Category Archives: writing

2 Broke Girls, S5E14 “And You Bet Your Ass”: A TV Review

betyourass

Have you ever watched an episode of 2 Broke Girls and thought to yourself, “That episode ended too soon”? The latest installment of Max and Caroline’s Hollywood adventures continues this week, and somehow manages to feel much shorter than its 21-minute runtime.

A large part of that is because the show largely eschews showing for telling, with two big moments taking place entirely off camera and only referenced after the fact. While this can be effective, the result is ultimately more confusing than anything else. For sitcoms the primary goal is to make your viewers laugh, but the second priority of telling a good story comes swiftly behind that. A lack of emphasis on that aspect is what leads to viewers being confused as to whether or not a love interest has been written out or not. Continue reading

2 Broke Girls, S5E13 “And the Lost Baggage”: A TV Review

lostbaggage

The multi-cam sitcom isn’t exactly at the peak of its popularity right now, The Big Bang Theory reaching its 200th episode being a pretty extreme outlier. If you watch TV regularly at all you’ll have noticed that more and more sitcoms are trying to be the next, say, Community, as opposed to a worthy successor to How I Met Your Mother. A big part of that has to do with this older format being seen as looking cheaper, and that’s particularly true when it comes to a change in setting.

Not counting Max and Caroline’s spur-of-the-moment jaunt to Paris, which was completely off-camera, there has been at least one instance where the girls have left Brooklyn in a noticeable way. Honestly, it’s hard to forget that lambo sitting on the beach

sandtoes

-because it was a legitimately great set. I mean, they had sand. It more than stands up to a lot of the exterior shots of Ted Mosby and co. exiting McLaren’s, or getting into hijinks in front of a brownstone. The unfortunate thing is that their other excursions don’t live up to that standard. Continue reading

2 Broke Girls, S5E12 “And the Story Telling Show”: A TV Review

storytelling

Midway through its fifth season and 2 Broke Girls has finally done it; Max and Caroline, and consequently the show itself, now have a brand new direction. Ever since Season 4 ended with them remembering their dream of owning and running their own cupcake business things have been pretty shaky, narratively. For the most part the two girls have just been killing time, not even really trying to make any extra money.

The best part about the apparent arc they’re going to be starting on come next week’s episode is how far out of left field it is. It doesn’t have anything to do with raising a certain amount of money and isn’t connected to their cupcake business at all. No, this is a fresh, surprising take, and one I’ll get to after I go through the usual recap. Continue reading

2 Broke Girls, S5E10 “And the No New Friends”: A TV Review

nonewfriends

Look, friendship is hard. I know that as well as anyone. In spite of the interconnectedness that allows you to read these words I’m penning in my North York basement apartment from anywhere in the world, the fact is that many of my peers find it hard to create meaningful relationships [just type “millennial” alongside some iteration of “lonely” into Google and see what comes up]. With that in mind it’s nice to see an episode focus on a problem so many people struggle with.

In particular the issue of starting friendships from scratch, in your twenties, is a daunting one. Compared to the kids you went to college with how strong is your foundation, really? It’s a question Caroline asks herself when Becky White [Diona Reasonover], a girl from Max’s past, arrives at the window to their cupcake store. Continue reading

2 Broke Girls, S5E9 “And the Sax Problem”: A TV Review

saxproblem

Let me start by saying that it’s about time. I’m not sure how many 2 Broke Girls viewers realize this, but Garrett Morris was an original SNL cast member. With that in mind it’s almost shocking how little the show has decided to do with Earl. On a typical episode I can count all of his lines on one hand, and by the time the twenty-something minutes are up I still have a few fingers left over.

“The Sax Problem” that’s of concern this week is strictly Earl’s, and in much the same way Sophie and Oleg got the most character development in “And the Basketball Jones” last Wednesday he takes centre stage [no pun intended]. Given how often Morris has been relegated to the sidelines I was actually apprehensive about how he would do being given so much heavy lifting, but I never should have doubted him. Continue reading

The Character Assassination of Sam Wilson by the Publisher Marvel Comics

Captain America Is Old, Long Live Captain America

In July of 2014 it was announced on The Colbert Report that a momentous event would be occurring in the Marvel universe. The blonde, blue-eyed Steve Rogers would be stepping down as Captain America due to rapidly aging, with the mantle passing on to his partner [not sidekick] Sam Wilson aka The Falcon. As is typical for the industry the cover for Captain America #25, in which the event takes place, promised some level of mystery with a white silhouette asking readers to guess who it would be.

Captain America #25 (Vol. 7). Written by Rick Remender, illustrated by Carlos Pacheco.

As Sam himself states in the splash page on the right [I realize that the text is far too small for you to read]:

“You guys all knew it was me, didn’t you?

There’s literally no drama left in this reveal.”

The words are particularly tongue in cheek, with the writer himself acknowledging that even without the announcement on national TV it had always been fairly obvious who would be the next character to bear the shield. Captain America and The Falcon had been compatriots since the late 60s [even sharing a title], so there were few more deserving individuals than Samuel Thomas Wilson.

Now I was, and still am, all about this. To have as high profile a role as Captain America, a title that represents an entire nation, be given to a Black man is enormous. I’d also always been a fan of Sam as The Falcon. I added the title to my pull-list immediately.

I’ll Justify the Title, But First, This Week’s Events and a Rough Thesis

Now just this past Tuesday, roughly a year and a half after the original announcement, Marvel released the news that Steve Rogers would be returning as the ol’ Shield-Slinger.

This isn’t to say that the book on the left, Captain America: Steve Rogers, would be replacing the currently running Captain America: Sam Wilson. Instead the publisher’s plan is to release both side by side. They will also be penned by the same writer, Nick Spencer, a move which there has been plenty of precedent for [Jonathan Hickman on both Avengers and New Avengers, Brian Michael Bendis on All-New X-Men and Uncanny X-Men, etc.]. Oftentimes both titles will act as separate halves of a larger story, though that hasn’t been confirmed in this case.

This announcement was met with a similar lack of surprise across the internet, largely because Captain America: Steve Rogers coincides with the release of the summer blockbuster Captain America: Civil War. A number of changes have been made to the comic books to have them fall more in line with what happens up on the big screen, and slapping an “A” back on the forehead of the face most of the world knows and loves is generally seen as a solid business move.

Now I am fully aware of how incendiary the title of this blog post is, and hope to justify it by explaining how the existence of two Captain Americas is not similar to the same being true of other heroes, with the reason for that largely being justified by the character’s recent publication history. It’s in the exploration of that latter point that I truly hope to rationalize the words “character assassination.”

As with every article I write, I’ve done my best to make this accessible to both those who do and do not regularly enjoy comic books. If you have any further questions please don’t hesitate to drop me a line in the comments far below. Continue reading