Category Archives: film

A Very Special CWR Chistmas

Well readers, it’s that time of year again. Mildewed jack-o’-lanterns are being unceremoniously swept away from doorsteps as families hang lights and holly around their homes. Carols are beginning to play in stores across the nation and cheery folks, bundled up in their coats, are already beginning to make their lists. The elves and reindeer aren’t waiting for December and so, readers, neither shall I. And let me kick off the holidays here at Culture War Reporters by declaring this:

I hate Christmas.

Generally speaking, I always have.

And my family did celebrate the holidays, with my parents (who make Buddy the Elf look like Ebenezer Scrooge) even making a few luckless attempts at getting me to celebrate advent as well.

I’d say that my mom isn’t as bad, but her holiday tradition is- I make no exaggeration- screaming “IT’S # DAYS BEFORE CHRISTMAS!” at the top of her lungs.

But for all the zeal my parents had I was generally free from the hustle and bustle of the season. One of the benefits of growing up in the middle of a primarily Muslim country is that one isn’t generally blasted with “Carol of the Bells” until one is prepared to put a drill to one’s head.

Coming to America, that was something I had difficulty adjusting to, to put things mildly. But that’s not the issue I have- not entirely anyways.

It was the expectation. Continue reading

Christopher Zeischegg [aka Danny Wylde] on Art, Horror, Racism, and, of course, Porn

wyldefisherEarlier this month LA-based artist Luka Fisher reached out to me through the site’s email, calling my attention to an art project that may be the first of its kind. Christopher Zeischegg, more commonly known online as porn star Danny Wylde “On The Moral Imperative To Commodify Sexual Suffering“. Accompanying the short story was a silkscreen print created by Fisher, which was in turn featured in a high-concept art commercial directed by Matthew Kaundart. Through this correspondence I was given the wonderful opportunity to discuss the story with Zeischegg, as well as pick his brain on a number of other topics.

Before proceeding onto the interview I would strongly encourage you to read his story, or at least watch the video, which I’ve embedded below. I would also like to warn you that both are decidedly not safe for work before proceeding.


So before we really get into things, Luka Fisher, the artist who emailed me and who collaborated with you on the release of your short story, described you as a “BuzzFeed sensation”. Would you say you live up to that title?

[laughs] Well, I would say I don’t live up to that title. I mean, Luka is a friend of mine and he’s an artist producer in LA. I think more than anything he was just trying to get press and attention for this thing we did; trying to get keywords. As far as being a “Buzzfeed sensation”, I’ve been in a few videos about porn stars, et cetera.

I didn’t participate in that press release. I would not call myself one.

I also noticed that in their [Buzzfeed’s] feature they describe you as a “porn star”, whereas most places I could find state that you’re no longer an active part of the industry. I was wondering if you could clear that up for both me and my readers.

I retired actually about two years ago from mainstream porn. Though I have been submitting videos to Make Love Not Porn. I also do some other sex work that I’m not going into for legality issues. I retired two years ago. But, y’know, stuff is out there forever on the internet, so people kind of associate that with you.

So the reason for this interview even existing is because of your short story, “On The Moral Imperative To Commodify Sexual Suffering” [which I’ve asked my readers to check out first], which of course presented alongside a piece of static visual art-

Some Such _Fisher1

-as well as a short film. On top of all that you’re also one half of a Chiildren, a metal band, so I think it probably goes without saying that you’re by most definitions an artist-

Yeah, I guess so, I would agree to that.

before we really dive into the story I thought it would be cool to hear your thoughts on pornography as art.

Well, in general I don’t think it is. I can say that there are some examples of people who are doing art within porn, and I guess one of them is even my current employer, or one of them, James Deen. I work for him a lot in production and last year we did some higher end art films [7 Sins, we made a porn version but there’s also a cut-down version going around].

But my interest in porn did not really participate in art, especially in the beginning. It was just something to get through school. And then continued doing that for some years after. Because it pays better in retail, you know what I mean.

I don’t think typically it is, though. It’s just entertainment to jerk off to. That’s what most porn is. I don’t have anything more to say about it. We’re not doing anything important with it, there’s no real higher cause. We’re just making stuff so people can jerk off to it.

Which I guess you could call art. It’s a nuanced conversation. It’s entertainment. Continue reading

We’re Fighting For Our Rights, Not Yours: Suffragette and the Persistence of White Feminism

This month I got to go out and cast my vote in the Canadian federal election. I owe this privilege to women who came before me. Women who sacrificed their time, energy, and sometimes their lives because they believed that we deserved the same privileges as men. Because I’m thankful for the sacrifices those women made, I’m ecstatic to see a film coming out this month that celebrates those women and explores what they went through in order to win us the freedoms we have today.

However, if you have been paying attention to the way the film has been publicized, you may have heard about the controversy surrounding one of its marketing campaigns:

By wearing this particular quote on their shirts, these successful white actresses have demonstrated another instance of what many activists and bloggers have begun to call “white feminism”.  In her article, “This is What I Mean When I Say ‘White Feminism'”, Cate Young explains that

“White feminism is a set of beliefs that allows for the exclusion of issues that specifically affect women of colour. It is “one size-fits all” feminism, where middle class white women are the mould that others must fit.  It is a method of practicing feminism, not an indictment of every individual white feminist, everywhere, always.”

We have seen several recent examples of white feminism play out in our pop culture, like the recent “feud” between Taylor Swift and Nicky Minaj or Patricia Arquette’s Oscar acceptance speech. However, white feminism has negatively affected the lives of women of colour in more than just the pop culture arena. Consider our right to vote, for example. Continue reading

CWR’s Halloween Recommendations III

Well boys and ghouls, it’s once again that time of the year! The annual Culture War Reporters Halloween Recommendations! As always, details will be kept light to avoid spoilers and to maximize your viewing pleasure- that’s just how thoughtful we are.

Let’s dig in.

Jacob’s Ladder

If I could give someone an example of what I think the standard should be for horror movies, it’d probably be Jacob’s Ladder.

In spite of having hit theaters a quarter century ago, Jacob’s Ladder is an absolutely chilling story that’ll unnerve even the most jaded audience of today. This is one of those all-too-rare horror movies- the kind that remember their goal is to horrify the audience, rather than create an iconic monster or lay the groundwork for a franchise. Unassuming, intelligent, and artistic, Jacob’s Ladder provides a relentless march straight through the heart of darkness, and will drag you along (kicking and screaming if need be).

Honeymoon

In an age when footage of films are leaked on a daily basis, where the internet churns out speculation 24/7, where whole scripts can be accidentally (or “accidentally”) uncovered by the ravenous denizens of cyberspace, it can be hard to keep a film surprising.

And against all odds, Honeymoon does just that.

Forgoing jump-scares for haunting character development and unsettling atmosphere, this exquisitely acted movie manages to remain truly frightening even after its whole hideous design has been laid bare. Definitely one worth watching. Continue reading

Putting The Martian On Blast – Racebending, Whitewashing, and the Last Straw

The Martian is Guilty of Whitewashing

Last Thursday the Media Action Network For Asian-Americans [MANAA] issued a statement criticizing director Ridley Scott for the whitewashing of Asian roles in his film The Martian. Their judgements are twofold, namely citing that:

  • NASA’s director of Mars operations Dr. Venkat Kapoor as an Asian-Indian character who identifies religiously as being “a Hindu.” The group pointed out that in Scott’s film, his name is changed to Vincent Kapoor, and he’s played by British black actor Chiwetel Ejiofor, who says his father was “a Hindu” but that his mother was “Baptist.”
  • Mindy Park, described by Weir as Korean-American, is played in the movie by Mackenzie Davis, a white, blonde actress.

Now I wish I could proceed on to the rest of this blog post, but people have asked the question as to whether or not this is, technically, whitewashing. It’s going to take a few paragraphs, but let’s get that out of the way-

Okay, The Martian is Guilty of Racebending/Whitewashing

Let’s start from the very, very, very top. The Wikipedia entry for this can actually be found under “racebending”, with “whitewashing” cited as being [citation needed] a more archaic term. Their definition of this practice is:

“when the race or ethnicity of a character, in a story, is altered to an ostensibly more ‘palatable’ or ‘profitable’ ethnicity.”

The reason people have been asking the question as to whether or not this did in fact take place is that The Martian is a film adaptation of a novel by author Andy Weir. As such the source material is devoid of any visual aids in regards to the explicit ethnicities of its characters. Weir himself had a number of things to say about this with MTV News at the Toronto International Film Festival where the film debuted [the interview occurred before MANAA’s statement]:

In regards to writing and describing his characters’ ethnicities-

“So unless a physical description is somehow relevant to the plot, OK, you know he’s missing a leg — something like that, but unless it’s like really important to the plot then I don’t physically describe my characters at all.”

“You can imagine them however you like. Like, for instance, the ethnicity of Mark, I never told you.”

In response to criticisms of Chiwetel Ejiofor being cast as Vincent Kapoor-

“He’s an American. Americans come from lots of different sources! You can be Venkat Kapoor and black.”

In response to criticism of Mackenzie Davis being cast as Mindy Park-

“Whatever ethnicity she has, she’s an American and her family has been in America forever, which is why her first name is just Mindy, but her last name is Park. But Park is also a British surname so the casting people [could have] thought Mackenzie Davis looks like someone descended from Brits. And she did a great job! I’m certainly not complaining about anything related to casting.”

mindyparkWhile not a direct quote, MTV News also shares how Weir envisioned Park while writing the novel:

“He did admit that he’d always pictured Mindy Park as of Korean lineage, but emphasized again that he had never actually explicitly written her as Korean.”

This is all well and good, but problematic in that it doesn’t jive with an interview that took place in May of this year with the blog domesoph. When asked by blogger Sophie Milam about how he approached writing his extensive cast, Weir responded [emphasis added]:

“I didn’t set out to deliberately balance the crew. For the most part, I just wanted them each to be unique enough for the reader to tell them apart without prompting. It’s a real problem in written fiction. You don’t have the face on-screen or voice being heard to remind the audience who’s who. They need to know it immediately from the name.
So there are no two people on Hermes who are the same demographic. There’s one white American guy (Beck), one Hispanic guy (Martinez), and one German guy (Vogel). There are two women of undefined ethnicity (presumably white) but one of them is the Commander, so you won’t get them confused either. Especially since they all call her ‘Commander’.
So it wasn’t any deliberate attempt at diversity. It was really just a shortcut to making sure the reader knew who was who. You’ll find I pulled the same trick with the NASA characters: Teddy (white guy who is in charge), Mitch (white guy who isn’t in charge), Venkat (Indian), Annie (white woman), Mindy Park (Korean woman), Rich Purnell (African American).”

Now I want to be fair and admit that not every author is [or can be] Alan Moore, who has very publicly denounced all film adaptations of his own work. Weir is currently working on his sophomore novel, with The Martian making up the entirety of his current bibliography. As an author with his first-ever book being adapted by Hollwood, and with the film rumoured to be nabbing an Oscar, there are more reasons against than for when it comes to rocking the boat. So let’s discard what Weir has to say, separate from his novel, completely.

All art is open to interpretation regardless of the creator’s intent, so without Weir’s opinions here’s what we know about the characters:

That being said I’m willing to make the concession that free of Weir’s intentions Mindy Park certainly could have been either White or East Asian. When it comes to Venkat Kapoor, on the other hand, most signs point towards him being South Asian, more specifically East Indian. Let’s pull up the definition for “racebending” again:

“when the race or ethnicity of a character, in a story, is altered to an ostensibly more ‘palatable’ or ‘profitable’ ethnicity.”

vincentkapoor

Chiwetel Ejiofor is an Academy Award winning actor. He’s also a Nigerian English man, part of a demographic that has not struggled in Hollywood compared to many others. Comparatively speaking I would run out of American films headlining East Indian talent before I ran out of fingers. Are Black men more profitable than Indian men? Everything I know about North America answers a resounding yes. So this is what we’re left with:

Venkat Kapoor was racebent for The Martian.

Mindy Park [given the author’s intent] was whitewashed for The Martian.

To be fair [and I think I have been thus far], East Indian actor Irrfan Khan had been in talks to play Kapoor but had to decline due to another commitment. It’s worth noting that the role had been intended for Khan, and it’s also commendable that- Continue reading

Captain Marvel Pushed Back Again, Company Apologist On Verge of Giving Up

In the beginning, I could not be more excited for Marvel Studios’ upcoming slate of comic book movie offerings. While I noted [and mourned] Black Panther’s absence from their list of Phase 2 films in 2012 I was forced to eat my words a couple of years later, when they announced solo films for both him and Captain Marvel [a female hero!] at a special event.

bpcm

Yes, as you can see from the mock-ups they released on the right both were slated to drop on November 2017 and July 2018 respectively, with a good number of years ahead for casting, finding directors, pre-production, extensive post-production for VFX, the whole deal. Like I mentioned, I was ecstatic for what was to come and by no means worried that they were rushing things.

Sure, both films were being released after Captain America: Civil WarDoctor StrangeGuardians of the Galaxy 2, and Thor Ragnarok, three sequels, two of which are the third for their respective franchises, but I could wait! Things were changing for ol’ Marvel Studios, and for the better.

And then the announcement early this year that Sony was willing to cut a deal with Marvel, allowing the latter to use Spider-Man in their cinematic universe! This news was met by much of the internet with a long drawn out finally. Fans had been waiting to see the webswinger alongside other such heroes as Iron Man and Thor and it was all coming to pass! The comic book movie gods smile down upon us!

Except that that wasn’t the announcement in its entirety. Over on their website Marvel revealed that Peter Parker’s induction into their lineup would result in schedule conflicts, namely [emphasis added]:

Marvel’s “Thor: Ragnarok” will hit theaters November 3, 2017. The following year, Marvel’s “Black Panther” will make its way to theaters on July 6, 2018, and Marvel’s “Captain Marvel” on November 2, 2018. Finally, Marvel’s “Inhumans” will now debut in theaters July 12, 2019.

Over at tumblr bookerdewitch summed it up more perfectly than I ever could:

Capture Continue reading