generally would have been overlooked by mainstream news channels.
Arguably the second most important aspect of Twitter is its ability to connect celebrities to their fan base. With the prevalence of these two features, it’s hardly surprising that celebrities and celebrity events have become more politicized.
This year’s Academy Awards are a prime example of this overlap between the celebrity world and political struggles that have been highlighted via Twitter. Below, I’ve included a few notable examples of Twitter flexing its muscles at the Oscars
I’m not going to dwell too much on the circumstances of the #OscarsSoWhite boycott, since Gordon and Evan have already thoroughly explained its context. However, I do want to talk a bit about how the controversy was handled by the Oscars host, Chris Rock.
Overall, I thought Rock did a great job calling out the Academy without reducing his monologue to a humourless lecture. However, in his article for Salon, Arthur Chu points out that,
Acting like caring about day-to-day violence in the streets and the impact media and culture have on that violence are somehow mutually exclusive — a common, frustrating, tired argument anyone who talks about racism in media will inevitably see dozens of times in the comments section — ignores history.
It ignores the many, many arguments that have been made about how the excuses made for the deaths of Trayvon Martin and Mike Brown frequently come verbatim from untrue stereotypes out of TV and movies, how the only way Darren Wilson’s description of Brown as a “demon” who was “bulking up to get through the bullets” could possibly make sense to anyone is after a lifetime of media portrayals of the scary superhuman black man. It ignores Martin Luther King going out of his way to call Nichelle Nichols and tell her not to quit “Star Trek” because having a black woman on TV who wasn’t a domestic servant mattered. It ignores the ongoing civil rights protests around the Oscars back in the 1960s and ’70s, including Marlon Brando making history as the first and only best actor winner to boycott the ceremony, sending American Indian Movement activist Sacheen Littlefeather to accept the award in his place.
Similarly, several activists have since pointed out the one-dimensionality of calling for more black representation only to appeal to Asian-American stereotypes for a laugh. Continue reading
Posted in America, celebrity, fashion, feminism, film, internet, media, politics
Tagged #AskHerMore, #BlackLivesMatter, #yesallwomen, Academy Awards, activism, actor, actress, art, Arthur Chu, backlash, black man, bullets, celebrities, chris rock, College, cultural shift, diversity, fashion, Hashtag, heard, Hollywood, host, impact, job, Lady Gaga, martin luther king, media, Men, monolgue, Oscars, OscarsSoWhite, people of color, performance, power, race, rape culture, reporter, representation, Representation project, Salon, sex, shallow, stage, Star Trek, stereotypes, superhuman, survivors, Twitter, university, Violence, voice, women, work
I loved Star Wars: The Force Awakens. I loved it so much that the first thing I thought about doing when I walked out of the theatre was hash out everything that this Star Wars reboot had done right.
Like including legitimately humorous dialogue rather than slapstick CGI sidekicks.
Unfortunately, everyone on the blogosphere had already come to the same conclusion long before I was back from my Christmas break. Still, I couldn’t stop thinking about the film, or reading articles about it. So I’ve decided to write about one of the few things that bothered me about the film, rather than many aspects of the film that I loved.
If you’ve been reading this blog for some time, you probably already know that we at CWR were excited to hear about the diversity of casting in The Force Awakens.
I was especially excited when I heard that Lupita Nyong’o had been cast. Ever since she won best supporting actress for 12 Years a Slave and was declared the most beautiful person of 2014 by People magazine, I’ve been keeping my eyes peeled for Nyong’o. After witnessing her sudden rise to fame, I was curious to see if she would continue to find roles in major films, or if she would slowly be pushed out of Hollywood because of her dark skin. As Gregg Kilday explains in his article about Nyong’o, few black actresses have ever managed to secure a spot as a permanent Hollywood heavyweight:
While the stage would appear to be set for [Nyong’o] to ascend to the A-list — just as Jennifer Lawrence did after her best actress win for Silver Linings Playbook last year — it’s not that simple. For while there have been a handful of African-American actors, from Sidney Poitier to Eddie Murphy, Denzel Washington and Will Smith, who have reached that status, there’s never been a black actress who has become the equivalent of a Julia Roberts or Angelina Jolie. Whoopi Goldberg came closest, following her best actress Oscar nomination for 1985’s The Color Purple and supporting actress win for 1990’s Ghost, but despite an occasional hit like 1992’s Sister Act, she didn’t maintain that momentum. Hollywood also flirted with Angela Bassett, Thandie Newton, Halle Berry and, most recently, Mandela‘s Naomie Harris, without ushering any of them into its very top tier.
It seems like a habit for major blockbuster films to tick off their diversity checklist by casting a white woman and/or a black man. Meanwhile, actors from other minority groups, especially women of colour, get overlooked because all the non-white, male roles have already been taken. As Evan pointed out in his post about the Martian and racebending, this seems to be the impulse, even when it means casting a white women to play a Korean- American character and a black man to play an Asian- Indian character. Continue reading
Posted in feminism, film, gender, race
Tagged #SolidarityIsForWhiteWomen, 12 years a slave, alien, Angelina Jolie, angry white people, Asian-Indian, avatar, black, black and a woman, black and female, black female lead, blockbuster, casting, CG, CGI, Daisy Ridley, diversity, fan-boys, film, franchise, Gregg Kilday, Guardians of the Galaxy, Hollywood, Jennifer Lawrence, John Boyega, Julia Roberts, Korean-American, lightsaber, Lupita Nyong'o, Maz Kanata, minority, most beautiful person, Oscar Isaac, people magazine, protagonist, role model, Star Trek, Star Wars, successful, talent, The Force Awakens, The Martian, Uhura, white, Whoopie Goldberg, women of colour, Zoe Saldana
As I plainly state in the alternate title to this post, everyone and their [tenuously and amusingly connected other person] has been raving about the trailer that dropped about a week ago for the latest upcoming film in the Star Wars franchise. If, for some reason, you haven’t seen it, here it is:
Since April 16th we have had eight days for the internet to collectively lose their minds over it. Generally in the positive way one does such a thing. I don’t typically like to follow up one YouTube video with another, but this very clever mashup that went viral soon afterwards sums it up a little too well:
Long story short, people are excited. Not even just excited, but actually and honestly emotional about this upcoming film. My Facebook feed was awash with friends raising the hype to what looked like unsustainable levels, yet I can see it only building in fervour the closer we get to December 18th of this year. Don’t get me wrong, I am also looking forward to it, but I’m tempering my enthusiasm for a number of reasons. Continue reading
Posted in film, science fiction, writing
Tagged Abrams, director, expectations, Force Awakens, George Lucas, hype, Into Darkness, Lawrence Kasdan, nostalgia, screenplay, Star Trek, Star Wars, Tim O'Neil, writer, writing
There are just so many reasons to love Sir Patrick Stewart.
He gets into the Halloween spirit, for one.
Posted in comics, Fame Day, film, games, internet, television, video games
Tagged Amnesty International, Combat Stress, Comic-Con, Comicpalooze, Doctor Who, domestic abuse, Fame Day, feminism, Hamlet, Harry Potter, Ian McKellan, Jean Luc Picard, Lord of the Rings, Men, Patrick Stewart, Professor Xavier, Refuge, respect, Ring the Bell campaign, sexism, Star Trek, Star Wars, Stargate, television, video games, Violence, women, X-Men, YouTube
Mild spoilers abound.
There are a few directions I could have gone with in writing about the new Star Trek film that came out almost a month ago. The state of the plot and racism in casting have already been covered in the wittily titled Star Trek Into Dumbness and Whiteness, respectively. No, what I’m going to be writing about is a very specific scene I mentioned in our last E>. Here’s an image of the scene in question, in case you’d forgotten:
Before I carry on in highlighting the various opinions around the internet on this, allow me to provide some context. The woman is Carol Marcus, science officer, played by Alice Eve. She leads Captain James T. Kirk into a shuttle where she proceeds to talk to him about torpedoes. As she does so she asks him to turn around, and then begins stripping. He peeks. She looks at him [pictured above], and once again asks him to turn around. He does. Continue reading
Posted in feminism, film, internet, media, morality, sex, writing
Tagged Alice Eve, apology, Benedict Cumberbatch, Carol Marcus, Conan, Damon Lindelof, Devin Faraci, director, feminism, film, gratuitous, James T. Kirk, JJ Abrams, Kirk, man card, misogyny, scene, sexy, shirtless, shower scene, Star Trek, Star Trek into Darkness, strip, titillation, turn around, Twitter, underwear, unnecessary, writer