With the 89th Academy Awards coming in just a few short days I’m grateful for the opportunity to interview director Juanjo Giménez and pick his brain about Timecode, which has been nominated for Best Short Film.
This comes roughly two weeks after my review, and I made the most of the occasion by trying to unpack so much of what I enjoyed about this particular piece of work. While I was only able to ask so many questions, I hope that Giménez’s answers help shine a little light on why Timecode was considered for this great honour, as well as why it might deserve it.
To start with, it’s almost no surprise that Timecode was nominated for both an Academy Award and a Goya Award given your impressive filmography. Has having written, directed, and produced so much award-winning work changed your approach with each new project?
I don’t think so. I think that no filmmaker thinks about awards or recognition when making a new film. In our case, financing every new project has always been difficult, even if the previous film has been a successful one. The only thing that is essential for approaching a new project is the need to make it.
It’s notable that much of the work you’ve received the most attention for are your short films. What is it that appeals to you about that particular format?
Timecode is my ninth short film as director. I learned that short films usually fit the way I approach filmmaking better. And what’s more important, there’s nothing wrong with that! That doesn’t mean I won’t make a feature film again, but shorts provide a great platform for experimenting without the financial struggles that usually constrain a fiction feature. Even if I speak as a producer, in terms of financial results, my shorts have always been more profitable than my features. Continue reading →
Posted in art, dance, film, interview, media, writing
Tagged Academy Awards, acting, actor, Best Short Film, choreography, cinematographer, composer, dancer, dancing, interview, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, nominated, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Caroline won’t shut up about her boyfriend Bobby. You know, that cute guy Bobby, her boyfriend? Given their burgeoning relationship, and the fact that he also mentions her in the same way, it makes perfect sense that this would be a Caroline-centric episode. With how few and far between these moments are, however, it doesn’t seem like the writers’ room is as comfortable with the setup as they probably should be.
That being said this is just about as linear a narrative as you can get, and while the premise is tried and true the actual scenario presented is a little harder to swallow.
Meeting your significant other’s family is such a comedic staple that it spawned an actual trilogy [everyone forgets Little Fockers], so Caroline being invited to Bobby’s childhood home, which he moved back into after his father died, is pretty standard fare. His insisting that Max go as well also makes sense, since he considers her Caroline’s family. What’s far less plausible is the entire diner staff being able to just tag along with them. Continue reading →
Posted in Comedy, family, review, television, writing
Tagged 2 Broke Girls, acting, And the Jessica Shmessica, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, dinner, directing, Don Scardino, ex-girlfriend, family, Han, happier with your mouth open, Jonathan Kite, Kat Dennings, Matthew Moy, Max, mom, mother, Oleg, relationship, review, Rita, S6E17, sauce, Sophie, Teresa, WKUK
“Actions speak louder than words.”
That’s a difficult motto to live by on a blog, but a crucial one in regards to short films given their limited run time. Considering the fact that you could fit the dialogue in Juanjo Giménez’s Timecode on a single sheet of paper only elevates its importance.
With a handful of award-winning short films [including Rodilla and Maximum Penalty]
already to his name the Spanish director’s latest features two security guards who work in an underground parking garage, one taking the day shift and the other the night. Playing Luna and Diego are Lali Ayguadé and Nicolas Ricchini, respectively, and although their shared acting experience is limited there’s no question of their being talented performers.
Both Ayguadé and Ricchini have impressive careers as dancers and choreographers, and their remarkable control over their bodies causes them to imbue every movement with purpose, whether it’s stiffly brushing past each other or jogging back up a hallway to clock-in to work. This even extends to the corner of a mouth being raised ever so slightly. This largely wordless short film might collapse in on itself with different talent, but the duo make it look effortless. Continue reading →
Posted in art, Europe, film, music, relationships, review
Tagged acting, actor, choreography, cinematographer, composer, dancer, dancing, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Today marks the last installment of “Making Till We Meet Again“, a series of interviews with the creators of the award-winning indie film in question. Focused on a handful of tourists making their way through Thailand, many of the questions and answers to date [with director Bank Tangjaitrong and actor/writer Johan Matton] have revolved around depicting another country and culture given that framework.
Actor Emrhys Cooper is the last person to share with us, in particular about how both he and his character, David, have experienced being in the South East Asian country as visitors and guests. Fair warning, this interview contains mild spoilers for Till We Meet Again.
David tells Joanna that being in Thailand “realigns you with who you really are.” Had you been there prior to filming Till We Meet Again? Do you think there’s any truth to that?
Yes, for many reasons South East Asia has pulled me into its orbit. That powerful land mass includes a major portion of this planet’s populations, including both India and China which are the two of the most densely populated nations on earth.
At the naïve age of 18 I went on a backpacking tour of Thailand. What an incredible experience that was. Then, in 2013, I was back again as I was cast in a movie called Kushuthara which shot in Bhutan. That’s a tiny country located up in the Himalayan mountains between India and China; one must go via Bangkok to get there.
This year I returned to Thailand to shoot another movie in Bhutan. I was lucky to get to spend New Year’s Day in Bangkok, followed by an impromptu trip to Vietnam. When I finished shooting in Bhutan I went to Cambodia, which is a country any person interested in animal protection should see. The elephant sanctuary reminds us that we are not God’s greatest creatures, but only the caretakers of his best and most precious treasures. To hear and see an elephant in all its glory, means more than any person’s hug or kiss. All human beings who value our animal companions, both great and small, should understand this.
Traveling helps realign you; travellers look to find themselves or something that will help them grow. In that sense, traveling is one of the greatest therapies. It belongs alongside the couch of Sigmund Freud as a great tool for our minds, to escape from a solely interior world.
Continue reading →
Posted in Asia, film, interview, relationships, Travel
Tagged acting, actor, Asia, backpackers, backpacking, Bhutan, film, filmmaking, interview, Kushuthara, loneliness, mrhys Cooper, relationships, South East Asia, Southeast Asia, Thailand, Till We Meet Again, tourists, travel, ugly American, ugly americans, villain
“If you’re gonna go [. . .] it needs to be now.”
Those are words that have been said countless times by the young, privileged, and recently travelled. And so they’re repeated to Erik [Johan Matton, who also wrote the screenplay] and Joanna [Linnea Larsdotter] over dinner on a New York City balcony. “Just go” is the advice given, and moments later we cut to the couple beneath the welcoming Thai sun.
The expectations for a story like this one are the same as they would be for an actual getaway to the Southeast Asian country: sexy, inspiring, exhilarating. Director Bank Tanjaintrong’s first feature length film, Till We Meet Again delivers on all of these fronts, but also tempers those feelings with the everyday matters of need and loneliness. Even before Erik and Joanna are separated, with the latter leaving earlier than planned to reconnect with David [Emrhys Cooper], an old friend, those issues lie just beneath the surface.
Likely attributed to the director having grown up there, Thailand is depicted with a comfortable familiarity that lacks the lurid exoticism many Hollywood movies have employed. With that in mind it serves primarily as a backdrop to the relationships playing out onscreen, which are further complicated by the introduction of Miranda [Astrea Campbell-Cobb]. While the setting’s natural and man-made beauty are never obscured there’s a tight focus on the core cast, and one that offers very little screen time for local talent. Continue reading →
Posted in Asia, film, relationships, review, Travel
Tagged acting, actor, Astrea Campbell-Cobb, Bank Tanjaintrong, Dexter Britain, director, Emrhys Cooper, film, independent film, Johan Matton, Linnea Larsdotter, review, Thailand, Till We Meet Again, travel
So first thing’s first, and just because it’s the first thing you see when you open up one of these reviews, the header image is very clearly of subpar quality. The best I could find as far as promos was this one video on YouTube which, as you can see, isn’t great. I’ll try to to step it up moving forward but I can only really work with what’s available.
Given that this week’s episode actually fell on my birthday I wasn’t sure how to feel about it. Were my expectations made that much lower due to my having to watch and review it when I could be doing almost anything else? Or were they perhaps on the higher end due to last week’s surprisingly decent installment? Regardless of where my expectations actually ended up falling, 2 Broke Girls served up a decent enough episode that more importantly continues to keep things fresh.
The highlight of “And the Rom-Commie” was the decision to pair Oleg and Han together, a coupling that ended up paying off surprising comedic dividends. While I don’t think that Matthew Moy deserves all the credit for how enjoyable the show has been lately, his performance opposite Kat Dennings is what I want to shine a spotlight on this time around. While his cherubic looks and high-pitched voice have more often than not been openly mocked, which in turn helps perpetuate the stereotype of the effete, sexless Asian man, they also end up adding a genuinely funny mischievous quality to his performance in “And the Sophie Doll”. Continue reading →
Posted in Comedy, review, television, writing
Tagged 2 Broke Girls, acting, And the Sophie Doll, baby, Barbara, bartending class, Beth Behrs, Caroline, CBS, characters, Dessert Bar, French Stewart, Gil Bronski, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, Oleg, performance, review, S6E7, Sophie, timeline, writing