Category Archives: film

Violence And The Feminine Mystique (This Is Why We Can’t Have Terrible Things)

Well, readers, it’s another sweltering day in June, and here in the trenches of the culture war accusations of “misogyny” and “political correctness” are being fired back and forth. And what’s that out there in the middle of the no-man’s land? Well, it’s the photo that started this latest skirmish:

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Image retrieved via Telegraph.com, fair use

That right there folks is a billboard for X-Men: Apocalypse, and it’s got more than a few people upset. So much so, in fact, it’s being reported that Fox has issued an apology for the ad– caving to arguments made by some that the advertisement promotes misogyny.

And in all fairness, they are some compelling arguments.

Now ads featuring violence towards women exist, as evidenced in Jean Kilbourne’s famous documentary Killing Us Softly. Critics of this ad have cited (though I am paraphrasing for the sake of space) that the inundation of these images in our society leads to the normalization of violence. Show enough ads featuring women getting choked out and people will start assuming that it’s the natural way of the world.

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Image retrieved via BusinessInsider.com, fair use

Even if the person doing the choking is the bad guy (and Apocalypse is), the simple fact that it’s a yet another man committing an act of force on a women should be enough to elicit outrage from us all.

Like I said- a compelling argument.

Let me tell you why it’s bull****. Continue reading

Assigned Watching, Full Post Coming Soon

Hello, everyone. Due to a rapidly upcoming wedding  a full blog post from yours truly will be delayed a few days. That said, my plan was and is to cover the idea of intertextuality, which YouTuber Nerdwriter1 summed up so well in a video he released recently.

While I will likely refer back to it in the post that will hopefully go up Sunday at the latest, I thought it might be good for anyone interested to watch his six-minute segment as a primer of sorts.

MILD TO EXPLICIT SPOILERS FOR STAR WARS: THE FORCE AWAKENS, JURASSIC WORLD/PARK, THE MISSION IMPOSSIBLE MOVIES, THE HOBBIT FILMS, STAR TREK INTO DARKNESSSPECTRESMALLVILLE, AND WATCHMEN.

Apologies again for the lateness, and here’s to my being able to contribute to the discourse on this topic sometime this weekend.

“You Might as Well Have [insert character here] Be [insert 2-4 minority types here]!”

One of the most common adages on the internet is “don’t read the comments”. While this global network that we’re all currently using [unless you somehow managed to snag a printout of this post] has given us all the ability to share and discuss everything under the sun, the unfortunate truth is that a lot of that conversation amounts to hot garbage. You could scroll down past an article to see what people are saying about it, but chances are that it won’t be a particularly uplifting experience.

As someone who spends much of his time online reading about entertainment there’s a type of comment that I’ve seen crop up time and time again. It’s existence ties directly into a lot of the recent trends in comic books, television, and film, the push towards inclusivity and the people who are actively working to make that happen. A perfect example [of a handful I’ll be referencing throughout this article] is:

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“disabled, multiracial trans women with disfiguring facial scars” – posted on “There are more (white) women starring in movies than ever before”

I’ve been compiling these for the past few months, originally with the intent of putting together another “For Your Consideration” and allowing readers to look them over and come to their own conclusions. A general [and accurate] takeaway would be to note them as being typical of inane online comments and move on, but I’d like to spend a little time breaking down the idiocy they represent.

They Perpetuate the Default

The default person, in case you needed to be informed of who generally holds the most power and screentime across the board, is a straight able-bodied cisgendered White man. I’m painfully aware that simply listing those words in successive order like that marks me as being one of the SJWs [my thoughts on that term here], but every one is important to take note of.

Take the following:

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“black Asian gay lesbian transgender Spider-man” – posted on “Dear HOLLYWOOD REPORTER: May We Have a Word About ‘Cultural Appropriation’?”

To look at the list and mark it against the checklist of what makes a default human being, in the eyes of at least a few, we have:

  • straight  ≠ “gay lesbian”
  • cisgendered  ≠ “transgender”
  • White  ≠ “black Asian”

Other comments I’ll be including later on will add examples that include disabled people, but the general gist of every one capitalizes on the absurdity of a person who doesn’t match the standard cutout. A  straight able-bodied cisgendered White woman? Not a terrible strain of the imagination. Once you start to tick off more items that don’t coincide with the norm, however, things apparently get a lot shakier.

I don’t even think that many of these commenters are aware of the implicit message behind the words they type. By listing these adjectives and identifiers they end up with a person who most of them share absolutely nothing in common with, which exposes the very reason we need diversity at all. Everyone should be able to relate to entertainment, and for too long the industry has catered to an audience that gets smaller every day. Continue reading

The Deepwater Horizon Film Reminds us That Hollywood is Still a Propaganda Machine

I’m kinda furious about this:

When first watching the trailer, I tried to remind myself that it was just a movie.

But it’s never just a movie, is it?

Given enough time, I’m sure I could list hundreds of films that changed my perspective on the world. The Hours was the first time I felt challenged on my once very black-and-white perspective on LGBT rights. Hotel Rwandadespite being called “revisionist junk” by then UN peacekeeper/now senator Romeo Dallaire, was the first movie to open my eyes to the role of politics in preventing, or allowing, genocide and devastation. There are just so many movies that moved me to reconsider my stance or opinion by challenging me to see the world through someone else’s eyes. Movies do affect us, often more than we’d like to admit. Heck, that’s exactly why we talk so much about representation in movies here on the blog.

So I am a movie fan who believes that movies impact their viewers. That’s why I’m furious that there is about to be a major blockbuster that will hero-wash “the worst oil spill in U.S. History” a spill that polluted the Gulf of Mexico for 87 days and leaked approximately 3.19 million barrels of oil. Continue reading

Why I Know “I’ll Be Back” to Watching 90’s Action Movies When I Have Kids

I came to the 90’s action party late.

Sure, I watched a few Arnie movies as a kid, but those were the blatantly child-friendly movies. I’m talking Kindergarten Cop and Jingle All The Way, fun romps to be sure, but nothing to prepare me for the awakening I had last year.

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It all began when John convinced me to watch his favourite films from the 90’s (and a few from the 80’s). I decided to indulge my husband’s nostalgia. How was I to know it would end in an movie obsession that would leave me with a classic-action-movie-sized hole, never to be filled? I’ve had a hard time identifying what it is about these action movies that is still so appealing, so I thought I’d write a post trying to figure it out.

They’re Intensely Optimistic

I recently watched SicarioIt was an intense action (/crime/thriller) flick that follows the story of Kate Macer “an idealistic FBI agent [who] is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico”. While it was certainly a thought-provoking and well-executed film, it was also reeeaaaalllllllllyyy depressing.

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Have you ever noticed that? Some of the “best” films out there also happen to be the ones that leave you feeling like you’ve been punched in the gut. Perhaps it’s the gritty realism of contemporary films that sets them apart from previous action films, but that realism also prevents them from being a true escape from real-world troubles.

If you go back and watch almost any 90’s action movie you can go into it knowing your protagonist won’t come out of his adventure emotionally scarred. Instead, you know he’ll just rampage across your screen, kicking butt and taking names.

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With an endless amount of bullets.

Continue reading

How Hollywood is Foretelling the Future While Still Falling on the Wrong Side of History

No one wants to be “on the wrong side of history”.

No one wants to be wrong, period, and even those of us who raise their hackles at being described as “progressive” fear that those words, when leveled against them, might come true. To hear that phrase is to be threatened, told that you’re a dinosaur; except without any of the perks like monstrous size and claws and teeth, more the being pushed out by newer lifeforms and soon to be extinct. The message is, essentially, to keep up or be left behind.

To be asked whether you want to be “on the wrong side of history” is only hypothetical as far as what your choice will be. That the world will actually be changing is not the question; it’s being stated as a direct fact.

Almost two years ago to the day I wrote about film producer Avi Arad, who has been responsible for the past five [an absurd amount even for me, who considers him my favourite superhero] Spider-Man films. In particular I called attention to his response regarding whether the White Peter Parker would always be the one donning the webbed tights [“Absolutely”] and his response to whether or not the lack of diversity in comic book movies an issue [emphasis mine]:

“But I think we are finally becoming more of one world, and you’re going to see more and more diversity in the selection of characters. [. . .] It’s all going to change. I think sometimes we consciously look at it. We would love to have a superhero, we would love Marvel to create a superhero — We can create villains, but we’d love to have a Chinese superhero with something that is really interesting and how they got here, and what is their issue, and so on. But it’s coming. And it’s inevitable. It’s really inevitable. But it didn’t come naturally to comics in the days that no one was aware that there were actually other countries and other people.

aviaradkenjenningsI prefaced that article with a short bit of fiction in which Arad awakens in a cold sweat, realizing that the world he had once foretold had finally come to pass. By saying that these changes are “inevitable” he acknowledges that they are the impending future. By stating in direct terms that as long as he’s involved Spider-Man will never be Miles Morales, an Afro-Latino teen who has carried the title for years now, he both outlines the two camps [those who will, and won’t, be on the wrong side of history] and which side he will find himself in. Continue reading