Tag Archives: Hunger Games

Asimov, Vonnegut, & Wendy’s: I For One Welcome Our Robot Overlords

Last week saw an announcement from fast food chain Wendy’s that they’d be rolling out some 6,000 “self-service kiosks” in their restaurants. This follows rulings in California and New York that would gradually raise the minimum wage from $7.25 to $15.00 an hour, and as you might imagine the connection has not been lost on people.

Of course, when I say “people”, I mean the ranks of bougie suburbanites who have been gleefully cackling over Wendy’s decision. It is these folks who I’d like to address directly today.

<Ahem>

****. You.

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Seriously, what kind of demented, spiteful people are you?

After decades of stagnant wages and crippling poverty. After years of broken promises and betrayals by their supposed liberal representatives. After months and months of fighting and campaigning finally the poor have a victory.

And your response to Wendy’s giving their jobs to robots is “Serves ’em right?”

Did I say **** you yet?

Well, **** you.

You guys sound like mustache-twirling caricatures from some turn-of-the-century political cartoon.

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“Oh I say, my dear Montressor- that’ll show those filthy proles! Now let us adjourn to the smoking room for cigars and brandy!”

Livable wages?

What are they going to ask for next? An eight-hour work day? Paid lunches and sick leave?

Only for all your cantankerous whinging, you’re probably not some festering slumlord or monocled oil-tycoon. So why are you bent out of shape? Continue reading

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Shame Day: Save the Pearls

So the other day a friend told me about this new teen fiction series called Save the Pearls by Victoria Foyt. I’ve included the premise of the first book, Revealing Eden, as stated on Amazon below.

The picture featured on the cover of the book

Eden Newman must mate before her 18th birthday in six months or she’ll be left outside to die in a burning world. But who will pick up her mate-option when she’s cursed with white skin and a tragically low mate-rate of 15%? In a post-apocalyptic, totalitarian, underground world where class and beauty are defined by resistance to an overheated environment, Eden’s coloring brands her as a member of the lowest class, a weak and ugly Pearl. If only she can mate with a dark-skinned Coal from the ruling class, she’ll be safe. Just maybe one Coal sees the Real Eden and will be her salvation her co-worker Jamal has begun secretly dating her. But when Eden unwittingly compromises her father’s secret biological experiment, she finds herself in the eye of a storm and thrown into the last area of rainforest, a strange and dangerous land. Eden must fight to save her father, who may be humanity’s last hope, while standing up to a powerful beast-man she believes is her enemy, despite her overwhelming attraction. Eden must change to survive but only if she can redefine her ideas of beauty and of love, along with a little help from her “adopted aunt” Emily Dickinson.


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Black, Yellow, Brown, Or Normal

The title of this post comes from the image below, which I see floating around the internet from time to time. It might’ve been from one of Cracked’s PhotoShop contests, I really have no idea.

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The reason I’m bringing this to your attention is to underscore the fact that, by and large, “White” really does equal “normal,” at least in North America. You don’t really have to search hard to stumble across that fact, either. Think about how it works when you recount stories to other people-

Imagine you’re talking about this weird dude who sat down next to you on the subway. If he was White, would you bother mentioning that? How about if he was Black, or Asian, or Latino?

The terminology used in this gif aside, you probably never make reference to a White person’s ethnicity.

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Re: Where I Try To Explain Red Dawn

I don’t normally get that angry about things. Disappointed, sure. Upset, often enough. But really, truly angry? That emotion is normally reserved for pure, undistilled racism.

Yesterday I wrote about the production history of Red Dawn, and mostly talked about how the plot was immensely improbable and how the film industry is all about money, et cetera. What I did not at all dwell on was the potential of the film to bring out racism in people, similar [but not at all comparable] to the abuse of Middle Eastern Americans after what happened on 9/11.

On Facebook Racebending.com directed me to Tumblr user manilaryce, who compiled a number or racist tweets by people who had just watched Red Dawn. I have embedded the image below and on the right.

The following are a few of the tweets that particularly stood out to me:

Kinda wanna kill some Asians right now and defend the homeland, thank you Red Dawn for sparking some patriotism in me

The only reason Im going to see red dawn is cause there’s sexy ass guys running around with guns killing Asians my type of movie;)!

I now hate all Chinese, Japanese, Asian, Korean people. Thanks. #reddawn #amazingmoviedoe

Red dawn was sickkk..just another reason why to hate asians.

This is like when racist Hunger Games fans tweeted about how the casting of a character as Black ruined the movie for them. The difference between that situation and this one is that I feel directly targeted.

One of the tweets, by @elysse223, reads “I usually love Asians, but in Red Dawn I found them terrifying.” After reading that I almost immediately felt worse, like both me and everyone else like me had been transformed into inhuman movie monsters.

The only consolation I can take in all this is that the film is being almost universally panned. Liam Lacey, reviewing the film for The Globe and Mail, says “Red Dawn panders to the worst kind of racist and jingoist impulses, though the movie is so preposterously insincere, it feels like those adjectives should be in air quotes.” Over at Indiewire Gabe Toro describes the film as “stitched together with scotch tape and falling apart at the seams, letting casual racism and misanthropy to spill out the sides.”

I honestly don’t have a lot to say except that I’m angry, hurt, and somewhat unsurprised that this is what audience members all over America are choosing to take away from this movie. I am Asian and I am not evil. I do not want to take over America. I do not want to ever feel like this: