On Thursday and Friday UVic hosted Lisa Nakamura, Collegiate Professor from the University of Michigan, to speak about her research on Digital Media and Race, Gender and Sexuality. Nakamura has been writing about digital media since 1994. While she has written several books about race and the internet, some of her shorter pieces focus on things like “The Racialization of Labour in World of Warcraft”. In order to feel qualified to write about platforms like World of Warcraft, she spent hours playing the game herself.
On Thursday, Nakamura’s talk was titled “The Digital Afterlife of This Bridge Called My Back: Women of Color, Feminism and the Internet”. She began by giving a brief overview of the book and explained why it matters so much.
As an anthology that prioritized written work by women of colour, This Bridge Called My Back responded to the whitewashing of feminism long before movements like the #SolidarityIsForWhiteWomen hashtag began to highlight the problem. This book also introduced the concept of intersectionality, which has since become a key element of feminist theory.
Unfortunately, since it’s original publication the groundbreaking collection has struggled to remain in print. According to Wikipedia,
“The anthology was first published in 1981 by Persephone Press, and the second edition was published in 1983 by Kitchen Table: Women of Color Press. The book was out in its third edition, published by Third Woman Press, until 2008, when its contract with Third Woman Press expired and it went out of print.”
The book’s struggle to remain in print made it an “artificially scarce commodity” and drove up the price. At its inflated price, the book’s authors might even have been unable to afford their own work.
My first contact with anything Blizzard Entertainment-related was when a kid much older than I found a copy of WarCraft II: Tides of War on our aging PC in the Philippines. I found the fantasy story gripping, but as a child who drew far more than he wrote [a ratio clearly flipped on its head nowadays] it was the visuals that really grabbed me.
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