Category Archives: bizarreness

Fame Day: New Belgium Brewing Co.

asdfasdfaThere’s a common misconception that Communism is about an all-powerful government controlling the economy. In reality, nothing could be further from the truth. Despite our railing against Ayn Rand and laissez-faire economics, the end-boss that Marx actually described was the inevitable merger of big business and big government into one inbred monster. The whole point of the glorious people’s revolution was to get rid of both the plutocrat and the politician, though obviously between Stalin, Pol Pot, and Joe McCarthy, things all went terribly wrong. “Marxism” became a buzz-word for the very things it was opposed to, and the whole movement got set back a century. It’s not easy being red.

Even so, every once in a while, we manage to chalk up a point for the good guys.

This particular victory comes to us from Fort Collins, Colorado, where it was announced yesterday that the New Belgium Brewing Company has become 100% worker owned!

ARISE YE WORKERS FROM YOUR SLUMBER! ARISE YE PRISONERS OF WANT!

That’s right- owned and democratically run by the people who actually do the work. Behold the nefarious Communist agenda for America!

Now in case you’re wondering exactly who these guys are, there’s a chance you might be more familiar with some of their products- such as Blue Paddle, Snow Day (seasonal), and their most famous, Fat Tire.

This is a really, really good beer…

 

Now in addition to being a much needed triumph for the proletariat, New Belgium has plenty more commendable points worth mentioning.
For example:

  • These guys are as green as they are red, using a combination wind-power, methane, and ingenious energy-efficiency techniques to reduce power consumption.
  • All workers receive a free bike after one year of service.
  • Workers get 10 paid holidays (the average American worker gets about 8; if you don’t appreciate the difference, then you’re not working)
  • Workers enjoy sporting events, art shows, and freaking beer parties.

All of which I imagine go just like this…

We live in a world full of vile contemptible companies who do vile contemptible things and never get the derision and disgust that they so richly deserve (cough, Nestle, Coca-Cola, Monsanto, Nike, Caterpillar, Unilever, Marks & Spencer, cough). If those evil dirtbags can’t be publicly condemned, then perhaps we can at least swing to the other side, and offer some well-earned praise to people doing it right.

New Belgium Brewing Co., here’s to you, comrades!

Evan and Gordon Talk: Nerd Culture

EVAN: To start this off by ignoring our readership and addressing you, this week’s topic is a weird sort of continuation of the various posts on culture you’ve written, such as “manly culture,” “science culture,” etc. And similar to these other groups of people, “nerd culture” is a pretty nebulous sort of thing to define.

GORDON: No argument there. After all, even the “nerds” insist on calling out “fake nerds”- especially in regards to women/girls. But what is a nerd anyways?

EVAN: See, now I’m torn, because we do need to define it, but you’ve also directly referenced an issue I wanted to discuss in depth this week.

GORDON: How about we abandon our previous track record, and just plunge recklessly ahead and hope the issue resolves itself?

EVAN: Well, let me throw this image out there:

And then hope that suffices for now.

GORDON: Works for me. So what was it that you wanted to address specifically?

EVAN: Well, just last month there was this guy, a comic artist, named Tony Harris. And he wrote this post on his Facebook page that was essentially a tirade against “faux nerd” women, and how they are whores, and so on.

To break it down further, these are women who dress up as superheroes and what have you without knowing about the actual characters themselves. He is upset because, to quote him:

BECAUSE YOU DONT KNOW SH-T ABOUT COMICS, BEYOND WHATEVER GOOGLE IMAGE SEARCH YOU DID TO GET REF ON THE MOST MAINSTREAM CHARACTER WITH THE MOST REVEALING COSTUME EVER.

Also that they attend to essentially just tease the regular con-goers and are actually not even hot, just “con-hot.” So yeah, he said a lot.

GORDON: Ah yes, I recall reading about this. And while I think we can all agree Harris went too far, is a bit hypocritical (seeing how most comic women ain’t exactly average looking), and probably getting too emotional, I can’t help but wonder if he has, somewhere in there, a point.

I mean, imagine if all of a sudden, something that you had been stigmatized for became popular, and people started trying to co-opt your identity knowing nearly nothing about it. I’d be ticked off too.

EVAN: That’s definitely something I’ve read people write about, that this used to be an exclusive club and that it took years to build up this knowledge and become, well, a nerd, and here are these noobs and they want in and it’s not that easy.

And I can see where they’re coming from as well.

But if you really love something, shouldn’t you want others to as well? The Avengers has an enormous following on tumblr these days [because of the movie], and these are people who are actually going out and starting to buy comics. They are helping sales, aiding the industry, etc.

GORDON: That’s true, and something I’ve considered, but there’s probably also an argument to be made for the other side. That something precious to you is being watered down and diluted for profit. I don’t believe that nerds (comic book nerds, anyways) can necessarily make this argument, but the line of logic is there.

Let’s try to come up with an example of this happening somewhere else, especially in regards to persecution.

EVAN: Mmk, go ahead-

GORDON: “Black culture” (or what was passed off as black culture) might be an example. Can you state that you’re not driven nuts by wealthy, comfortable suburban kids fronting like they’re from the streets of Oakland?

EVAN: Yeah, people are upset about it, sure, but there’s not this immense outcry over it. There are comic-con enthusiasts that are genuinely incensed that all of this is happening-

I doubt that an actual thug or gangbanger or whatever these rich White kids are playing at imitating is going to start freaking out that he’s getting ripped off. He’s going to laugh or shrug it off, because it hardly matters.

GORDON: I’d argue that the reason for this has more to do with the change in venue. It’s easy for the major players of the comic book industry to voice their opinions than, say, a Wu-Tang Clan fan in the late 90s. But maybe I’m wrong.

EVAN: For the most part, I see this as a mindset that is the foundation or core of hipsterism, and that we all feel to some extent, however minor. That we found something and we love it and there is a pride in joy in being one of the original fans.

And this outpouring of others somehow cheapens things. And all of a sudden we’re trying to assert how we’re better than them in some way.

“You chose to dress up as Spider-Woman? Do you even know who her alter-ego is, or what her powers are? Etc.”

GORDON: Again, do we not sympathize? Do we not feel frustrated with people who have more or less jumped on the bandwagon now that it’s all safe and socially acceptable to do so? Heck, just imagine if someone tried listing themselves as a fan of fine cooking, having only eaten sushi once- would you be ticked?

EVAN: If I equated sushi with fine cooking I guess I would, yeah. But just because we can understand someone’s anger and frustration doesn’t make it logical.

GORDON: I wouldn’t say that there’s not a logic to it. I mean, a major part of being a nerd is, and always has been, the social pariah element. All of the sudden you have these people trying to claim to be on the fringes of society? It’s condescending and insulting.

EVAN: I think that’s the issue- They’re not trying to “claim to be on the fringes of society.”

GORDON: I disagree- I feel this is a coward’s way of feigning rebelliousness and all that.

EVAN: Sometimes people who haven’t been exposed to comics for much of their lives see a movie, or read a trade, and go to a con. Maybe they wear a costume. That doesn’t mean they’re going into this thinking, in any way, that they’re suddenly a part of this group of outcasts.

Comics are popular now. I mean, more than they’ve ever been. To say “I like comics” is no longer the sort of thing that’s going to get you shunned. People are going to raise their eyebrows and wonder why you think that’s a big deal.

GORDON: Comics yes, no one is gonna argue that. The title of “nerd” however, that’s different. And after all, “nerd” is a much larger term. It applies to gamers, to film, and so on.

EVAN: So how does one become a “fake nerd”?

GORDON: Therein lies the rub- there’s always gonna be more obsessive nerds out there. People higher up and lower down the hierarchy. But for the most part, I think we can agree that a “false” nerd is one who does not meet the criteria in that diagram you posted.

The “social ineptitude”, the “obsessiveness”- if it’s not actually there (no matter how much the person or persons might insist otherwise) then that person is a “fake” nerd.

EVAN: So am I a “fake nerd”?

GORDON: Do you call yourself a nerd?

EVAN: I don’t really call myself anything. But I’d also say that many of the girls who go to cons and find themselves attacked by Harris don’t refer to themselves as anything in particular either.

GORDON: Then no, I wouldn’t define you or them as fitting this category. Like I said- Harris went overboard.

EVAN: I just don’t think social ineptitude needs to be a requirement in this. I think you could be a nerd and still have friends, and achieve some level of popularity. The diagram above really shoehorns the definition. I mean, what if I did call myself a nerd?

I’m fairly smart, about 80% of the time I’m thinking about comics, or comics-related media. At the same time, I’m a fairly social guy. What does that mean?

GORDON: You think about comics 80% of the time?

EVAN: I think about comics a lot.

GORDON: 80% of your waking thoughts is a craaaaaazy lot, though I’d say your self-identification as a nerd is flawed. Serial-killer in the making would be more accurate. But we begin to split hairs at this point.

EVAN: I guess it’s like, does Hugh Laurie have the right to play the blues?

GORDON: Hugh Laurie can do whatever the **** he wants. As does anyone. With everything he does, can he identify himself first and foremost as a blues musician? Not really. At least, that ain’t how we’re all gonna think of him, or remember him.

EVAN: Does it matter that it’s what you identify as first and foremost? I am positive that at some level, yes, he does identify as a blues musician.

GORDON: It does matter how you identify yourself first and foremost. I’ve eaten bugs on multiple occasions- I don’t declare myself “Gordon Brown: Bug Eater.” The rest of the stuff I do outweighs it by far.

EVAN: You’re missing my point. You’ve eaten bugs, so on some level you can identify as a bug-eater.

If he identifies as a blues artist less than he does as an actor, that doesn’t negate the fact that he identifies as a blues artist, and what we’re talking about is people being able to say that they can and do relate to a culture, and that doesn’t make them fake adherents of that.

GORDON: Let me offer another example: I’ve been camping, and I occasionally read survivalist pamphlets. For me to call myself a “survivalist” would nevertheless be inaccurate and misleading. That’s the crux of the matter, I believe.

A nerd is someone who is in this for the long haul- a person who enjoys The Avengers or Nolan’s Batman trilogy isn’t. At least, not necessarily.

EVAN: I’m not saying that a person who enjoyed The Avengers equates being a nerd. That’s like, half the Earth’s population, if the box office is any indicator.

I’m saying that a person who saw The Avengers, and then heads over to their local comics store to check some out, and gets really into it, has the potential to become a “comics nerd” of sorts. And people who see them and scorn them for not being there from the beginning should be ashamed of themselves.

If we’re sticking with the example of film and comics and so-on.

GORDON: And I agree- those people should not be viewed with derision. But that’s not who we’re talking about here.

We’re talking about ****ing hipsters, about people who have just enough knowledge of a culture to give themselves the veneer or adopting it. People who wear glasses as a ****ing fashion statement. You know the kind.

It’s about motives. The noob who is just now getting into the culture isn’t a “false” nerd- just a young one. The person who call himself or herself a nerd to co-opt the social stigma (now that it’s all but gone) deserves contempt.

EVAN: I honestly don’t think that what these people are trying to co-opt is the social stigma.

GORDON: My poor choice of words. I mean the false sense of rebellion. Like people who post pro-gay Facebook statements simply to draw attention and applause to themselves. Fake-rebels. Fair-weather activists.

EVAN: That’s fine, and I agree that these people are not to be applauded.

I just think that for the most part, people are realizing that there is a lot in the “nerd culture” that they find interesting and accessible, and are gravitating towards it. Not out of some misguided attempt to be on the edge of society, but because they legitimately enjoy whatever it is they’re trying to engage with.

GORDON: I agree- I simply don’t think it’s these people most old-guard nerds are angry at.

EVAN: But how can they differentiate? That’s a huge issue. It’s this reaction of the community against anyone that’s not legit, but without any way of truly being able to tell how people feel-

A person can go to comic-con in an elaborate costume simply because they enjoy the aesthetics and design of the character. They’re not required to know everything about them, and shouldn’t be hissed and booed at when they don’t.

GORDON: That in and of itself is another issue. If I showed up to the social justice convention dressed as Che Guevara  you’d best believe I’d better know a thing or two about the guy who I’m completely dressed up as- but we’re moving off track.

EVAN: But the point of social justice conventions isn’t to dress up as your favourite revolutionary- that’s entirely besides the point. I bring it up because it’s completely cogent to our topic, because it’s exactly what Tony Harris was railing against.

GORDON: Tony Harris ran his mouth and made a fool of himself, I ain’t trying to defend a word of what he said or wrote, only the general perspective he seems to be coming from.

EVAN: What I’m saying, without negating your points is this, and I’m going to try to wrap up since we’re 15 minutes past our cut-off, is this:

I’m someone says “LOL im such a nerd” and they wear glasses with big frames and have a Green Lantern patch on their backpack, yeah, I’d say that’s not okay. But a large issue is being able to, as a community, acknowledge when “outsiders” try to access what it is that we love so dearly.

We like comic books and Star Trek and Dungeons and Dragons, and if other people might as well, that’s fine. Just because others weren’t always welcoming of us in the past doesn’t mean we should do the same to others. Especially when there’s some likelihood, even a little, that they could one day be as big a fan as you [as hard as that may be to believe].

GORDON: Well put. Be sure to stop by next time for our discussion of . . .

EVAN: Of . . . uh . . . I threw out this topic last week, what’ve you got?

GORDON: Let’s address the portrayal of drugs- weed in particular- in media and popular culture.

EVAN: That’s a pretty contemporary topic too, because of the legalization in Washington and all that. Sounds good to me.

GORDON: Let it be so then. Merry Wednesday to all, and to all a good night!

Shame Day: Rebranding

In the latest batch of lectures offered through the ISO’s [International Socialist Organization] annual Socialism conference, there is a speech regarding the issue of post-modernist philosophy. While the title and speaker escape me, as does the majority of the lecture, one particular line stood out to me, and it went a little something like this:

How do you prove a post-modernist wrong? Drop him in the middle of the ocean and tell him that his petty and self-imposed definitions are the reasons he’s drowning.

Now that’s not exactly how the line went- but that’s pretty much the gist of it. The whole point of the speech was to point out the flaw in post-modernism, that while we do tend to make problems for ourselves with our adherence to self-imposed definitions (you can hear a lot of this reasoning used in the whole debate over sexual orientation), there are nevertheless certain inescapable truths regarding our situations that can’t be overcome by changing our attitudes. Your refusal to adhere to any preconceived notions of health doesn’t stop cancer from killing you. An oncoming train doesn’t care one way or the other if you choose to accept society’s standards.

All of that’s just to say: perspective isn’t everything; some facts are simply immutable; which brings us to the topic of this fine Shame Day.

Rebranding.

I recently came across this collection of shots taken from a Family Guy episode.

As much as you can rail on the show, you have to admit that every once in a while it manages to make some pretty clever points. Obviously the joke here is that we have a pretty twisted double-standard in this country. Simply paying for sex is prostitution, but add a camera and a few loose titles and you suddenly have a completely legal act. Pretty much nothing has actually changed, and as ridiculous as it is, this idiotic mentality is actually taking sway.

You may have heard of the rather clever bars in Minnesota (and England, though I can’t confirm the Brits) circumventing anti-smoking laws by declaring their patrons to be actors, and their cigarettes/cigarillos/pipes/cigars/etc. to be props. Obviously this isn’t actual theater, but because the law prohibits smoking in some situations but not in others, the bars can pretty easily get around the issue (which, by the way, I applaud them for). This isn’t meant to be an example of this mentality going wrong, just an example of it being used (even if somewhat sarcastically). But don’t worry, the uglier side of this is just ahead.

You may also have heard of cadmium, a toxic chemical sometimes used in paint, being used in the making of Shrek glasses sold by fast food empire McDonald’s (though other companies were complicit as well). Upon being discovered, many of these companies simply rebranded their products as being “adult collector’s items,” the FDA having separate standards for acceptable cadmium levels in products geared towards adults. Obviously these items are not “adult collector’s items” and would still wind up in the hands of kids, but hey, what do these guys care? They can get away with it by ducking through this little definitional loophole.

That even goes for the commander-and-chief, who drew fire (rightly so) from most every side of the political sphere when he, to reduce the embarrassment of collateral damage from drone-strikes, simply expanded the definition of militant to include anyone within the bast radius of the strike. There are inner-party members of IngSoc who would call that “a bit much.” I mean, think about it. The single most powerful individual on the planet has declared that the weapons of his country have something that resembles a cross between the logic of a four year old and the papal bull of inability. “We only kill terrorists, we killed that twelve-year old, therefore, we killed a terrorist. High-fives all around.”

My view of pretty much everything the president does

Look, rebranding can be sleazy, but this is simply insane. Naming a fish a bird will not result in different results when chucking it off of a roof. Some things simply are. A smoker is a smoker, cadmium is toxic, and a dead kid is only ever a dead kid.

And that’s just a shame.

Shame Day: Oh Sit!

Nowhere in this post do I shame them for the title of their show.The television industry has a lot to be ashamed of. Keeping us from watching Community and Young Justice for one, airing Here Comes Honey Boo Boo for another. Every now and then, however, they do something truly inexplicable.

For those of you who don’t watch a lot of American TV, The CW is a television network that hosts a lot of show featuring attractive young people, like The Vampire DiariesGossip GirlAmerica’s Next Top Model, et cetera. Last fall they decided that what they didn’t have enough of was game shows, and thus the idea of Oh Sit! was born. Watch this:


Oh Sit!
is essentially a combination of two things that I quite enjoy: musical chairs and the gameshow Wipeout. Knowing that, it should have been nothing but pure, unadulterated entertainment. Unfortunately, much like shrimp and pumpkin pie, not everything you love should be mixed together.

The network described the show in its announcement as:

“…a fun, high-stakes, high-octane musical chairs competition, in which 20 thrill-seeking daredevils race head to head through five physically demanding, obstacle course-style eliminations as they each compete to claim a chair, to the sounds of a live band.”

In their review of the pilot episode, the A.V. Club’s TV Club

“…a show about musical f-cking chairs.”

I am not going to pretend I have watched even a full episode of the show. Thoroughly reading the above review has convinced me that it is not worth my time, and that I would probably not enjoy it. Gordon also said, in coming up with the Shame Day/Fame Day feature, that these would be short posts, so I strongly recommend just reading what they wrote.

The main reason I write this is because a little bit of browsing on Wikipedia has revealed that Oh Sit! was actually renewed for a second season. That’s at least ten more episodes of a show Variety‘s Brian Lowry described as feeling “like more of an ordeal than fun.” A second season of what the A.V. Club calls “yet another reality show that’s so depressingly static, so devoid of imagination, interest, or anything redeeming beyond a slightly promotable logline and a punny title.”

C’mon, CW. You’re better than this.

Blood, Honey, and Bicycles

It’s about two in the afternoon on a Friday, and I’ve clearly surpassed my self-imposed noon deadline. This is kind of an awkward place to be, because I’m clearly lacking the motivation to write, and all of the topics that I’ve been planning on tackling require a lot of research, so . . .

I’m going to talk about a topic that I know little to nothing about: music.

Holly Brook on the left, Skylar Grey on the right.

Last summer I wrote a post called “Holly Brook is Skylar Grey,” about singer/songwriter Holly Brook Hafferman, who took the stage name Holly Brook, released an album, and years after rebooted her persona as the current Skylar Grey.

If you really don’t have time to read the six short paragraphs that make up my first post, I hypothesized that her song “Dance Without You” was a clear indicator of her wanting to start anew without the baggage of her past self. With that being said, I was legitimately surprised when I discovered recently exactly where her new path has taken her.

I subscribed to Skylar Grey’s email newsletter a while ago for curiosity’s sake, and found a link in my inbox one day exclaiming that the lyric video for the song “C’mon Let Me Ride” had hit YouTube. Here it is:

It’s definitely catchy. It’s also a song that begins with the lyrics “If you got a sweet tooth / You can taste my watermelons.”

Skylar Grey began her career singing the bridges to rap songs such as Dr. Dre and Eminem’s “I Need A Doctor,” and Lupe Fiasco’s “Words I Never Said.” While not the best use of her songwriting abilities, at the very least they tackled common topics such as loneliness and regret. “C’mon Let Me Ride” is a song about sex.

The following is an acoustic session of Holly Brook performing the titular song from her album “Like Blood Like Honey”:

I don’t want to hammer this point, because I feel it’s obviously overstated after watching both videos. At the very least let me point out that both songs have their foundations in comparison, riding a bicycle, and blood and honey, and leave it at that.

Promo art for the single "C'mon Let Me Ride."

According to Wikipedia, what Holly Brook was to indie-pop-rock, Skylar Grey is now to pop and hip hop. I definitely get that artists of every medium are going to grow and evolve in their craft, but have difficulty getting behind her choices. According to Rolling Stone the song is supposed to be satirical, and “a jab at ‘overly sexified music, media and the girls who try and imitate it.'” I guess I’ll leave it up to you whether or not that’s communicated well.

That same article also reveals that her original project under the Skylar Grey moniker, “Invinsible” is being reworked as “Don’t Look Down,” on which the aforementioned single about bikes will be featured. It just seems like a lot of image refinement in a very short period of time, and if she’s accurate in saying that the song is “about as far as [she takes the playfulness of her album]” I’m not sure what fans are supposed to expect, or how it will ultimately turn out.

Fame Day: Public Shaming

I was going to write about comics helping people, or about how a Swedish toy catalogue acknowledged that girls can play with Nerf guns too, but I ultimately decided to focus on a wonderful Tumblr account I found recently. It’s called Public Shaming, with the subtitle “Tweets of Privilege.” Creator Matt Binder sums up the gist of his blog with the following:

I started retweeting people complaining about welfare, food stamps, etc. and then following it up with a previous tweet of theirs that makes them look hypocritical/dumb/etc. I discovered that as I would retweet these, my followers would start @replying these people and let them know they were idiots. They would then delete their offending tweet. Well, I couldn’t let that happen. So, I screenshot away.

What Binder is very aware of is that Twitter is, by and large, a public forum. Anything that you tweet, unless your privacy settings are changed, can be read by anyone and everyone; my local Metro, and other newspapers around the world, have a section dedicated to them. This is something that people like Donald Trump often forget. As he mentions, once the tweets draw enough attention they are normally taken down. While this is unfortunate, screencaps serve to archive these tweets, and I’ve embedded a few for your viewing pleasure. The first two are a few of the more relevant ones, and the last is a wonderful showcase of hypocrisy:

I actually tried pretty hard to find a tweet without a bunch of profanity.

In response to Korean pop artist PSY closing the American Music Awards.

“WTF. WHEN DID AMERICA BECOME A SHOWCASE OF DIVERSITY?!” My personal favorite. -Matt Binder

Regarding a few Mexican high school marching bands and dancers marching in the Macy’s Thanksgiving Day Parade.

Just one of the many, many tweet comparisons that highlight the plight of the privileged.

A lot of the “tweets of privilege” happen to be teens and twenty-somethings writing about employment and the economy. There’s a definite trend of people saying that the jobless are lazy, when only months before they were complaining about being unemployed. What Matt Binder is doing with his blog is exposing hypocrisy where it so often festers [the internet], while also helpfully reminding everyone out there to watch what they say. If you stick your foot in your mouth out loud, there’s a chance someone will hear it, but less that someone will actually record it. On the other hand, making a tweet in poor taste about someone’s dead brother online is really all it takes to get on the news. So let’s give a round of applause for this Tumblr and its creator, and for what it is on the internet: a shining light that unveils the words of the wealthy and unwise. You can follow Matt Binder on Twitter at, easily enough, @MattBinder.