Tag Archives: box office

How Marvel Ruined The Movies

Over the past decade, we’ve been witness to something unprecedented in the history of film: the rise of the cinematic universe.

Pioneered by Marvel with their ever-expanding Avengers universe, this innovative and impressive model has been swiftly copied by others, and we’re already seeing attempts at DC’s Justice League universe, an expanded Star Wars, and even Harry Potter. While the success has certainly been varied, it would seem the standard is here to stay.

And here’re the reasons why that sucks.

Bigger Audiences Don’t Mean Better Movies

And while that goes without saying, the issue becomes especially apparent when movies become global phenomena in the way the MCU has become.

In his posts about the whitewashing of Doctor Strange, Evan brought up the case of film-critic-turned-writer C. Robert Cargill. In a podcast, Cargill discussed the whitewashing of “The Ancient One” and how the character of an old man from the Himalayas got turned into middle-aged woman from Scotland.

“The Ancient One… comes from a region of the world that is in a very weird political place. He originates from Tibet. So if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion [Chinese] people who think that that’s bullshit…”

-C. Robert Cargill, Double Toasted Podcast

While my co-author pointed out that the character of The Ancient One was set in Nepal, not Tibet, and while Cargill swiftly clarified that these were his thoughts, not Marvel’s, I do think he’s got a point. China has become a major consumer of western films, and the effects of that are already apparent.

2014’s Transformers 4: Age of Extinction surpassed Jame’s Cameron’s Avatar in Chinese theaters, and presently stands as the 4th highest-grossing film in the nation.

“The long and the short of it: Bay made a movie set and filmed in China, starring Chinese actors, using Chinese resources and pushing Chinese products, and in exchange, the movie gets a timely premiere across the country’s 18,000-plus movie screens.”

Nash Jenkins, TIME Magazine, 2014

The remake of Red Dawn, originally based on the idea of a Chinese invasion of the US, was hastily changed to cast North Korea as the principal villain for fear of offending Chinese viewers. Because the US getting conquered by a country smaller than the state of Louisiana is somehow believable.

tewaame

Now that’s not to say that Red Dawn would’ve been a good movie otherwise (it wouldn’t have)- just that it was made even more stupid in a greedy effort to rake in more cash. While we certainly didn’t lose a cinema classic in catering to political correctness, it does set a disturbing precedent for the future. Will films purposefully cut reference to Tibet, Taiwan, or the Uighurs? Will China’s despicable record on human rights and the environment be glossed over for box office sales?

And they’re not the only problem. Continue reading

The Swinton-Cho Letters, Part 2: Putting Down a Resurrected Argument or: When Isn’t Art Political?

I began the first installment of this two-parter making note of the long and ultimately wearying experience it has been, starting with Doctor Strange going into pre-production and continuing on to the recent exposure of the Swinton-Cho Letters. While I spent time describing the ups and downs of casting news what I neglected to mention, and what I’m going to focus on today, is the outset and ultimate resurgence of an argument in defence of whitewashing.

That’s right, an argument defending what Wikipedia helpfully defines as “a casting practice [. . .] in which white actors are cast in historically non-white character roles.” The very faint silver lining is that the justification here does not revolve around star power and A-list draw, or the idea that “the best person for the role” was hired, the latter of which rarely ever swings the other direction. In spite of not being deeply rooted in these ways of thinking, however, the argument is remains deeply flawed.

Before we get into that, however, we should probably get to its origin story.

Like I Said Last Time, “It’s Always Podcasts”

Having to hit all of this again it’s important to be thankful for small blessings, with one being that I don’t need to hear C. Robert Cargill’s voice again due to already having done the research for another post. The person in question was one of the screenwriters for Doctor Strange, and dropped in on the  Double Toasted podcast mid-April to answer a few questions about it.

Eventually, and unsurprisingly, the issue of the Ancient One’s casting was brought up. Cargill’s response, as transcribed by CINEMABLEND’s “The Blunt, Yet Difficult Reason Doctor Strange’s Ancient One Isn’t Asian”, is as follows:

“The Ancient One was a racist stereotype who comes from a region of the world that is in a very weird political place. He originates from Tibet. So if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people who think that that’s bullshit and risk the Chinese government going, ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.’ If we decide to go the other way and cater to China in particular and have him be in Tibet [. . .] If you think it’s a good idea to cast a Chinese actress as a Tibetan character, you are out of your damn fool mind and have no idea what the fuck you’re talking about.”

In essence Cargill chalked the reasons for the casting decision up to politics and economics, implying that having the character played by a Tibetan would cause Marvel Studios to lose out on Chinese box office sales. He also suggests quite strongly that, conversely, having a Chinese actor play a Tibetan would cause a large amount of controversy. This was picked up by sites from IndieWire to ScreenRant to The Hollywood Reporter, with several using words like “reveal” in their headlines, as if a longstanding mystery had finally been solved.

The justifications he laid out were to become the go-to response for every commenter looking to defend the Swinton’s casting, and why not? After all, as one of the screenwriters of the film Cargill should be a direct and dependable source. The answer to that hypothetical starts with what happened a few short days later- Continue reading

A Story for the Average Woman: Maleficent on Rape and Motherhood

Spoilers below… and all that jazz.

Unabashedly a Story about Women

At this year’s Oscars Cate Blanchett happily exclaimed that her award proves that women are not a niche market. Some of this year’s top films are evidence that people care about women and their stories. There were the Hunger Games films, which blazed the trail for future female heroinesthen Frozen, which is now the fifth highest grossing film ever.  In fact, movies that pass the Bechdel test are now doing better at the domestic box office than those that don’t. But the latest trend in female heroines tends to imbue them with traditionally male traits, and rarely celebrates the issues that the majority of women regularly engage with. In contrast, Maleficent is a story that is unabashedly about women, and its success demonstrates that people care about the issues that affect the “other” gender.

   

I felt this was fitting, what with female protagonists breaking out of their “niche” market.

Continue reading

A Vindication of Piracy

A while ago (and with great reluctance from Evan), I posted a defense of piracy.

Understanding how much Evan and I differ on the subject, I wouldn’t have written anything more about it- had the BBC not just put forth an article kinda vindicating my entire position.

Oh, you better believe I’m gonna be cocky about this…

Continue reading

Shame Day: Sequels For Sequels’ Sake

It should be no mystery to us that a lot of movies aren’t made to be good. As a broad generalization, many of the films put out are intended to simply make money. To really hammer this point home I like to point towards Cars 2.

Cars 2 was a Pixar milestone, and the first of their films to beat its predecessor, Cars, in a particular category. It was the movie that garnered a 38% on Rotten Tomatoes, an abysmal score significantly lower than the first movie’s 74%.

As someone who’s seen every film the studio has ever done, I was disgusted by the fact that they would create a sequel to what was ultimately my least favourite of the bunch, but then I understood-

This really says it all. I’m not really going to explain this any further.

Money money money. $10 billion dollars of Cars toys, bed sheets, clothing, toothbrushes, the list goes on. So clearly sometimes ratings can be down, if profits are up. But what about when this isn’t the case? Continue reading

Where I Try to Explain Red Dawn

I’ve begun seeing trailers on TV, and apparently it hit theatres two days ago, so I figure now’s as good a time to talk about Red Dawn as any.

For those of you who don’t know, Red Dawn is a remake of the 1984 film of the same name. In the original the United States is invaded by both the Soviet Union and its Cuban allies. A group of plucky high schoolers bands together to form a guerrilla fighting force, named the Wolverines after their high school mascot.

In remaking the film the studio, Metro-Goldwyn-Mayer (MGM), realized that they needed to modernize the invaders in light of the current political climate, and chose China. Keep in mind that in the original film that country was apparently America’s only ally, with the following exchange taking place:

“…Well, who is on our side?”
“Six hundred million screaming Chinamen.”
“Last I heard, there were a billion screaming Chinamen.”
There were.”

Production was going smoothly until the summer of 2010 when the Global Times, a Chinese state-run newspaper, got a hold of leaked excerpts of the script. This prompted such headlines as “U.S. reshoots Cold War movie to demonize China” and “American movie plants hostile seeds against China.” In early 2011 the LA Times reported that the film’s villains were changed from Chinese to North Korean to “[maintain] access to the Asian superpower’s lucrative box office.Continue reading