I loved Star Wars: The Force Awakens. I loved it so much that the first thing I thought about doing when I walked out of the theatre was hash out everything that this Star Wars reboot had done right.
Like including legitimately humorous dialogue rather than slapstick CGI sidekicks.
Unfortunately, everyone on the blogosphere had already come to the same conclusion long before I was back from my Christmas break. Still, I couldn’t stop thinking about the film, or reading articles about it. So I’ve decided to write about one of the few things that bothered me about the film, rather than many aspects of the film that I loved.
If you’ve been reading this blog for some time, you probably already know that we at CWR were excited to hear about the diversity of casting in The Force Awakens.
I was especially excited when I heard that Lupita Nyong’o had been cast. Ever since she won best supporting actress for 12 Years a Slave and was declared the most beautiful person of 2014 by People magazine, I’ve been keeping my eyes peeled for Nyong’o. After witnessing her sudden rise to fame, I was curious to see if she would continue to find roles in major films, or if she would slowly be pushed out of Hollywood because of her dark skin. As Gregg Kilday explains in his article about Nyong’o, few black actresses have ever managed to secure a spot as a permanent Hollywood heavyweight:
While the stage would appear to be set for [Nyong’o] to ascend to the A-list — just as Jennifer Lawrence did after her best actress win for Silver Linings Playbook last year — it’s not that simple. For while there have been a handful of African-American actors, from Sidney Poitier to Eddie Murphy, Denzel Washington and Will Smith, who have reached that status, there’s never been a black actress who has become the equivalent of a Julia Roberts or Angelina Jolie. Whoopi Goldberg came closest, following her best actress Oscar nomination for 1985’s The Color Purple and supporting actress win for 1990’s Ghost, but despite an occasional hit like 1992’s Sister Act, she didn’t maintain that momentum. Hollywood also flirted with Angela Bassett, Thandie Newton, Halle Berry and, most recently, Mandela‘s Naomie Harris, without ushering any of them into its very top tier.
It seems like a habit for major blockbuster films to tick off their diversity checklist by casting a white woman and/or a black man. Meanwhile, actors from other minority groups, especially women of colour, get overlooked because all the non-white, male roles have already been taken. As Evan pointed out in his post about the Martian and racebending, this seems to be the impulse, even when it means casting a white women to play a Korean- American character and a black man to play an Asian- Indian character. Continue reading →
Posted in feminism, film, gender, race
Tagged #SolidarityIsForWhiteWomen, 12 years a slave, alien, Angelina Jolie, angry white people, Asian-Indian, avatar, black, black and a woman, black and female, black female lead, blockbuster, casting, CG, CGI, Daisy Ridley, diversity, fan-boys, film, franchise, Gregg Kilday, Guardians of the Galaxy, Hollywood, Jennifer Lawrence, John Boyega, Julia Roberts, Korean-American, lightsaber, Lupita Nyong'o, Maz Kanata, minority, most beautiful person, Oscar Isaac, people magazine, protagonist, role model, Star Trek, Star Wars, successful, talent, The Force Awakens, The Martian, Uhura, white, Whoopie Goldberg, women of colour, Zoe Saldana
Saturday Night Live is a very White show.
This isn’t news for almost anyone who has been watched the late night sketch comedy mainstay at any point in the last four decades. Still, this fact was made all the more apparent when they announced the six new cast members that would be coming aboard last September. In case you didn’t know, they amounted to five men and one woman, all Caucasian.
Given the fairly sizable [and reasonable] amount of outcry over this, Lorne Michaels and the powers that be ushered in Black comedian Sasheer Zamata. Given the speedy response to their complaints the internet quieted, content with SNL and how it was dealing with race for the time being. That ended, of course, this past Saturday.
While Zamata’s casting was lauded by many, something else occurred concurrently which was less publicized, though arguably just as important: LeKendra Tookes and Leslie Jones, both Black women, joined the show’s writing staff. Ideally such a move would help the show to broaden its comedic range given life experiences that differ vastly from that of a White person, male or female, living in the USA. That particular perspective was showcased front and centre when Leslie Jones made her on-camera debut during the most recent episode’s Weekend Update-
Continue reading →
Posted in Comedy, Fame Day, feminism, race, television
Tagged aesthetics, African-American, beauty, black, comedian, feminism, funny, Leslie Jones, Lupita Nyong'o, race, racism, Saturday Night Live, slave, slavery, SNL, standards, strength, strong, Totally Biased with W. Kamau Bell, TV, W. Kamau Bell, Weekend Update, white
Last year around this time I wrote a scathing article for my school paper about Seth Macfarlane’s attempt at hosting the Oscars in which I primarily focused on how his “We Saw Your Boobs” song basically undermined any hope for women to be taken seriously in Hollywood. In light of that I felt like this year I should balance out my review of the Oscars and acknowledge some of the good things they did this time around. Continue reading →
Posted in celebrity, Fame Day, feminism, film, race
Tagged #selfie, 12 years a slave, albinism, awards, best supporting actress, black, Catching Fire, Cate Blanchett, documentary, Ellen Degeneres, feminism, Gravity, host, Jennifer Lawrence, Kenya, Lupita Nyong'o, Mexico, Oscars, pizza at the oscars, representation, Sandra Bullock, selfie that broke twitter, sexism, winner, women in Hollywood