Category Archives: media

Albert Brennaman, the Patron Saint of White Dancers

I know you’ve probably seen it, but I’m starting with this: 

Arguably one of the most memorable films of 2005 [tenth highest-grossing that year], Hitch wormed its way into our hearts due to a number of reasons. First and foremost was Will Smith, but trailing surprisingly close behind was his co-star, Kevin James, and the bumbling Caucasian everyman he represented.

Now, I’m not one to perpetuate racial stereotypes; I’ve had too many people assume I like rice just by looking at me. But here’s the thing: I Love Rice. As much as many of us would hate to admit it, stereotypes typically have some kind of truth to them. The one I’m writing about today is one many of you have probably heard, and that is that:

White People Can’t Dance.

This is a truth I’ve come to more or less believe due to personal experience. The first piece of evidence being found in college dances I attended [student body 95% Caucasian]. The second was while working at a nightclub a few years ago. A group of four to five white people in their late 20s/early 30s came up to the floor I was busing, and it. . . wasn’t pretty.

Bringing this back to the beginning, what I’ve found is that a lot of the aforementioned not only love that clip from Hitch, they live it. In the most literal sense. Many know the dance by heart, and at parties moves like “the Q-tip” actually make an appearance. The character of Albert Brennaman has been lifted up to this odd place of veneration, his dancing a guide and example for others.

To put it simpler, they are proud of the way they move. There’s no shame there, and they’ve owned the fact that for the most part others don’t think they can dance. Without that social buffer of potential embarrassment, they unknowingly keep the stereotype alive. It’s a vicious cycle, and one illustrated in the equation below:

“White People Can’t Dance” —> white people dance however they want —> white people can’t dance

I’m not judging, it’s just a cultural observation. For an ethnic group to take pride in something they’re not good at is a strange thing, sort of like if Asians decided to own the stereotype that they’re bad drivers. In this case, however, no one is at risk of getting hurt. One group is content to move however they please, and the other is more than happy to sit back and watch it happen.

I leave you with an uncomfortable clip of white people dancing to “Take On Me.”

Fascists, Skinheads, and Nazis (Oh My!)

As you all doubtlessly know, two days ago, a gunman entered a Sikh temple in the little town of Oak Creek, Wisconsin, killing six and injuring four more before being shot dead by police. The killer, one Wade Michael Page, was connected to a number of vicious white-supremacist groups, most notably the “Hammerskins”, a white-supremacist group that focuses on dispersing racist messages and propaganda through music- Page being the founder of one band and a member in another.

Why is this even being brought up here? As strange as it may seem, there’s an argument to be made for the Oak Creek massacre having its origins in culture. Now many of you might be thinking of the Aurora massacre, and no, this isn’t some discussion about our attitudes towards guns, violence in media, or anything of the kind. There’s certainly a good discussion to be had on that subject as well, but it’s not what I’ll be addressing here.

No, what I’m going to be talking about is this:

Fascism.

It’s coming back.

See, the idea that the culture, traditions, and history of specific people group are superior to those of all others and should be promoted and maintained through brute force didn’t die when Hitler blew his bigoted brains all over an underground bunker in Berlin, or when Communist freedom fighters gunned down Mussolini in a picturesque Italian village. It’s been dormant for a long time, but in recent years, it has again shown its ugly face.

Nope- uglier than that…

While there have been plenty of racially motivated murders over the years since Nazism fell (to say nothing of countless lesser hate crimes), what we’re seeing now is a resurgence in full-fledged Fascist ideology- but before we get into that, just a side note.

For many of you, the term “Fascism” probably conjures up images of generic authoritarianism. Obama’s a Fascist. Rush Limbaugh’s a Fascist. That one really strict teacher is a Fascist.

I’ve struggled for a while to come up with a good, succinct definition for what Fascism is all really about, so I’m going to offer this illustration. To a Fascist, his people (often, race) are inherently great and good, and they are inherently great and good because of their traditions, values, and culture, which are all also inherent to them. The greatness of the nation is lost when evil, conniving undesirables start pushing their own cultures, values, and traditions, which are subversive and degenerative to the nation. Therefore, these degenerates who threaten the nation must be stomped out (often quite literally), and the “original” culture/traditions/values must be restored, enforced, and maintained through an all-powerful government, police force, military, etc.

There’s more to it, of course. I could talk about the concepts of autocracy, corporatism, use of ancient Roman symbolism, and the like, but for now, let this all above be the definition we work with.

Now why do I say it’s coming back? Certainly if we disregard the recent massacre and the occasional race-related attack, there doesn’t seem to be any major Fascist threat in the US. The KKK isn’t roaming with impudence in the South. Gangs of Nazis aren’t attacking Jewish stores and businesses. Self-proclaimed defenders of the nation aren’t roaming the boarders trying to-

Oh yeah…

Ok, but it’s not like there’s been any major attack on people for having different skin or heritage or religio-

Ok, fine, but it’s not like any of this bigotry has been legislated or-

…Yeah…

See, that’s how it works. It’s subtle, discreet. The great Sinclair Lewis perhaps said it best:

And this is just America. In Europe, Fascism is even more prevalent and less shameless, simply take a look at France, where the government has instituted laws banning certain forms of Muslim garb, or forcibly expelling the Roma Gypsies.

I recall another guy who took actions to get rid of gypsies…

Over in Germany, Chancellor Angela Merkel declared that “Multiculturalism has failed”

Kinda forgetting about the last time a German chancellor declared the failure of multiculturalism…

…And in Britain, holocaust-denier Nick Griffin, leader of the white-supremacist British Nationalist Party (BNP) was elected to the European Parliament. That’s about the equivalent of the Grand Wizard of the KKK getting elected to congress.

I’d show you an actual picture of Nick Griffin but **** that guy…

And this is to say nothing of the escalating attacks on immigrants across Europe. Why? Because many Europeans and Americans are buying into the idea that the values, traditions, culture, and beliefs of other people are a direct threat to them. I recall in college on particularly nasty student who asserted that “All immigrants should go home”. Interesting, considering he had an Italian last name. Does he mean that he too will leave America? Of course not. Does he mean the Canadians who attended that school? Not at all. “Immigrants” was simply code for those “undesirable brown people”. But don’t take the words of one bigoted student as evidence of this ugly trend- just look at Congressman Steve King’s attempt to make English the “Official Language” of the US!

Now why on earth would you try to make English the official language of the US? It’s not like the vast majority doesn’t already speak it. And what if we did speak Spanish? How would it make a difference to anyone what we speak… unless English was somehow viewed as “inherent” to America!

There’s really part of the problem. It’s a perspective on society. Back in College, I had a conservative friend whose opposition to gay marriage was that “the traditional family is the building block of society, and changing the family weakens society”. I’m not saying he’s a fascist- not at all, but this view of society as a solid, unchanging thing is what really serves to create so much of the general bigotry and outright fascism that we see today. When society’s well-being is linked to culture, to maintain society is to maintain culture, and while there’s a certain logic there, all too often it’s taken to mean that every aspect of culture, right down to traditional gender roles, religion, and racial demographics, must be controlled. It’s the reason why you see Muslims, immigrants, homosexuals, or as the past couple days have shown us, Sikhs, targeted. And don’t for a minute imagine that it’s just Aryans who take up this line of thought. I recently had an encounter with an Asian immigrant who cited that his country was once upon a time a “Christian country”, and that he was concerned at Hindus, Buddhists, and the like building places of worship in his community.

Only where does it end? Suppose you argue that non-Christians should be excluded from a country because their cultures threaten the stability of the nation- what the minority groups? I always want to bring this up when I hear someone make the argument that America is a “Christian Country”- does that include the Mormons and Jehovah’s witnesses? What about Unitarians? Episcopalians? Catholics? Mennonites?

That’s the crux of the matter. The Fascists- both the self-declared and the self-deluded- would have us believe that we’re all hopelessly divided. That we cannot respectfully disagree with each other. That you can’t speak Mandarin and I can’t speak Arabic and the two of us get along. That multiculturalism is a fantasy. That we can’t have our own practices and perspectives while all agreeing, to some degree, on how to live together. We’re meant to live in constant fear that if we tolerate anyone who doesn’t fit in, there goes our way of life.

So let it go.

This will be harder for some than others…

The title of this blog is the Culture War Reporters, and perhaps what needs to be understood is that the culture war isn’t something that can (or should) be won. There’s always going to be divergence in opinion and in behavior. There’s always going to be new things coming in, and old things struggling to stay on. There’s always going to be good stuff and bad, so at the end of the day, why worry? Don’t buy the idea that culture can be maintained, or that one group has found all the answers. For all the dark content about murders, genocide, and the like, strange a line from Disney’s Ratatouille should fit so appropriately. Defending his lifestyle against the accusation that it’s “against nature”, Remy the rat declares that “Change is nature”.

Stars Earn Stripes (Is a Terrible, Awful, Idiotic Abomination)

When I was watching the bad acid trip that the Brits were passing off as the opening ceremonies of the Olympics, I saw an ad for an upcoming NBC reality show called Stars Earn Stripes.

For those of you too lazy to watch the YouTube video, Stars Earn Stripes is essentially a collection of B and C level celebrities (and Terry Crews) who are put through elements of basic military training and then tasked with carrying out “missions” (i.e. blow stuff up).

Naturally, the reaction of both myself and everyone I was watching with went a little something like this:

Ironically, this is one of the “missions”…

Despite the ad touting that “In the end, it’s all about understanding one thing… true bravery… It’s about honoring our veterans and our law enforcement officers…”.

I’m going to go out on a limb here and say that a show where a bunch of people are given a couple months of watered down military training in an environment more or less free from danger and label it as comparable to the pain, sacrifices, stress, and general hardship of the actual military is about as far as you can get from honoring them. One of the guys I saw the commercial with had been in the military himself, stationed in Afghanistan, and he asserted that the idea of the show was offensive (as did everyone else in the room). Indeed, restoring some faith in humanity, the reaction of pretty much everyone to Stars Earn Stripes has been more or less this:

Marking the first time comments on a YouTube Video have been mostly intelligent and well-reasoned…

Let’s break it down here. Stars Earn Stripes is presenting:

  1. A Sanitized View of War
  2. A Glamorized View of War
  3. An Insult to Anyone who is or ever has Been Involved in War

First, let’s address the sanitizing or “white-washing”, as some critics are calling it. Stars Earn Stripes still has ten days to air, however, I think it’s safe to say that the actual decisions and consequences on the show are nothing like what they are in reality. The ad boasts that they will use “Real Explosions” and “Live Ammo”, as if this somehow adds weight or danger to the show. You what other shows have been using live ammo and real explosions for years?

Mythbusters

Deadliest Warrior (Sorry I couldn’t find a Gif for this)

…Or pretty much any show having anything to do with guns and explosions…

See, the celebrities might be in some danger- but hardly anything that you can’t find on other shows, and nothing on the level of what combat soldiers have to deal with. On top of this, I’m guessing that the celebrities aren’t going to actually kill anyone, or have to grapple with the moral and psychological ramifications of doing so. In fact, the celebrities will never have to worry about any of the basic aspects of military service that soldiers are expected to deal with- constant danger, the possibility of being disabled (if not killed or captured or tortured) for life, the possibility of killing and innocent civilian by accident, or (for the female contestants) the rampant problem of rape. Terry Crews is a tough guy, I’m sure, but I have my doubts as to how he’d react actually witnessing someone (on any side of the conflict) killed. Let’s face the facts, Stars Earn Stripes is not going to show you bodies in all their gory reality. This isn’t war- this is Hollywood.

Second, let’s talk about the glamorization we’re sure to see hear. Of course Stars Earn Stripes will present the celebrities having little breakdowns, or getting dusty or bruised, but even John McClane got pretty trashed in Die Hard.

But the military isn’t just concussion grenades and contusions- there’s plenty of… well- boredom to it. I’m not saying this to put down the armed forces, I’m just trying to offer an accurate picture here. There are toilets to be scrubbed, mess halls to be cleaned, uniformed to be creased and beds to be made. There’s paperwork and basic maintenance. Are we gonna see the Stars Earn Stripes celebrities get chewed out for not having left six inches between their blankets and their sheets? I doubt it.

Thirdly, the combination of the previously mentioned points creates a completely and wholly inaccurate picture of the conditions the men and women of the military find themselves in. Stars Earn Stripes isn’t about the military, it’s about a highly fetishized aspect of war. And make no mistake- we’re not talking about just the military here- we’re talking about war. Without the past decade or so of nonstop conflict in Afghanistan, Iraq, and elsewhere, it’s highly doubtful that Stars Earn Stripes would even exist, after all, what’s the point of doing a show about the military if you can’t jam it full of explosions? An almost assured side-effect of this lousy and poorly thought-out attempt to “honor” the troops (i.e. make money off of them and their hardships) is the glorification of war. It doesn’t matter if you’re the most dogged pacifist or hard-line advocate of “just cause”- we all know that war itself is not something that should be portrayed this way. Maybe you think war is wrong, maybe you think war is right- you never think war is pretty. As William Tecumseh Sherman, perhaps the most brutal general of the Civil War, put it “There is many a boy here today who looks on war as all glory, but, boys, it is all Hell.”

The guy who burned Atlanta to the ground just by glaring at it would know….

It cheapens war. In the off chance that you want to hear my full rant about this, here’s the link. The simple version is that this drastic level of ignorance when it comes to the bloodshed- you know, the actual war is not only an insult to the military, but to any and all victims of war, and a direct attack upon the basic decency and dignity of humanity at large.

I’d say that NBC’s heart is in the right place, only I don’t think that’s true. I think this show is a calculated plan to manipulate emotions and capitalize off of human suffering. This has nothing to do with honoring anyone- this is about lining wallets.

Again, to NBC I submit this as my closing remark:

Good Show! (Or, What’s Wrong With The Simpsons)

Over the past couple days, actors Donald Faison and Zach Braff have been campaigning for Obama here in Vegas. While I’m not a fan of their political stance, I freaking love Scrubs and have been re-watching the show for what must now be about the ninety-billionth time.

It got me thinking about a discussion Evan and I had a while back, in which we concluded after some debate that Scrubs is the best show of all time.

Ok, that’s not going to mean anything to you if you haven’t actually seen Scrubs. If you haven’t, go watch it now.

Now think about it- has there been a bad episode of Scrubs? Has there ever been an even sub-par episode of Scrubs?

There really hasn’t. Not every episode is fun to watch (it’s a hospital- you can’t expect them not to deal with mortality and whatnot)- some episodes are downright depressing and tragic. Even so, there show never fails to have some substance to it and (and this is the big thing) never really diminishes in quality despite having been on air for eight seasons (nobody counts the ninth as cannon).

But more on that in a minute…

See, what makes Scrubs so consistently good isn’t that it’s funny- it is funny, but not every episode, and not every joke in the funny episodes will have you on the floor.

Though most will…

It’s that it’s consistent all the way through. The characters develop, certainly, but they never really shift dramatically or break away from who they were a season ago. JD is always JD, Turk is always Turk, and so on. The wacky, exaggerated universe of the show never strays too much into total realism or too far off into surrealism. In short, and episode seen in the last season of Scrubs is about the same (extremely high) quality that the initial episodes are.

Now I know you’re all saying, “But Gordon, you ruggedly handsome bastion of logic and truth, surely consistency isn’t all there is to it!”, and yes, it’s not just consistency that makes a show good. Comedies need to be funny, dramas need to be agonizing, and so on- nevertheless, these things are dwarfed when it comes to consistency- let me give you an example of this done wrong.

Community. I remember seeing ads for it in my first year of college and thinking “Neat- a show about college. Something I and my demographic can all relate to and get a kick out of. This looks like it’s gonna be good”.

And it was.

(Barring that they had an Indian guy playing an Arab kid because apparently all brown people are the same…)

Really good. In fact, the first season of Community is probably one of the funniest things I’ve ever seen in the couple decades I’ve been alive. But what proceeded the glorious first season was one of the fastest and ugliest burnouts in television history.

You remember how Abed was socially-challenged but ultimately human in his attempts to relate to people and make is father (also played by an Indian actor) proud? Remember how Jeff wanted to get his degree and regain control over his life? Remember how Troy was trying to deal with the loss of his status? How Annie was trying to reinvent herself?

Yeah, all of that went down the toilet in the subsequent season. The motivations that gave the episodes conflict and helped progress the characters and the story as a whole were more or less dropped, and the little quirks that made the characters funny and interested got so blown up that they became the only aspect of the characters. Abed went from movie-geek to schizoid mess, Jeff became charming (and nothing else), Troy became just Abed’s buddy, and Annie was just the sweet naive straight-man (more or less) to the rest of the group. On top of becoming gross caricatures of their former selves, the show stopped dealing with college (which you might recall as being the reason so many people started watching the first place) and became centered entirely on the clownish escapades of the group. Granted, every once in a while you got good episodes, but never on the same level as the first season. Every time I sat down to watch Community the smile faded from my face and I could react in no other way but this:

“But Gordon, you roguish fountain of delight, isn’t this more a warning against being madcap than straying from the characters and story?”

I’d have to concede that, if it weren’t for such shows as South Park and American Dad. Both of these shows have been from their inception pretty surreal, nonsensical, and all-around crazy. Yet both shows have maintained that same level of craziness and remain (more or less) as popular now as when they started.

I admit, these shows are not for everyone…

Again, an excellent example of how shows drifting away from their original material kills them would perhaps the most iconic animated show of all time: The Simpsons.

My old roommate never saw the early Simpsons, and is to this day convinced that the show is side-splitting in its hilarity. And he’s probably right- I stopped watching the Simpsons after my first year of college- I got tired of having my heart broken.

Perhaps it’s best encapsulated in this quote by Lisa Simpson back in Season 2:

I heard you last night, Bart. You prayed for this. Now your prayers have been answered. I’m no theologian. I don’t know who or what God is exactly. All I know is he’s a force more powerful than Mom and Dad put together and you owe him big.

Would you ever hear that from Lisa in one of the later seasons? You would not. Why? Because Lisa has moved from being a brilliantly smart little girl to a pointy-haired midget channeling the whiny liberal indignation of Bill Maher.
Is there anything wrong with Lisa as she is today? Not really, no. If that’s who her character is, then that’s who her character is- only the hitch here is that’s not who Lisa started off as. Had Lisa started off as the yellow counterpart of Brian Griffin, then I wouldn’t have any problem. Had Homer started off as a food-crazed buffoon or Marge as a simple housewife, I’d probably still watch the show. Again, it’s the gradual change from one thing to another that’s responsible for people drifting away from the series. It’s not that shows go stale (not that staleness can’t be a problem- just look at the Gilligan’s Island episode where they’re almost rescued), it’s that they change too much.

And hey, with our ever-shortening attention spans and our rapidly changing culture, maybe that’s not such a bad thing.

Bad Influence

Last night, I watched Brideshead Revisited, and let me tell you, it is one festering pile of garbage.

Seriously, **** this movie…

Now before anyone launches into a tirade- yes, I am aware that Brideshead was originally a novel and, from what a lot of critics have said, one that was infinitely better than the movie, the later of which reduced all of the author’s points on culture, religion, and relationships to a couple hours of pretty set design and not much else. Simple fact of the matter is Everyone Poops could have been adapted for the big screen and still have been better than this confusing mess.

Michael Bay was going to, but the book was too cerebral for him…

Look- I can’t speak to either the novel or the author. People who have read the book say it was better than the film, and while I have difficulty believing that, I’m willing to give them the benefit of the doubt. I’m not hear to address that- I’m here to address the fact that someone at some point did actually think that what they presented in the movie was somehow not only worth watching, but worth paying for.

It aint- in case you haven’t gotten that message yet…

I’m not a fan of British period-pieces; if I wanted to see eloquent people with miserable lives, I’d talk to English majors.

What we have in this movie is a group of extremely rich youngsters lounging about an elegant mansion, downing enough alcohol to make newyears in Vegas look like a Baptist ice-cream social, and whine and wail for over half an hour about how miserable their lives are. Not in any existentialist sense, mind you- these characters aren’t disillusioned with luxury, they’re just frustrated that they can’t have everything that they want when they want it the way they want it. This is essentially Walden without any redeeming qualities- just pasty, entitled brats with delusions of insight, giving trailing speeches about their long “suffering”.

And I’m not bringing this up just because one movie sucked- this seems to be part of a greater problem in our culture. I’ve seen the same kind of problem in the film I Love You, Man.

Back in college, my housemates loved this movie. Suggested it every movie night just to see me shiver with horror and disgust. In case you’re not familiar with the plot line, let me break it down for you:

Peter’s getting married. Peter simply doesn’t have any guy friends outside of his brother (played by Andy Samberg, who was the only good part of the movie), and he one night overhears his fiancee’s vile, harpy collection of friends gossiping that it’s weird Peter’s not going to have a best man at his wedding. Peter, who apparently bases his self-esteem on the idle chatter of obnoxious strangers is filled with self-doubt and embarks on a quest to get himself a male friend- because, you know, what will his future wife’s evil friends think of him if he doesn’t?

If you’re trying to jump through the screen, grab this guy, and slap him across the face while screaming quotes from Nietzsche- don’t worry, that was my first reaction too. How we’re supposed to sympathize with this self-pitying sadsack is beyond me- the guy makes Ted from Scrubs look like Teddy Roosevelt by comparison.

I’m not trying to say that every character in a movie- or even every main character- has to be someone admirable. Just look at American Psycho. I’m not saying that these characters have to be ultimately successful. Just look at Goodfellas or The Godfather trilogy. I’m not saying that the characters have fit a classic/stereotypical form of “manliness” (in the case of male characters, anyways)- just look at Zombieland, Superbad, Napoleon Dynamite, or Scott Pilgrim vs the World.

Between movies like Brideshead Revisited, I Love You, Man, and pretty much every romance movie that ever has or ever will be made, there’s this common attitude of entitlement, self-pity, and melodrama.

Ok, you could kill yourself or- OR– spend some time working at a homeless shelter, petition on behalf of political prisoners, overthrow corrupt dictatorships since you are, y’know, immortal…
Just say’n…

Now I know you must all be saying “But Gordon, you charming devil- what’s the big deal? So what if a section of film is dominated by this lousy message of egocentricity, ignorance, and impotence?”

Let me show what the big deal is.

See this guy here? This is goth shock-rocker Marilyn Manson. If you’re not a fan, chances are you’ve still heard of him- in the days that followed the Columbine Shootings, Manson was argued by many conservative and religious critics as having been responsible for influencing the shooters. And obviously, that’s just a single example- whether it’s true or not, we’re all familiar with the outcry against violence in the media- be it anything from video games (see any GTA game) to music (Wu-Tang Clan aint nothin’ to fornicate with) to movies (just take your pick).

Let’s assume, just for a minute, that this is all true. I’m going to discuss the whole “does-violence-in-media-cause-more-violence?” question later in the week, but for now, let’s just say that the answer is “yes”. If these things have a serious negative effect on the views- especially young viewers- and deserve to be censored or even banned on that logic, surely the same can be said for the equally detrimental attitudes and actions (or lack thereof) found in movies like Brideshead Revisited and the like. What do these things teach us?

I was going to say “Stalking and manipulative relationships are romantic”, but I really didn’t have the stomach to slog through countless Twilight posters looking for Edward crouched in the window- enjoy this picture instead…

Again- the problem isn’t with romance as a concept or a plot device or anything like that. I’m not a sensitive guy in even the loosest use of the word, but despite my callousness, I really don’t have a problem with romance- it’s just that romance, as a genre, tends to produce these awful, reprehensibly selfish attitudes, and at the same time make the actual relationships pretty dumb as well. Though no one is ever going to admit it, couples like House and Cuddy or Scully and Mulder are both more believable, moving, and inspiring at their worst moments than any Romance film couple at their best.

Obligatory “Still a Better Love Story Than Twilight”…

What else can I say? Romance movies, and indeed, all media that promotes this whiny, entitled message seems to be just as harmful- if not more- than the bloodiest action flick or the most violent rap or rock. I’d be just as worried about the effects of such media on young minds as I am about the most car-stealing-liest-prostitute-beating-iest video game ever made. Allow me to leave you with this brilliant tweet from comedian Dave Chapelle to drive my point home.

Where’s the Counter-Culture?

In my last post, I grossly oversimplified a Marxist concept called “Alienation”. Today, I’ll be grossly oversimplifying the Marxist concept of dialectics.

Don’t give me any of that “Hegel said it first!” crap.

Boiled down to its basic components, it functions more or less as Newton’s third law of motion. Every action has an equal and opposite reaction, and that applies to society as well. Every spirit of the times is accompanied by a little inverted version of itself- or at least, its key values. Now according to dialectics, the conflict between these two opposites ultimately resolves in an evolved combination of the two, but in this post, we’re only addressing the first part.

Or at least, we would be if I could figure out what today’s counterculture is…

Think about it…

Look at the 1950s. For all the white-picket fences; sagely, pipe-smoking fathers; dutiful housewives/mothers, general patriotism and decency, and terror at the prospect of infiltration by degenerate Commies, there were greasers and bikers.

Despite the 1950s conjuring up images of idealized suburbia, this decade was the one that gave birth to rock and Hells Angels. Trafficking and dumping excrement and urine on their initiates doesn’t quite mesh with the general ideals of the time.

The same can be said for the sixties, which produced the hippies and the civil rights movement in the face of an otherwise conservative culture desperately trying to maintain the status quot.

Or the 70s, whose militancy and pessimism were a rejection of the peace, love, and hope values that arose during the previous decade.

Or the wildly egotistically and self-centered 80s producing (or at least, nurturing) anti-establishment and anti-corporate punks culture.

Even the 90s saw rise to goths, opposing the (comparatively) cheery and consumerist zeitgeist of the time.

So why not our era?

The Occupy Movement? I did consider them, but they don’t really fit the profile.

Despite being viciously cracked down on by the powers-that-be, the OWS protestors never really presented anything shockingly antithetical to the values we hold today. At least, not entirely.

Violence is (almost) universally decried as a means of protest and social change by all but those doing it. While America hasn’t seen much of it, continued rioting in Europe could very well mean not so much a brief outburst of rage as a entirely new perspective on what is and isn’t acceptable in society in general.

That’s one way of calling for social change…

Hipsters? I did briefly consider the whole Indy/Hipster movement as a possible subculture, and generally despised, the hordes of lost lumberjacks wandering the streets really don’t stand for anything that mainstream society is opposed to.

You are NOT a lumberjack and this is NOT Ok…

Annoying? Absolutely. Opposed to the spirit of the time? Not really. At most the hipster culture is guilty of desperately trying to cling to childhood nostalgia in the face of creative bankruptcy (see Evan’s post) and espousing thriftiness in the middle of a major economic depression (see my old post).

Bros. Everyone hates ’em, from their obnoxious machismo to their flaming skull t-shirts and spray-on tans.

Problem with this group is that it’s not a new group- just the latest reincarnation of the same kind of people. The same basic mentality can be found clear on back in Shakespeare’sRomeo and Juliet, which essentially starts with a bunch of bros crashing a party to pick up girls.

the 1890s, when “Bros” were called “Chums”…

Ok, so what if we look at what we have in society today and just invert it? What’s the major defining element of our generation? Technology. Internet and smartphones. Social media and memes. Anonymous and scams. The opposite of all this would be the primitivist subculture, right? The people who don’t wash or shave and live in compounds in the middle of nowhere.

And while it makes sense theoretically, we’re just not seeing a vibrant primitivist counterculture or even subculture. Even when you add in the survivalist subculture (in case you don’t know, those are they guys who think the gum’mint out ta git ’em), there’s still not exactly a rising trend in people learning how to skin squirrels or live in total harmony with the earth-mother.

What about these guys?

This site (which I’ll be delving more deeply into next week) really does seem to have an actually beef with contemporary culture- specifically in regards to men. Offering instructions on how to polish your shoes, store your fedora (you’re expected to have one, and if you don’t, to go out and get one), shave (or trim your beard, if that’s your thing), throw a punch, or patch a hole in your drywall (holes may be caused by punching it). In a lot of ways, the reverence this site has for the “traditional” concept of what a man ought to be like is reflective of a more general reaction against skinny jeans and YouTube comment section debates. While the site itself has a devoted cult following (and not a ton else), I have seen this general sentiment expressed, and I’m seeing it expressed more and more. Granted, I might be too close to the issue to be seeing it clearly- I myself think guys wearing skinning jeans should be put in stocks for all the village children to throw dead animals at- but perhaps you’ve run into this too. Just last night I heard a comedian complaining that the current generation were (in short) wimps. Gone, he said, were the days when you could chuck a television set out of a hotel window after some drug-fueled rock band had just given human decency the finger via a seven minute guitar solo. Another comedian remarked that “Our fathers would never take the crap we’re taking… the founders revolted because of a 3% tax increase- we won’t even riot when we’re being forced to strip down at an airport!”.

There is doubtlessly a certain mystique and appeal to the figure of powerful, well-dressed men, sitting around roaring fires, puffing on cigars and sipping aged scotch to celebrate that they were in complete control of their lives. Plenty of guys today would give their right arms to be Don Draper.

Though ideally minus the aggressive lung cancer and liver failure…

And interestingly enough, this general “Manly” reaction against emotionalism, appearance (over functionality), pacifism/nonviolence, and interdependence has elements from each of the cultures I described above. There’s the primitive concept of being free from dependence on technology that bears a similarity to the DIY slogans espoused by the “Manly”. There’s the “if you gotta punch a guy, you gotta punch a guy” mentality that seems related to the Black Bloc protest tactics. The simplicity of the Hipsters is here, and even the general “I am Man, here me roar” vibe seems to be a more sane version of Bro machismo.

But that’s all just a theory. Might be true- might be just a passing fad, though if it is just a fad, then we’re back at square one with a rather uncomfortable question.

If there is no counter-culture- what does that say about our culture today? Have we reached a point where we’re so pluralistic and tolerant and multicultural that everything’s acceptable- or is there just nothing substantial to rebel against? If there’s no antithesis, is there even a thesis?