Category Archives: Fame Day

Fame Day: The Young Turks Arabs

A few days ago, a client at the nonprofit where I work heard that I was from the Middle East.

The conversation went as it usually does, beginning with some surprise, followed by a few questions like “why on earth were over there?” and “How did you learn to speak English?”

You get used to questions like that.

Then came the inevitable comments on the ongoing violence in my adopted homeland of Syria. Those comments are always pretty vague- existing as a result of having to say something so as to not appear ignorant while being ambiguous enough to avoid proving that you are ignorant. In this case it was a theatrical, sad shake of the head, followed by the statement “Well that’s a shame. But y’know? There always has been fighting over there and there probably will be to the end of time.”

I’ve always hated that statement.

In all fairness, that’s true as well…

First and foremost, it’s a complete lie: “There’s always been war in the Middle East?”

No, there hasn’t. For centuries, the Arab world was the shinning pinnacle of human civilization. Even in its decline, the Middle East was still a relatively peaceful place- especially when compared with the rest of the world. Look at European History in the 19th and 20th centuries and compare its body count with that of the Middle East in the same time period.

Secondly, there’s a deeply racist implication in the statement that “there will always be war in the Middle East.”

Why?

Because of the way the borders are drawn? Because there’s oil in certain parts of the desert?

Or is it because the Arabs are simply and inherently angry, violent people?

That statement is on par with saying “Africa will always be poor.” Why?

Because, you know… Africans?

This is some ol’ bull. “Africans are capable of nothing but starving, as they always have done and always will do, and Arabs are capable of nothing but fighting- always have and always will”?

Nevertheless, that was the line (and often still is) that was fed to the public over the past couple decades. Recently however, the events of The Arab Spring have completely and utterly turned that picture on its head.

Starting with the self-immolation of 26-year-old street vendor in Tunisia, ripples of protest spread out across the Arab world, building in power and momentum until they evolved into revolutions against some of the most brutal and dictators and entrenched bureaucracies in modern history. Egypt, in particular, stands out as a shining example, with thousands of young, unarmed Egyptians doing in 18 days what the US and all her allies couldn’t do for Iraq in nearly 10 years.

And no, in case you’re wondering, that had nothing to do with either Facebook or Twitter. I recall during the weeks following the victory of the Egyptian revolutionaries, pundits in the West were desperately fishing for some way to co-opt the accomplishments of the young Arabs and paint them as somehow being ultimately rooted in the bounty and decency of America. Facebook and Twitter were cited as essential tools, without which there would surely be no free Egypt. Again, any sane person is going to call bull on this. Twitter never set itself on fire. Facebook didn’t dodge gas canisters or face-off with riot police and tanks. Again, as a result of the American media’s desire to scare you without actually showing you any blood or gore, grasping the full scope of what many of these young protesters were up against is difficult, if not impossible.

You’ve got to see the casualties of battle to really and truly understand the courage and sacrifice of those going into the maw. Perhaps its for that reason that westerners often look to social media to take a slice of a glory (though my bet is still on jealousy).

And what’s even more impressive isn’t simply that the Arab people have faced off with their governments in the past, it’s that they’re still doing it.

You might think “Hey- we came, we saw, we conquered. Insert-dictator-here is dead and/or gone, let’s all go home and take a much deserved and well earned break.”

That’d certainly be a temptation for me.

But instead of resting on their laurels, the Arab people (again, the Egyptians serving as a prime example) continue to stand on the front line and demand nothing short of total freedom and complete justice. Yesterday, another young Tunisian vendor set himself ablaze in protest. In the occupied West Bank, Palestinians continue to hold hunger strikes. In spite of recently reaching over one million refugees, the rebels in Syria continue fight on against the Assad regime.

Across the Arab world, in the face of vicious repression, the Arab people are fighting on. Through their perseverance and valor, this generation of Arabs is changing the image of the Middle East from a place that “always has been violent and always will be” to something soon to be synonymous with democratic revolution, collaboration, and freedom. There’s certainly still a long way to go, but time and time again the young Arabs have proven that they’re on the right path and they’re not taking one step backwards.

What did you do today?

Fame Day: All The Little Things

I’ve always had a rough time with Fame Day posts. I’m a generally dispassionate guy, and the things that I do like either aren’t around anymore (good rock, for example) or don’t have much to be said about them (beer is good, that is all).

Bitter cynic that I am, it’s a lot easier (and more fun) to rail on things I despise (which is a lot of things) than make a case for what I enjoy. That issue is only compounded by the simple fact that at the end of the day, it’s really just all the little things which get ya.

With that in mind, today’s Fame Day [in lieu of the usual Shame Day] will not be spent dedicated to a single person or group or trend, but rather to a number of things which deserve some recognition, even if it’s just a little.

Middle-Eastern Jesus:

Even with a better understanding of history and geography, portrayals of Jesus are still pretty much limited to the fair-skinned, flowing-haired images of the Middle Ages. Even if we are, at the very least, keeping away from the blonde hair and blue eyes, we still have a long way to go. That’s the reason it’s always so refreshing to see Jesus portrayed with a stocky build, dark skin, dark hair, and a beard one would sooner associate with an Al-Qaeda commander.

He is not gonna tan well…

For everyone portraying Jesus as something more like that below, and less like this above- thank you.

PFC Bradley Manning:

In retrospect, I could’ve simply dedicated this Fame Day to saluting Bradley Manning, the young American soldier who leaked a massive number of documents to Wikileaks. Inevitably however, such an attempt would have simply devolved from a round of applause for Manning into a vitriolic diatribe against the increasingly Orwellian US government. Heck, even here I’m gonna be tempted to do so. Better just keep it short and to the point.

Included in the footage Manning leaked was video of a strike by American forces on targets they mistook for combatants, but who were in reality journalists and civilians. This footage would have doubtlessly been suppressed, as would similar  information PFC Manning leaked, and kept from the public eye, perhaps forever. Rather than being given a medal, Manning has been arrested, imprisoned, intimidated, and presented with a host of charges, including “aiding the enemy,” which carries the death sentence. Again, I’m tempted to run off into a wild condemnation of this entire farce, so let’s throw PFC Manning a round of applause and our wishes for his speedy release.

Chill Parents:

In our paranoid world, we have a tendency to attempt to control and protect our loved ones- kids in particular- from any possible harm or danger, no matter how minor. You’ve probably seen it in some form or another. Loading the kids down with every imagine medication, drilling the idea of “stranger-danger” into their disproportionately large heads, heck, even tracking phones or school IDs  is viewed as just a logical move in this chaotic and evil world.

I guess that’s why it’s  always good to see parents who are okay with their kids getting a little dirty and scraped-up, or even view such things as a healthy part of development. I’m not talking about neglect, mind you, but rather an understanding that keeping kids penned up inside a house or wasting away in front of a TV is just as bad- if not worse- than having to liberally apply the iodine after Jack and Jill fall down some hill.

And there you have it folks- a grab bag of things worth nodding your heads at. Be sure to check in tomorrow for a new installment of “Evan and Gordon Talk,” and Free Bradley Manning!

Shame Day II: ISPs and the Six Strike System

Normally, Thursdays here at Culture War Reporters is dedicated to “Fame Day,” in which Evan and I call attention to people, events, or trends we think aren’t getting the attention they deserve.

But not today.

Partly due to my illness, partly due to some unforeseen time constraints, and mostly because of the severity of the issue in question, today there will be no Fame Day.

Instead, we’ll be performing an emergency Shame Day on the subject of yesterday’s terrible news that five major internet service providers (ISPs) will be implementing a “six-strike” system on people suspected of copyright infringement.

Let me break it down for you.

Normally, when you sign up with an internet provider, exactly what you do or don’t do with your connection is entirely and exclusively your business. Whether it’s something as impressive as you doing an electric guitar cover of the hallelujah chorus or as lousy as writing a thousand comments calling that same YouTube video gay is all up to you. What you read, what you write, what you post, what you view- the ISP is simply there (as the name states) to provide internet.

But no longer.

Yesterday, five major ISPs (Verizon, Time Warner, Cablevision, Comcast, and AT&T) announced that they would be participating in this anti-piracy initiative spearheaded by the “Center for Copyright Information” or “CCI”- a lobbyist group for a number of media groups. Quite simply, individual users suspected of “copyright infringement” will be given five warnings, the sixth “strike” resulting in their internet speed being slashed to dial-up quality for an unspecified amount of time.

Now you’re probably thinking “Hey- just don’t pirate stuff and you’ll be fine!” and you know what?

You’re right. You don’t have to pirate.

I’m taking over from this point on for a number of reasons. For the most part because although Gordon had good things to say, he didn‘t necessarily say them well, and in some cases didn’t make very much sense; we’re going to chalk that up to his recent illness. I will be relating to you what points of his that I can, while adding my own.

-Evan.

Gordon’s next point is that for the most part, many people pirate because of time and money. Focusing on time, the truth is that we can’t always guarantee that we’ll be at home on a Thursday night to catch The Office. Maybe we’re working another job [many of us need to], or maybe we just forgot. What options does this leave us?

For those of us in America, Hulu is always an option. The on-demand streaming site once provided a very broad range of TV programming, and Gordon points out that it’s a fantastic resource, or at least used to be. Nowadays, however, it’s a lot more difficult to use than it used to be. Hulu Plus, which requires a subscription, is needed to watch a lot of older shows, sometimes even episodes that aired a month ago, if New Girl is any indication. With one of the most convenient resources made less so, is it any wonder that so many people simply turn to torrents?

Gordon’s next point, and a very valid one, is this issue of the Six Strike System and how it relates to piracy. There’s an issue of what exactly is at stake here. Gordon insists that the answer to that is everything, and while I’m not fully with him on that, there’s some sense to what he’s saying.

The thing is that almost anything can be considered copyright infringement. YouTube covers, memes [which often use screenshots of shows like Futurama {see: our Shame Day image}], Gordon’s beloved gifs, even many of the pictures of this blog, in spite of being Photoshopped, don’t technically belong to us.  Would we have our internet cut because we run this blog? [Answer: I wouldn’t, because I am Canadian.]

To finish off what Gordon wrote earlier today, the issue is that the people in question aren’t being penalized by an international agency, or even the state or federal government. The fact of the matter is that these ISPs are “using their lobbies to persecute and prosecute suspected users without due process” [quoting Gordon]. What truly incensed him more than anything, though, was the way they’re going about it. That they’re holding themselves up as Knights of Good when in reality they’re just proud that they’re “selectively picking off anyone their bosses deem a threat to their unending stream of profit.”

Untitled-2

Piracy is not a subject I agree with Gordon on, and in fact I had a very hard time letting his last piece on the subject be put up on the blog. If people really, truly love art, whether it take the form of television or movies or video games they need to vote with their wallets and know that what they love is worth spending money on.

That being said, I do believe that what these ISPs are doing is wrong, particularly in that they have no one to be accountable but themselves. No business or corporation should have that right. Shame on these ISPs, and shame on the Center for Copyright Information.

Fame Day: American Horror Story

americansdoghasdToday, I’d like to tip my hat to one of my favorite shows, a young series by the name of American Horror Story.

Now it’s no secret that the horror genre is universally despised, being seen by many as being lower on the totem pole than even toilet-humor comedies or the most saccharine romances out there. I could probably spend an entire post speculating on why exactly horror flicks are treated with such little respect (a lot of it is probably due to the genre’s inbred cousin, the “teen scream” flick), but that’s another topic for another time. I’m here to simply showcase the series and highlight a few of its key strengths and accomplishments that I think make it worthy of a Fame Day.

Each season of the show (the second has just concluded, and a third has been greenlit) is a separate story, made up of the horrific lives of the characters as they struggle with their pasts, their inner demons, and some ever-present terror always lurking just beyond the shadows. It essentially cashes in on the initial charm that LOST had before it jumped the polar bear.

Guilt and shame are themes that play heavily into the series as a whole (or at least, the past two “stories”), giving even the most heinous characters a degree of sympathy. Again, similar to LOST at its best, the constant shifting of the story from one perspective to the next prevents the series from ever being boring. Granted, the madcap pacing doesn’t always work (especially in the first story), but for the most part, the audience is always kept interested.

And that brings us to the first key accomplishment of the series:

Popularity

As I stated above, horror is simply not popular- at least, not in any mainstream way. Tim Burton’s lighter works are really the closest most people get to anything remotely macabre, and the fact that the series has continually drawn in high ratings (to say nothing of critical acclaim) is nothing short of amazing. And we’re not talking about a series that is eerie or has a handful of jump-scares, we’re talking about truly unsettling elements here. I’m certainly not alone in hoping that that AHS‘s continued success serves to begin building bridges between mainstream entertainment and horror subculture; heaven knows both could benefit from some fresh perspective.

And even in the subculture, AHS is playing a pretty major role. It’s…

Raising the Bar

As a result of the genre’s (comparative) isolation, quality in horror is typically pretty rare. When you can’t secure funding for special effects, good equipment, or even B-level actors, chances are your product isn’t going to be all that good. Of course, when you have a built in audience who would pay money to watch Dwayne Johnson protect an orphanage from chupacabras, why would you even bother trying?

I would actually probably watch that…

I’ve seen my fair share of (decent) horror movies, and I can count on one hand the films that had even passable cinematography. AHS, as a series that actually has some decent funding and actually puts effort into creating tense atmospheres and believable effects, is raising the bar for the entire industry. When AHS is the basis for most people’s experience with the genre, there’s going to be pressure on the rest of the industry to meet and excel the expectations the mainstream audience is going to have. Furthermore, AHS‘s star-studded cast (including Zachary Quinto, Ian McShane, James Cromwell, and, I kid you not, Adam Levine) is hopefully going to make the horror genre more inviting to high-caliber actors who can actually sell the audience on the direness of the situation and maintain interest without having to drag in a bunch of fornicating teenagers.

The series is actually one of the few I’ve ever seen that actually gives teens any credit or respect…

And perhaps most importantly, it comes down to this:

Depth

While the stories are good, as are the actors (Jessica Lange being easily more frightening than the goriest bits of the series), it’s some of the basic discussions held during the stories that really hit home. Oppression of women and the dark history of psychology are topics repeatedly brought up, and dealt with both in a historically accurate and totally visceral manner. Perhaps the most disturbing thing I’ve yet seen in the series hasn’t been any of the monsters or murders- it’s been a demonstration (scaled back for TV, even) of the psychological “treatment” given to people “suffering from homosexuality,” seen at the time as a mental disease. Those five minutes alone were more frightening than anything else in the story- and it was amazing. Amazing to see some serious and deep social commentary made, and to see the brutality and insanity some people had to undergo actually presented in a way that’s going to resonate with the audience. You will be a better human being for having watched that scene.

Though in the spirit of honesty, your view of nuns will probably diminish a bit…

When’s the last time you could say that about a rom-com?

American Horror Story, keep up the good work.

A final note. I would’ve included more gifs, but (1) I didn’t want to spoil anything and (2) easily 90% of all AHS images are of Evan Peters, who is apparently just the bee’s knee’, if the series’ female fans are to be believed.

Fame Day: Geek Love

It took me some time to think of a Fame Day topic that also intersected with Valentine’s Day [which is today, if you didn’t know], but once I came up with it there was no doubt in my mind that it was the right one.

Featured on the IGN YouTube channel START, Geek Love tracks individuals as they take part in Sci-Fi Speed Dating at New York Comic-Con. The show originally aired in full-length episodes [focusing on more than one person] on TLC, but never got past the first two episodes.

In the pile-on of proper nouns that was that last paragraph, I’ve neglected to define what exactly Sci-Fi Speed Dating is. Sci-Fi Speed Dating is regular speed dating, but at a comic convention, meaning that most of the participants are cosplaying [in costume]. Everyone must involved must be single and interested in members of the opposite sex [they can be interested in the same sex as well, but it must be in addition to that], and, since I don’t want to go through every single rule, it’s hosted by a very large man dressed up as a Jedi; he is hilarious.

To give you a fuller understanding here’s the first episode, “Brony Friend Zone (Alex)”:


It paints a picture of the stereotypical nerd/geek, a bespectacled pudgy young man with chops who lives with his parents. A show’s got to have some variety, though, and Episode 3 stars a girl named Brittany:


For the record, I would go get coffee with this girl in a heartbeat. I don’t even like coffee, but I would order some and drink it if it was something she was into.

Brittany is a person who “likes video games, particularly BioWare, comic books, Marvel, [she likes] the shows Once Upon A TimeLost, Doctor Who,” in case you missed that. She’s also, by most people’s standards, not a physical representation of what a nerd looks like. She’s also friendly and personable, exhibiting none of the tendencies we’ve been expected to observe thanks to shows like The Big Bang Theory.

The reason I’ve decided to spotlight Geek Love today is because it highlights the diversity within the growing community of people who identify themselves as “nerds” or “geeks.” Episode 4 features a guy who cosplays as Jimmy Olsen [“Superman’s Pal”], and basically no one he talks to recognizes him. As a comic-lover it was hard for me not to get upset at them and scream at the screen, “You call yourselves nerds?!” They were, though. They just like different things. Episode 6 follows Mary, who’s primarily a movie buff. That differentiates her from someone who is very into anime, but doesn’t discourage her from “looking for love” at this convention.

As a show Geek Love also serves as a means of discussing how important your personal likes, passions obsessions etc. are in finding a significant other. Over on his blog Mightygodking discussed this in reaction to a story arc of popular webcomic PvP, and while I may not agree with him 100% his discussion on the necessity of shared interests in a relationship is a good one [be sure to check the comments section, too!]. Clearly the people on this show are looking for potential girlfriends and boyfriends at Sci-Fi Speed Dating because finding another person who loves the same things you love is important to them. How high this should be on your personal compatibility list is up to you, but for them its rank is up there.

Geek Love is a pretty fantastic show for people who are interested in comic books, video games, science fiction, and finding a person to share all of that with. It’s also arguably a good show for anyone who wants their perceptions of that particular sub-culture to broaden their views.

YouTube Channel Playlist Page: Geek Love – YouTube
Updated Every Thursday

Fame Day: Alex Alonso

alonsoGordon’s absence has forced me to dedicate yet another Fame Day to a man in the comic book industry [a post on a woman is in the near future] to join the ranks of Anka, McDuffie, and Fraction.

Introducing the Editor in Chief of Marvel Comics, Axel Alonso. Interviewed by FOX News Latino [which I didn’t even know was a thing], he was asked the question: “Is that a new initiative at Marvel Comics is doing? We’re going with the Latinos now?”

This question was in response to a few “new” characters appearing in the publisher’s titles, with Miss America being one of them. First featured in Marvel Mystery Comics #49 in November 1943, Miss America was originally another embodiment of the United States in World War II, a star-spangled powerhouse punching out Nazis. Now, in 2013, Miss America is the moniker for America Chavez, a Latina teenager and new member of the Young Avengers [one of Marvel’s bestselling new titles]. Also mentioned was the new Blatino Ultimate Spider-Man, who has already been covered on this site.

From left to right: Miss America Chavez, Miles Morales [Ultimate Spider-Man]

From left to right: Miss America Chavez, Miles Morales [Ultimate Spider-Man]

Alonso, a Mexican-American himself, replied:

“I’d be lying if I said I wasn’t motivated, on a personal level, to have Hispanic characters represented in comic books, but this isn’t some PC initiative, [this is] capitalism.”

He acknowledged that a growing range of people read comics, and that as a publishing company it is their “responsibility to make them feel included.” Going back to his comment about “capitalism,” the fact of the matter is that as a company it’s in their best interest to create a product that appeals to the fastest growing demographic in America.

While Alonso agrees that comic books have not always treated minorities with due respect, he also acknowledges that stereotypes are more complex then they might first appear. He took part in helping to create Mexican heroes the Zapata Brothers, who were based on his cousins in Mexico. The two wear full luchador regalia, and while this may be perceived by some as racist, Alonso would argue otherwise. “Is that a little stereotypical?” he says, “Yeah,  but it’s also fun and a part of our culture.” Growing up watching these wrestling matches growing up they struck him as being an important part of his culture.

When asked why Latino characters haven’t achieved the same status and notoriety of heroes like Batman and Wolverine, his response was “Why haven’t they become that yet?” His opinion is that, with America’s ever-shifting cultural landscape, it’s an inevitability. You can’t force an audience, or simply make a character big, it just evolves and happens naturally.

Unfortunately, fellow member of “The Big 2” DC declined to be interviewed for this piece. While Marvel has its fair share of seemingly racist characters [Mexican villain/anti-hero Armadillo] DC has a large mark of shame in Extraño, a “gay Latino magician who had HIV and referred to himself as ‘Auntie.’” That being said, it’s a shame that they didn’t offer a means of looking forward through heroes such as Blue Beetle [Jamie Reyes] and Vibe [Paco Ramone] who has his own new title.

Alonso is a man who realizes that comic books are a business, and one that needs to make money and that has an impact on its readers. His joy that Miles Morales exists as a character is in “knowing that there would be a child out there who would see Spider-Man peel back that mask to see a different face and a face that resembled their own.” He understands that, and that’s worth giving him credit for.