Author Archives: Evan

Why TF2 Doesn’t Have Female Characters [And Overwatch Does]

I’ve played 31 hours of Overwatch to date. Now that pales in comparison to the 322 I’ve clocked on Team Fortress 2 [often shortened to TF2], but the former has only been out since late May and I’ve had the latter for several years now. There’s time to even the scales, is all I’m saying.

31hoursNow those 31 hours may not communicate this this very well, but I am all about this game. As a self-proclaimed Blizzard [the studio behind the game] fanboy who has spent actual cash money on every one of their recent releases save for World of Warcraft I’ll admit that I was already primed for it, but where Diablo III: Reaper of Souls languishes half-finished I don’t see any excitement drop-off in sight for Overwatch.

Counting herself as a fellow member of the game’s 10 million or so players, Polygon contributor Susana Polo’s interest stemmed from a different place. To wit, the presence of so many playable female characters was a huge draw for her in spite of not being “a big shooter fan”. While as a whole the its roster is startlingly diverse [it ostensibly only has four Harveys; see here for an explanation of the terminology] it’s Polo’s perspective, primarily her comparison between Overwatch and Team Fortress 2, that I want to focus on.

Comparing Apples Blues and Oranges

Her article has its foundations in a conversation she had with a former co-worker, namely regarding the fact that “It’s shitty that Team Fortress doesn’t allow you to play as a woman”. As another class-based shooter with a focus on objectives over kills juxtaposing the two only makes sense.

Team Fortress 2 was released by Valve in 2007. The game offers a total of nine different classes to choose from, most of them White, all of them male [as far as we know]. While there has been much speculation about the Pyro [who is fully masked] being a woman there has been no confirmation from developers at this point.

tf2cast

Overwatch has 21 heroes, with Blizzard already teasing another on the way. Of these characters eight of them are female. While not as close to 50% as the actual number of women in the world, it should be noted that of other 13 two are Omnics [robots] and another is a hyperintelligent gorilla.

owcast

Now what we could do is chalk up the creative decisions made by the studios as simply matching the current climate surrounding consumer expectations. While female gamers have always existed it’s within recent years that they’ve become more vocal and made their presence more known, something which the industry appears to have tuned in to.

Given that TF2 was created nearly a decade ago maybe we can cut Valve a little bit of slack for merely keeping up with the times, such as they were. Having made that decision let’s instead change gears and ask a different question: “Why hasn’t Valve added female skins to TF2 in the nine years since it was released?” Continue reading

Bernie and Rebecca and Melissa Kent: On Her Directorial Debut, Its Creation, And More to Come

bernierebeccaposterLast month marked the first screening of Melissa Kent’s directorial debut, Bernie and Rebecca, at the Edinburgh Film Festival. Centred on the first date between the titular characters, the short film is a fascinating look at what so many of us dream about when put into similar situations.

On top of being able to review Bernie and Rebecca for myself, I was also given the opportunity to interview Melissa Kent via email about the process of its creation and her work both past and future.


Like so many things in life, you can only have one directorial debut. With that in mind, what made Bernie and Rebecca the first [of many, I’m sure] story that you wanted to tell?

Bernie and Rebecca is about a couple on a first date who imagine a not-so perfect future life together. It provided an ideal showcase for my skills directing romance, comedy, drama—basically a lifetime of love, laughter and tears—in a short 14 minutes.

Having edited so many feature length films what was it like directing a film that clocks at just shy of 14 minutes?

Actually, the filmmaking process is exactly the same, just with a much abbreviated running time. It was exciting to be making all of the pre-production decisions from casting to design to locations, and then of course being on set directing, which was a 3-day shoot. After that, the film required what they all do: editing, music, color grading, and sound mixing.

What was it like both shooting and editing your own footage? Did you ever find yourself skipping ahead in the process, knowing that certain shots would inevitably be thrown out while you were filming them?

There was only one insert I didn’t love while we were shooting so that got nixed, but everything else got used in one way or another. Being an editor probably helped my shot selection to be very efficient.

Given that so many of your past projects are either dramas or comedies [including a personal favourite of mine, The Sisterhood of the Traveling Pants 2] would you say that Bernie and Rebecca falls into a comfortable genre for you? Have you ever considered branching out into any others in the future?

Besides dramas and comedies, I have edited true crime (Captive, An American Crime), science fiction (Supernova) and even a 3D dance movie (Make Your Move). A good story is a good story and as a filmmaker I would not rule out any particular genre. It is more fun to go between genres whenever possible.

A few months ago The Guardian reported that between now and 2018 20th Century Fox and Paramount have no films directed by female directors being released.

Conversely, next year’s Wonder Woman was directed by Patty Jenkins, and Marvel appears to be specifically searching for a female director for their own Captain Marvel the following year.

Do you have any comments about the state of the industry as it stands now in regards to other women in your field?

Much respect to Jenkins and I can’t wait to see Wonder Woman.

Your next project is the upcoming American Pastoral, which both stars and was directed by Ewan McGregor. Is there anything you can tell us about that film, and if you have anything else to watch out for?

The trailer was released a few days ago and can be seen here.

It will be in theaters in October and I hope everyone will check it out!


Bernie and Rebecca is currently screening at the Madrid International Film Festival until July 9th. Watch the trailer at www.bernieandrebecca.com, and learn more about Melissa Kent’s extensive editing career at www.melissakent.com.

Bernie and Rebecca: A Short Film Review

bernierebeccaposterThey say you only have one chance to make a first impression, a proverb that veteran film editor Melissa Kent may have reflected on during the creation of Bernie and Rebecca, her directorial debut. Appropriately enough that’s also at the heart of the short film, which centres on a blind date between the titular characters.

In a way mirroring the existence of her own extensive filmography, Kent eschews showing us the couple’s initial meeting, choosing instead to focus on their evening coming to a close. A lot has already been said and done by that point, but even with all of that behind them there’s the promise of more to come. A lot more, as the short film will eventually reveal.

Bernie and Rebecca is a work that takes the wonder and the “what if”s of any budding relationship as far as they can possibly go. The conversation they share about the lives that they could one day live is fantastic, to say the least, but it’s also sobering in the stark realism of what’s been laid out. In spite of this the tone never gets too dark, instead staying relatively lighthearted by virtue of the duo’s performance.  

Rebecca never masks her emotions, and Brianna Barnes’ expressions say just as much as, if not more than, her actual lines do. Her face falls and lights up in response to every word out of her counterpart’s mouth. On that note, Kyle Davis’ greatest strength as Bernard is in his delivery, which bears a whispery, Tobey Maguire-esque quality. Not everything he says is entirely truthful, but all of it is heartfelt. Between the two of them the stars of this short film allow the audience to feel like they’re witness to something very personal and, in spite of the premise, very real.

Bernie & Rebecca doesn’t feel abrupt, nor does it overstay its welcome. You can only muse about the future for so long before you run out of fictional details. As a short film Melissa Kent’s directorial debut is short and, negative connotations of the word aside, sweet. A snapshot of a couple doing what we’ve all done countless times before.


Bernie and Rebecca screened at the Edinburgh Film Festival on June 16th. Its next screening will be at the Madrid International Film Festival, from July 2nd to July 9th. Tune back in soon for an exclusive Q&A with director Melissa Kent.

For Your Consideration: Adam Prosser Interviews Warcraft Director Duncan Jones

Similar to the last time I did this in March, this feature is meant to provide a brief look at what’s been happening on the internet this week [but without the typical commentary and criticism you’ll find around here].

A few short days ago BBC journalist Adam Rosser interviewed director Duncan Jones about his film Warcraft, which premiered in North America one week ago today. The interview was for Rosser’s show Let’s Talk About Tech for BBC 5Live, and given that he works as a freelancer he uploaded it to his personal YouTube account. A copy of the video can be seen below:

The original version has since been taken down due to it being shared on the Battle.net forums for the game the film is based on. That forum post has in turn also been removed as the negative reaction to the interview unsurprisingly, and it’s depressing that it’s an expected response, spawned death threats. Rosser himself comments that:

While many fans [which I’ll remind you is short for “fanatic”] will always react viscerally to the criticism of that which they hold dear, there’s also something to be said for the way in which Rosser actually conducted the interview. Continue reading

In With the Old [And In With the New]: The Silver Lining of Intertextuality

Last Friday I asked you all to watch a short video on the concept of intertextuality, which provides the basis for this week’s post.

While Nerdwriter1, the YouTuber responsible, initially describes the device as “something in a text, in this case a movie, that is shaped by another text” he later goes a step further in making the term distinct from mere allusion. Contemporary intertextuality, which he refers to as being “weaponized”, is defined as:

“objects, people or situations explicitly meant to trigger an emotional response”

To use my own visual example, successful intertextuality results in a combination of:

and

Being able to recognize and understand the reference is important, but equally essential is having that recognization elicit feelings, whether they be of awe, or joy, or pleasant surprise. Simply identifying a shot in a film as the replication of a comic book panel matters most if you care[d] about that original work. Continue reading

Assigned Watching, Full Post Coming Soon

Hello, everyone. Due to a rapidly upcoming wedding  a full blog post from yours truly will be delayed a few days. That said, my plan was and is to cover the idea of intertextuality, which YouTuber Nerdwriter1 summed up so well in a video he released recently.

While I will likely refer back to it in the post that will hopefully go up Sunday at the latest, I thought it might be good for anyone interested to watch his six-minute segment as a primer of sorts.

MILD TO EXPLICIT SPOILERS FOR STAR WARS: THE FORCE AWAKENS, JURASSIC WORLD/PARK, THE MISSION IMPOSSIBLE MOVIES, THE HOBBIT FILMS, STAR TREK INTO DARKNESSSPECTRESMALLVILLE, AND WATCHMEN.

Apologies again for the lateness, and here’s to my being able to contribute to the discourse on this topic sometime this weekend.