Tag Archives: standards

In Defence of the Dress Code

There are so many things I hate about dress codes. I hate that they usually target girls and their sexuality, implying that a) if girls don’t cover their bodies boys will have no choice but to “lust” after them and b) a girl’s sexuality is something to fear. I hate that they imply that a woman’s character is based on her level of purity.

I hate that they become an opportunity for grown men to ogle young girls in order to better police what those young girls should wearI hate that they project gender roles onto young people. I hate that they go hand in hand with body- shaming young girls just when their bodies have started to change and they are still learning how to deal with those changes.

In contrast, I love seeing young women standing up for themselves on social media with hashtags like #IAmNotAnObject, #MyBodyMyBusiness, and #MoreThanADistraction. I love seeing them reclaim their bodies as their own, rather than some grown (or young) man’s fantasy. I love seeing them call out our education systems for continuing to prioritize boys over girls. I love seeing them call out the innate sexism at the centre of most dress codes Continue reading

Fame Day: Leslie Jones

Saturday Night Live is a very White show.

This isn’t news for almost anyone who has been watched the late night sketch comedy mainstay at any point in the last four decades. Still, this fact was made all the more apparent when they announced the six new cast members that would be coming aboard last September. In case you didn’t know, they amounted to five men and one woman, all Caucasian.

Given the fairly sizable [and reasonable] amount of outcry over this, Lorne Michaels and the powers that be ushered in Black comedian Sasheer Zamata. Given the speedy response to their complaints the internet quieted, content with SNL and how it was dealing with race for the time being. That ended, of course, this past Saturday.

While Zamata’s casting was lauded by many, something else occurred concurrently which was less publicized, though arguably just as important: LeKendra Tookes and Leslie Jones, both Black women, joined the show’s writing staff. Ideally such a move would help the show to broaden its comedic range given life experiences that differ vastly from that of a White person, male or female, living in the USA. That particular perspective was showcased front and centre when Leslie Jones made her on-camera debut during the most recent episode’s Weekend Update-


Watch the video here or here.

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Retract, Don’t Do It, When You Want To Go Do It

To the few people who read Gordon’s Fame Day post for today, and for those who may be looking for it,

After speaking with him the two of us decided that the post he wrote was not up to the standards we try to hold the site to as a whole. To absolutely give credit where it’s due he’s had an ungodly amount to do at work, which cut into the time he had to write for the blog.

My post will still be going up tomorrow, and you can expect us to more or less get back to our normal schedule.

That’s all for now,


PS: Here’s a gif of my favourite current Survivor contestant to end things. Woo’s got them ninja skills.

Evan and Gordon and Kat Talk: Beauty

EVAN: Today, ladies and gentlemen, comes yet another E&GT that’s causing me seriously think about changing the title of the feature. Kat joins both Gordon and me in a three-person discussion we’ve been meaning to have for a while.

Today’s topic is one of Gordon’s making, so without further ado I am turning it over to him-

GORDON: Beauty is our topic for today.

Or perhaps “attraction” might be a better title. We’re going to be hashing out whether or not there’s an issue with being attracted to contemporary standards of beauty.

Now I bring this up because it’s been pretty well established that our contemporary standards of what’s attractive are, well, pretty unrealistic and often unhealthy. Though the 300 pounds of sheer blubber that would’ve turned heads two hundred years ago admittedly weren’t much better.

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Product Placement, and/or Wouldn’t an Ice Cold Pepsi Really Hit The Spot Right Now?

After a long day, I plan on sitting back and finally watching the last episode of CBC’s Being Erica, a show I began last summer and have yet to finish. While skimming its Wikipedia page I was reminded of Season 4 Episode 8, and the product placement that the video below accurately describes  as “egregious.”

It’s difficult to be immersed in a show that shoves advertising down your throat, and I definitely remember being disturbed by it. A car that can park itself is impressive, but watching two characters you’ve grown familiar with ooh and aah as a car salesman lists its features is not. As I watch the clip again and hear the back and forth of “No way” and “Way” it’s hard not to feel a little sick inside.

As was to be expected, the Canadian press was far from thrilled by this. An article on the National Post titled “How Being Erica took product integration too far” cites this episode as the one that caused the author to “break up with Erica.” She also referenced a the following point I had already been planning on making:

Is there anything 30 Rock can’t get away with? The clip above features product placement that is far more in-your-face than what was found in Being Erica, yet manages to pull it off. It’s both meta and very funny, and as a result as viewers we can laugh it off and even respect what the show is doing.

How much, then, can we put up with? I fully recognize that Dr. Pepper plays a fairly prominent role in the first three Spider-man films, and the ridiculous amount of BMWs in Mission Impossible: Ghost Protocol was impossible to ignore. Phones, more than ever have gotten a good amount of screen time in music videos, with so many examples out there I’m not even going to link to one.

Product placement [or integration, which definitely has more positive connotations] has, and will continue to be around, but is this something that we should take for granted and accept? That particular episode of Being Erica sparked an uproar of sorts, with audience members feeling offended that the network would think so little of them. The message behind their complaints seems to be: You can advertise to us, but be subtle about it.

The economy’s not in great shape, and TV shows and movies and music videos can only be made if there’s money to fund them. Since we’re going to keep getting logos flashed in our faces, what should we do? Can we do anything about it? As consumers of the media we should all have standards we expect to be met, but the question now is when do we draw the line?