Tag Archives: Batman

Stop Fan-Casting Neil Patrick Harris

A long, long time ago, back before it was announced that Bane would be the “big bad” in this summer’s The Dark Knight Rises, Bat-Fans everywhere were talking villains. Who would square off against the Caped Crusader next, and who would play him or her?

The most popular pick was The Riddler, as he was deemed the one most suited to Nolan’s gritty, realistic world. It didn’t take long after that for people to settle on the actor most qualified to take on the role: Neil Patrick Harris.

This was popular enough to warrant at least two separate Facebook petitions, fan-made posters [see above], and even a fake movie trailer. A month before the actual film hit theatres everywhere the people at ScreenCrush decided to announce that they too thought that NPH looks like the Riddler.  He was even the picked for the role in a post on this blog that I did not write; just a reminder that my fellow writers and I will (and do) not always agree.

Even more recently, I read a post on reddit titled “My personal pick for the flash.” The accompanying image was a photo of Neil Patrick Harris. I disagreed, and, before you fly into some/any sort of rage, let me defend myself.

I love How I Met Your Mother. That being said, I really, really enjoy the character of Barney and the nonstop energy and enthusiasm the actor brings to the role. It’s how most people know the guy, and I can see why most people are struck with how, well, awesome he is. But after I saw the aforementioned post on reddit and composed a reasonably put response, I knew what I had to do:

To start with, let me list the last few movies in NPH’s filmography, in descending order:

  • American Reunion [2012]
  • The Muppets [2011]
  • A Very Harold & Kumar 3D Christmas [2011]
  • The Smurfs [2011]
  • Beastly [2011]

Comedies and children’s films. To be fair, Beastly appeals to more of a younger, Twilight-loving crowd, and it’s also where Harris plays his most serious role: a blind, wacky, wisecracking tutor.

That’s not to say that he can’t pull off emotional depth. HIMYM‘s Barney doesn’t go through every relationship like it’s nothing, and more than a few times has to face the fact that maybe he does want love, or at least stability. Dr. Horrible’s Sing-Along Blog, which you should all watch if you haven’t, is a really enjoyable musical about a supervillain, but also has some deeply heart-wrenching moments.

In spite of all that, I just don’t think Neil Patrick Harris has what it takes to take on the role of a member of Batman’s rogues gallery, or don the cowl of the Fastest Man Alive. Just because he voiced Nightwing in the very well-done animated film Batman: Under the Red Hood doesn’t make him qualified to do anything similar live-action. The headlining role in an independently done musical is not the same as a film in a huge franchise.

If his HIMYM co-star Cobie Smulders’ performance as Maria Hill in The Avengers is any indication, he won’t do a terrible job, he just won’t do great. Neil Patrick Harris is an immensely talented actor, singer, and dancer, but I don’t believe he’s not the next big thing in comic book movies. Feel free to disagree.

Fame Day: Kris Anka

Today’s Fame Day post is dedicated to the artistic genius of Kris Anka. I’ve been following his work on the superhero redesign blog Project : Rooftop for some time, and was thrilled to see him get the recognition he deserves on ComicsAlliance yesterday.

Apparently Anka had been hired by Marvel to design the costumes for the new Uncanny X-Force series, and he puts his own spin on the new roster of Storm, Psylocke, Spiral, Puck, Lady Fantomex, and their nemesis Bishop.

The biggest changes are in Psylocke losing the unitard for more of a full body suit, and Storm reverting to her 90s look with a fantastic-looking mohawk. Utility was definitely prioritized, and story as well. Working with Uncanny X-Force writer Sam Humphries it was decided that the grey in Spiral’s outfit should be opaque. This fit with the knowledge that Spiral was a character was “a little more confident in her sexuality,” without making the costume’s raciness over-the-top .

Anka’s design philosophy for the team is as follows:

The costume themes were something from the very beginning that I wanted to strive for. I felt that every costume should not only highlight the personality of the character it is wrapped around, but also of the function that the costumes will serve towards. At the end of the day, these costumes have to look like they can get into a tussle, and actually be able to handle it.

This certainly translates over to the many other redesigns that can be found on his various art blogs, and one I want to highlight is his version of the  Avengers.

From left to right: Iron First and Crystal, Ares and Ms. Marvel, Iron Man and Venus, Bucky (Winter Soldier) and Thor.

In another illustration, entitled “avengers – dont f-ck with us,” the entire team is explained in the description, with the idea that he wanted his Avengers to be “a family first off.” Ms. Marvel acts as leader, Venus as a strategic asset, Ares carries Stark-designed weapons that can collapse in on themselves. Every design point has a reason, and it all adds up to clean, recognizable  costumes.

His redesigns for DC’s trinity [Superman, Batman, and Wonder Woman] are images I go back to over and over. His vision of the the Last Son of Krypton shows that you can do away with the red shorts over blue tights, provided you break it up with a little bit of colour [the yellow buckle, the red lines on the side]. I’m looking at you, costume designer for Snyder’s Man of Steel.


All in all, Kris Anka is a name to look out for. In the ComicsAlliance interview Humphries admits that “My only wish is that we could keep going until we redesigned the entire Marvel Universe!” If only that were true.

You can find Kris Anka on various places on the internet:

deviantART: http://anklesnsocks.deviantart.com
Blogger: http://anklesnsocks.blogspot.ca/
tumblr: http://kristaferanka.tumblr.com/
twitter: https://twitter.com/kristaferanka

And don’t forget to search for his stuff on Project : Rooftop!

Batman: The Dark Knight Re-Cast

Before we begin, I want to make something clear: I have not seen The Dark Knight Rises. I can’t speak to the actors or the story or Nolan’s heretical-yet-genius take on either. I am further not saying that the actors in the trilogy didn’t do a good job- they were great, however this is Culture War Reporters, and with Batman (and the whole DC Universe) being so popular right now, and with Nolan leaving for other projects, we really can’t help but speculate if Batman were to be re-done, who would be the best fit for the characters?

Bruce Wayne/Batman:

Actor: Michael Fassbender

Why We Want Him: We here at CWR aren’t the first (by a long shot) to speculate on Fassbender for the caped crusader. Simple fact of the matter is, the Irish-German actor has both proven to have the suave poise needed for Bruce Wayne (see his roles in Inglorious Basterds or X-Men: First Class) and the brutish physicality needed for Batman (see his roles in Hunger or 300). Beyond all that, the man has got the strong, square-jaw typically more associated with Batman, which while not required for a good Batman (just look at Bale) is still a plus.

Cons: I’ve never actually heard him do an American accent, so I am gambling a bit here.

Alfred Pennyworth:

Actor: John Cleese

Why We Want Him: Because he is John ****ing Cleese, one of the funniest men to have ever ministry-of-silly-walked the earth. While Michael Cane did a great job as Alfred, like Fassbender, Cleese simply looks more like the classic depiction of the Wayne’s stalwart servant.

Cons: Standing at 6’5″, Cleese is bound to dwarf everyone else on scene with him.

Dick Grayson/Robin/Night Wing:

Actor: Jensen Ackles

Why We Want Him: Obviously, this isn’t the same Robin that wears a bright yellow cape and red outfit, because, you know, who needs stealth? Ackles, simply put, has the height and build to serve as a believable counterpart to Fassbender, as well as the acting chops to match the devil-may-care personality Nightwing is usually portrayed as having.

Cons: When I was drafting this list, I told myself that I wouldn’t use anyone who had already been in a Batman movie, and as Ackles did the voice for Jason Todd/Robin in Batman: Under the Red Hood (which is a surprisingly good movie), I am sorta cheating here.

Selina Kyle/Catwoman:

Actress: Olivia Wilde

Why We Want Her: Let there be no mistake- Catwoman is no easy character to play, and many a fine actress has attempted to take on the role, only to get scratched. I won’t say that I think Wilde is at long last the one who will nail it, but rather, if I was a gambling man (which I am), my money would be on her.

Cons: Like I said, it’s a gamble with any actress- runners up would be Noomi Rapace, Zoe Saldana, or the reanimated body of Eartha Kitt. Another major point would be that Wilde, to the best of my knowledge hasn’t (to my knowledge) been in any major action roles.

The Joker:

Actor: David Tennant

Why We Want Him: Not only does Tennant look the part, but on nerd-credit alone makes for a valuable addition to the movie. We’re talking about the zaniest Doctor Who and a member of the Royal Shakespeare Company. In short, we have an actor good enough to do Shakespeare, who already has a history of playing semi-psyhcotic characters, who has a rabidly loyal fan following, and who has the perfect facial features for a classic Joker.

Cons: Tennant is just slightly taller than Fassbender, which while certainly making for a scary Joker, might be a bit much. Vincent Cassel might make for a decent alternative, only I’m not sure he can do an American accent.

Commissioner Jim Gordon:

Actor: Byran Cranston

Why We Want Him:
It was Evan, actually, who suggested Bryan Cranston (of Breaking Bad) for the role of Commissioner Gordon, and while I would’ve initially cited Stacey Keach as the logical choice, Cranston, while not quite as heavyset as your classic Jim Gordon, is one powerhouse of an actor (seriously, go watch Breaking Bad).

Cons: Let’s face it, Cranston, as good as he is, does look a little like Gary Oldman’s Commissioner, and there’s a decent chance that you’d have that constantly gnawing at the back of your mind while you watched the movie.

Barbara Gordon/Batgirl/Oracle:

Actress: Emma Stone

Why We Want Her:
Emma Stone is already established as a good actress (see The Help or Superbad), and unlike Wilde, has had a bit of action experience in Zombieland, and if rumors are correct, is going to be doing some action in an upcoming film called “Gangster Squad“.

Cons:
Barring her role in Zombieland action roles, I don’t know of any other action roles Stone has had, which for playing Batgirl is obviously an issue, though that could be avoided by simply skipping ahead to Oracle. Plus she just played Gwen Stacey in The Amazing Spider-Man. Felicia Day would make a decent runner-up.

Edward Nigma/The Riddler:

Actor: Neil Patrick Harris

Why We Want Him: Look at him. Look at him! That is Neil Patrick Harris, and he is amazing. Look up the word “Awesome” in the dictionary. Do you see a picture of him? No, because that’s how awesome NPH is- if they put a picture of him in the dictionary nobody would ever read anything but the “Awesome” definition all the time. This guy would make a- no, the– perfect Riddler.

Cons: There are no cons- how dare you even read this! Though if NPH was too busy being awesome to play the Riddler, Steve Buscemi would be a nice backup.

Oswald Chesterfield Cobblepot/The Penguin:

Actor: Patton Oswalt

Why We Want Him: Besides his short stature and general pudginess, comedian Patton Oswalt is a huge comic book fan, and offering him the role of the Penguin seems only right and natural.

Cons: Other than his voice acting, I don’t believe I’ve actually seen Oswalt in any films, and in off-chance his live action work isn’t up to par, there’s always Tobie Jones.

Pamela Isley/Poison Ivy:

Actress: Bryce Dallas Howard

Why We Want Her: Howard can already do some decently evil characters (see her role in The Help), and on top her general acting abilities already looks the part of the deranged eco-terrorist, Poison Ivy.

Cons: Yet again, we’re faced with the issue of a lack of any action roles to serve as evidence that Howard would do well here. Plus she was apparently in one of the Twilight movies, which is the general moral equivalent of clubbing a baby seal to death using another baby seal.

Jonathan Crane/Scarecrow:

Actor: Kevin Bacon

Why We Want Him: If you’ve ever seen the film The Hollow Man, you really wouldn’t need to ask.

Cons: The man is getting on in years, and his incarnation of the Scarecrow would probably more of an intellectual and physical antagonist.

Victor Fries/Mr. Freeze:

Actor: Hugh Laurie
Why We Want Him:
I had some difficulty trying to figure out who would make a really good Mr. Freeze (Jim Rash was my first reaction). Evan suggested Hugh Laurie, and after some consideration, I guess I can see it- it’d be neat to see Laurie in the role of the villain, at the very least.

Cons: None. The back story of Victor Fries is so touching that not even Arnold Schwarzenegger could butcher the moment they revealed it back in Batman & Robin.

Dr. Harleen Francis Quinzel/Harley Quinn:

Actress: Kristen Bell

Why We Want Her: I wasn’t aware of this, but apparently there’s this push among Bell’s fans (you might remember her from Heroes, just before the series started to tank) for her to play Harley Quinn. Hey- give the people what they want.

Cons: Seeing as how Bell has already had some experience playing a super-villain, there’s really not a whole lot negative to say here.

Bane:

Actor: Jason Momoa

Why We Want Him: Look, I haven’t seen Nolan’s Bane, so I can’t make any comparison there, and with regards to the character in general, despite the whole “Count of Monte Cristo on Steroids” backstory, I’ve only ever seen Bane portrayed as a thug juiced-up on venom. Regardless of which way you’d want to take the character in a reboot, the man for the job is Jason Momoa (Conan the Barbarian, HBO’s Game of Thrones). The man is a freaking beast.

Cons: I’ve seen Momoa in Conan and Thrones, where he’s got a clear physical presence, but I really can’t say if he could hit the intellectual side, and really be Moriarty to Bruce Wayne’s Holmes.

Homeless Guys 1 and 2:

Cameos: Frank Miller and Alan Moore

We We Want Need Them:

As much as Miller is a raving, qausi-fascist lunatic and Moore a man who thinks he’s a wizard, it can’t be denied that both of these men have had a major impact not only on Batman, but on the world of comics- having them pass by in a seen would be, in my own opinion, a neat little salute (not the kind Miller likes, though).

Cons: There’s a strong possibility that Miller will go on a rampage when the moon wanes into a crescent, frothing at the mouth (Miller, not the moon) and swearing it’s part of an Islamic global conspiracy to destroy America. Moore will huff set paint until the voices in his head start singing in key.

Nolan, Jefferson, and The Batman

Keep on reading, this’ll make sense.

In the year 1820 Thomas Jefferson shared with a number of his friends a book
he had put together entitled The Life and Morals of Jesus of Nazareth. It was, in essence, the four gospels [Matthew, Mark, Luke, and John] in chronological order. What truly differentiated it from the Bible was the omission of all references to angels, prophecy, references to Jesus divinity and resurrection, and miracles.

In the year 2005 Christopher Nolan’s film Batman Begins made its way into theatres, spawning a trilogy and getting the ball rolling for dozens of “grim and gritty” remakes. In an interview with The Guardian the director said that he “[tried] to do it in a more realistic fashion than anyone had ever tried to [do] a superhero film before.”

The parallel I’m trying to make should be obvious to any Batman fan, either of the comics or the animated series. Having finally seen The Dark Knight Rises this Tuesday and finishing the trilogy, I can finally say this with confidence that Nolan has done to the Batman canon what Jefferson did to the Bible.

These two men have something against the improbable.

To make things clear, I like Nolan’s Batman movies. He took a concept as seemingly ridiculous as a vigilante crimefighter who dresses up like a bat and somehow grounded it. On top of that he forced us to accept the fact that comic book movies can be more than entertaining, they can be awe-inspiring as well.

An issue that I had with Christopher Nolan and his films was the staunch inability to embrace anything even vaguely fantastical. The problem with that being that the concept is, as I just mentioned, a vigilante crimefighter who dresses up as a bat. With that in mind, maybe the imagination can be stretched just a little more to accommodate a psychopath whose makeup can’t wash off, or a badly scarred man with a deeply split-personality.

Furthermore, by thinning the line between reality [that of the audience] and art [the film being watched] questions are forced to arise. If this is the real world, why didn’t the kidnapping of a Chinese national from his homeland spark an international debacle [The Dark Knight], and <SPOILERS> how is Bruce able to make the jump to escape the prison given the damage in his legs [The Dark Knight Rises]? The films lower our suspension of disbelief, and with our guard down we become quick to ask why.

In his film Captain America fought pseudo-Nazis with energy weapons and tanks as large as houses. The audience never questioned this because although the film had some sort of anchor in a real-life event [World War II], we still understood that this was a world with one foot in the fantastic. If we can believe that a scrawny kid from Brooklyn ingesting a “super solider serum” can help the Allies win the war then we can just as easily believe that Hitler’s “deep science division” is led by a man whose face looks like a red skull.

Taking the “magic” out of the Batman mythos was no easy task, and Nolan threw a lot out when he decided what his approach to the canon would be. Scarecrow’s fear gas got the go-ahead, but not the Joker’s laughing gas, or the Venom that Bane uses to grow stronger. Batman could be called by name, but not Catwoman. Batarangs can be seen, and used, but the Batmobile must be free of any visual associations with the character.

Nolan was free to pick and choose what he wanted, and in many ways simply used Batman and his world to tell the stories that he wanted to tell. This is somewhat lost in the third film due to its connections to actual events in the comics [Knightfall and No Man’s Land, though that’s a post for another time], but for the most part he co-wrote the stories and screenplays for all three films. In another interview he states that “I don’t think our Batman, our Gotham, lends itself to that kind of cross-fertilization,” in response to a question about heroes co-existing between films akin to the Marvel Cinematic Universe.

Having stated that, I must admit that I have to view Christopher Nolan’s trilogy of Batman films as- something else. Something not Batman. Batman would never kill purposefully [letting someone die, Batman Begins], accidentally [tackling Harvey Dent, The Dark Knight], or not react to the deaths of others [all throughout The Dark Knight Rises]. I guess I view them as Batman movies about as much as I view the apocrypha part of the Bible. They can be good, and even beneficial, but ultimately miss the mark somehow.

Is Batman a Fascist?

Earlier today, I came across this article over at Kasama and I felt that the subject material was topical enough for me to put the difficult issue of violence in media (which I had promised to write on earlier this week) on the back burner.

Is Batman a Fascist?

It’s not the first time the question has come up regarding superheros- in fact, it’s the idea has been around for a while, but with the popularity of Nolan’s trilogy, the debate has again found itself in the mainstream- or at least, as mainstream as comics get.

Of course you could approach this whole debate with some skepticism- with every major event, there’s always some stylishly iconoclastic deviation, like the argument that the Civil War wasn’t actually about slavery, or the like. The critique of superheroes as being responsible for supervillains (see the “escalation” conversation at the end of Batman Begins) could be argued to be the latest soapbox for contrarians. That said, it can’t be denied that the arguments against Batman have some really solid points (just look at anything on him over at Cracked.com)

Let me break the argument down to it’s basic points:

  • Batman is just an out-of-touch, or straight up disturbed, rich kid who uses his wealth to nurse pathological guilt over his parent’s death. Had he been poor, he probably would’ve wound up being the kind of petty criminal Batman typically takes out.
  • Batman’s very existence creates a cycle of escalation- in response to his extreme vigilantism, extreme criminality is created.
  • Batman acts outside the law, respecting no privacy, due process, or legal rights of any kind. He uses force to try to create a world compliant with his own personal morality.

That’s all pretty hard to argue with, but I’m going to try it anyways. Continue reading

American Heroes and the British Men Who Play Them

Everyone’s talking about this “Asian Invasion” of basketball, but general interest due to someone of my ethnicity garnering fame aside that’s not what I want to write about today. I’m writing about a British Invasion. And no, I don’t mean the influx of musician from the UK that occurred during the mid-sixties. I mean the fact that this summer the British are coming. To the big screen. As superheroes.

There’s no solid argument when it comes down to naming the three most well-known superheroes out there. From a purely global standpoint, SupermanBatman, and Spider-Man top the list. Two have feature films that will be hitting theatres this summer, with the third being released next year. As coincidence would have it, all three films have their headlining roles cast with British actors.

Coming out this July 3rd, The Amazing Spider-Man stars Andrew Garfield in the Marc Webb-directed reboot of the franchise. Garfield made an international name for himself starring opposite Jesse Eisenberg in The Social Network. In it he portrays Brazilian Harvard student Eduardo Saverin, though with a clean-cut American accent. The other side of the mask he will be putting on is Peter Parker, teenage outcast and all-around grittier-looking-than-Tobey-Maguire.

The next month brings us The Dark Knight Rises, the third and final piece in Christopher Nolan’s Batman Trilogy. Christian Bale is not new to the big screen or American roles, playing one in American Psycho, The Machinist, 3:10 to Yuma, and many others. His command of his accent is such that when he freaked out while filming Terminator Salvation, he actually switched back and forth between American and British. When not growling underneath the cowl he portrays seemingly mild-mannered billionaire Bruce Wayne.


In 2013 we finally get that Superman movie we’ve been waiting for, which takes the form of Zack Snyder’s Man of Steel. Suiting up in the red and blue tights is relative newcomer Henry Cavill, who exercised both his muscles and his British accent in Immortals, which came out last year. For the most part he hasn’t done much in the way of portraying Americans, which may be a challenge when asked to take on the mantle of a hero as American as apple pie. When not rocking the spit curl Cavill will be Kansan journalist Clark Kent, a character who may be a little more mild-mannered than Bruce.

With those summaries out of the way, what exactly does this mean? I’m no expert on the trends in Hollywood, but I can’t imagine that casting British actors in American roles is anything new or something to be strongly desired. If casting directors are doing their jobs correctly, then they’re accepting whoever is most qualified for the role, regardless of nationality. As a Canadian and someone who believes that the most talented actors deserve the spotlight this is something I cannot disagree with.

In regards to culturally American icons being portrayed by actors of other nationalities, well, why not? If they bring the energy and commitment to a role and portray it as best they can, then they will do a better job than, say, George Clooney, who portrayed the Caped Crusader as a homosexual. If any actor respects the character they’re given than they will do as much as they can to ensure that he or she is depicted well.

It is an interesting coincidence, but hopefully one that can, in its own way, push forward the idea that superheroes don’t always have to be White Americans. That if Spider-Man can be black in the comics then maybe it can happen on the big screen as well.