Tag Archives: acting

2 Broke Girls, S3E10 “And the First Day of School”: A TV Review

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Mark from Don’t Trust the B—- in Apartment 23Mark from Don’t Trust the B—- in Apartment 23Mark from Don’t Trust the B—- in Apartment 23Mark from Don’t Trust the B—- in Apartment 23Mark from Don’t Trust the B—- in Apartment 23

I could care less about anything else right now, but I suppose I have standards to maintain, so let me begin by stating that last week’s episode, “And the Pastry Porn”, could have easily been a mid-season finale. It ushered in a new era of 2 Broke Girls episodes that rounds out the cast, changes up the premise, and feels like an entirely different sitcom. Continue reading

2 Broke Girls, S3E9 “And the Pastry Porn”: A TV Review

pastryporn

You know how I’m always whining about how this show has no momentum as far as its story and how all I really want is for the characters to head in basically any direction? It’s like this entire episode was written to make me shut up already.

We start things out with this week’s zaaaaany character of the week, a one-armed maid named Paulina. I expressed some pretty heavy disdain with the fact that Max and Caroline would ever hire a cleaning lady, but the idea that Sophie cut them a good deal by assigning them an amputee was actually pretty funny. Continue reading

Devalue System

A week ago, Malik Richmond and Trent Mays, two high schoolers accused in a widely publicized rape case, were found guilty and sentenced…

to two years in juvenile detention.

Now there’s no rant I can write which is going to effectively communicate just how psychotic it is that Richmond and Mays received minimum sentencing, so I’m going to forgo any attempt and jump right into a list of crimes receiving harsher penalties.

Sale of Marijuana in Amounts Under 50 Kgs: 5 years.

Larceny in Excess of $3,500: Up to 10 years.

Mail Fraud: Up to 20 years.

Heck, Aaron Schwartz, an MIT student and internet activist who downloaded thousands of academic papers from JSTOR, was sentenced to 35 years in prison, in addition to a million dollar fine (Schwartz tragically killed himself in January of this year). Is what Schwatz did seventeen times more heinous than rape and dissemination of child pornography?

I don’t think so either.

And I don’t think people like Patricia Spottedcrow should be given twelve-year sentences for selling a dime bag of weed while someone who commits domestic violence may receive a maximum (in Nevada) penalty of 180 days in jail.

But I’m not hear to rail on our demented and irredeemably corrupt legal system.

I’m hear to talk about our values as a whole.

Back in 2011, during the teacher’s union strikes in Wisconsin, a complaint I heard a lot was “That teacher makes more than I do, has better benefits, and wants more money? That’s just greedy!” or “I saw that teacher driving around in a <insert fancy car here>!”

Now I honestly don’t know where these figures were pulled from; I have yet to see a wealthy teacher, let alone one who drives to and from work in a 1965 Chevy Impala, but that’s not really the point.

I do get being ticked off at people demanding more money when there aren’t enough hours in the day to spend all that they already have. Believe me, that resonates.

But if that’s the case, then where’s all the righteous indignation during the NBA lockout in 2011? No matter which way you slice it, those players were making millions, and pretty much shut down the NBA for half a year because they felt they weren’t making enough.

Now I’m not trying to pass judgment one way or the other, partly because I don’t know enough about the politics of the sport, and partly (mostly) because I think everyone involved makes and obscene amount to begin with.

So do actors, for that matter.

I frankly don’t see why actors should be paid millions to act as teachers in the ghetto while real teachers in the ghetto wouldn’t make that kind of money if they worked until their deaths. The same goes for doctors, civil rights lawyers, independent journalists, and so on. Pay an actor $5,000,000 to pretend to be a teacher, and everyone’s fine with it. Pay a real teacher $50,000 and the world is apparently coming to an end.

A professional footballer makes about $2,000,000 a year. Y’know how much a grocery store clerk makes? $28,000 (if we’re going ridiculously high). And you’d best believe my life is impacted more by any grocery clerk than anyone catching/kicking/hitting a ball for a living.

Now all this is to say we need to step back and take a hard look at our value system. What do we really consider to be a terrible crime? Is selling weed or beating your spouse senseless a more awful crime than rape? Is the work done by actors really so much more valuable than that done by teachers and nonprofit works *cough*? And even get me started on our military budget and the perks we give our politicians.

Again, I’m not here to pass judgment (not until tomorrow, anyways). I’m here to simply present the facts before you. Do you think we’ve got our priorities in order?

The Lizard’s New Look

Film franchise reboots are certainly nothing new, and next summer’s The Amazing Spider-Man is sure to bring with it a certain amount of new flair to a familiar super-hero. More than just showing us a different kid in red and blue tights, this film is also an opportunity for us to see yet another (less well-known) Spidey villain: The Lizard.

Way back in July of this year io9 reported on a surprise viewing of the first Lizard clip, describing the character they saw:

…a giant beast, green with oversized arms, and a proportionally smaller head and enormous yellow eyes. He doesn’t have a crocodile head — more of a cross between a lizard and a human’s, with a flat nose, but a grotesque curled mouth.

This instantly drew criticism, and created the unanimous viewpoint that this sounded much more like a Goomba from the 1993 film Super Mario Bros. Yet another observation was that the design was much more reminiscent of the Batman villain Killer Croc.

As you can see in the image above, The Lizard has always had a more pointed snout, and looked generally more like, well, a lizard. The torn lab coat is also a trademark for the character, as well as purple pants [apparently he and The Hulk buy their clothes at the same place].

Yesterday the website spiderman.ru released concept art of the film’s Lizard, creating an uproar in internet comic circles. This is not at all what fans were expecting (even after the aforementioned description of the clip), and debates were sparked between Lizard apologists and Lizard die-hards.

I began sifting through the comments sections of blogs, as I am wont to do, and found an interesting disputation between two commenters on this article, with one commenter, Kitradu, stressing that actors wearing masks “should be able to act THROUGH their limitations, physical or mental.” He referenced Willem Defoe’s performance as the Green Goblin in the first Spider-Man movie as being captivating in spite of the helmet he wore which fully obscured his face.

His opponent, storymark, began the debate with the comment:

One of the big complaints about the Raimi movies, the first in particular, was that all the masks prevented any emoting. And very few actors would be interested in a role where their actual performance is obscured.

Personally, I think an expressionless face is boring as hell.

As far as evidence goes, I tend to side with Kitradu. He references V from V for Vendetta as well as Darth Vader in the original Star Wars films as characters that held our attention without us ever seeing their faces (save for that one scene in Return of the Jedi). Emotion is more easily portrayed through a humanoid face, but what does the design change mean as far as the abilities of the actor and our viewing abilities as an audience?

To be fair to storymark, The Lizard is a very different character from either of the examples he provided. He’s far more bestial, and, from what I remember, not particularly articulate. The motion capture that Rhys Ifans is doing may not allow him the freedom Hugo Weaving had behind the Guy Fawkes mask. Though, to refute my own point, this is something Andy Serkis had no problem doing in King Kong, or Rise of the Planet of the Apes. To counter that point, both Kong and Caesar have faces more similar to humans than reptiles.

All debate aside, it should be noted, as a potential last point for this post, that the character design for The Lizard is extremely similar to his original design by Steve Ditko. But maybe there’s a reason his look has changed in the comics we read today.