Tag Archives: censorship

Evan and Gordon Talk: The N-Word

EVAN: Readers of every gender, young and old, today Gordon and I shall be discussing a somewhat more sensitive topic of our own choosing due to there being no comments on our last post.

Our subject of conversation for the day is, and I cleared my throat before typing this, the word “nigger.”

GORDON: I’d like to talk about just that right off the bat-

Do we have to abbreviate it? I mean, I can’t think of any other word in the English language that we won’t even say. Surely we can all agree, regardless of where we stand on the word itself, that calling it the “n-word” is on par with superstition.

Evan, am I crazy here? Continue reading

Looking Back at a History of Booze and Bacon

It’s been pretty evident for a while now that a lot of you have gotten here due to a post I wrote almost exactly a year ago, “Epic Meal Time: Leaving Grease Stains on Pop Culture.” In it I extol the internet show and its evolution into something that ultimately rewards long-time viewers, as well as its impact on pop culture.

Coinciding with the anniversary of my original EMT post is the show’s second birthday, and a loving tribute to their first episode ever, the Fast Food Pizza. Video below:

While two whole years of epic meals is impressive enough, what got me even more excited is what the crew uploaded yesterday.

The new feature, going by the name “Flashback Friday” is a director’s commentary of sorts, presumably all done by creator and star of EMT, Harley Morenstein. Essentially the entirety of their Fast Food Pizza episode, the main difference takes the form of pop-ups that are very reminiscent of Xbox Live Achievements, or [probably more accurately] VH1’s Pop-Up Video

Additional changes include a bacon strip censor bar for Muscles Glasses’ eyes, as well as vocal distortion. From this point on they moved forward with turning him into a silent, powerful destroyer of fast food and liquor.

What I probably appreciate more than the fact that they made this video is that they haven’t removed the first. There’s a trend on the internet to simply remove or take down earlier work, or whatever you’re not proud of. Both Harley and Epic Meal Time are sticking to their roots in remembering the first video that got them where they are today. And that means not removing this video with Alex Perrault [as you’d call him sans aviators, I suppose], or another where they, believe it or not, actually use vegetables.

EMT announced on its twitter account that if fans liked the video then they’d continue to do more. While not all of the feedback was positive, I for one hope that the likes, and views, continue to multiply. Watching the behind the scenes of almost anything is interesting, even more so learning about the history behind two years of booze and bacon.

EDIT: After their fourth episode on YouTube the EMT guys have decided to move the show over to their own site. You can watch every one of the episodes here, where they continue to be put up every Thursday.

Evan and Gordon Talk: Hipster Racism

GORDON: Welcome back, ladies, gentlemen, and persons who defy conventional gender roles, to another edifying episode of Evan and Gordon Talk. Our topic for tonight: Hipster Racism.

Evan- if you’ll offer a quick definition.

EVAN: Uh, I’m going to leave you to that, actually. Gordon sent me this link to check out, and the bit about “hipster racism” is actually quite short [appearing at about 00:00]. The speaker, China Miéville, had a lot of amazing things to say, and I lost it in there somewhere. [I’ll probably be writing more about the lecture on Friday]

GORDON: Essentially, “Hipster Racism” or “Ironic Racism” are jokes or comedy with traditionally racist content, funny not because they put people down, but funny because of how utterly atrocious and ignorant they are. Similar to a dead baby joke.

The question we’ll be dealing with tonight is this: Is ironic racism still just racism?

EVAN: This strikes a similar chord with a conversation I had with . . . a friend of mine, where he called Arab people “towelheads.”

GORDON: Yikes. Continue reading

Coping with Cartoon Death

Cartoons are a complicated thing. For example, children’s cartoon characters are required, in general, to always be wearing a seatbelt when in a vehicle. British TV character Peppa Pig was forced to wear one in all future episodes once parents raised concern about safety [the first few episodes would also be reanimated to reflect the change].

The presence of tobacco is yet another issue. In the upcoming DC animated movie “Superman vs. The Elite” British antihero Manchester Black is portrayed without his customary cigarette hanging from his lips. As you can see by the images to the right, it has been replaced by a matchstick.

What I’m slowly trying to get to is death in cartoons, and how it’s handled. The reason that this post didn’t go up yesterday was that I was powering through an entire season of “The Avengers: Earth’s Mightiest Heroes.” While I was watching the show, however, the same thought kept running through my mind: so many people just died.

Large fight scenes abound in the show as the Avengers battle to save New York City and the world, and collateral damage abounds. Skyscrapers fall and cars are thrown around, often with the implication that there are indeed people inside. A movie can be rated PG-13 for “sci-fi destruction and violence,” and I wonder how the show would stand up to the MPAA’s standards.

Similarly, in Pixar’s “The Incredibles” it is very strongly implied [though never outright seen/stated] that people, specifically Syndrome’s henchmen, die. There is a scene where Dash fights one of these goons and causes him to crash his vehicle into a cliffside. The result is a fiery explosion. From what I could tell the first few times I saw the movie, the man had definitely perished in the blast. Out of curiosity, however, I watched it again yesterday at half the speed.

As you can see, there is a brief second where a piece of debris can be glimpsed that could maybe be interpreted as some sort of escape pod. I sincerely doubt it, though. And this causes me to wonder how Pixar managed to get away with it, and how exactly the rules can be bent. In the scene pictured above a ten-year-old boy is the cause of a man’s death. Is that something worth considering, would children even notice or be bothered by it?

Death in cartoons has always been a very important event. Primary antagonists are normally relegated to some sort of dramatic end, and Disney movies are a fine example of this. Gaston [Beauty and the Beast] plummets to his death in a gorge, Clayton [Tarzan] ends up hanging himself from vines, and Commander Rourke [Atlantis: The Lost Empire] is turned into crystal and ends up shattering after hitting the fan of a hot air balloon. Their henchmen are, by and large, simply knocked out, oftentimes in a comical manner.

The question I’m trying to ask is whether or not we should continue to uphold the concept of death as this sacred thing in cartoons. Does a henchman’s demise deserve any kind of gravitas, or should he die in the first place? How much credit do we give children to understand what is happening when a character dies on screen? I can’t say that I have the answers, but becoming a parent will probably force me to find out.

Facebook Censorship: A Sign of the Times?

source: serc.net The internet was recently given a leak of Facebook’s censorship standards. Amine Derkaoui, a previous “employee” of Facebook (employee is in quotes here because he was paid $1 an hour plus commission, which is, in a word, horrid) was so disgruntled that he gave Gawker the handbook used by Derkaoui and other assumedly disgruntled workers to know which photographs and comments to censor on Facebook, which ones to send upwards for decision by an administrator, and which ones were ok. Gawker published the one-page “cheat sheet” summarizing the standards on their website.

source: gawker.com

A summary of Facebook's censorship standards, leaked to Gawker

This gives an interesting perspective of what is considered “acceptable” and tasteful by popular consensus. Ear wax is censored, snot is not? (I guess if it was, millions of baby pictures would have to be deleted). For example, the “cheat sheet” says that “Digital/cartoon nudity” should be censored, but “Art nudity ok”, excluding all digitally created images from “art”, which is sort of a surprisingly passe way for Facebook to define things.

Something interesting about the released standard is the fact that it is clearly representing three categories of social unacceptability. The first, the depiction, commitment, planning, or lauding of criminal activity, is expected in a list like this – sexual assault, organized crime, nudity, and hard drugs are pretty normal in a “delete this” list for any censorship website.

The second category is more nuanced – I can only describe this second category as anything which debases humanity. This includes more obvious things like human organs, mutilation, violent speech, or anything encouraging or lauding mutilation or defacement of the human body (and, in some cases, animals). This also applies to willing defacement: threats of suicide, self-harm, and anything promoting eating disorders – this is interesting in light of the fact that pro-ana groups are still on Facebook. Maybe closed groups are immune to censorship – or the people getting paid next to nothing in other countries just haven’t caught them yet.

Another example of the censorship of non-illegal debasement of humanity: the prohibition of any photoshopped pictures of humans, “whether negative, positive, or neutral.” This is interesting; perhaps it is simply the case that it’s too hard to gauge the positive or negative spin of a photoshopped picture, but I think this rule isn’t just about bullying – it’s about the fact that Facebook doesn’t want to turn into Reddit (if they don’t, then they should stop trying to be Tumblr and take away the “follow” option). Their prohibition of any “versus” photo – any image grafting two photographs of people side by side in comparison – would be for the similar reason of “trying to keep Facebook untacky”. This rule is especially ironic considering Mark Zuckerberg’s famous-now-that-we’ve-all-seen-The-Social-Network first project facemash.com. Prohibitions of holocaust denial fall under the goal of no human debasement – but they apply to the third category as well.

The third and final category I’ll call “Nobody Get Mad At Us Please.” The most interesting rule in this one is the censorship of any maps of a part of Turkey (Kurdistan) and the prohibition of language or images against Mustafa Kemal Ataturk, as those laws seem suspiciously anti-free-speech-ish, and Turkey is a part of the UN.

The internet as it is currently developing has been compared to the semimythical Wild West of early American history – looking back in 50 years on this time, we’ll probably be astonished at how unregulated everything was. Governments just don’t have a good enough grasp on this new platform for data and information to be able to figure out how to effectively and efficiently (and ethically) regulate it – yet. This conversation applies to file sharing and copyright infringement as well, but Facebook’s censorship guidelines illuminate a more necessarily practical standard – things made up by businesses and not government are almost always more necessarily practical, if perhaps less ethically consistent.

Naked Boys Singing: For Your Enjoyment

After a 13-year run, Naked Boys Singing left its off-Broadway stage, leaving the rest of us to switch to plan B for our bachelorette parties1.

It’s really quite incredible, though – the show ran for 13 years, which is the second longest off-Broadway show ever (the first is the Fantasticks), has had over 3,000 performances and, not surprisingly, hosted over 2,000 bachelorette parties. It’s also been translated into 5 different languages.

The show is a gem of off-Broadway qualified ridiculousness. One of the writers has an Emmy, they had the choreographer from The Producers, 2 of the cast members were porn stars, and one of the cast members only has one testicle (and used a prosthetic). The show is a musical revue, and opens with a song called “Gratuitious Nudity” and goes on to serenade the audience with (for example) a number about being gay in a men’s locker room, and something called “Muscle Addiction”. From reviews, towels and jock straps are sometimes involved, but the majority of the show is performed nude.

The show was more than a little unconventional: after opening and advertising predominately to the young gay population in NYC, the producers quickly realised that they needed a broader viewer base – 13 years later, the show was marketed to “people from all walks of life,” including “men, women, senior citizens, mothers, fathers, Rabbis, [and] strippers” and was a popular bachelorette party destination. The theatre was also once booked by a gay nudist colony, the members of which brought gallon plastic baggies (for their clothes) and towels (for the seats). In 2005, a Milwaukee production of the show was closed down by police, and shows in Atlanta, San Juan, and Provincetown (Mass.) were shut down by the city governments as well. After the Milwaukee production was shut down, the Milwaukee Gay Arts Center won a censorship lawsuit against the city of Milwaukee for $20,000.

If you feel like you’ve missed out, the show is still playing London.

1And unconventional bachelor parties.