I used to cry a lot as a kid. A lot. I had all the feels and I didn’t know what to do with them.
I was also a pretty uncoordinated kid. I mean, nothing spectacular (I only broke a couple bones), but enough to make me suck at the only thing that mattered in elementary school: winning stuff. Being stuck as “it” for hours at a time in grounders or tag really gets the spirit low, so, as you might expect, I spent a lot of recesses crying.
My mom loves to tell this one story from back when she worked at my school. She had been helping a friend of mine with her homework one day and when this friend became frustrated she had reminded her that “Some people are good at spelling, some people are good at sports, etc. Everyone has something that they are good at, and everybody has something we need to work on.”
Later that day, I came dead last in a race (my mom likes to emphasize this part when she tells the story, often repeating herself with “and I mean dead last“). Anyways, after coming dead last in this race I retreated to a distance to cry my eyes out. This same friend of mine came over and put her arm around me. Then she started to tell me “You know Katherine, some people are good at spelling, some people are good at sports…”
You get the gist of it. I used to cry a lot. Then, one day on the playground, a kid called me a “cry-baby”. I don’t remember who it was, but I remember clenching my fists and swearing to myself “I will never cry again!” Continue reading
Posted in feminism
Tagged cry, Danielle Debarbarac, emotional, emotions, failure, feeling, feminine, feminism, Feminist, gender, gender roles, girly-girl, Men, role models, Sarah Connor, sensitive, sensitivity, stoic, strong, Taken, tears, tough, weak, women, Zooey Dechanel
Saturday Night Live is a very White show.
This isn’t news for almost anyone who has been watched the late night sketch comedy mainstay at any point in the last four decades. Still, this fact was made all the more apparent when they announced the six new cast members that would be coming aboard last September. In case you didn’t know, they amounted to five men and one woman, all Caucasian.
Given the fairly sizable [and reasonable] amount of outcry over this, Lorne Michaels and the powers that be ushered in Black comedian Sasheer Zamata. Given the speedy response to their complaints the internet quieted, content with SNL and how it was dealing with race for the time being. That ended, of course, this past Saturday.
While Zamata’s casting was lauded by many, something else occurred concurrently which was less publicized, though arguably just as important: LeKendra Tookes and Leslie Jones, both Black women, joined the show’s writing staff. Ideally such a move would help the show to broaden its comedic range given life experiences that differ vastly from that of a White person, male or female, living in the USA. That particular perspective was showcased front and centre when Leslie Jones made her on-camera debut during the most recent episode’s Weekend Update-
Posted in Comedy, Fame Day, feminism, race, television
Tagged aesthetics, African-American, beauty, black, comedian, feminism, funny, Leslie Jones, Lupita Nyong'o, race, racism, Saturday Night Live, slave, slavery, SNL, standards, strength, strong, Totally Biased with W. Kamau Bell, TV, W. Kamau Bell, Weekend Update, white