Category Archives: comics

Asian Iron Fist: Point, Counterpoint, and My Two Cents

hi-yahhYesterday Entertainment Weekly revealed that Marvel had finally found their next star in Game of Thrones actor Finn Jones. The character he’ll be playing is Daniel Rand, AKA Iron Fist, the face of their fourth Netflix-exclusive series [following DaredevilJessica Jones, and the upcoming Luke Cage]. I could sum up who he is, but EW did a pretty good job with that in their coverage already:

“…Iron Fist is Daniel Rand, who at age of 9 travels with his family from New York to a lost mystical city called K’un-L’un. After some tragic twists of fate, Rand is adopted by the city’s ruler and taught advanced martial arts and the mystical power of the Iron Fist. As an adult, Rand returns to his native New York and begins a career as a superhero.”

In the comic books Danny is, much like his silver screen compatriots Captain America and Thor, White, blonde-haired, and blue-eyed. Ever since it was announced that he would be headlining his own show there has been a discussion over what race he should be, with Keith Chow over at Nerds of Color making his stance clear with his article “Marvel, Please Cast An Asian American Iron Fist“. As soon as the news hit my tumblr feed was flooded with like-minded individuals, with one post in particular that caught my eye, presenting the following two tweets-

https://twitter.com/Wheeler/status/702941414942855170

-labeled “Point” and “Counterpoint”, respectively.

Now I have no intention of dedicating a large portion of this post to Liefeld, known in many comic book circles as being a man incapable of drawing feet [though now probably vastly more famous for co-creating Deadpool]. He also had just the two words to share, as opposed to a full article that Wheeler penned on the subject, so instead I’ve chosen to have Albert Ching of Comic Book Resources take his stead. Continue reading

Angoulême, #OscarsSoWhite, and the Possibility of Change

I had initially planned on permanently shelving this blog post, for the most part due to the fact that I felt the two incidents I was comparing had come and gone, and I try to stay topical. Then recently Facebook notified me that Kate Winslet not boycotting the Oscars was trending, and just today that acclaimed director Steven Spielberg had some thoughts about the awards ceremony. It appears that a discussion that began with the continuing hashtag #OscarsSoWhite is far from over.

rock

I wanted to call Chris Rock the one bright spot in this upcoming Academy Awards, but the irony was too much.

This may surprise you, but the focus of this particular blog post isn’t race. It is about social justice in general, though [just because this pony has more than one trick doesn’t mean that he has a lot of them]. Social justice is ultimately concerned with change, a positive transformation of our society, and is more often than not battling against the presumption that this is impossible. I’m going to be covering two somewhat recent events, both surrounding awards shows, that prove it’s not. Continue reading

The Character Assassination of Sam Wilson by the Publisher Marvel Comics

Captain America Is Old, Long Live Captain America

In July of 2014 it was announced on The Colbert Report that a momentous event would be occurring in the Marvel universe. The blonde, blue-eyed Steve Rogers would be stepping down as Captain America due to rapidly aging, with the mantle passing on to his partner [not sidekick] Sam Wilson aka The Falcon. As is typical for the industry the cover for Captain America #25, in which the event takes place, promised some level of mystery with a white silhouette asking readers to guess who it would be.

Captain America #25 (Vol. 7). Written by Rick Remender, illustrated by Carlos Pacheco.

As Sam himself states in the splash page on the right [I realize that the text is far too small for you to read]:

“You guys all knew it was me, didn’t you?

There’s literally no drama left in this reveal.”

The words are particularly tongue in cheek, with the writer himself acknowledging that even without the announcement on national TV it had always been fairly obvious who would be the next character to bear the shield. Captain America and The Falcon had been compatriots since the late 60s [even sharing a title], so there were few more deserving individuals than Samuel Thomas Wilson.

Now I was, and still am, all about this. To have as high profile a role as Captain America, a title that represents an entire nation, be given to a Black man is enormous. I’d also always been a fan of Sam as The Falcon. I added the title to my pull-list immediately.

I’ll Justify the Title, But First, This Week’s Events and a Rough Thesis

Now just this past Tuesday, roughly a year and a half after the original announcement, Marvel released the news that Steve Rogers would be returning as the ol’ Shield-Slinger.

This isn’t to say that the book on the left, Captain America: Steve Rogers, would be replacing the currently running Captain America: Sam Wilson. Instead the publisher’s plan is to release both side by side. They will also be penned by the same writer, Nick Spencer, a move which there has been plenty of precedent for [Jonathan Hickman on both Avengers and New Avengers, Brian Michael Bendis on All-New X-Men and Uncanny X-Men, etc.]. Oftentimes both titles will act as separate halves of a larger story, though that hasn’t been confirmed in this case.

This announcement was met with a similar lack of surprise across the internet, largely because Captain America: Steve Rogers coincides with the release of the summer blockbuster Captain America: Civil War. A number of changes have been made to the comic books to have them fall more in line with what happens up on the big screen, and slapping an “A” back on the forehead of the face most of the world knows and loves is generally seen as a solid business move.

Now I am fully aware of how incendiary the title of this blog post is, and hope to justify it by explaining how the existence of two Captain Americas is not similar to the same being true of other heroes, with the reason for that largely being justified by the character’s recent publication history. It’s in the exploration of that latter point that I truly hope to rationalize the words “character assassination.”

As with every article I write, I’ve done my best to make this accessible to both those who do and do not regularly enjoy comic books. If you have any further questions please don’t hesitate to drop me a line in the comments far below. Continue reading

Jessica Jones Was Good, But It Should Have Been Great

When I saw the trailer for Jessica Jones I immediately decided it was going to be my new favourite show… until I watched it.

A lot of elements in the trailer suggested that it would resemble Netflix’s Daredevil series, which made me really excited. My love for Daredevil was a slow burn. Unlike Evan (who regularly reviews comics, like Ms. Marvel, for the blog), I’m not a comic aficionado. For me to really invest in a comic-based series I have to actually like it as a stand-alone. I’m also not a fan of dark dramas. I get depressed enough from real life, so my first choice for TV is lighthearted comedy. When John (my husband) finally convinced me to watch Daredevil with him it was a really hard sell. I was critical of the lack of diversity, the lack of interesting roles for women (although this got better as the season progressed), and the general lack of lighting in most scenes. What finally won me over was some of the best fight choreography I’ve ever seen on TV, and writing so solid that some monologues actually gave me chills.

When I saw the trailer for Jessica Jones I thought it would only perfect the good thing Netflix had already started with Daredevil. Not only would we have a dark and thoughtful plot, but we would have a much more diverse cast and more nuanced relationships between female characters.

How could anything possibly go wrong?

Apparently several things could, and did, go wrong. I’ve outlined a couple of the most frustrating aspects of the series below.

It had mediocre fight scenes

I get that it’s hard to make things look super realistic when you have a 90 pound woman throwing men around like ragdolls. I also get that choreographing these scenes would have to reflect Jones’ extraordinary strength. But is that really an excuse for scenes to look like something straight out of the 70’s?

Generally speaking, the fight scenes in Jessica Jones felt lazy. There are so many other ways you could demonstrate super strength beyond just throwing people, but for both Jones, and often Luke Cage, throwing seemed to be the primary mode of defence.

https://youtu.be/91fMDLAlNIo

I mean, wouldn’t punching them in the face just be easier? Continue reading

Ms. Marvel, #19: A Comic Book Review

msmarvel19“Qiyamat ka din to nahin hain.” It’s not like it’s the end of the world, Mr. Khan muses aloud to his family in Urdu. But it is, at least until next month when the first issue of Ms. Marvel Volume 4 hits stands everywhere. This issue effectively marks the destruction of the universe for these characters, but it’s everything the finale could be and more.

It’s now that I’m forced to eat some of the words I published in my last review, those concerning the “meandering plot as it slowly reaches the end”. Yes, Issue #18 ended with the reveal that Kamala’s mother knew about her vigilantism, but there are so many other relationships that are fleshed out and given the closure they need as this chapter closes [in preparation for the next one beginning].

The first involves, as mentioned, our heroine and her parents of course. Kamala opts not to tell them about the impending apocalypse and simply enjoy their company. Following up with that are two female friends, one of which felt like a blindside but not in a bad way. We’ve seen so little of Nakia since Issue #1 that it’s easy to forget that she’s one of Kamala’s closest friends, and she voices her concerns that they might be drifting apart. It feels real because, as anyone in any kind of relationship can attest to, it can and has and will happen to all of us. And since we’re coming full circle back to the first issue we have Zoe-

zoepology Continue reading

Captain Marvel Pushed Back Again, Company Apologist On Verge of Giving Up

In the beginning, I could not be more excited for Marvel Studios’ upcoming slate of comic book movie offerings. While I noted [and mourned] Black Panther’s absence from their list of Phase 2 films in 2012 I was forced to eat my words a couple of years later, when they announced solo films for both him and Captain Marvel [a female hero!] at a special event.

bpcm

Yes, as you can see from the mock-ups they released on the right both were slated to drop on November 2017 and July 2018 respectively, with a good number of years ahead for casting, finding directors, pre-production, extensive post-production for VFX, the whole deal. Like I mentioned, I was ecstatic for what was to come and by no means worried that they were rushing things.

Sure, both films were being released after Captain America: Civil WarDoctor StrangeGuardians of the Galaxy 2, and Thor Ragnarok, three sequels, two of which are the third for their respective franchises, but I could wait! Things were changing for ol’ Marvel Studios, and for the better.

And then the announcement early this year that Sony was willing to cut a deal with Marvel, allowing the latter to use Spider-Man in their cinematic universe! This news was met by much of the internet with a long drawn out finally. Fans had been waiting to see the webswinger alongside other such heroes as Iron Man and Thor and it was all coming to pass! The comic book movie gods smile down upon us!

Except that that wasn’t the announcement in its entirety. Over on their website Marvel revealed that Peter Parker’s induction into their lineup would result in schedule conflicts, namely [emphasis added]:

Marvel’s “Thor: Ragnarok” will hit theaters November 3, 2017. The following year, Marvel’s “Black Panther” will make its way to theaters on July 6, 2018, and Marvel’s “Captain Marvel” on November 2, 2018. Finally, Marvel’s “Inhumans” will now debut in theaters July 12, 2019.

Over at tumblr bookerdewitch summed it up more perfectly than I ever could:

Capture Continue reading