Last week saw an announcement from fast food chain Wendy’s that they’d be rolling out some 6,000 “self-service kiosks” in their restaurants. This follows rulings in California and New York that would gradually raise the minimum wage from $7.25 to $15.00 an hour, and as you might imagine the connection has not been lost on people.
Of course, when I say “people”, I mean the ranks of bougie suburbanites who have been gleefully cackling over Wendy’s decision. It is these folks who I’d like to address directly today.
Seriously, what kind of demented, spiteful people are you?
After decades of stagnant wages and crippling poverty. After years of broken promises and betrayals by their supposed liberal representatives. After months and months of fighting and campaigning finally the poor have a victory.
And your response to Wendy’s giving their jobs to robots is “Serves ’em right?”
Did I say **** you yet?
Well, **** you.
You guys sound like mustache-twirling caricatures from some turn-of-the-century political cartoon.
“Oh I say, my dear Montressor- that’ll show those filthy proles! Now let us adjourn to the smoking room for cigars and brandy!”
What are they going to ask for next? An eight-hour work day? Paid lunches and sick leave?
Only for all your cantankerous whinging, you’re probably not some festering slumlord or monocled oil-tycoon. So why are you bent out of shape? Continue reading →
Posted in America, bizarreness, food, literature, money, morality, news, science, science fiction
Tagged 15, asimov, ATM, capitalism, digital literacy, fast food, Fight for 15, future, Futurism, Hunger Games, Labor Laws, Luddite, manual labor, minimum wage, Player Piano, retail, robot, Robotics, Self Checkout, Self Service Kiosk, Skilled Labor, socialism, The Naked Sun, Vonnegut, Wage Hike, Walmart, welfare, Wendys, working class
As predicted in my last review, this issue does in fact feature the downfall of the villainous Inventor. What I did not foresee, however, is how Alphona would be bringing his A-game when it came to illustrating our shapeshifting heroine’s triumph over evil. Seriously, there are some jaw-droppingly beautiful splash pages featured here.
For the most part my recaps of Ms. Marvel are exactly that, short summaries of what went down in addition to some exploration of any themes therein, so I feel it only fair to take a few paragraphs to focus on the art itself. To begin with, a “splash page” is:
“a page in the comic book where there are no other panels and the character or scene fills the entire page of the comic book.”
Issue #11 features three such pages, which would be more than overdoing it according to J. Caleb Mozzocco, one of my favourite comic book journalists. The reason for that being when you only have twenty-ish pages of comic [21 in this case, including the recap page] having one of them taken up by a single panel can make it feel like you’re not getting enough bang for your buck. Rest assured that that could not be further from the truth in this case-
While the entire page is indeed taken up by a single illustration there’s a strong sense of movement, with readers being able to trace Kamala’s journey through the innards of the deathbot with ease. The word boxes help to anchor a start and end point, and the intricacy of the gears as well as her cartoonish contortions keep you from turning the page even after you’ve finished reading the words. I could go on praising Alphona’s work, though, so as to the actual narrative- Continue reading →
Posted in art, comics, review, writing, Youth
Tagged #11, Adrian Alphona, adults, art, character, comics, diversity, G. Willow Wilson, Generation Why, Generation Y, help, Ian Herring, identity, Jersey City, Joe Caramagna, Kamala Khan, Lockjaw, Marvel, minority, Ms. Marvel, police, potential, representation, review, robot, Sal's Used Cheese, Sana Amanat, shapeshift, splash page, support, symbolism, teenager, the Inventor, villain, visual gag, worthless, young people, Youth
Kris Anka on covers, I heartily approve. I have been a fan of that dude for years, and his presence on this title is not the only pleasant surprise for the issue. [Unpleasantly, this review is late as #10 dropped December 17th, but some of us have to take a vacation sometime]
To put things super bluntly, everything is coming to a head. In this case “head” means “epic showdown”, and I never use the word “epic” lightly, even when it’s tucked away in the definition of another word. Compared to the last issue, where I had to break up what happened into several different levels, what takes place here is relatively straightforward-
As I mentioned last time, Issue #8 kicked off a four-part arc titled “Generation Why”, and the reason for that is finally revealed. Young people have been allowing The Inventor to use them as living batteries for his machines because they’ve been convinced they’re slackers who are just coasting through life, something that Gordon actually touched on several years ago when he wrote “In Defense of This Generation”. To sum up his almost-two-thousand-word post, we get the short end of the stick, but it’s not like we’re to blame for the world we live in. Let’s just say that Kamala agrees with my co-writer exactly:
“We’re not the ones who messed up the economy or the planet. Maybe they do think of us as parasites, but they’re not the ones who are gonna have to live with this mess–“
Continue reading →
Posted in comics, review, writing, Youth
Tagged #10, Adrian Alphona, adults, art, character, comics, diversity, G. Willow Wilson, Generation Why, Generation Y, Ian Herring, identity, Inhuman, Jersey City, Joe Caramagna, Kamala Khan, Lockjaw, Marvel, minority, Ms. Marvel, parasites, potential, representation, review, robot, Sana Amanat, shapeshift, slacker, Spider-Man, symbolism, teenager, the Inventor, villain, visual gag, worthless, young people, Youth
I probably should have mentioned this in my review for the last issue, but the new story arc that started with Issue #8 is titled “Generation Why”, and this week’s installment brings us to the halfway point of that tale. It’s also a pretty fitting title, seeing as questions appearing almost faster than they can be answered.
Eesh. There is a lot to cover. Let me try to break things up a little-
What Happened On The “Universal” Level
Having Medusa, Queen of the Inhumans on the cover is a pretty good indicator that things are going to get a little bit bigger. After a fight that essentially leaves Kamala completely drained she’s whisked away by Lockjaw to New Attilan. These may seem like gibberish words to the less comic savvy, but the redheaded royal ruler explains to her that:
“Long ago, one of your human ancestors was genetically altered by the Kree — an alien race. The genetic legacy has been passed down through the generations– to you.
That clears up where the Pakistani-American teen got her powers, and presents the yet another question of “Now what?” Medusa expects her to stay in her new home, but Kamala’s having none of it and once again escapes via teleporting canine. Inhuman physician Vinatos wishes her good-bye “For now,” meaning that she’s sure to rub shoulders with her superpowered kin in the near-ish future. Continue reading →
Posted in comics, family, race, relationships, writing, Youth
Tagged #9, Adrian Alphona, art, asbestos, change, character, comics, cop, costume, diversity, dog, embiggened fists of rage, G. Willow Wilson, healing factor, Ian Herring, identity, immigrant, immigrant literature, Inhuman, Jersey City, Joe Caramagna, Kamala Khan, Kree, Lockjaw, Marvel, Medusa, minority, Ms. Marvel, Pakistani, police officer, review, robot, Sana Amanat, shapeshift, teenager, teleport, the Inventor, Vinatos, visual gag
So ends the two–part Jake Wyatt-illustrated Wolverine-guest-starring arc of Ms. Marvel, not with a bang, but with our young heroine having learned a great deal from the world’s most famous Hulk combatant. The next storyline doesn’t begin with a bang, either, more like a FZZZT, or at least that’s what I imagine a gigantic teleporting bulldog sounds like.
Sent by Medusa, Queen of the Inhumans, the royal pet has arrived in Jersey City to protect and train the fledgling crimefighter. His entrance is exactly the kind of thing you should expect from duo Wilson and Alphona [who is back, by the way], running up to her with a sign around his neck that reads “HELLO / MY NAME IS / LOCKJAW / I LIKE HUGS“. While her ammi and abu seem surprisingly accepting when it comes to letting her take in an animal with what appears to be a tuning fork sticking out of his head, she’ll need the Inhuman canine in her trials to come. Continue reading →
Posted in comics, race, review
Tagged #8, adorable, Adrian Alphona, art, change, character, comics, costume, diversity, dog, FZZZT, G. Willow Wilson, healing factor, Ian Herring, identity, immigrant literature, Inhuman, Jake Wyatt, James "Logan" Howlett, Jersey City, Joe Caramagna, Kamala Khan, Lockjaw, Marvel, minority, Mosque, Ms. Marvel, Pakistani, review, robot, Sana Amanat, secret identity, teenager, teleport, the Inventor, visual gag