With the 89th Academy Awards coming in just a few short days I’m grateful for the opportunity to interview director Juanjo Giménez and pick his brain about Timecode, which has been nominated for Best Short Film.
This comes roughly two weeks after my review, and I made the most of the occasion by trying to unpack so much of what I enjoyed about this particular piece of work. While I was only able to ask so many questions, I hope that Giménez’s answers help shine a little light on why Timecode was considered for this great honour, as well as why it might deserve it.
To start with, it’s almost no surprise that Timecode was nominated for both an Academy Award and a Goya Award given your impressive filmography. Has having written, directed, and produced so much award-winning work changed your approach with each new project?
I don’t think so. I think that no filmmaker thinks about awards or recognition when making a new film. In our case, financing every new project has always been difficult, even if the previous film has been a successful one. The only thing that is essential for approaching a new project is the need to make it.
It’s notable that much of the work you’ve received the most attention for are your short films. What is it that appeals to you about that particular format?
Timecode is my ninth short film as director. I learned that short films usually fit the way I approach filmmaking better. And what’s more important, there’s nothing wrong with that! That doesn’t mean I won’t make a feature film again, but shorts provide a great platform for experimenting without the financial struggles that usually constrain a fiction feature. Even if I speak as a producer, in terms of financial results, my shorts have always been more profitable than my features. Continue reading →
Posted in art, dance, film, interview, media, writing
Tagged Academy Awards, acting, actor, Best Short Film, choreography, cinematographer, composer, dancer, dancing, interview, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, nominated, Pere Pueyo, performance, review, score, security guard, short film, Timecode
“Actions speak louder than words.”
That’s a difficult motto to live by on a blog, but a crucial one in regards to short films given their limited run time. Considering the fact that you could fit the dialogue in Juanjo Giménez’s Timecode on a single sheet of paper only elevates its importance.
With a handful of award-winning short films [including Rodilla and Maximum Penalty]
already to his name the Spanish director’s latest features two security guards who work in an underground parking garage, one taking the day shift and the other the night. Playing Luna and Diego are Lali Ayguadé and Nicolas Ricchini, respectively, and although their shared acting experience is limited there’s no question of their being talented performers.
Both Ayguadé and Ricchini have impressive careers as dancers and choreographers, and their remarkable control over their bodies causes them to imbue every movement with purpose, whether it’s stiffly brushing past each other or jogging back up a hallway to clock-in to work. This even extends to the corner of a mouth being raised ever so slightly. This largely wordless short film might collapse in on itself with different talent, but the duo make it look effortless. Continue reading →
Posted in art, Europe, film, music, relationships, review
Tagged acting, actor, choreography, cinematographer, composer, dancer, dancing, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Since the movement’s inception in the wake of the murder of Trayvon Martin, the Black Lives Matter campaign has taken its share of criticism. As the number of unarmed black men killed by the police has mounted over the past years, so have the responses from- and towards- the movement. So much so that they’ve become cliche at this point. Still not so cliche that we won’t try to respond to ’em, however.
Let’s imagine, if you will, a world where white folks are also the victims of police brutality. Where white folks have been arbitrarily discriminated against on the basis of their ethnic, national, and religious background. Where exploitation and oppression have left enormous swathes of white folks in abject poverty.
Imagining that world should be pretty easy, because it’s the one we live in now. But let’s say that a movement existed to argue that maybe- just maybe- random violence inflicted by the state on white citizens isn’t something that should just be suffered silently. I’m betting we would still have people who sound like this:
I’m white and I hate white lives matter.
And because I’m white I can say that and it somehow feels more justified. Like “well, he’s white– so you know he’s got more authority to speak on what is and isn’t acceptable behavior for other white people.” Like with clothes.
We all know that sagging your pants is an offense that should allow cops and
scared white folks who embarrass self-respecting gun-owners vigilantes to kill you on sight, so what about these guys?
I mean, this guy’s wearing a wife beater, a gold chain, and he’s got slicked back hair. You know who else wears clothes like that? That’s right- the mafia.
I mean, I assume so.
Truth be told, I’m not a criminologist and I can’t really claim to know what all criminals wear, but I’m going to assume it looks like this because having to think for extended periods of time makes brain go hurt-hurt. But I see someone who fits the image that the media has created for me and I just go “well if TV says a thug looks like this, then this guy must be a gangster. When has TV ever lied?” Continue reading →
Posted in America, bizarreness, Canada, crime, feminism, gender, government, history, morality, news, politics, race
Tagged 2011, All Lives Matter, bigotry, Black Lives Matter, black on black, BLM, block roads, crime, feminism, Johnny Cash, media, music, police, police brutality, poverty, Protest, racism, racist, Stanley Cup, trailer park, Vancouver Riots, Violence, white lives matter, white on white
I struggle with the priorities on my Facebook feed.
Like many other millennials, I get a lot of my news from scrolling through Facebook. I try to follow as many different news sources as I can, hoping to hear information from a variety of perspectives. I’ve never deleted anyone simply because they have a different opinion, since I need to be reminded that my opinion is far from the only one.
That said, I live in a nation of privilege. From my home in Canada, I am more often than not bombarded by “First World Problems” that seem to pale in comparison to news from other some nations that splash across my screen, albeit much less often.
This week, the news bombarding my Facebook feed has been reports of Kesha’s case against Dr. Luke. According to Rolling Stone, “last week, a New York judge denied Kesha a court injunction that would have allowed her to record new music outside of her record label Sony Music and working with producer Dr. Luke.”
While this story initially seems like a simple case of an artist being forced to honour her contract, it is complicated by Kesha’s accusation that Dr. Luke sexually assaulted her early on in their professional relationship. Continue reading →
Posted in feminism, media
Tagged #FreeKesha, abuse, acid attack, artist, backlash, celebrity, columbia, count injunction, court, Demi Lovato, Dr. Luke, engineers, false accusation, gender gap, Jian Ghomeshi, judge, Kelly Clarkson, Kesha, Lady Gaga, Lukasz Gottwald, music, musician, privilege, producer, Protest, rape, saudi arabia, Sexual Assault, Sony, Sri Lankan Maid, Steve Haruch, stoning
New Avengers #1 (Vol. 5). Written by Jonathan Hickman, illustrated by Steve Epting.
Yesterday morning it was announced that British actor Alan Rickman had passed away from cancer. At the very beginning of this week it was revealed that musician David Bowie has suffered the same fate. As social media was filled with mournful statuses and 140 character eulogies I couldn’t help but be drawn back to a post I wrote almost three and a half years ago called “Celebrity Mortality and Actual Loss”.
In it I drew a comparison between Michael Clarke Duncan, and other such famous people who had died within the past month or so, and my grandmother, who breathed her last in the ICU of a Toronto hospital just the day before. When rereading it in preparation for this post it was impossible to ignore the bitterness that lay right beneath the surface, the pain still so fresh from the loss I had just experienced.
It’s been a while since then, long enough for the years to dull the hurt and extinguish any anger I might have once felt towards a world that appeared to haphazardly allocate its sorrow. Now, years later, my Facebook feed filled with dozens of Ground Controls hailing Major Tom, I find myself on the opposite side of the spectrum, feet terrifyingly close to being planted firmly in indifference.
Which, understandably, makes it look like I’m not doing so hot on the scale of emotional maturity. Continue reading →
Posted in art, bizarreness, celebrity, family, film, internet, music
Tagged actor, alan rickman, celebrity, david bowie, death, eulogy, everything dies, grief, grieve, impact, internet, life, loss, mortality, mourn, music, reaction, sad, sadness, sorrow, trending
Back when this blog started up, Evan and I had a discussion about a lecture given by Socialist novelist China Miéville. During that lecture, Miéville commented that “if one person hears what you’re saying and does something horrible, the issue’s probably with them. If hundreds of people consistently start doing horrible things, it’s probably time to re-examine your message.”
Those words returned to me a few months ago as I watched Family Guy’s “The 2000-Year-Old Virgin”, which depicted Jesus as a cowardly shyster, lying about being a virgin in order to bed Lois Griffin (and more than a few other women).
Family Guy: Season 13, Episode 6
Grotesque? Repulsive? Offensive beyond all description?
For me, it wasn’t.
It was certainly far from being funny, but readers, yours truly simply was not offended.
As sacrilegious and bitingly edgy as I’m sure the writers thought the story was going to be, I was merely disappointed by it. While I’m not going to excuse the laziness or insensitivity of Seth MacFarlane or any of Family Guy’s writer’s, I actually don’t think the majority of blame should be placed on them.
I think it should be placed on Christians.
Continue reading →
Posted in Uncategorized
Tagged art, Axe Cop Saves God, Christian, Christianity, Christmas, Contextualize, dali, Darren Aronofsky, episode, Facebook, Family Guy, Futurama, God, Godfellas, gun, I see no God up here, Isaac Asimov, Jesus, literature, Megan Kelly, Miracle, music, Noah, Odin, One Like Equals One Prayer, Our Lady of Nagasaki, race, The 2000-Year-Old Virgin, The Last Question, white, Yuri Gagarin, zues