Seven years after an unnamed apocalypse, lone survivor Edgar (along with his beloved puppy, K.O) wander a urban wasteland. Edgar spends his days scouring local buildings for supplies and marking contaminated zones with spray paint warnings and signals for help.
From the first frame the audience is taken on a brutal journey of brutal isolation as we follow Edgar (Orial Pla) through the cold and decaying cityscape, both depressing and still strangely beautiful. And that, right there, is perhaps the greatest charm of the film.
Director does a masterful job at creating a stark, bitter, but still utterly believable world. captures not only the grand sense of loss but the simple, even monotonous existence of his protagonist. Throughout I was constantly reminded of the feel of first half of I Am Legend (in the best possible way). Special kudos to for his research, as Edgar’s own warning symbols bear an uncomfortable resemblance to the FEMA marking system used during actual disasters.
A fantastic job is done of showing the mundane, day-to-day “chores” of living in a post-apocalyptic wasteland. Which is something I’ve ironically always found to be one of the most interesting parts of the genre, but I’m weird like that.
Seriously- just look at this…
“If you’re gonna go [. . .] it needs to be now.” 
Culture War Reporters 