Tag Archives: actor

Overwatch‘s Doomfist, Terry Crews, and Fan Culture

This blog isn’t even supposed to be back on until next week but you know what they say: strike while the iron’s hot. For some of you at least the first two parts of this title have been flitting back and forth across the internet. “Terry Crews!” whispers one corner excitedly, “wants to play Doomfist!” murmurs another. Because of my search history and their All Seeing Eye Facebook even brought to my attention that thousands of their users were discussing that very subject.

So here I am on a Saturday morning, sitting in front of my laptop determined to bring you literally every piece of information I can find about Terry Crews, Overwatch, and the yet-to-be-released hero Doomfist. Oh, and I’m also going to discussing fan culture so if you want to stick around for that as well that’d be cool.

Who Is Doomfist?

So before I even get into that you should know that Overwatch is a team-based multiplayer FPS [first-person shooter] by Blizzard Entertainment that has a lot of playable female characters [and has been snapping up awards like they’re a limited resource]. Doomfist, as I mentioned in the last paragraph, is predicted to be the newest hero in the game, bringing the roster up to a full 24.

That character has also been hinted at as early as the Overwatch cinematic trailer, which came out November 2014. That’s roughly nine months before the ill-fated ARG [alternate reality game] that Blizzard used to hint at and lead up to the release of Sombra, their 23rd hero.

If you don’t want to watch the whole thing, which is ridiculous because it’s only six minutes long and painfully good, the trailer revolves around two kids witnessing a villainous duo [Reaper and Widowmaker] try to steal an artifact only to be thwarted by ex-Overwatch agents [Tracer and Winston]. The item in question is, like the younger one says, “Doomfist’s gauntlet”. Apparently by wearing it the user “could level a skyscraper.” Continue reading

Making Till We Meet Again: Emrhys Cooper Explains What It’s Like Being the Bad Guy [In Relationships and Abroad]

tillwemeetagain

Today marks the last installment of “Making Till We Meet Again“, a series of interviews with the creators of the award-winning indie film in question. Focused on a handful of tourists making their way through Thailand, many of the questions and answers to date [with director Bank Tangjaitrong and actor/writer Johan Matton] have revolved around depicting another country and culture given that framework.

Actor Emrhys Cooper is the last person to share with us, in particular about how both he and his character, David, have experienced being in the South East Asian country as visitors and guests. Fair warning, this interview contains mild spoilers for Till We Meet Again.


David tells Joanna that being in Thailand “realigns you with who you really are.” Had you been there prior to filming Till We Meet Again? Do you think there’s any truth to that?

Yes, for many reasons South East Asia has pulled me into its orbit. That powerful land mass includes a major portion of this planet’s populations, including both India and China which are the two of the most densely populated nations on earth.

At the naïve age of 18 I went on a backpacking tour of Thailand. What an incredible experience that was. Then, in 2013, I was back again as I was cast in a movie called Kushuthara which shot in Bhutan. That’s a tiny country located up in the Himalayan mountains between India and China; one must go via Bangkok to get there.

This year I returned to Thailand to shoot another movie in Bhutan. I was lucky to get to spend New Year’s Day in Bangkok, followed by an impromptu trip to Vietnam. When I finished shooting in Bhutan I went to Cambodia, which is a country any person interested in animal protection should see. The elephant sanctuary reminds us that we are not God’s greatest creatures, but only the caretakers of his best and most precious treasures. To hear and see an elephant in all its glory, means more than any person’s hug or kiss. All human beings who value our animal companions, both great and small, should understand this.

Traveling helps realign you; travellers look to find themselves or something that will help them grow. In that sense, traveling is one of the greatest therapies. It belongs alongside the couch of Sigmund Freud as a great tool for our minds, to escape from a solely interior world.

Continue reading

Till We Meet Again: A Film Review

tillwemeetagain“If you’re gonna go [. . .] it needs to be now.” 

Those are words that have been said countless times by the young, privileged, and recently travelled. And so they’re repeated to Erik [Johan Matton, who also wrote the screenplay] and Joanna [Linnea Larsdotter] over dinner on a New York City balcony. “Just go” is the advice given, and moments later we cut to the couple beneath the welcoming Thai sun.

The expectations for a story like this one are the same as they would be for an actual getaway to the Southeast Asian country: sexy, inspiring, exhilarating. Director Bank Tanjaintrong’s first feature length film, Till We Meet Again delivers on all of these fronts, but also tempers those feelings with the everyday matters of need and loneliness. Even before Erik and Joanna are separated, with the latter leaving earlier than planned to reconnect with David [Emrhys Cooper], an old friend, those issues lie just beneath the surface.

Likely attributed to the director having grown up there, Thailand is depicted with a comfortable familiarity that lacks the lurid exoticism many Hollywood movies have employed. With that in mind it serves primarily as a backdrop to the relationships playing out onscreen, which are further complicated by the introduction of Miranda [Astrea Campbell-Cobb]. While the setting’s natural and man-made beauty are never obscured there’s a tight focus on the core cast, and one that offers very little screen time for local talent. Continue reading

Asian Comic Book Fan Watches Doctor Strange with Low Expectations of Racial Representation, Is Unsurprised but Writes Blog Post Anyway

This is the second part of a series I began almost exactly three years ago with “Asian Comic Book Fan Watches Thor: The Dark World Expecting Racial Representation, Deals with Crushing Disappointment by Writing Blog Post“. The Marvel sequel in question sidelined Hogun, played by Japanese actor Tadanobu Asano, almost completely, and as the title of the blog post would suggest I had been very excited to see him again.

sir

I can’t not use this image again, it’s just too perfect. Source: platoapproved.tumblr.com

With Doctor Strange, on the other hand, that anticipation was not present at all. Last June I covered the news that Tilda Swinton was in talks to play the Ancient One, the title character’s mentor, in “Celebrity Blind Spots and Fixing Racist Narratives [By Making Everyone White]“. The gist of that post was how, in an effort to be more “progressive” filmmakers have been choosing to “fix” problematic minority characters by simply casting them with white talent. That’s as opposed to simply amending what made them so racist and stereotypical to begin with.

At that point in 2015 Swinton starring in the film had not yet been confirmed, and absolutely nothing had been mentioned about the character of Wong, Doctor Strange’s manservant in the source material. With Benedict Cumberbatch already locked into the role it was a magical time in which there was still the possibility of Marvel releasing a movie with two prominent Asian characters.

Look, my hopes were never particularly high that Swinton wouldn’t land the part. As soon as it was announced she was in talks for the role support began pouring in. That she was a woman in her 50s in a genre that has helped shine a spotlight on men of all ages and women of a very particular age was laudable to many. The thing is, the optics are so bad.

twowhiteys Continue reading

NEON: A Short Film Review

neon

In a grim and rain-soaked city, what begins as a couple’s phone conversation swiftly becomes a desperate negotiation for their future. NEON plunges us headfirst into a world of quiet desperation as we watch one man’s desperate bid for his own future against powers beyond our comprehension.

Or perhaps even a universe beyond our comprehension.

Director Mark J. Blackman (along with his team) makes spectacular use of special effects to give us a throbbing, vibrant world. Gorgeous panoramas of storm clouds and cityscapes, decrepit warehouses, and lonely streets all serve to make the setting as dynamic and alive as any of the film’s characters. Hell, based on a few of the clues dropped throughout the film, that might even be the case; the sometimes-indifferent, sometimes-capricious backdrop serving as a stand-in for the unnamed antagonists in play. Continue reading

In Ophelia‘s Seat: A Q&A with Ali Mueller About Her Interview

opheliaposterThis is the second of two interviews I was able to conduct with the cast and crew of the short film Ophelia. On Friday, when it premiered at this year’s LA Shorts Fest, I published a review, and just yesterday I was able to share a Q&A with director Andrew Garland.

Playing the eponymous character herself is Ali Mueller. In addition to starring in such programs as ABC’s All My Children and films like STARZ movie Category 5, Mueller is also hard at work creating her own film and television content. She can be found on Twitter and Instagram as @alimueller1.


alimuellerWhat did you want to be when you were seven-years-old?

I wanted to be a horse show jumper, a tennis player, an actress, a lawyer and a princess. Four out of five have come true in some shape or form but when I really look at what I wanted to be, it was a performer. A storyteller, expressing my feelings unapologetically.

What was the strangest question you’ve ever been asked in a job interview?

I did a commercial audition once where they asked me to sing “Bohemian Rhapsody”. Now I wouldn’t exactly call myself a singer, but I did know and love the song, despite being notorious for making up my own lyrics rather than ever learning the proper ones. And “Bohemian Rhapsody” is a seriously big song. So I got almost halfway and they stopped me. Didn’t hear back from them.

Do you have any strategies when it comes to interviewing for a job [or auditioning for a role]? [How do you deal with pressure?]

Honestly, rehearsing. Being really prepared, so much so that I’m excited to go in and play and do my work. Also being open to whatever the moment brings. Nerves are actually alright, because you can use them as an internal energy to fuel what you’re going after. Continue reading