Tag Archives: Superman

Evan and Gordon Talk: Fan Fiction

GORDON: A long time ago, in a galaxy far away, it was suggested that Evan and I discuss fan fiction and its merits (or lack thereof).

Now I’m going to jump right into things by saying that not only do I not believe fan fiction is good, I do not feel it has the capacity to ever be so.

EVAN: Okay. Why? Continue reading

Evan and Gordon Talk: Separating Art From Artist

GORDON: Ladies and Gentlemen, boys and girls of all ages, welcome you here to Evan’s Dignity Memorial Art Gallery to view these lovely pictures of houses and flowers and stuff. The artist? Adolf Hitler.

Why, you ask, do we have Hitler’s youthful paintings and sketches? Because tonight we’re going to be talking about separating art from the artist, and whether or not such a thing can be done.

EVAN: To throw out an example, let me refer to the science fiction author Orson Scott Card, a man famous for writing Ender’s Game and for being pretty staunchly opposed to homosexuality in any form.

DC has hired him to pen a new “Adventures of Superman” comic for them, and quite a few stores have decided to boycott this product and not stock them. This being done, of course, as an act of protest.

GORDON: We’re not talking about some latent disapproval of homosexuality people, we’re talking about full blown vitriol on OSC’s part. Here’s a quote from him on the subject:

The dark secret of homosexual society—the one that dares not speak its name—is how many homosexuals first entered into that world through a disturbing seduction or rape or molestation or abuse, and how many of them yearn to get out of the homosexual community and live normally…

OSC straight up declares  in one piece of his, that he will not simply advocate, but will actively engage in the overthrow of the government should it ever attempt to legalize gay marriage:

Regardless of law, marriage has only one definition, and any government that attempts to change it is my mortal enemy. I will act to destroy that government and bring it down, so it can be replaced with a government that will respect and support marriage

EVAN: Which is straight-up reprehensible, which I hope you’ll agree with regardless of your personal stance towards the very loaded topic of gay marriage, etc.

GORDON: Absolutely.

EVAN: On a similar note, we have Frank Miller, a legend in the comics industry.

 The guy penned Batman: The Dark Knight, 300, Sin City, and had a marvelous run on Daredevil that really defined the character. The man’s a legend.

He’s also on record for calling members of the Occupy Movement “nothing but a pack of louts, thieves, and rapists, an unruly mob, fed by Woodstock-era nostalgia and putrid false righteousness.”

The Occupy Movement doesn’t have the same hot button status gay marriage does, and it’s arguable that people are less certain about it, but that doesn’t make the things Miller said any less ignorant or wrong.

GORDON: Again, this is true. But we’re not here to list off the artists and creative minds who have maintained ignorant or bigoted positions over the years.We’re here to talk about separating them from their art, and I’m going to submit that one some fundamental level, it can’t be done.

EVAN: Alright, let’s hear why.

GORDON: I’m going to cite Miller’s iconic work The Dark Knight Returns, which has just recently been adapted as an animated film.

It’s not hard to see Miller’s borderline fascist views bleeding through in the book, as he takes pot shots at “reform not punishment” imprisonment, youth (portrayed as violent, stupid, barely comprehensible thugs that even Alex DeLarge would be creeped out by), and even the latest Robin’s parents being portrayed was whiny, drug-addled liberals.

While I doubt Miller was using much restraint, I’m going to submit that the artist is almost always too close to his or her art for her views not to bleed through.

EVAN: So members of Oprah’s book club who read The Education of Little Tree, by former member of the KKK Forrest Carter, should have been able to pick up on his racial sentiments?

GORDON: I said “almost.” Obviously there are exceptions to the rule.

And this isn’t to say that the work itself is to be shunned; I really and truly enjoy Miller’s work, even though he has a goose-stepping, paranoid Islamophobe.

Because of this, in particular.

EVAN: So we shouldn’t let the beliefs of creators affect our enjoyment of their work?

GORDON: I’d hope not. That would preclude me from liking anything done by Dali, any music written by Wagner, and so on and so forth. My issue isn’t with enjoying something a despicable person has made, my issue is with hiring someone you know is despicable.

Would I listen to “Flight of the Valkyries”? Yes. if Wagner was alive today, would I hire that anti-Semite? No way.

EVAN: That’s a really good point. For example, anyone who buys the new “Adventures of Superman” comic will actually be indirectly funding various anti-homosexual movements that Card himself supports. In this case paying money for his product actually results in an action you probably aren’t okay with.

That doesn’t mean that you couldn’t read his comic and think, “Huh, that is a great take on the Last Son of Krypton,” which is entirely likely since he really is a great writer. His art isn’t necessarily affected by his beliefs, but your buying his art supports them, in a roundabout way.

It’s a metaphor for rejection

GORDON: Despite the counter-arguments in DC’s favor, the simple truth of the matter is people aren’t going to be boycotting these books simply because they’re angry at Card- they were angry at him before- they’re also angry at DC for not having the basic decency to not go into business with a raging homophobe.

EVAN: No matter how good a writer, or any other kind of artist, is, there will always be another who approaches them in talent who doesn’t espouse the negative views that they do. The fact of the matter is that DC has other options.

But going back to the topic at large, we confirmed earlier, in a way, that knowing about an artist’s beliefs after you’ve already appreciated and enjoyed their work shouldn’t rob you of that. If I see a painting and think it’s quite lovely, then find out Hitler painted it, that doesn’t suddenly cause it to become hideous in my eyes. At least, it shouldn’t.

GORDON: And because of the pressure we the audience can put on companies to ensure that bigots and nutcases aren’t given a platform, we should try to keep the artist and their work tied together.

EVAN: Voting with our wallets, which should really be done in every area of our lives [buying ethically produced products, high quality entertainment, etc.].

GORDON: Kinda thrown off by the fact that some wallets are thicker than others. But such is Capitalism. Overthrow the bourgeois. Down with the system.

EVAN: But that is a topic for another day. One that I may or not be hopping on, simply due to a lack of knowledge on the matter.

And it’s also about time we wrapped things up.

GORDON: I submit that next week we discuss poverty, as more and more of the nation (and world) slips into it.

EVAN: And I think that we should talk about Gordon never seems to win these polls.

Ha! Just kidding. We could maybe talk about . . . eh . . . yeah, I got nothing. I’m gonna open up my spot to be viewer submitted, just to see what ideas you have in mind.

GORDON: How gracious of you. Perhaps you’ll even close us out here?

EVAN: Thanks, as usual, for tuning in. If you have anything you want to tell us in general, feel free to email us at culturewarreporters@gmail.com, we’re always happy to hear from you.

Superman: The Man of Steel Re-Cast

Some time ago, I submitted a brief post recasting the Batman universe. Today, I will be doing the same for the Last Son of Krypton, a challenge greater than that of the Dark Knight first because it will be pretty much impossible to find a better Lex than Kevin Spacey…

…And second because of how much I hate and despise Superman.

Now I know that’s gonna be shocking news. After all, who could find anything but love and appreciation for an inherently powerful, indestructible being serving the US government and acting without any accountability? What could possibly go wrong?

But my issue with Big Blue is neither here nor there. Presented below, for your thoughts, consideration, and potential outrage are my picks for the cast of the perfect Superman series.

Kent Clark/Superman:

Actor: John Hamm

Why We Want Him: Because in addition to being the spitting image of Superman, Hamm is probably best known for his role as Don Draper, 1960s businessman. While I can’t say that I see Superman downing enough whiskey to kill a bull elephant, I can see Hamm’s immersion in a world with an antiquated sense of morality (and uncomfortable suits) as being a huge bonus in playing Clark Kent.

Cons: Weird as it may seem- Hamm is only 6′ tall- a full four inches shorter than Clark Kent’s reported height. While I like the idea of a slightly older superman, the simple truth of the matter is Hamm may be relegated to the speaking roles while a stunt double or two takes on any action scenes.

Lex Luthor:

Actor: Jason Isaacs

Why We Want Him: I’ve seen Isaacs play some pretty despicable characters (The Patriot), but also nail some complexly heroic ones as well (Brotherhood). Ideally, Lex is meant to be tragic hero- someone who could’ve or should’ve been a great leader of men were it not for his obsession with defeating Superman. If there’s anyone who can do this, it’s Isaac’s (also, did you know he played Lucius Malfoy in Harry Potter? I just found that out).

Cons: He’s not Kevin Spacey.

Lois Lane

Actress: Jennifer Morrison

Why We Want Her: It’s tough to respect an investigative journalist who can’t recognize Superman as the guy who works the next cubicle down from her simply because he’s wearing glasses. This being (in my experience) pretty much the extent of what Lois does in any Superman book, filling her shoes is a job that pretty much anyone can do- the question is, who can do it best? I submit Jennifer Morrison (House, How I Met Your Mother). She’s played intelligent characters, and we’re banking on that offsetting Lois’s apparent ineptitude.

Cons: As I said, L.L., having the same basic role as Princess Peach, could be played well by pretty much anyone- John Hamm included.

General Zod:

Actor: Viggo Mortenson

Why We Want Him: Because we (or at least, I) have yet to see him deliver on being a truly evil character (SPOILER ALERT: he’s a good guy in Eastern Promises).

Cons: I can’t say for certain that I can see Mortenson pulling off the self-assured, swaggering crypto-Fascist character that Zod has.

Bizarro Superman:

Actor: Benecio Del Toro

Why We Want Him: You might think that the anti-Superman would still be best played by John Hamm. I disagree, and submit instead Benecio Del Toro, who (and I mean no disrespect to him, I really like his work) looks more or less how you’d expect Hamm to look if you took a shovel to his head for a while.

Cons: Del Toro is slightly taller than Hamm, and like Hamm, may be beyond doing some heavy-duty action scenes at this point (but hey, 45 is the new 38).

Pa Kent:

Actor: Rutger Hauer

Why We Want Him: Because the man improvised the “Tears in the Rain” monologue in Bladerunner. That’s right- this guy right here made up on the spot one of the most iconic and moving speeches in film history.

Cons: What about “Improvised ‘Tears in the Rain'” did you not understand?

Ma Kent:

Actress: Jessica Lange

Why We Want Her: Because I’ve seen this woman do some incredibly moving scenes and play her insanely layered and complex characters to the hilt.

Cons: She’s terrifying. AHS fans know what I’m talking about.

Jor-El:

Why We Want Him: Because Rickman, in addition to being just generally awesome, has that strange accent (something entirely beyond British) that’s almost alien. Even if Jor-El is only going to have a few moments of screen time, you want to make ’em count for something- who better for the job than Rickman?

Cons: There’s a strong chance that the accent might be too much- but hey, he could always do that flamboyant American one that fooled John McClane.

Jimmy Olsen:

Actor: Rupert Grint

Why We Want Him: Because of the three ginger comic-relief go-to-guys ( the others being Seth Green and Fran Kranz), Grint is the only one young enough to actually pass for the Daily Planet’s whipping boy.

Cons: Not sure if he could do an American accent.

Why Superman’s Briefs Matter

The Hobbit is due to touch down in theatres next month [yes, I watched the Grey Cup last night], and with it will come a new, full trailer for Zack Snyder’s Man of Steel With all of that happening, I’m going to touch on . . . hm, maybe not the best choice of words. . . I’m going to write a little about the new suit we’ll be seeing in the 2013 summer flick.

On the right is what Henry Cavill is expected to look like as the Last Son of Krypton. Many fans have [as usual] expressed great displeasure in the loss of Supes’ signature undies, as can be read in the aptly titled “‘Man of Steel’: Is Superman’s new suit made of fanboy Kryptonite?

What’s probably unknown to most of them, however, is that director Zack Snyder fought to keep the supehero’s look traditional. In an interview with the New York Post he said:

“The costume was a big deal for me, and we played around for a long time. I tried like crazy to keep the red briefs on him. Everyone else said, ‘You can’t have the briefs on him.’ I looked at probably 1,500 versions of the costumes with the briefs on.”

Ultimately the studio [as usual] had their way, and the iconic red briefs were done away with. There are a few reasons why I think they should’ve stayed, though, and they have nothing to do with the iconic depictions of the character.

The first reason, if you look up, is staring you right in the face. It’s- well, it’s distracting to say the least, and was actually a problem when suiting up Brandon Routh for the 2006 Superman Returns. From what I can tell, costume designer Louise Mingenbach had her hands fu- sorry . . . had a lot to deal with when it came to the suit. The film’s IMDB page tells us:

According to an article in the 12 September 2005 issue of Newsweek, the biggest question concerning Superman’s costume involved the size and shape of the bulge in the front of his tights. Costume designer Louise Mingenbach finally decided on a bulge that wasn’t too big. “Ten-year-olds will be seeing this movie,” she explained.

A less reputable source [The Sun], told second-hand via KillerMovies reports that a source had this to say about the film:

“It’s a major issue for the studio. Brandon is extremely well endowed and they don’t want it up on the big screen. We may be forced to erase his package with digital effects.”

The current costume design is definitely not doing them any favours in that department, and if anything calls even more attention to Superman’s unmentionables.

My second point has to do directly with design. As archaic and old-fashioned as the red shorts over tights are, they were great in breaking up the blue of the rest of the costume. Although the golden belt buckle attempts to do that in Cavill’s costume, it ultimately fails, and in fact draws added attention to my first point.

To bring up something I mentioned in passing in my post about the immensely talented Kris Anka, there are ways of omitting the briefs while still maintaining a good balance:


In the above design Superman’s midsection is broken up by  the two red lines and the golden buckle, which form an incomplete belt. This, along with the darker blue of the costume’s sides does wonders in not making it feel like the character is simply wearing a full set of blue tights and a cape.

I suppose we’ll have to wait until next summer to really determine whether or not the new suit works. Until then, these are my thoughts

If you want to keep reading about this particular topic, io9 wrote a great article called “The War on Superman’s Underpants.”

Fame Day: Kris Anka

Today’s Fame Day post is dedicated to the artistic genius of Kris Anka. I’ve been following his work on the superhero redesign blog Project : Rooftop for some time, and was thrilled to see him get the recognition he deserves on ComicsAlliance yesterday.

Apparently Anka had been hired by Marvel to design the costumes for the new Uncanny X-Force series, and he puts his own spin on the new roster of Storm, Psylocke, Spiral, Puck, Lady Fantomex, and their nemesis Bishop.

The biggest changes are in Psylocke losing the unitard for more of a full body suit, and Storm reverting to her 90s look with a fantastic-looking mohawk. Utility was definitely prioritized, and story as well. Working with Uncanny X-Force writer Sam Humphries it was decided that the grey in Spiral’s outfit should be opaque. This fit with the knowledge that Spiral was a character was “a little more confident in her sexuality,” without making the costume’s raciness over-the-top .

Anka’s design philosophy for the team is as follows:

The costume themes were something from the very beginning that I wanted to strive for. I felt that every costume should not only highlight the personality of the character it is wrapped around, but also of the function that the costumes will serve towards. At the end of the day, these costumes have to look like they can get into a tussle, and actually be able to handle it.

This certainly translates over to the many other redesigns that can be found on his various art blogs, and one I want to highlight is his version of the  Avengers.

From left to right: Iron First and Crystal, Ares and Ms. Marvel, Iron Man and Venus, Bucky (Winter Soldier) and Thor.

In another illustration, entitled “avengers – dont f-ck with us,” the entire team is explained in the description, with the idea that he wanted his Avengers to be “a family first off.” Ms. Marvel acts as leader, Venus as a strategic asset, Ares carries Stark-designed weapons that can collapse in on themselves. Every design point has a reason, and it all adds up to clean, recognizable  costumes.

His redesigns for DC’s trinity [Superman, Batman, and Wonder Woman] are images I go back to over and over. His vision of the the Last Son of Krypton shows that you can do away with the red shorts over blue tights, provided you break it up with a little bit of colour [the yellow buckle, the red lines on the side]. I’m looking at you, costume designer for Snyder’s Man of Steel.


All in all, Kris Anka is a name to look out for. In the ComicsAlliance interview Humphries admits that “My only wish is that we could keep going until we redesigned the entire Marvel Universe!” If only that were true.

You can find Kris Anka on various places on the internet:

deviantART: http://anklesnsocks.deviantart.com
Blogger: http://anklesnsocks.blogspot.ca/
tumblr: http://kristaferanka.tumblr.com/
twitter: https://twitter.com/kristaferanka

And don’t forget to search for his stuff on Project : Rooftop!