Category Archives: comics

Black Panther, Batwing, and African Superheroes

Four days ago actor Morris Chestnut, who will appear in the upcoming Kick-Ass 2, posted the following on both his Twitter feed and Facebook page:

It’s time to get familiar with the Black Panther character.

This prompted the usual onslaught of internet speculation, and both have since been taken down. The next day he wrote a tweet to quell the masses who were clamouring to hear more about an upcoming Black Panther film.

I, for one, was personally grateful to hear this news.

“Why?” you might be asking, “Evan, I thought you were all about introducing the Wakandan super-king into the Marvel cinematic universe.” You would not be wrong in your assessment, and let me explain why, exactly, I felt this way. Continue reading

Fame Day: Loading Artist

Here at Culture War Reporters, we talk about comics.

A lot.

Today we’ll be doing it again.

Part of this is due to the fact that as the weeks go by, I find myself struggling harder and harder to point to anything worth applauding, cynic that I am.

Another part of this is due to the fact that my alternative topic for this week is the upcoming annual Socialism Conference, hosted by the ISO. While I think their eloquent and accessible presentation of alternatives to the psychotic system we live in is well worth a Fame Day showcasing, I seriously doubt my co-editor would be cool with me essentially hawking my own political views on our blog.

What I imagine his reaction would be. [I actually would not have had a problem with this. -Evan]

Continue reading

There Are Not A Lot Of Synonyms For “Teleport”

If any of you saw X2 [known internationally as the more sensible X-Men 2] I’m sure you remember the following scene starring the very talented Alan Cumming as the mutant Nightcrawler:


The YouTube uploader’s choice of music aside, I think we can all agree that a) that was awesome, and that b) we all like watching people teleport. If we look back a little more recently to the 2006 fever dream that was X-Men: The Last Stand we see that the bamf-ing blue mutant was not actually present among the plethora of mutants presented. Continue reading

Stay Classy, Comic Book Fans

I don’t necessarily identify as a “nerd” or a “geek,” but I definitely identify as a comic book fan. As such, it hasn’t been hard to notice how I and others like me are stereotyped by popular culture, whether it be Comic Book Guy from The Simpsons, Kevin Smith and his pals talking about which superheroine they’d most like to bang on AMC’s Comic Book Men, or the gawking crowd of guys in a particular episode of The Big Bang Theory. These stereotypes, like most, are not as true as people think, but every now and then they ring true, much to the shame of those who share in that group.

ComicBookMovie.com is one of my favourite comic news sites, and one that I check on an almost hourly basis. It’s great because it gives a lot of news about upcoming comic book movies, as well as previews of upcoming comic books. One issue the site has, however, is that all of the content is completely user-generated, meaning that certain things may get to the front page that aren’t exactly high quality stuff.

Take, for example, an article in response to actress Shailene Woodley being cast as Mary Jane Watson in the upcoming The Amazing Spider-Man 2, titled “EDITORIAL: Making Shailene Woodley Hot Enough To Play MJ In TASM 2.”

As a little bit of context, the first shots of Woodley as MJ were not met with a great deal of enthusiasm. They depicted what appeared to be a very plain-looking redheaded girl, and not one who was anything like the “super-hot, incredibly bone-able character from the comics,” to quote the CBM contributor Mark “RorMachine” Cassidy. Below is an image I took from the article which shows Woodley side by side with a very popular image of the comic book character.

Upon skimming this article I was disgusted. The four areas that Woodley could work on in her portrayal were listed as “TITS,” “FACE,” “HAIR,” “ASS,” and “ACTING ABILITY,” in that order. I’m going to pull the first, and most offensive, of the paragraphs out to explain exactly why I was so repulsed:

TITS:

Look at the pic – comic MJ has lovely big disproportionate ones, Woodley doesn’t. Now obviously surgery would be the best route, but that’s highly unlikely so I recommend padding. It’s very simple, just stick a stuffed Wonderbra on the chick, and any scenes requiring actual semi or full (hey, we can hope!) nudity can utilize CGI! It’s a magical age for cinema folks.

To help restore your faith in humanity the article was met by others who were just as offended as I was:

I’m not sure if it was present the first time I skimmed it, but posted at the very bottom was the following note by Cassidy:

NOTE: This article is meant as satire. It’s a response to the – genuine – backlash Miss Woodley received when she was cast in the movie, and then again when set images of her were posted online. No offence to Miss Woodley or anyone else is meant, and I (meaning me, and not the absurd persona I wrote the article as!) genuinely think she is a beautiful, talented actress who will do a great job as MJ 

As is the case with the internet, users popped up to comment and agree that clearly this was satirical, and began waging war with those who were “making too big a deal out of it.” Then, over on CinemaBlend, Katey Rich wrote an article in response titled “If You Think Shailene Woodley Isn’t Pretty Enough For The Amazing Spider-Man 2, You Don’t Deserve The Movie.”

In it she decries the shallowness of complaining an actress isn’t “hot enough,” using some very choice words to address realistic beauty. Rich exhibits just as much, if not more, disgust at the article, but more importantly addresses the topic of Cassidy’s article being a satire. She claims, and rightly so, that:

The “satire” was so close to the real thing that most of [CBM’s] commenters didn’t get the difference, and reading it makes your skin crawl because you just know that’s exactly how a strong handful of fanboys feel, no irony intended.

Thankfully, and again, people restoring your faith in humanity, another contributor named “Jack Sparrow” [in quotes because I’m fairly sure that’s not his real name] posted on the site featuring Rich’s rebuttal to the offensive editorial. He essentially agrees with her, summing up why it can’t truly be seen as satire, but more important he apologizes:

We are sorry, Shailene Woodley. We are sorry, comic book fangirls. We are sorry, women that came across Mark “RorMachine” Cassidy’s “satire”. He doesn’t speak for all of us.

We are not all mysoginistic pigs. And in the light of the recent The Amazing Spider-Man 2 announcements, I couldn’t be more excited to watch Shailene Woodley start her journey to bring Mary Jane Watson to life.

I’m mildly excited about TASM2 [I’m way more pumped for this May’s Iron Man 3], and at this point I don’t have any solid opinions on Shailene Woodsley being the girl to deliver the classic line “Face it, Tiger, you just hit the jackpot!” [or some variation thereof]. What’s more important to me is that, as the title of this post suggests, comic book fans stay classy. That the people who love this medium as much as I do conduct themselves in a manner that’s, at best, not reprehensible. The public has a general view of what comic book fans are supposed to be like, and it doesn’t benefit anyone to play to that stereotype even in jest.

Stay classy, comic book fans. I mean it.

Evan and Gordon Talk: Separating Art From Artist

GORDON: Ladies and Gentlemen, boys and girls of all ages, welcome you here to Evan’s Dignity Memorial Art Gallery to view these lovely pictures of houses and flowers and stuff. The artist? Adolf Hitler.

Why, you ask, do we have Hitler’s youthful paintings and sketches? Because tonight we’re going to be talking about separating art from the artist, and whether or not such a thing can be done.

EVAN: To throw out an example, let me refer to the science fiction author Orson Scott Card, a man famous for writing Ender’s Game and for being pretty staunchly opposed to homosexuality in any form.

DC has hired him to pen a new “Adventures of Superman” comic for them, and quite a few stores have decided to boycott this product and not stock them. This being done, of course, as an act of protest.

GORDON: We’re not talking about some latent disapproval of homosexuality people, we’re talking about full blown vitriol on OSC’s part. Here’s a quote from him on the subject:

The dark secret of homosexual society—the one that dares not speak its name—is how many homosexuals first entered into that world through a disturbing seduction or rape or molestation or abuse, and how many of them yearn to get out of the homosexual community and live normally…

OSC straight up declares  in one piece of his, that he will not simply advocate, but will actively engage in the overthrow of the government should it ever attempt to legalize gay marriage:

Regardless of law, marriage has only one definition, and any government that attempts to change it is my mortal enemy. I will act to destroy that government and bring it down, so it can be replaced with a government that will respect and support marriage

EVAN: Which is straight-up reprehensible, which I hope you’ll agree with regardless of your personal stance towards the very loaded topic of gay marriage, etc.

GORDON: Absolutely.

EVAN: On a similar note, we have Frank Miller, a legend in the comics industry.

 The guy penned Batman: The Dark Knight, 300, Sin City, and had a marvelous run on Daredevil that really defined the character. The man’s a legend.

He’s also on record for calling members of the Occupy Movement “nothing but a pack of louts, thieves, and rapists, an unruly mob, fed by Woodstock-era nostalgia and putrid false righteousness.”

The Occupy Movement doesn’t have the same hot button status gay marriage does, and it’s arguable that people are less certain about it, but that doesn’t make the things Miller said any less ignorant or wrong.

GORDON: Again, this is true. But we’re not here to list off the artists and creative minds who have maintained ignorant or bigoted positions over the years.We’re here to talk about separating them from their art, and I’m going to submit that one some fundamental level, it can’t be done.

EVAN: Alright, let’s hear why.

GORDON: I’m going to cite Miller’s iconic work The Dark Knight Returns, which has just recently been adapted as an animated film.

It’s not hard to see Miller’s borderline fascist views bleeding through in the book, as he takes pot shots at “reform not punishment” imprisonment, youth (portrayed as violent, stupid, barely comprehensible thugs that even Alex DeLarge would be creeped out by), and even the latest Robin’s parents being portrayed was whiny, drug-addled liberals.

While I doubt Miller was using much restraint, I’m going to submit that the artist is almost always too close to his or her art for her views not to bleed through.

EVAN: So members of Oprah’s book club who read The Education of Little Tree, by former member of the KKK Forrest Carter, should have been able to pick up on his racial sentiments?

GORDON: I said “almost.” Obviously there are exceptions to the rule.

And this isn’t to say that the work itself is to be shunned; I really and truly enjoy Miller’s work, even though he has a goose-stepping, paranoid Islamophobe.

Because of this, in particular.

EVAN: So we shouldn’t let the beliefs of creators affect our enjoyment of their work?

GORDON: I’d hope not. That would preclude me from liking anything done by Dali, any music written by Wagner, and so on and so forth. My issue isn’t with enjoying something a despicable person has made, my issue is with hiring someone you know is despicable.

Would I listen to “Flight of the Valkyries”? Yes. if Wagner was alive today, would I hire that anti-Semite? No way.

EVAN: That’s a really good point. For example, anyone who buys the new “Adventures of Superman” comic will actually be indirectly funding various anti-homosexual movements that Card himself supports. In this case paying money for his product actually results in an action you probably aren’t okay with.

That doesn’t mean that you couldn’t read his comic and think, “Huh, that is a great take on the Last Son of Krypton,” which is entirely likely since he really is a great writer. His art isn’t necessarily affected by his beliefs, but your buying his art supports them, in a roundabout way.

It’s a metaphor for rejection

GORDON: Despite the counter-arguments in DC’s favor, the simple truth of the matter is people aren’t going to be boycotting these books simply because they’re angry at Card- they were angry at him before- they’re also angry at DC for not having the basic decency to not go into business with a raging homophobe.

EVAN: No matter how good a writer, or any other kind of artist, is, there will always be another who approaches them in talent who doesn’t espouse the negative views that they do. The fact of the matter is that DC has other options.

But going back to the topic at large, we confirmed earlier, in a way, that knowing about an artist’s beliefs after you’ve already appreciated and enjoyed their work shouldn’t rob you of that. If I see a painting and think it’s quite lovely, then find out Hitler painted it, that doesn’t suddenly cause it to become hideous in my eyes. At least, it shouldn’t.

GORDON: And because of the pressure we the audience can put on companies to ensure that bigots and nutcases aren’t given a platform, we should try to keep the artist and their work tied together.

EVAN: Voting with our wallets, which should really be done in every area of our lives [buying ethically produced products, high quality entertainment, etc.].

GORDON: Kinda thrown off by the fact that some wallets are thicker than others. But such is Capitalism. Overthrow the bourgeois. Down with the system.

EVAN: But that is a topic for another day. One that I may or not be hopping on, simply due to a lack of knowledge on the matter.

And it’s also about time we wrapped things up.

GORDON: I submit that next week we discuss poverty, as more and more of the nation (and world) slips into it.

EVAN: And I think that we should talk about Gordon never seems to win these polls.

Ha! Just kidding. We could maybe talk about . . . eh . . . yeah, I got nothing. I’m gonna open up my spot to be viewer submitted, just to see what ideas you have in mind.

GORDON: How gracious of you. Perhaps you’ll even close us out here?

EVAN: Thanks, as usual, for tuning in. If you have anything you want to tell us in general, feel free to email us at culturewarreporters@gmail.com, we’re always happy to hear from you.

The Avengers Go To Hong Kong, Japan

Early this week I was perusing Marvel’s solicitations for May 2013, and came across the following cover for Avengers #11:

avengers11

Art by Dustin Weaver.

The first part of the issue’s description [and the one I thought was most relevant] was the following:

As Shang-Chi battles an ancient enemy, the Avengers hang out in Hong Kong’s swankiest casino. Continue reading