Tag Archives: aesthetics

The 50/50 Fallacy [Yes, It’s Another Big Hero 6 Post]

So, as I said I probably would, I did end up seeing Big Hero 6 this past Tuesday. While I ended up enjoying it a fair amount the problem, if I can call it that and which the post I just linked to addresses, was in the back of my head the entire time. To reiterate it here, the idea that both a city and almost the entire cast of superhero team had to be altered to make it more relatable, presumably to a Western [read: American] audience.

As mentioned I did like it, but during and after the film I was struck by the fact that a balance, if that’s what the creators were truly going for, was never really attained. To start with, San Fransokyo.

Based off of the name one would assume that this would be equal parts American and Japanese city, a blend that encapsulated the best of both worlds. The actual design approach is laid bare when considering the words co-director Don Hall used when describing the setting [emphasis added]:

an alternate version of San Francisco.

“I love the Painted ladies. We gave them a Japanese makeover; we put a cafe on the bottom of one. They live above a coffee shop.”

“Where Hiro lives, it feels like the Haight. When you get to the downtown area, that’s when you get the most Tokyo-fied, that pure, layered, dense kind of feeling of the commercial district there. When you get out of there, it becomes more San Francisco with the Japanese aesthetic.”

To put this in more musical terms, this isn’t so much a mashup as it is a remix. The former is a blend of two or more parts with both being displayed prominently, the latter is a modified version of something, the original of which is typically easily identifiable. Continue reading

Fame Day: Leslie Jones

Saturday Night Live is a very White show.

This isn’t news for almost anyone who has been watched the late night sketch comedy mainstay at any point in the last four decades. Still, this fact was made all the more apparent when they announced the six new cast members that would be coming aboard last September. In case you didn’t know, they amounted to five men and one woman, all Caucasian.

Given the fairly sizable [and reasonable] amount of outcry over this, Lorne Michaels and the powers that be ushered in Black comedian Sasheer Zamata. Given the speedy response to their complaints the internet quieted, content with SNL and how it was dealing with race for the time being. That ended, of course, this past Saturday.

While Zamata’s casting was lauded by many, something else occurred concurrently which was less publicized, though arguably just as important: LeKendra Tookes and Leslie Jones, both Black women, joined the show’s writing staff. Ideally such a move would help the show to broaden its comedic range given life experiences that differ vastly from that of a White person, male or female, living in the USA. That particular perspective was showcased front and centre when Leslie Jones made her on-camera debut during the most recent episode’s Weekend Update-

goodjobleslie

Watch the video here or here.

Continue reading