Category Archives: Youth

[Insert Sentimental Post About Friendship Here]

This post was supposed to be about TBS’s new gameshow King of the Nerds, which premiered last night, but I didn’t catch it on TV and couldn’t find a way to catch it online, so that was that. Instead, since Gordon and I so eloquently discussed the purpose of post-secondary education this Wednesday, I’m going to be writing once again about college.

It’s said, and a study by Professor of Communication Glenn Sparks backs me up on this, that the friends you make in college become your best friends, the ones that last a lifetime. Which is great. I mean, it all makes sense. You’re living in the same space with other people who are, at least for a short period of time, studying the same sorts of things.

What a wonderfully diverse group of friends.

Continue reading

Evan and Gordon Talk: The Purpose of College

EVAN: This week on E&GT we take a break from scrutinizing film to look back about seven or so months to a different time of our lives: college. Now that we’ve both graduated we find ourselves in a different stage of life, and it begs the question of what those four years did for us, and whether or not that’s what we wanted or expected.

GORDON: Throughout my college career, especially towards the end, I heard a recurring argument:

“College is a scam,” they said, “It’s a trap or, at very best, a waste of money. You don’t learn anything you can actually translate into a job, so either drop out while you can or don’t sweat the grades and party your buns off.”

EVAN: Wait, who is the “they” that was saying this?

GORDON: I’ve read it in various Cracked articles, I’ve seen it covered in webcomics and in comments, I’ve heard it on the radio. Not always the same tone,  but it always boiled down to that essential idea. “College doesn’t teach you what you really need to know, it just puts you in debt and wastes your time.”

EVAN: Well, I guess that really begs the question of “What is it that we’re really supposed to know?” If college is the great institution to prepare us for our lives, what should it have taught us?

GORDON: Some would argue that technical and vocational skills are what we really need. Stuff that’s meant to train us for jobs. Wrenches, not Whitman.

EVAN: Which is the sort of thing you see advertised on television late at night or in the middle of the day; schools for electricians and dental assistants and plumbers and what have you.

GORDON: Which always come across as propaganda films from a dystopic alternate timeline. They can claim to be breaking the mold all they want- I’ll still always just see Orwellian Factory-Schools designed train the subservient masses for laboring in name of supreme leader and glorious fatherland.

EVAN: Heh heh.

The contrast to this idea you brought up when first introducing this topic, that the two sides could be seen as college prepping us for our careers or making us more well-rounded individuals.

There’s obviously more to it than that, but how would you boil the latter option down to its essence?

GORDON: I’d probably cite our own alma mater’s (for me more just “mater”) slogan of “global mindedness.” The idea is to create people who are, first and foremost, thinkers. Logical and critically minded thinkers with strong creative abilities and appreciation for art and wonder. A noble enough sentiment to be sure.

EVAN: To really engage with this topic I feel like we should have equal footing, and I’ll have to give our readers a little bit of context-

I’m currently unemployed, and chose to live the latter part of 2012 living with and taking care of my grandfather, whose wife [my grandmother] passed away in September. My job hunt has only very recently started up again.

I say that because as it stands one of us is currently working and knows how his education has aided him and the other is not.

GORDON: I, unlike my Canadian counter-part, am currently employed, having worked two jobs simultaneously for a while there. Having vainly searched for a job the entire summer and most of the fall, I am now working a job helping unemployed people find work, the irony of which is not lost on me.

EVAN: And did you, my Employed-American friend, find that a degree helped you in your search for work?

GORDON: In all honesty, I’m not sure.

On one hand, I can say that certain classes I brought definitely assisted me in securing a job, but those classes really more on the whole “applied” spectrum of education. I definitely didn’t need to go to a top 3% college. People, it turns out, don’t give a crap about where you went.

EVAN: Again, I can’t comment from experience, but I’d like to say that it depends on the job.

GORDON: This is probably true. However, if you were looking for a job, which is gonna look better on a resume? Four years of college, or four years of experience in that field? From everything that I’ve seen, I’d take experience every time.

EVAN: And I agree with that entirely. I can’t count the number of want ads I’ve seen [and this is for stuff like janitorial work, and dishwasher] that require “minimum 2 years work experience.”

It’s like, heck, what was I doing in school when I could’ve been out working this whole time?

GORDON: But of course, that brings up the first question: what’s the point of college? Are we expected to choose a career path and be trained like the mindless, dehumanized proles that we are?

EVAN: Well, for me personally my career goals were more tailored to an academic setting. My personal interest in writing and editing is definitely something that can and is fostered in that environment.

That being said, if I had skipped my four years of college to simply freelance as hard as I could out there in the real world, would I be a better writer today? I honestly couldn’t tell you.

GORDON: The problem is that both sides have really, really big flaws.

On the one hand, turning college into a simple vocational training course does truly rip the soul right out of academia. It makes it just the place you go to get a desk job instead of a manual one.

On the other hand, college as it is now, while fostering intellect and creativity, is as unhelpful as it is expensive. Why put yourself over a hundred thousand dollars in debt to not get employment?

EVAN: I guess in the bigger picture, what is it that we want to do with our lives?

There are plenty of jobs out there that don’t require a college education, and that certainly benefit from hard work at an early stage.

On the flip-side, there are jobs that you simply can’t get without a degree.

GORDON: We also can’t imagine that we can simply get any job we want to begin with. It’s all a gamble. I can get a degree in biology, but that doesn’t at all mean I’m gonna get a job in biology- heck, I’d probably be lucky if I got something even close!

EVAN: Like a janitor in a pharmaceutical company. Or the guy who delivers mail to a biology professor’s house.

GORDON: Exactly. So is that it, then? It’s the whole dang system?

EVAN: I mean, yeah. I feel like more often than not that’s all it really boils down to.

GORDON: So let’s talk about an ideal universe. Or at least one that ain’t quite so screwed up. What’s college look like? Give me your take.

This does not count as an ideal college…

EVAN: It’s tricky, man- Because I would like everyone to be well-read individuals who think about the media that they access and have a fuller understanding of what makes us who and what we are as a culture, I mean, that’s the dream-

But at the same time I acknowledge that there are people who don’t care a whit about any or all of that.

And with so many people who enjoy poetry and the arts, while those are debatably important parts of society, what happens when they need to find work? How many playwrights can any single country sustain?

GORDON: My response would be “how many playwrights are there actually out there?”

EVAN: I think there’s a difference between the actual number, and how many individuals would actually like to be a part of that number.

GORDON: Touché, but we can blame certain jobs being glorified and others suffering from unwarranted contempt.

But let’s move on. College. Your college- what’s it look like?

EVAN: A thorough exploration of the ideas that created Western civilization, the one most of us live in today, because it’s extremely important to observe our origins before we can look at our present and then ahead, after that.

A strong emphasis on writing with the reason that without the ability to properly communicate our thoughts how can we even really fully think them to begin with.

GORDON: Sounds to me that you’re still leaning more towards the side of academia.

EVAN: Well, like we’ve discussed, I have a slight bias. And I suppose we haven’t really defined the question as far as the purpose of college.

GORDON: My take would a combination of both sides, with the end goal being application. We’re talking about the study of English for the purposes of applying the principles in same, either in writing or screenplays or entertainment or communication of some kind.

I feel this would allow for all the creative and academic elements while keeping the whole process grounded. No ivory towers.

EVAN: I don’t think my take discounts the possibility of lining up with what you said, but that’s a really good description of how college could and maybe should be.

That being said, we are actually overtime.

GORDON: You wanna talk about drugs and culture next time?

EVAN: I think at some point we could hand this back to the viewers, actually. We’ve really gotten a handle on this whole E&GT. I’m just not sure when or how to do so.

GORDON: The readers are slack-jawed cattle who would eat their own shoes if we told them to.

EVAN: I should probably edit that out of the final post.

GORDON: Nah, we can let ’em vote. My subject would be Drugs and Culture.

EVAN: Mine would be . . . um . . . huh. About SNL. How to fix SNL.

GORDON: Nice. Let it be so.

EVAN: Tell the nice people to have a good Wednesday, Gordon.

GORDON: Have a good Wednesday, Gordon.

EVAN: And don’t forget to vote, readers! Thanks for putting up with my co-writer!

Evan and Gordon Talk: Nerd Culture

EVAN: To start this off by ignoring our readership and addressing you, this week’s topic is a weird sort of continuation of the various posts on culture you’ve written, such as “manly culture,” “science culture,” etc. And similar to these other groups of people, “nerd culture” is a pretty nebulous sort of thing to define.

GORDON: No argument there. After all, even the “nerds” insist on calling out “fake nerds”- especially in regards to women/girls. But what is a nerd anyways?

EVAN: See, now I’m torn, because we do need to define it, but you’ve also directly referenced an issue I wanted to discuss in depth this week.

GORDON: How about we abandon our previous track record, and just plunge recklessly ahead and hope the issue resolves itself?

EVAN: Well, let me throw this image out there:

And then hope that suffices for now.

GORDON: Works for me. So what was it that you wanted to address specifically?

EVAN: Well, just last month there was this guy, a comic artist, named Tony Harris. And he wrote this post on his Facebook page that was essentially a tirade against “faux nerd” women, and how they are whores, and so on.

To break it down further, these are women who dress up as superheroes and what have you without knowing about the actual characters themselves. He is upset because, to quote him:

BECAUSE YOU DONT KNOW SH-T ABOUT COMICS, BEYOND WHATEVER GOOGLE IMAGE SEARCH YOU DID TO GET REF ON THE MOST MAINSTREAM CHARACTER WITH THE MOST REVEALING COSTUME EVER.

Also that they attend to essentially just tease the regular con-goers and are actually not even hot, just “con-hot.” So yeah, he said a lot.

GORDON: Ah yes, I recall reading about this. And while I think we can all agree Harris went too far, is a bit hypocritical (seeing how most comic women ain’t exactly average looking), and probably getting too emotional, I can’t help but wonder if he has, somewhere in there, a point.

I mean, imagine if all of a sudden, something that you had been stigmatized for became popular, and people started trying to co-opt your identity knowing nearly nothing about it. I’d be ticked off too.

EVAN: That’s definitely something I’ve read people write about, that this used to be an exclusive club and that it took years to build up this knowledge and become, well, a nerd, and here are these noobs and they want in and it’s not that easy.

And I can see where they’re coming from as well.

But if you really love something, shouldn’t you want others to as well? The Avengers has an enormous following on tumblr these days [because of the movie], and these are people who are actually going out and starting to buy comics. They are helping sales, aiding the industry, etc.

GORDON: That’s true, and something I’ve considered, but there’s probably also an argument to be made for the other side. That something precious to you is being watered down and diluted for profit. I don’t believe that nerds (comic book nerds, anyways) can necessarily make this argument, but the line of logic is there.

Let’s try to come up with an example of this happening somewhere else, especially in regards to persecution.

EVAN: Mmk, go ahead-

GORDON: “Black culture” (or what was passed off as black culture) might be an example. Can you state that you’re not driven nuts by wealthy, comfortable suburban kids fronting like they’re from the streets of Oakland?

EVAN: Yeah, people are upset about it, sure, but there’s not this immense outcry over it. There are comic-con enthusiasts that are genuinely incensed that all of this is happening-

I doubt that an actual thug or gangbanger or whatever these rich White kids are playing at imitating is going to start freaking out that he’s getting ripped off. He’s going to laugh or shrug it off, because it hardly matters.

GORDON: I’d argue that the reason for this has more to do with the change in venue. It’s easy for the major players of the comic book industry to voice their opinions than, say, a Wu-Tang Clan fan in the late 90s. But maybe I’m wrong.

EVAN: For the most part, I see this as a mindset that is the foundation or core of hipsterism, and that we all feel to some extent, however minor. That we found something and we love it and there is a pride in joy in being one of the original fans.

And this outpouring of others somehow cheapens things. And all of a sudden we’re trying to assert how we’re better than them in some way.

“You chose to dress up as Spider-Woman? Do you even know who her alter-ego is, or what her powers are? Etc.”

GORDON: Again, do we not sympathize? Do we not feel frustrated with people who have more or less jumped on the bandwagon now that it’s all safe and socially acceptable to do so? Heck, just imagine if someone tried listing themselves as a fan of fine cooking, having only eaten sushi once- would you be ticked?

EVAN: If I equated sushi with fine cooking I guess I would, yeah. But just because we can understand someone’s anger and frustration doesn’t make it logical.

GORDON: I wouldn’t say that there’s not a logic to it. I mean, a major part of being a nerd is, and always has been, the social pariah element. All of the sudden you have these people trying to claim to be on the fringes of society? It’s condescending and insulting.

EVAN: I think that’s the issue- They’re not trying to “claim to be on the fringes of society.”

GORDON: I disagree- I feel this is a coward’s way of feigning rebelliousness and all that.

EVAN: Sometimes people who haven’t been exposed to comics for much of their lives see a movie, or read a trade, and go to a con. Maybe they wear a costume. That doesn’t mean they’re going into this thinking, in any way, that they’re suddenly a part of this group of outcasts.

Comics are popular now. I mean, more than they’ve ever been. To say “I like comics” is no longer the sort of thing that’s going to get you shunned. People are going to raise their eyebrows and wonder why you think that’s a big deal.

GORDON: Comics yes, no one is gonna argue that. The title of “nerd” however, that’s different. And after all, “nerd” is a much larger term. It applies to gamers, to film, and so on.

EVAN: So how does one become a “fake nerd”?

GORDON: Therein lies the rub- there’s always gonna be more obsessive nerds out there. People higher up and lower down the hierarchy. But for the most part, I think we can agree that a “false” nerd is one who does not meet the criteria in that diagram you posted.

The “social ineptitude”, the “obsessiveness”- if it’s not actually there (no matter how much the person or persons might insist otherwise) then that person is a “fake” nerd.

EVAN: So am I a “fake nerd”?

GORDON: Do you call yourself a nerd?

EVAN: I don’t really call myself anything. But I’d also say that many of the girls who go to cons and find themselves attacked by Harris don’t refer to themselves as anything in particular either.

GORDON: Then no, I wouldn’t define you or them as fitting this category. Like I said- Harris went overboard.

EVAN: I just don’t think social ineptitude needs to be a requirement in this. I think you could be a nerd and still have friends, and achieve some level of popularity. The diagram above really shoehorns the definition. I mean, what if I did call myself a nerd?

I’m fairly smart, about 80% of the time I’m thinking about comics, or comics-related media. At the same time, I’m a fairly social guy. What does that mean?

GORDON: You think about comics 80% of the time?

EVAN: I think about comics a lot.

GORDON: 80% of your waking thoughts is a craaaaaazy lot, though I’d say your self-identification as a nerd is flawed. Serial-killer in the making would be more accurate. But we begin to split hairs at this point.

EVAN: I guess it’s like, does Hugh Laurie have the right to play the blues?

GORDON: Hugh Laurie can do whatever the **** he wants. As does anyone. With everything he does, can he identify himself first and foremost as a blues musician? Not really. At least, that ain’t how we’re all gonna think of him, or remember him.

EVAN: Does it matter that it’s what you identify as first and foremost? I am positive that at some level, yes, he does identify as a blues musician.

GORDON: It does matter how you identify yourself first and foremost. I’ve eaten bugs on multiple occasions- I don’t declare myself “Gordon Brown: Bug Eater.” The rest of the stuff I do outweighs it by far.

EVAN: You’re missing my point. You’ve eaten bugs, so on some level you can identify as a bug-eater.

If he identifies as a blues artist less than he does as an actor, that doesn’t negate the fact that he identifies as a blues artist, and what we’re talking about is people being able to say that they can and do relate to a culture, and that doesn’t make them fake adherents of that.

GORDON: Let me offer another example: I’ve been camping, and I occasionally read survivalist pamphlets. For me to call myself a “survivalist” would nevertheless be inaccurate and misleading. That’s the crux of the matter, I believe.

A nerd is someone who is in this for the long haul- a person who enjoys The Avengers or Nolan’s Batman trilogy isn’t. At least, not necessarily.

EVAN: I’m not saying that a person who enjoyed The Avengers equates being a nerd. That’s like, half the Earth’s population, if the box office is any indicator.

I’m saying that a person who saw The Avengers, and then heads over to their local comics store to check some out, and gets really into it, has the potential to become a “comics nerd” of sorts. And people who see them and scorn them for not being there from the beginning should be ashamed of themselves.

If we’re sticking with the example of film and comics and so-on.

GORDON: And I agree- those people should not be viewed with derision. But that’s not who we’re talking about here.

We’re talking about ****ing hipsters, about people who have just enough knowledge of a culture to give themselves the veneer or adopting it. People who wear glasses as a ****ing fashion statement. You know the kind.

It’s about motives. The noob who is just now getting into the culture isn’t a “false” nerd- just a young one. The person who call himself or herself a nerd to co-opt the social stigma (now that it’s all but gone) deserves contempt.

EVAN: I honestly don’t think that what these people are trying to co-opt is the social stigma.

GORDON: My poor choice of words. I mean the false sense of rebellion. Like people who post pro-gay Facebook statements simply to draw attention and applause to themselves. Fake-rebels. Fair-weather activists.

EVAN: That’s fine, and I agree that these people are not to be applauded.

I just think that for the most part, people are realizing that there is a lot in the “nerd culture” that they find interesting and accessible, and are gravitating towards it. Not out of some misguided attempt to be on the edge of society, but because they legitimately enjoy whatever it is they’re trying to engage with.

GORDON: I agree- I simply don’t think it’s these people most old-guard nerds are angry at.

EVAN: But how can they differentiate? That’s a huge issue. It’s this reaction of the community against anyone that’s not legit, but without any way of truly being able to tell how people feel-

A person can go to comic-con in an elaborate costume simply because they enjoy the aesthetics and design of the character. They’re not required to know everything about them, and shouldn’t be hissed and booed at when they don’t.

GORDON: That in and of itself is another issue. If I showed up to the social justice convention dressed as Che Guevara  you’d best believe I’d better know a thing or two about the guy who I’m completely dressed up as- but we’re moving off track.

EVAN: But the point of social justice conventions isn’t to dress up as your favourite revolutionary- that’s entirely besides the point. I bring it up because it’s completely cogent to our topic, because it’s exactly what Tony Harris was railing against.

GORDON: Tony Harris ran his mouth and made a fool of himself, I ain’t trying to defend a word of what he said or wrote, only the general perspective he seems to be coming from.

EVAN: What I’m saying, without negating your points is this, and I’m going to try to wrap up since we’re 15 minutes past our cut-off, is this:

I’m someone says “LOL im such a nerd” and they wear glasses with big frames and have a Green Lantern patch on their backpack, yeah, I’d say that’s not okay. But a large issue is being able to, as a community, acknowledge when “outsiders” try to access what it is that we love so dearly.

We like comic books and Star Trek and Dungeons and Dragons, and if other people might as well, that’s fine. Just because others weren’t always welcoming of us in the past doesn’t mean we should do the same to others. Especially when there’s some likelihood, even a little, that they could one day be as big a fan as you [as hard as that may be to believe].

GORDON: Well put. Be sure to stop by next time for our discussion of . . .

EVAN: Of . . . uh . . . I threw out this topic last week, what’ve you got?

GORDON: Let’s address the portrayal of drugs- weed in particular- in media and popular culture.

EVAN: That’s a pretty contemporary topic too, because of the legalization in Washington and all that. Sounds good to me.

GORDON: Let it be so then. Merry Wednesday to all, and to all a good night!

Fame Day: Public Shaming

I was going to write about comics helping people, or about how a Swedish toy catalogue acknowledged that girls can play with Nerf guns too, but I ultimately decided to focus on a wonderful Tumblr account I found recently. It’s called Public Shaming, with the subtitle “Tweets of Privilege.” Creator Matt Binder sums up the gist of his blog with the following:

I started retweeting people complaining about welfare, food stamps, etc. and then following it up with a previous tweet of theirs that makes them look hypocritical/dumb/etc. I discovered that as I would retweet these, my followers would start @replying these people and let them know they were idiots. They would then delete their offending tweet. Well, I couldn’t let that happen. So, I screenshot away.

What Binder is very aware of is that Twitter is, by and large, a public forum. Anything that you tweet, unless your privacy settings are changed, can be read by anyone and everyone; my local Metro, and other newspapers around the world, have a section dedicated to them. This is something that people like Donald Trump often forget. As he mentions, once the tweets draw enough attention they are normally taken down. While this is unfortunate, screencaps serve to archive these tweets, and I’ve embedded a few for your viewing pleasure. The first two are a few of the more relevant ones, and the last is a wonderful showcase of hypocrisy:

I actually tried pretty hard to find a tweet without a bunch of profanity.

In response to Korean pop artist PSY closing the American Music Awards.

“WTF. WHEN DID AMERICA BECOME A SHOWCASE OF DIVERSITY?!” My personal favorite. -Matt Binder

Regarding a few Mexican high school marching bands and dancers marching in the Macy’s Thanksgiving Day Parade.

Just one of the many, many tweet comparisons that highlight the plight of the privileged.

A lot of the “tweets of privilege” happen to be teens and twenty-somethings writing about employment and the economy. There’s a definite trend of people saying that the jobless are lazy, when only months before they were complaining about being unemployed. What Matt Binder is doing with his blog is exposing hypocrisy where it so often festers [the internet], while also helpfully reminding everyone out there to watch what they say. If you stick your foot in your mouth out loud, there’s a chance someone will hear it, but less that someone will actually record it. On the other hand, making a tweet in poor taste about someone’s dead brother online is really all it takes to get on the news. So let’s give a round of applause for this Tumblr and its creator, and for what it is on the internet: a shining light that unveils the words of the wealthy and unwise. You can follow Matt Binder on Twitter at, easily enough, @MattBinder.

Old James Bond Vs New James Bond

I have not seen Skyfall– I’m gonna kick things off by stating that right here and now. Nevertheless, I have been following the movie’s development for a while, and the apparent consensus from both the critics and the fans is that “at long last” Daniel Craig’s Bond actually gets back to the spirit of the rest of the series.

Let me break that down a bit.

See, the issue voiced by many Bond fans regarding Craig’s version is that the gritty realism often feels too much like something from the Jason Bourne universe. Many argue that Craig’s Bond lacks the feeling of the older movies, which were (comparatively) more lighthearted and glamorous than the darker and harsher installments we’ve seen over the past few years. This complaint, I’ve noticed, seems to come a lot more from older generations, usually from the 80s backwards, while my own generation seems much more comfortable with Craig’s version. It’s not that it’s about familiarity- after all, there were Bond films while we were growing up, however, I think the whole “New JB VS Old JB” contention really comes down to a shift in values.

I mean, let’s take a look at some of the old James Bonds.

They were off sipping Martinis, flirting with enemy spies, and driving classic cars that turned into planes or submarines or shot lasers and rockets. And all of that was a reflection of the time. The Space Age, where new and innovative technology was bringing us ever closer to a Jetson family standard of living. Those Bond movies were simply a reflection of that era. The same goes for the hedonistic Brosnan Bond of the 90s. The crazy (nearly to the level of cartoonish) villains and schemes, the deus-ex-machina technology (I’m looking at you remote-controlled muscle car) all reflected the materialistic culture that dominated the time.

In the same way, the new James Bond films are a reflection of our own age. The glamorization that marked earlier films would, if applied now, just look condescending. As the economic crisis drags on and as we become more and more acclimated to the issues of unemployment, poverty, and constant warfare, sympathizing with slick government agents in tuxedos driving luxury cars and infiltrating Mediterranean cruises gets pretty dang tough. The bloodied and battered, and ultimately more realistic, Bond that Craig gives us simply appeals more to us. He’s not so much a tour guide for us into the wild and fascinating world of espionage as he a full, tragic character struggling in a lousy situation. The whole divide is demonstrated beautiful in this clip from Casino Royale.

Even the Bond villains are demonstrative in a shift in values. Back in the 70s and 80s, the audience lived with the idea that all life on earth could be ended by a nuclear war. Madmen with doomsday devices simply made sense as the natural Bond enemy. Despite the hype over Iran and, a while back, North Korea, today the idea of a nuclear holocaust is relegated more to survivalist compounds. What are we worried about today? Shadowy cabals of wealthy warmongers manipulating our lives from inside our own governments. Even though Quantum of Solace was less popular as a Bond movie, it’s a perfect example of this similar shift in worldview. What were they bad guys after? A military coup in Bolivia in order to secure the rights to 90% of the country’s water. Even if it’s not too exciting, it’s still believable.

Now none of this is to knock any of the movies (barring A View to Kill, which was freaking awful), it’s simply to explain why there’s been a bit of contention over Craig’s incarnation. The simple fact of the matter is, Bond is going to evolve with time. Surely that’s something to be admired, not complained about…

Free Information Culture

The last of my installments (for now) in looking at these rising alternative cultures is “Free Information Culture,”  which shares the same problem with “science” culture in that there’s really no good name for it yet. I’ve referred to it before as “internet culture,” only the problem with that is that, like “science culture,” it isn’t so much the culture of the thing itself as the culture of the fanbase. In simpler terms, it’s the difference between Hollywood culture and movie-lover culture- it’s the end product that’s valued.
So what’s the internet’s “end product”?

Besides porn and stuff like this…

Free Information.

Whether it’s the news, or Wikipedia, or TED Talks, or Imgur, or anything else imaginable, it’s on the internet for free and public use. It’s something of a great equalizer. No matter where you’re from, what language you speak, what class you hail from- you can create or say anything and then get called gay in the comment section.

And while that last bit is sort of a joke, it does play a role in developing the “free information culture.” Granted, general anonymity can make us vicious and vile people, but it also (to some extent) strips us of our egos. When you make something online, you really don’t get much, if any, credit, but that’s alright since it isn’t the point. It’s just about creating, nothing more or less. Who drew the first rage face? Who started up Bad Luck Brian? Who edited and sourced that one Wikipedia page you used to stitch your last minute term-paper together? Who puts together those monthly fail compilation videos? I don’t know and will probably never know, but I do know that they’ll keep coming because of the simple joy of creating them. I and every other person with a half-decent internet connection.

And all of this simply isn’t understood by some people.

Recall the massive outcry against the SOPA and PIPA bills? What prompted the creation of  these acts was that some people- certain corporations in particular- couldn’t quite wrap their heads around the idea of free and unlimited access. Now maybe you agree with them, and maintain that posting copyrighted material of any kind is piracy and immoral, however, what needs to be understood is that this was viewed as an act on the very nature of the internet and everything it had come to represent.

Again excluding porn and stuff like this…

Now more and more companies are catching on to the idea that it’s wiser to try to work with the faceless and vengeful cat-worshippers of the internet than against them- just look at video game companies that are starting to work in tandem with modders. The game Minecraft in particular is a good example of this, as many of the new aspects of each update to the game coming from the fan-forums themselves. Nevertheless, there are still plenty of people out there (I’m looking at you, Music Industry) who continue to struggle (vainly) against the dissemination of what they view to be the “information wants to be free” crowd.

Again, it all boils down the core of the culture that the internet has produced, gravitating around the concepts of freedom and egalitarianism. Look at Wikileaks founder, Julian Assange.

If he did his work back in the early 90s, we can be pretty sure he’d be viewed overwhelmingly as a candidate for a James Bond villain. But today we (for the most part) view him as being a heroic (or at least positive) figure in a world that’s become increasingly secretive and unequal. Why this dramatic shift in perception? Again, it’s the internet and it’s affect on us. In a time of economic crisis we might not be able to go to the movies, or eat out, or drive for miles to see a friend, but we can watch something online, or browse recipes, or video-chat with the same buddies that you’d otherwise not be able to see. Any threat to your full and unrestricted access to the internet is, by proxy, a threat to some of the last pleasures you have left.

Hence the formation of a culture obsessed with the values of free speech, free access to information, and freedom from censorship. And with every development of the internet or our access to it serving as another leap in the evolution of the culture, it’s safe to say that the howl of anger that the governments of the world met when trying to create such bills as ACTA is only going to intensify.