Tag Archives: superbad

What Ever Happened To Comedy?

Comedy.

Everyone likes comedy.

You like comedy. I like comedy. Even the most dour, lifeless people on the planet (Wesleyans) like comedy.

Why then, is it so hard to find a good comedy?

Let me rephrase that- “why is it so hard to find a good comedy movie?Continue reading

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Evan and Gordon Talk: Fan Fiction

GORDON: A long time ago, in a galaxy far away, it was suggested that Evan and I discuss fan fiction and its merits (or lack thereof).

Now I’m going to jump right into things by saying that not only do I not believe fan fiction is good, I do not feel it has the capacity to ever be so.

EVAN: Okay. Why? Continue reading

Evan and Gordon Talk: Why Christian Media Is So Bad

EVAN: The particular topic of discussion that comes to us today is more one that finds itself passed back and forth within Christian circles, and that is: “Why is Christian media so bad?”

GORDON: I think the problem is self-imposed by the religion (I use the term loosely) itself. We’re not talking about a lack of funding (we’ve got plenty of good low-budget films), or a lack of good directors (there’s plenty of decent talent out there), we’re talking about an issue that runs right down the core of it all.

“Christian” media can’t just be media- they have to drag in everything that goes with it.

EVAN: So basically what you’re saying, and we talked about this a little earlier, is that Christian media more often than not has an agenda, correct?

GORDON: I’d say plenty of it has an agenda, but no, I don’t think that’s the core issue-  there’s plenty of other preachy movies out there.

EVAN: So what are you saying, exactly?

GORDON: I’m saying that “Christians” can’t make good media because they won’t allow themselves to. Every protagonist has to fit the moral code to a tee, so that they wind up as either Aslan 2.0 or the epitome of Christian morality: John Smith, the middle class suburban, patriotic family man. Which is why I keep putting “Christian” in quotation marks.

We’re not talking about Catholic peasants in El Salvador or the East Orthodox Church in Ethiopia.

EVAN: Okay, I like that a lot, this idea that those creators of Christian media [and primarily I think we’re talking about films] box themselves in. They’re telling the same sorts of stories to who they perceive to be their audience [and they’re not wrong]: white suburban middle class families.

To sort of break this up a little, I actually saw a Christian film that was reasonably passable at some point last summer.

GORDON: Was it related in any way to Steve Taylor?

EVAN: Is that any way related to “End of the Spear”? It was not, if that’s what you’re referring to.

GORDON: Steve Taylor is the only good Christian musician who ever has or ever will have existed.

But anyway, what was the movie you saw?

EVAN: It was called “To Save a Life,” and it stood out for a couple of reasons:

1) The cinematography was shockingly good for something produced and made by Christians. You can tell which movies they are within the first few seconds.

2) The “villain” of the piece was actually the pastor’s kid. Which was- refreshing, and kind of nice.

It kind of broke out of the whole stereotype you introduced earlier.

GORDON: Huh- interesting. I’ll have to check out the trailer. But let me ask you this:

Can a Christian make a James Bond movie?

EVAN: You mean a movie starring a suave, debonair British man who beds women and guns down henchmen as naturally as he dons his suit jacket every morning?

I’d say no, probably not.

GORDON: I think that’s the problem. It’s not just that you can’t have any explicit sex or graphic violence or excessive profanity (which are overused and abused as is), you can’t have anything even remotely sensual or rough or crude. It rips away reality and humanity in the name of not stepping on anyone’s toes.

Self-imposed legalism.

EVAN: Well, I’d say the difference is that you can’t have a protagonist who glorifies such things as wanton sexuality-

I say that Christian filmmakers will never produce anything like James Bond because of who the character is.

GORDON: Did you like the movie “Fight Club”?

EVAN: I liked it a fair amount.

GORDON: Did you like “Ocean’s 11” or “Snatch”?

EVAN: I haven’t seen the latter, but I very much enjoyed the former.

GORDON: Did you like “Superbad”? “Kick-Ass”? “Ironclad”?

EVAN: I enjoyed aspects of the first, thought the second was a shaky, though fairly decent adaptation of the source material, and thought the third was pretty unfair in its depiction of “strong female characters.”

But I think you’re going to have to get to your point-

GORDON: Could a Christian make any of these movies?

EVAN: I think a Christian could, yes. In relation to “Fight Club”, at least, Christian author Ted Dekker has penned novels [sold both in and out of Christian bookstores] which offer a fairly decent psychological thriller aspect to the reader.

GORDON: Ah, Dekker. The whole reason he stands out as an exception is- I believe- that he grew up among Indonesian headhunters, and not in Middle America. Again, it’s about having that different perspective on life.

EVAN: And I think what he’s realized, as a creator of the arts, as someone who has a hand in shaping Christian media, is that you can have these other sorts of exciting, thrilling stories told with a faith-built worldview. People of every religion want a little excitement.

GORDON: Of that there’s no question. The heavy use of the video library at our school stands in testament to that.

But again I think the issue is that “Christian” self-imposed isolation inevitably leads to the vast majority of their work winding up as “White People Problems” or “Chronicles-of-Narnia-minus-the-good-stuff”…

EVAN: Or “Lord-of-the-Rings-but-way-more-heavy-handed.”

GORDON: Exactly.

EVAN: I mean, we’ve talked a little bit about why Christian media can be bad [terrible production values, cookie-cutter story lines, sheer absurdity], but how could it be better [to harken back a little to our last talk]?

GORDON: They have to stop being terrified of the big bad world. They have to realize they can show characters with flaws- real flaws- not drunkard stereotypes and the occasional swear word.

Saying this will get you expelled from Liberty, Pensacola, and BJU

EVAN: I mean, a deeply flawed person who finds redemption is a much more compelling story than a white bread sort of guy with his middle class problems.

And they have to stop coddling their audience. Yes, Christians turn to Christian media for “better alternatives,” but the odd cuss word won’t negate an overall positive message; neither will a fight scene, or two guys sitting around enjoying a beer.

GORDON: There’s this one scene in a (Christian) movie Steve Taylor directed:

A character hurts his hand loading something into the back of van. He lets loose a cuss word and his buddy chides him for it, saying “God don’t like it when we cuss.”

Later on in the film, the buddy hangs his head and apologizes, saying “I’m sorry. I was upset that you cussed- I should’ve just been upset that you hurt your hand.”

EVAN: Wow. That is very, very good.

GORDON: That right there is the problem not just with Christian media, but with the whole religion.

EVAN: Misplaced priorities.

GORDON: More obsessed with present clean-cut paragons of middle class etiquette than anything really real.

That’s why we turn to “secular” movies for actual substance. The struggle for identity in “Fight Club”, the heroism in “Kick-Ass”, the friendship in “Superbad.”

EVAN: I think what’s really ironic is that Christian media-makers have a Christian-made work out there that’s immensely popular. “The Hobbit: An Unexpected Journey” came out just this past December.

GORDON: I again reference an (alleged) quote by Steve Taylor.

“I’m not a Christian artist- I’m an artist who is Christian- it affects what I do.”

EVAN: Really well-put. And something that a lot of us [I speak for many in our graduating class] as writers, musicians, artists, et cetera would benefit from keeping in mind.

And that puts us more than a little overtime.

GORDON: Well, people, you know what that means. Time to vote on our subject for next week.

EVAN: My contribution this time around is . . . wow, I never think ahead . . . masculinity. You’ve done a post about “Manly Culture” in the past, but I want to talk about what it is at present, and how we feel about the shifts and trends and things.

GORDON: Interesting subject. I submit we speculate on the upcoming Star Wars movies.

EVAN: If you think you’re up for it, then yeah, cool. I’ve read quite a few of the post-original-trilogy books, so I know a reasonable amount about the subject.

GORDON: Nerd.

And with that witty response, we’re out! Have a good night, everyone.

EVAN: Spend it with better friends than Gordon.

Bad Influence

Last night, I watched Brideshead Revisited, and let me tell you, it is one festering pile of garbage.

Seriously, **** this movie…

Now before anyone launches into a tirade- yes, I am aware that Brideshead was originally a novel and, from what a lot of critics have said, one that was infinitely better than the movie, the later of which reduced all of the author’s points on culture, religion, and relationships to a couple hours of pretty set design and not much else. Simple fact of the matter is Everyone Poops could have been adapted for the big screen and still have been better than this confusing mess.

Michael Bay was going to, but the book was too cerebral for him…

Look- I can’t speak to either the novel or the author. People who have read the book say it was better than the film, and while I have difficulty believing that, I’m willing to give them the benefit of the doubt. I’m not hear to address that- I’m here to address the fact that someone at some point did actually think that what they presented in the movie was somehow not only worth watching, but worth paying for.

It aint- in case you haven’t gotten that message yet…

I’m not a fan of British period-pieces; if I wanted to see eloquent people with miserable lives, I’d talk to English majors.

What we have in this movie is a group of extremely rich youngsters lounging about an elegant mansion, downing enough alcohol to make newyears in Vegas look like a Baptist ice-cream social, and whine and wail for over half an hour about how miserable their lives are. Not in any existentialist sense, mind you- these characters aren’t disillusioned with luxury, they’re just frustrated that they can’t have everything that they want when they want it the way they want it. This is essentially Walden without any redeeming qualities- just pasty, entitled brats with delusions of insight, giving trailing speeches about their long “suffering”.

And I’m not bringing this up just because one movie sucked- this seems to be part of a greater problem in our culture. I’ve seen the same kind of problem in the film I Love You, Man.

Back in college, my housemates loved this movie. Suggested it every movie night just to see me shiver with horror and disgust. In case you’re not familiar with the plot line, let me break it down for you:

Peter’s getting married. Peter simply doesn’t have any guy friends outside of his brother (played by Andy Samberg, who was the only good part of the movie), and he one night overhears his fiancee’s vile, harpy collection of friends gossiping that it’s weird Peter’s not going to have a best man at his wedding. Peter, who apparently bases his self-esteem on the idle chatter of obnoxious strangers is filled with self-doubt and embarks on a quest to get himself a male friend- because, you know, what will his future wife’s evil friends think of him if he doesn’t?

If you’re trying to jump through the screen, grab this guy, and slap him across the face while screaming quotes from Nietzsche- don’t worry, that was my first reaction too. How we’re supposed to sympathize with this self-pitying sadsack is beyond me- the guy makes Ted from Scrubs look like Teddy Roosevelt by comparison.

I’m not trying to say that every character in a movie- or even every main character- has to be someone admirable. Just look at American Psycho. I’m not saying that these characters have to be ultimately successful. Just look at Goodfellas or The Godfather trilogy. I’m not saying that the characters have fit a classic/stereotypical form of “manliness” (in the case of male characters, anyways)- just look at Zombieland, Superbad, Napoleon Dynamite, or Scott Pilgrim vs the World.

Between movies like Brideshead Revisited, I Love You, Man, and pretty much every romance movie that ever has or ever will be made, there’s this common attitude of entitlement, self-pity, and melodrama.

Ok, you could kill yourself or- OR– spend some time working at a homeless shelter, petition on behalf of political prisoners, overthrow corrupt dictatorships since you are, y’know, immortal…
Just say’n…

Now I know you must all be saying “But Gordon, you charming devil- what’s the big deal? So what if a section of film is dominated by this lousy message of egocentricity, ignorance, and impotence?”

Let me show what the big deal is.

See this guy here? This is goth shock-rocker Marilyn Manson. If you’re not a fan, chances are you’ve still heard of him- in the days that followed the Columbine Shootings, Manson was argued by many conservative and religious critics as having been responsible for influencing the shooters. And obviously, that’s just a single example- whether it’s true or not, we’re all familiar with the outcry against violence in the media- be it anything from video games (see any GTA game) to music (Wu-Tang Clan aint nothin’ to fornicate with) to movies (just take your pick).

Let’s assume, just for a minute, that this is all true. I’m going to discuss the whole “does-violence-in-media-cause-more-violence?” question later in the week, but for now, let’s just say that the answer is “yes”. If these things have a serious negative effect on the views- especially young viewers- and deserve to be censored or even banned on that logic, surely the same can be said for the equally detrimental attitudes and actions (or lack thereof) found in movies like Brideshead Revisited and the like. What do these things teach us?

I was going to say “Stalking and manipulative relationships are romantic”, but I really didn’t have the stomach to slog through countless Twilight posters looking for Edward crouched in the window- enjoy this picture instead…

Again- the problem isn’t with romance as a concept or a plot device or anything like that. I’m not a sensitive guy in even the loosest use of the word, but despite my callousness, I really don’t have a problem with romance- it’s just that romance, as a genre, tends to produce these awful, reprehensibly selfish attitudes, and at the same time make the actual relationships pretty dumb as well. Though no one is ever going to admit it, couples like House and Cuddy or Scully and Mulder are both more believable, moving, and inspiring at their worst moments than any Romance film couple at their best.

Obligatory “Still a Better Love Story Than Twilight”…

What else can I say? Romance movies, and indeed, all media that promotes this whiny, entitled message seems to be just as harmful- if not more- than the bloodiest action flick or the most violent rap or rock. I’d be just as worried about the effects of such media on young minds as I am about the most car-stealing-liest-prostitute-beating-iest video game ever made. Allow me to leave you with this brilliant tweet from comedian Dave Chapelle to drive my point home.