Tag Archives: DC

Representation, As In, How We Present Ourselves [I Need To Get Groceries]

Today’s post is going to be a less cohesive than usual since I moved to my new place this past Tuesday night and have a lot to do on my one day off from work, with buying some groceries being very high on that list. Seriously, though, I need food.

[Very valid] Excuses having been made, let’s talk a little bit about how we present ourselves. This shouldn’t be hard seeing as you’re on the internet right this very instant, and you can make like a future employer and type your name into Google to see what pops up. Anything and everything found online, from that garish was-cool-in-the-early-00’s Myspace page to your I-sure-hope-I’ve-added-enough-job-experience LinkedIn account, is something that you can potentially be judged on.

It probably shouldn’t be, but it’s a lot for a single person to keep track of. Now imagine being a business or organization.

Just this week DC Comics faced an incredible amount of criticism due to some of apparel featuring their characters, in particular the vastly different messages that were being communicated in their boys’ and girls’ clothing lines.

Shirts Continue reading

Shame Day: David Finch, Wonder Woman, and Feminism

This isn’t the first time the topic of feminism has cropped up on this blog, and it certainly isn’t going to be the last. While much of what we’ve written about it in the past concerns female characters and how they’re portrayed in the media or the various ways actual real-life women are viewed in today’s culture, the truth is that the biggest hindrance feminists everywhere [myself included] face is a painfully simple one. Far too many people have no idea what feminism is.

If you wanted to explore this further without leaving the blog, Gordon’s post “Why I Do Need Feminism” straight-up nails it. It’s essentially a response to images similar to the one on the right, which feature teenage girls holding up signs which underscore the fundamental misunderstanding they have of what feminism really is. If only there was some sort of go-to website that could provide a fairly clear-cut explanation . . . maybe even one that had the express purpose of defining words . . .

Dictionary.com’s first two definitions are as follows:

  1. the doctrine advocating social, political, and all other rights of women equal to those of men.
  2. sometimes initial capital letter an organized movement for the attainment of such rights for women.

finchww That all sounds like something the average non-bigoted person could be down with. The above research literally took me less than ten seconds, which is why I find it unforgivable when people like comic book artist David Finch is quoted as saying, regarding Wonder Woman:

 “We want her to be a strong — I don’t want to say feminist, but a strong character. Beautiful, but strong.”

To provide a little context, David Finch and his wife Meredith Finch are going to be taking over the character’s self-titled book in November, with the latter covering writing duties. I want to focus as much as possible on his words here, and not his actual depictions of the character, an example of which you can see right above. Continue reading

Culture War Correspondence: Superman and Superheroes

GORDON: Up there! In the sky! It’s a bird! It’s a plane! It’s…! It’s…!

It’s a cheesy rehash of the same joke we closed out on last time!

EVAN: How dare you, sir.

GORDON: Citizens, today our topic of discussion is Superman, and to a lesser extent, superheroes in general- though you could hardly go wrong to kick off a discussion on the subject by starting with the Big Blue Boy Scout.

Who, for the record, I despise. Continue reading

DC Is Terrible, But They’re Not Homophobes

Look, let’s be clear, I’m not a fan of DC. To be a little more specific, I am not a fan of DC’s business practices and editorial decisions. All of that being said, yesterday the internet perpetuated one of my least favourite of its trends: snap judgement from journalists fishing for hits.

Late Wednesday night W. Haden Blackman and J.H. Williams III, the writer and artist of Batwoman, respectively, posted  a message on the former’s blog that they would be leaving the title. Here’s the section of that post that has received the most attention [emphasis added]:

Unfortunately, in recent months, DC has asked us to alter or completely discard many long-standing storylines in ways that we feel compromise the character and the series. We were told to ditch plans for Killer Croc’s origins; forced to drastically alter the original ending of our current arc, which would have defined Batwoman’s heroic future in bold new ways; and, most crushingly, prohibited from ever showing Kate and Maggie actually getting married. All of these editorial decisions came at the last minute, and always after a year or more of planning and plotting on our end.

From what I can tell, the news was first broken by The Outhouse, and was soon followed by all the other major comic book news outlets. ComicsAlliance and Newsarama both likewise delivered the news straight, but elsewhere this wasn’t the case. Continue reading

It Is An Exciting Time To Be A Minority Canadian Comic Book Fan

As an Asian-Canadian who spends far more time on comic book news sites than actual news sites, this week has been all sorts of crazy. There’s been . . . a lot to take in.

Mighty Avengers

To begin with, next month heralds the first issue of Mighty Avengers. Take out the “gh” and add “nori” and you more or less have an understanding of what the book is all about.

I refuse to show any of the interior artwork, so this variant is all you’re going to get.

The fact that we have far too many titles featuring the word “Avengers” aside, this is a huge deal in that, of the nine heroes in the team, the majority are people of colour. Luke Cage, Falcon, Blue Marvel, and Monica Rambeau are African-American, White Tiger [Ava Alaya] is Hispanic, and Power Man [Victor Alvarez] is a mix of both. Rounding out the team are Spider-Man, She-Hulk, and a new Ronin whose identity is yet to be revealed.

With the very talented Al Ewing on writing, the only thing that would make this book perfect were if Ron Wimberly, who illustrated the variant cover on the left, were the actual artist on the book. Unfortunately, that job was given to Greg Land. I do not have anything civil to say about him. Just click the link. Continue reading

Shame Day: Sequels For Sequels’ Sake

It should be no mystery to us that a lot of movies aren’t made to be good. As a broad generalization, many of the films put out are intended to simply make money. To really hammer this point home I like to point towards Cars 2.

Cars 2 was a Pixar milestone, and the first of their films to beat its predecessor, Cars, in a particular category. It was the movie that garnered a 38% on Rotten Tomatoes, an abysmal score significantly lower than the first movie’s 74%.

As someone who’s seen every film the studio has ever done, I was disgusted by the fact that they would create a sequel to what was ultimately my least favourite of the bunch, but then I understood-

This really says it all. I’m not really going to explain this any further.

Money money money. $10 billion dollars of Cars toys, bed sheets, clothing, toothbrushes, the list goes on. So clearly sometimes ratings can be down, if profits are up. But what about when this isn’t the case? Continue reading