Tag Archives: history

Let Me Tell You “What Happened To Music?”

I enjoy a pretty broad range of music. It’s not just severe differences in genre [from Joshua Radin’s “Winter” to “Squeeze Me” by Kraak and Smaak], it’s stuff that spans several generations. From Elvis Presley to The Mamas & The Papas to Marvin Gaye, all can be my go-to depending on the day and my mood. In fact, it’s that appreciation for tunes through the decades that helps me enjoy so much of what’s on the cdza [or collectivecadenza] YouTube channel.

This isn’t a Fame Day post, so I’m not going to regale you all on why it’s so great. What I am going to do, however, is direct you to the very first video I saw by them. It’s called “History of Wooing Men”:

Continue reading

The Cultural Revolution

Gangs of schoolchildren sporting red scarves chant slogans as they march through the streets. A shop owner tears down an old sign for containing counter-revolutionary terminology. A man is publicly shamed for wearing pants too tight for manual labor- a young woman with scissors cut from the hem to above the knee. The son of a landlord is dragged through the streets as insults are hurled at him.

These are scenes from the so-called “Cultural Revolution”. Begun by Mao and his followers in 1966, these rallies and mass actions were meant to purge China of the last vestiges of antiquated, foreign, and Capitalist thought, replacing it with a proletarian culture that would forever cement the victory of the Maoists in 1950.

The Cultural Revolution quickly degenerated into something that could only be likened to the Reign of Terror following the French Revolution, with anyone accused of counter-revolutionary sentiment facing political and physical attacks. The “revolution” became a hotbed for corruption and suppression of dissent of any kind, and one might even argue that this major attempt to push socialism upon its inhabitants is actually what eventually led to the unraveling of Chinese Communism and its replacement with the sweatshops and slave-labor we more commonly associate with that nation today.

Mao, you see, had it backwards- trying to seize power and then change the hearts and minds of the public. That’s not a revolution, comrades, that’s just a coup. Rosa Luxemburg, an early but seminal Marxist thinker, once asserted that even if each and every civil servant and elected official were to suddenly become Communists, the world would not be one iota closer to being a Socialist one. Luxemburg understood the true nature of revolution- not some bleak military conquest but a fundamental change in the thinking and values of the majority of society. My ability to make you memorize Lenin, work on communal farms, and wave red-and-black flags will not make you Communists, no matter how long you do it (and even if it did, you’d be some pretty lousy Communists at that). The entire disastrous venture of the cultural revolution may have been avoided had Mao heeded the words of American Socialist and presidential candidate Eugene Debs when he proclaimed:

In the simplest possible terms, leaders come and go, the great will of the masses does not. For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. The fight to change the basic values and principals of the people must come first– but how is this done? Continue reading

Arizona’s Attack on Mexican-American Studies

It occurs to me that it’s been too long since we actually had an actual “report” here, rather than rabid opinion piece. To that end, we’re going to be examining the state of Arizona’s recent assault on its Mexican-American ethnic studies programs. This story isn’t the freshest (or a full-on report; baby steps, people), but with relatively new developments, and how little attention the story was given in general, it’s worth reviewing.

In spring of 2010, Arizona decided to ban ethnic studies classes in its public schools for grades K-12 (HB [House Bill] 2281). Of course, by “ethnic studies”, the state of Arizona meant “Mexican-American/Chicano” studies, and as Tuscon school board member Michael Hicks clarified:

“Honestly, this law won’t be applied to any other of our [ethnic studies] courses. It was strictly written for one course, which is the Mexican-American studies program.”

-Interview with The Daily Show’s Al Madrigal, 04/02/12 Continue reading

Fame Day: Unsung Hero Compilation

Readers, I’m not going to lie. It’s been a long day for me, and every time I sit in front of my keyboard and ask myself “what’s really awesome?” I keep answering “sleep.” But fear not, readers, though the flesh is weak the spirit is stubborn as a mule and we will have Fame Day today, though in lieu of our standard MO of showcasing on particular group or individual, we’re going to be covering a host of different subjects who don’t get the attention they deserve.

Let’s get things started. Continue reading

Shame Day: The History Channel

shamehistoryWhen I was growing up in Syria, we had two channels. One was the state-run propaganda channel, the other was the same channel, but with slightly less static. When my family did make an infrequent trip out of the country, the first thing on my agenda (after ratcheting up the AC to somewhere between “high” and “arctic gale”) was to plop down at the end of the bed and flip on the TV to see if they had Discovery or National Geographic or- best of all- The History Channel.

Of course, this was back before.

[Editor’s Note: Since 2009 The History Channel has gone by the one-word name “History.” Gordon will continue to refer to it by its original name for old times’ sake]

Now when I covered webcomic Sinfest for a Shame Day, I directly addressed the comic’s creator, Tatsuya Ishida, in the off-chance that he might stumble across what I had written. While I don’t think (1) anyone from the History channel is going to come across this post or (2) give a flying **** about it if they did, talking straight to the source came pretty naturally, so I’m going to be employing the same technique again. Continue reading

How We Look At Hitler

Recently, my roommate has introduced me to an Australian series by the name of Danger 5, a parody show mocking the camp and melodrama of 1960s spy and WWII shows.

I’m usually not a fan of the saying “it’s so bad it’s good,” but there’s really no denying that Danger 5 captures the aesthetic (or lack thereof) of the genre it’s mocking perfectly. Heck, I’d put money down that if you were to slip in an episode of Danger 5 in with Hogan’s Heroes, Mission: Impossible (yeah, it was a show first), and Matt Helm you wouldn’t be able to tell the difference.

Like those shows, Danger 5 follows a pretty set formula. The international band of agents are briefed on some new ploy by the Axis to achieve world domination (such as using dinosaurs to invade Holland- I kid you not) and are ordered to infiltrate the Nazi headquarters and sabotage their diabolical plot.

…”and, as always, kill Hitler!Continue reading