Tag Archives: racism

Bigotry, Borders, and Beyond

Let’s try a little exercise here-

What’s the first image that pops into your head when I say the word “refugee”?

For many, it will be that of displaced African villagers, perhaps with stomachs bloated from hunger, listlessly waiting in line for water in some desecrated wasteland.

For others, it might be more recent images: those of shivering, terrified Syrians, crammed into boats as they prepare to make a perilous voyage across the Mediterranean.

But how many would think of scenes like this?

borderemergency-diowesttxerd

No, that’s not the Balkans or Turkey or Darfour. That’s the Congregational Church of Austin in Texas, barely over a thousand miles from where I’m writing these very words.

The “American Immigration Crisis” has been quietly brewing since 2014, when a sudden surge of migrants- most of them young children– attempted to cross into the US from countries in Central America.

The response by many, as you can probably guess, was less than welcoming-

Across the Southwest (and the country at large), outrage was expressed over these “illegals”, the town of Murietta, CA perhaps serving as the best example. In July of 2014  buses carrying migrant families were protested in a manner that can only be described as repulsive- but I’ll let you watch for yourself and decide:

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This is What Environmental Racism Looks Like

Environmental racism was one of the most surprising concepts I encountered during my undergrad. It had just never occurred to me that where and how we polluted our environment would be intentionally arranged to affect some racial communities more than others.

In the States there have been several famous instances of environmental racism.

After the Second World War, for example, Chicago kindly provided African American veterans the opportunity to live in a housing community built atop an abandoned landfill. After serving their country and surviving the war these veterans came home to Altgeld Gardens Homes, a community that would have significantly high cancer rates because of exposure to toxic chemicals.

Then, in the 1970s and 80s, there was the Warren County PBC Landfill case, when the state of North Carolina decided to bury soil that had been contaminated with toxic polychlorinated biphenyls in Warren Country, a community with primarily black residents and a much lower income rate than the rest of the state.

With the very likely possibility of their drinking water being contaminated by the toxic material, residents, civil rights groups, environmental leaders, and clergymen all joined together to protest the state’s decision…

…and then got arrested.

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3 Reasons Why the Paris Attack Feels like 9/11 and 1 Reason Why It Demands A Different Response

Since the terrorist attacks in Paris on Friday, I encountered several articles that criticize the way the Western world responded to the tragic loss of life in Paris. While each of these articles bemoans the loss of 132 innocent lives, they also highlight similar atrocities that happened before the Paris attack and were almost completely overlooked.

In a lot of ways this event, and its media response, reminded me of the attack on the Twin Towers in 2001. While the media response to this tragedy has been a little more self-aware, our international reaction has been similar to how it was last time this kind of tragedy affected a Western nation. Rather than discuss the way we responded to these attacks, I wanted to examine why we reacted the way we did.

1) It felt close to home

I remember waking up the morning of 9/11, walking into the living room to see my mom crying. My dad turned to me and told me the world had changed overnight. Hearing about the attacks on Paris gave me the same shiver of fear that I felt that day. I don’t think it’s hard to dissect what motivates that feeling. These particular attacks were frightening because they happened to Western nations, and we in the West are very accustomed to feeling in control. We took control over much of the world during an age of imperialism, colonization, and slavery. Today we continue to control much of the world through unfair aid practices and political manipulation. These kind of attacks are terrifying because they make us feel like we don’t have as much control as we think we do.

Even though last Thursday 45 innocent victims lost their lives to a terrorist attack in Beirut and, 6 months ago a similar attack in Kenya killed 147 innocent people, many of us heard little to nothing about those attacks until their news coverage was compared to what occurred in Paris. In our effort to show solidarity with Paris, the Western world made it apparent that certain tragedies frighten us more than others.

As Elie Fares explained in his blog comparing the media response to the Paris and Beirut attack,

“When my people died, they did not send the world in mourning. Their death was but an irrelevant fleck along the international news cycle, something that happens in those parts of the world.”

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Coming Out, Moving Forward

When I was last dating a man, I talked long and loud about my queerness. I objectified female celebrities with the gusto of a barely post-pubescent male; I loudly debated the finer plot points of such luminous queer media as MTV’s Faking It; I was here and I was queer and I was proud, and god forbid anyone think I was straight, just because I was dating a man. I was all too familiar with that sort of misconception, but in reverse: when I had dated a woman for the first time, in my last year of high school, we had done that most high school of things and changed our relationship status on Facebook. This led a group of people – people who had known me over the course of multiple years and witnessed many ridiculously dramatic and public instances of romantic interest in men – asking me over and over again if I was a “lesbian, now”.

Being tacitly bisexual is a constant parade of those sorts of questions (as is being openly bisexual, unfortunately, but to a lesser extent). My unwillingness to announce my sexuality to everyone I met meant that when I was dating a woman, people assumed I was a lesbian, and when I was dating a man, people assumed I was straight.

And I was tired of it. I was tired of desperately trying to flip my self-presentation every time I was in a relationship, tired of worrying if I was queer enough, not to mention whether I seemed queer enough. Those worries became even more present when I became the co-editor in chief of my college’s only LGBTQ+ campus publication. How could I position myself as a leader in the queer community when I was in an ostensibly heterosexual relationship? Would anyone take me seriously as a queer advocate and writer if I happened to be dating a man come publishing time? Continue reading

Christopher Zeischegg [aka Danny Wylde] on Art, Horror, Racism, and, of course, Porn

wyldefisherEarlier this month LA-based artist Luka Fisher reached out to me through the site’s email, calling my attention to an art project that may be the first of its kind. Christopher Zeischegg, more commonly known online as porn star Danny Wylde “On The Moral Imperative To Commodify Sexual Suffering“. Accompanying the short story was a silkscreen print created by Fisher, which was in turn featured in a high-concept art commercial directed by Matthew Kaundart. Through this correspondence I was given the wonderful opportunity to discuss the story with Zeischegg, as well as pick his brain on a number of other topics.

Before proceeding onto the interview I would strongly encourage you to read his story, or at least watch the video, which I’ve embedded below. I would also like to warn you that both are decidedly not safe for work before proceeding.


So before we really get into things, Luka Fisher, the artist who emailed me and who collaborated with you on the release of your short story, described you as a “BuzzFeed sensation”. Would you say you live up to that title?

[laughs] Well, I would say I don’t live up to that title. I mean, Luka is a friend of mine and he’s an artist producer in LA. I think more than anything he was just trying to get press and attention for this thing we did; trying to get keywords. As far as being a “Buzzfeed sensation”, I’ve been in a few videos about porn stars, et cetera.

I didn’t participate in that press release. I would not call myself one.

I also noticed that in their [Buzzfeed’s] feature they describe you as a “porn star”, whereas most places I could find state that you’re no longer an active part of the industry. I was wondering if you could clear that up for both me and my readers.

I retired actually about two years ago from mainstream porn. Though I have been submitting videos to Make Love Not Porn. I also do some other sex work that I’m not going into for legality issues. I retired two years ago. But, y’know, stuff is out there forever on the internet, so people kind of associate that with you.

So the reason for this interview even existing is because of your short story, “On The Moral Imperative To Commodify Sexual Suffering” [which I’ve asked my readers to check out first], which of course presented alongside a piece of static visual art-

Some Such _Fisher1

-as well as a short film. On top of all that you’re also one half of a Chiildren, a metal band, so I think it probably goes without saying that you’re by most definitions an artist-

Yeah, I guess so, I would agree to that.

before we really dive into the story I thought it would be cool to hear your thoughts on pornography as art.

Well, in general I don’t think it is. I can say that there are some examples of people who are doing art within porn, and I guess one of them is even my current employer, or one of them, James Deen. I work for him a lot in production and last year we did some higher end art films [7 Sins, we made a porn version but there’s also a cut-down version going around].

But my interest in porn did not really participate in art, especially in the beginning. It was just something to get through school. And then continued doing that for some years after. Because it pays better in retail, you know what I mean.

I don’t think typically it is, though. It’s just entertainment to jerk off to. That’s what most porn is. I don’t have anything more to say about it. We’re not doing anything important with it, there’s no real higher cause. We’re just making stuff so people can jerk off to it.

Which I guess you could call art. It’s a nuanced conversation. It’s entertainment. Continue reading

This Post Contains Pictures of Dead Children

43 years ago, a picture was taken. It captured the moments after a napalm attack on a Vietnamese village. Against a backdrop of smoke a nine-year-old girl runs towards the camera, naked and screaming.

The shock that image’s managed to elicit is credited as having helped end the war, and that photograph has become perhaps the most powerful pictures of the horrors of war ever taken.

Until last Thursday.

That is the body of Aylan Kurdi, 3 years old.

Refugees from the Syrian civil war, Aylans family’s had attempted to escape to Vancouver, only for their application to be rejected by the Canadian government. With nowhere else to turn, the Kurdi family fled to Europe in a final effort to escape. While the Kurdis found passage on a small boat bound for Greece, the vessel was far overloaded with refugees and tipped a few miles off the Turkish coast. Aylan, his brother Galip, and six other passengers (all but one of them children) fell overboard and drowned, their bodies washed ashore to where this heartbreaking picture was taken.

Once again, there are no words. Continue reading