Author Archives: Evan

Re: “Black Lives Matter and White Privilege”

I need to state upfront that this post is not an all-encompassing response to the Black Lives Matter movement [which I will be shortening to “BLM”] and the concept of White privilege. The title instead refers to a blog post titled “Black Lives Matter and White Privilege”. Written by Ghanaian-Canadian Samuel Sey and appearing on his site Slow to Write, the article delved into his opinions on both topics.

Regular readers of the blog will know that I don’t often respond to other blog posts in this manner; the last time I did so was back in 2014, to the article “Meet The Poster Child For ‘White Privilege’ – Then Have Your Mind Blown”. I wasn’t able to read it without addressing, and outright dismantling, many of the arguments presented, and having read Sey’s post I found myself in a similar position.

It should be mentioned that Sey and I have vastly more in common with one another than I do with Tal Fortgang, the writer of the aforementioned article. He is a fellow Canadian, POC, and Christian, actually attending a church in Toronto [although he lives just outside it]. Sey and I also, and I believe I can say this with confidence, care about the wellbeing of the Black community in North America. With all of those similarities in place it made it that much more difficult to read his post and find myself disagreeing with so many key points. Continue reading

2 Broke Girls, S6E3 “And the 80’s Movie”: A TV Review

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Even given the premiere’s botched opening it’s still a bit surprising that we return to see Max and Caroline’s Dessert Bar as having been open for a full week. As the girls’ most recent attempt at finally making it big I expected there to be more excitement surrounding it, yet we find that they’re still working at the diner due to their business having trouble taking off.

It’s strange to type the words “still working at the diner” since that’s such a core aspect of the show. All of CBS’s promotional material for 2 Broke Girls has them wearing their waitress uniforms and at this point doing away with them would be like having Howard Wolowitz in anything other than a turtleneck, or Barney Stinson without a suit. The fact that the premiere would even tease them leaving their mustard yellow threads behind  was jarring enough, however shortlived it was. Having them hint at moving away from the status quo in consecutive episodes may just be a coincidence, but if it shows up again next Monday something has to be up. It’s not to say that I expect the show to make any drastic moves right out the gate, but there does appear to be a testing of the waters.

All that being said, the A-plot of “And the 80’s Movie” isn’t anything to write home about. Seeking upscale clientele for the Dessert Bar they hit up the chicest spot in Williamsburg where they’re bound to find “models, gays, rich guys that want to have sex with models . . . and gays.” While Caroline starts rubbing shoulders with the aforementioned Max find a kindred spirit in a snarky female bouncer. This in turn leads to said bouncer showing up to the Dessert Bar with a crowd of rowdy, boisterous women who also happen to be members of NYC’s Elite Ladies’ Underground Arm Wrestling . . . Association [I’m not sure what the group is officially titled, they never say]. This of course is the opposite of what they wanted, and it’s up to them to figure out how to get them out of there. Continue reading

Miley Cyrus Bashing Supergirl Justifies Exactly Why We Need It

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I’ll be the first to admit that I could broaden my scope regarding how I engage with current events. It’s much to my chagrin that my primary news sources are Facebook’s trending sidebar and whenever my grandfather changes the channel to CP24, in that order. That said, every now and then one of the comic book news sites I visit daily will offer me a glimpse of what’s happening outside that bubble.

In the case of this topic, I was informed not of what actually happened but of the response to it, days after the fact. The “event” in question took place during Miley Cyrus’s interview with Variety, which as the title would suggest was largely focused on her role on The Voice, Donald Trump, and coming out. To be more specific, it was the following question and answer [and yes, it is in fact related to comics]:

Why do you think inequality still exists for women in Hollywood?

A lot of it could be changed if we had a female president. That would give us a subconscious boost. I think people will have to realize they’re looking really dated. For example, there’s a show called “Supergirl.” I think having a show with a gender attached to it is weird. One, it’s a woman on that fucking billboard — it’s not a little girl. Two, what if you’re a little boy who wants to be a girl so bad that this makes you feel bad? I think having a title like “Supergirl” doesn’t give the power that people think it does.

Continue reading

2 Broke Girls, S6E1-2 “And the Two Openings: Parts One & Two”: A TV Review

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Season premieres are all about expectations. On one hand a show needs to be instantly recognizable, a challenge for ensembles with shifting casts [I’m looking at you, Community]. On the other hand it also needs to live up to the promise of more to come. As Max and Caroline fall to the floor in the cold open, their clothing aflame, Oleg exclaims “now scissor a little, it can’t hurt” while hosing them down. That’s the first box checked off.

As for the second, there appears to be significantly more attention paid to continuity. While 2 Broke Girls season premieres have always had to follow-up on the last episode in regards to their business, both Parts One and Two of “And the Two Openings” play out in the shadow of a character I’m pleased to see is still with us.

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And what an imposing shadow it is.

That’s right, while on the business side of things the two girls are part-owners of the diner and finally looking to make the Dessert Bar a reality [a lot happened, okay] what’s really been on Max’s mind is Randy [Ed Quinn]. Compared to past love interests Deke and Nashit his connection with Dennings’ character has been both strong and, surprisingly, long-lasting. Having reviewed how Season 5 came to a close I can only take his continued presence, albeit via FaceTime, as being a net positive. Continue reading

The Magnificent Seven vs. The Historical Negationism of Westerns

Yesterday marked the North American premiere of The Magnificent Seven, a movie that I’ve been looking forward to ever since I saw the trailer some months back. The reason for that is far more simple than you might have guessed: I’m a sucker for Westerns. A large part of that can probably be traced back to my playthrough of Red Dead Redemption back in college-

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-but even before that there had always been something appealing about the clink of spurs, the arid desert heat, and towns that weren’t big enough for two particular individuals. That being said, I did with The Magnificent Seven what I do with everything I’m excited about, which is research it obsessively.

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Eventually my search led me to a thread in /r/movies sharing the new poster for the film, which you can see on the right. Clicking on the image should help you get a better look at the titular cast of characters, and reveal an additional reason for my interest you might have expected me to be more upfront about.

Of the seven men four are people of colour.

Denzel Washington, emphasized by the number that outlines him, is bounty hunter Sam Chisholm and leader of the group. On his far right is Martin Sensmeier, of First Nations descent, playing Comanche warrior Red Harvest. Skipping past Chris Pratt on his left are Byung-hun Lee as assassin Billy Rocks and Manuel Garcia-Rulfo as Vasquez, a Mexican outlaw.

Now if there’s anything enthusiasm likes it’s company, and as I scrolled down through the thread seeing if anyone else shared my excitement for the film I came across this comment:

multicultural7 Continue reading

In Ophelia‘s Seat: A Q&A with Ali Mueller About Her Interview

opheliaposterThis is the second of two interviews I was able to conduct with the cast and crew of the short film Ophelia. On Friday, when it premiered at this year’s LA Shorts Fest, I published a review, and just yesterday I was able to share a Q&A with director Andrew Garland.

Playing the eponymous character herself is Ali Mueller. In addition to starring in such programs as ABC’s All My Children and films like STARZ movie Category 5, Mueller is also hard at work creating her own film and television content. She can be found on Twitter and Instagram as @alimueller1.


alimuellerWhat did you want to be when you were seven-years-old?

I wanted to be a horse show jumper, a tennis player, an actress, a lawyer and a princess. Four out of five have come true in some shape or form but when I really look at what I wanted to be, it was a performer. A storyteller, expressing my feelings unapologetically.

What was the strangest question you’ve ever been asked in a job interview?

I did a commercial audition once where they asked me to sing “Bohemian Rhapsody”. Now I wouldn’t exactly call myself a singer, but I did know and love the song, despite being notorious for making up my own lyrics rather than ever learning the proper ones. And “Bohemian Rhapsody” is a seriously big song. So I got almost halfway and they stopped me. Didn’t hear back from them.

Do you have any strategies when it comes to interviewing for a job [or auditioning for a role]? [How do you deal with pressure?]

Honestly, rehearsing. Being really prepared, so much so that I’m excited to go in and play and do my work. Also being open to whatever the moment brings. Nerves are actually alright, because you can use them as an internal energy to fuel what you’re going after. Continue reading