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Tag Archives: characters
Why Writing Strong Female Characters Is[n’t] Hard
For the past several months I’ve been compiling what different people on the internet have been saying in regards to creating strong female characters, while also observing how others feel about those three words in general.
While not a topic you’d think would necessitate a lot of discussion, the truth is that there’s a lot more to this discussion than “Yes, I like them they’re great and we need to see more of them.”
As a disclaimer I would like state that I let the research in this post come to me. I did not do Google searches for “female writers’ opinions on strong female characters.” All of the quotes and articles below I found organically, if we can use that word to describe my internet browsing habits. Continue reading
Posted in comics, feminism, film, television, writing
Tagged characters, feminine, feminism, film, George R. R. Martin, Greg Rucka, Joss Whedon, masculine, Megan Fox, Natalie Portman, people, strength, strong female characters, weak, weak female characters
Black, Yellow, Brown, Or Normal
The title of this post comes from the image below, which I see floating around the internet from time to time. It might’ve been from one of Cracked’s PhotoShop contests, I really have no idea.
The reason I’m bringing this to your attention is to underscore the fact that, by and large, “White” really does equal “normal,” at least in North America. You don’t really have to search hard to stumble across that fact, either. Think about how it works when you recount stories to other people-
Imagine you’re talking about this weird dude who sat down next to you on the subway. If he was White, would you bother mentioning that? How about if he was Black, or Asian, or Latino?

The terminology used in this gif aside, you probably never make reference to a White person’s ethnicity.
Posted in comics, film, media, race, writing
Tagged asian, black, Brian Lee O'Malley, casting, characters, fancasting, fandom, Fantastic Beasts and Where to Find Them, Harry Potter, Hunger Games, Newt Scamander, norm, normal, race, Rue, Scott Pilgrim, Toronto, white, writing
Tropes, Archetypes, and Why Original Creative Writing Is Like A Game of Rock, Paper, Scissors
Culture War Reporters, since its inception, has never been a place for fiction of any kind. As a result, when both Gordon and I hang out we often find our discussions centre around stretching our creative muscles, asking questions like: “If you had to come up with a team of mercenaries, with a minimum of five members, what would it look like?”
The issue with all questions like this is that we run into a little something King Solomon said, way back in the day [emphasis added]:
What has been will be again,
what has been done will be done again;
there is nothing new under the sun.
How do you come up with something original, something that truly hasn’t been done before? Continue reading
Posted in feminism, film, literature, media, race, television, writing
Tagged archetypes, Asians, Badass Adorable, Battle Royale, characters, Cute But Psycho, expectations, film, Hanna, Hit-Girl, Kick-Ass, Kill Bill, Little Miss Badass, media, race, tropes, TV Tropes, writing
Fame Day: American Horror Story
Today, I’d like to tip my hat to one of my favorite shows, a young series by the name of American Horror Story.
Now it’s no secret that the horror genre is universally despised, being seen by many as being lower on the totem pole than even toilet-humor comedies or the most saccharine romances out there. I could probably spend an entire post speculating on why exactly horror flicks are treated with such little respect (a lot of it is probably due to the genre’s inbred cousin, the “teen scream” flick), but that’s another topic for another time. I’m here to simply showcase the series and highlight a few of its key strengths and accomplishments that I think make it worthy of a Fame Day.
Each season of the show (the second has just concluded, and a third has been greenlit) is a separate story, made up of the horrific lives of the characters as they struggle with their pasts, their inner demons, and some ever-present terror always lurking just beyond the shadows. It essentially cashes in on the initial charm that LOST had before it jumped the polar bear.

Guilt and shame are themes that play heavily into the series as a whole (or at least, the past two “stories”), giving even the most heinous characters a degree of sympathy. Again, similar to LOST at its best, the constant shifting of the story from one perspective to the next prevents the series from ever being boring. Granted, the madcap pacing doesn’t always work (especially in the first story), but for the most part, the audience is always kept interested.
And that brings us to the first key accomplishment of the series:
Popularity
As I stated above, horror is simply not popular- at least, not in any mainstream way. Tim Burton’s lighter works are really the closest most people get to anything remotely macabre, and the fact that the series has continually drawn in high ratings (to say nothing of critical acclaim) is nothing short of amazing. And we’re not talking about a series that is eerie or has a handful of jump-scares, we’re talking about truly unsettling elements here. I’m certainly not alone in hoping that that AHS‘s continued success serves to begin building bridges between mainstream entertainment and horror subculture; heaven knows both could benefit from some fresh perspective.
And even in the subculture, AHS is playing a pretty major role. It’s…
Raising the Bar
As a result of the genre’s (comparative) isolation, quality in horror is typically pretty rare. When you can’t secure funding for special effects, good equipment, or even B-level actors, chances are your product isn’t going to be all that good. Of course, when you have a built in audience who would pay money to watch Dwayne Johnson protect an orphanage from chupacabras, why would you even bother trying?

I would actually probably watch that…
I’ve seen my fair share of (decent) horror movies, and I can count on one hand the films that had even passable cinematography. AHS, as a series that actually has some decent funding and actually puts effort into creating tense atmospheres and believable effects, is raising the bar for the entire industry. When AHS is the basis for most people’s experience with the genre, there’s going to be pressure on the rest of the industry to meet and excel the expectations the mainstream audience is going to have. Furthermore, AHS‘s star-studded cast (including Zachary Quinto, Ian McShane, James Cromwell, and, I kid you not, Adam Levine) is hopefully going to make the horror genre more inviting to high-caliber actors who can actually sell the audience on the direness of the situation and maintain interest without having to drag in a bunch of fornicating teenagers.

The series is actually one of the few I’ve ever seen that actually gives teens any credit or respect…
And perhaps most importantly, it comes down to this:
Depth
While the stories are good, as are the actors (Jessica Lange being easily more frightening than the goriest bits of the series), it’s some of the basic discussions held during the stories that really hit home. Oppression of women and the dark history of psychology are topics repeatedly brought up, and dealt with both in a historically accurate and totally visceral manner. Perhaps the most disturbing thing I’ve yet seen in the series hasn’t been any of the monsters or murders- it’s been a demonstration (scaled back for TV, even) of the psychological “treatment” given to people “suffering from homosexuality,” seen at the time as a mental disease. Those five minutes alone were more frightening than anything else in the story- and it was amazing. Amazing to see some serious and deep social commentary made, and to see the brutality and insanity some people had to undergo actually presented in a way that’s going to resonate with the audience. You will be a better human being for having watched that scene.

Though in the spirit of honesty, your view of nuns will probably diminish a bit…
When’s the last time you could say that about a rom-com?
American Horror Story, keep up the good work.

A final note. I would’ve included more gifs, but (1) I didn’t want to spoil anything and (2) easily 90% of all AHS images are of Evan Peters, who is apparently just the bee’s knee’, if the series’ female fans are to be believed.
Posted in Fame Day, feminism, film, lgbt, media, television
Tagged Adam Levine, ahs, american horror story, characters, comedy, Dwayne Johnson, Evan Peters, film, fx, genre, gore, homosexuality, horror, horror flicks, Ian McShane, james cromwell, jessica lange, jump scares, Lost, mainstream, movies, psychology, quality, romantic comedy, Season 1, Season 2, Season 3, subculture, teen scream, television, the rock, tim burton, TV, Violence, women, women's issues, writing, zachary quinto



