Category Archives: celebrity

Celebrity Mortality and Actual Emotion

everythingdies

New Avengers #1 (Vol. 5). Written by Jonathan Hickman, illustrated by Steve Epting.

Yesterday morning it was announced that British actor Alan Rickman had passed away from cancer. At the very beginning of this week it was revealed that musician David Bowie has suffered the same fate. As social media was filled with mournful statuses and 140 character eulogies I couldn’t help but be drawn back to a post I wrote almost three and a half years ago called “Celebrity Mortality and Actual Loss”.

In it I drew a comparison between Michael Clarke Duncan, and other such famous people who had died within the past month or so, and my grandmother, who breathed her last in the ICU of a Toronto hospital just the day before. When rereading it in preparation for this post it was impossible to ignore the bitterness that lay right beneath the surface, the pain still so fresh from the loss I had just experienced.

It’s been a while since then, long enough for the years to dull the hurt and extinguish any anger I might have once felt towards a world that appeared to haphazardly allocate its sorrow. Now, years later, my Facebook feed filled with dozens of Ground Controls hailing Major Tom, I find myself on the opposite side of the spectrum, feet terrifyingly close to being planted firmly in indifference.

Which, understandably, makes it look like I’m not doing so hot on the scale of emotional maturity. Continue reading

Putting The Martian On Blast – Racebending, Whitewashing, and the Last Straw

The Martian is Guilty of Whitewashing

Last Thursday the Media Action Network For Asian-Americans [MANAA] issued a statement criticizing director Ridley Scott for the whitewashing of Asian roles in his film The Martian. Their judgements are twofold, namely citing that:

  • NASA’s director of Mars operations Dr. Venkat Kapoor as an Asian-Indian character who identifies religiously as being “a Hindu.” The group pointed out that in Scott’s film, his name is changed to Vincent Kapoor, and he’s played by British black actor Chiwetel Ejiofor, who says his father was “a Hindu” but that his mother was “Baptist.”
  • Mindy Park, described by Weir as Korean-American, is played in the movie by Mackenzie Davis, a white, blonde actress.

Now I wish I could proceed on to the rest of this blog post, but people have asked the question as to whether or not this is, technically, whitewashing. It’s going to take a few paragraphs, but let’s get that out of the way-

Okay, The Martian is Guilty of Racebending/Whitewashing

Let’s start from the very, very, very top. The Wikipedia entry for this can actually be found under “racebending”, with “whitewashing” cited as being [citation needed] a more archaic term. Their definition of this practice is:

“when the race or ethnicity of a character, in a story, is altered to an ostensibly more ‘palatable’ or ‘profitable’ ethnicity.”

The reason people have been asking the question as to whether or not this did in fact take place is that The Martian is a film adaptation of a novel by author Andy Weir. As such the source material is devoid of any visual aids in regards to the explicit ethnicities of its characters. Weir himself had a number of things to say about this with MTV News at the Toronto International Film Festival where the film debuted [the interview occurred before MANAA’s statement]:

In regards to writing and describing his characters’ ethnicities-

“So unless a physical description is somehow relevant to the plot, OK, you know he’s missing a leg — something like that, but unless it’s like really important to the plot then I don’t physically describe my characters at all.”

“You can imagine them however you like. Like, for instance, the ethnicity of Mark, I never told you.”

In response to criticisms of Chiwetel Ejiofor being cast as Vincent Kapoor-

“He’s an American. Americans come from lots of different sources! You can be Venkat Kapoor and black.”

In response to criticism of Mackenzie Davis being cast as Mindy Park-

“Whatever ethnicity she has, she’s an American and her family has been in America forever, which is why her first name is just Mindy, but her last name is Park. But Park is also a British surname so the casting people [could have] thought Mackenzie Davis looks like someone descended from Brits. And she did a great job! I’m certainly not complaining about anything related to casting.”

mindyparkWhile not a direct quote, MTV News also shares how Weir envisioned Park while writing the novel:

“He did admit that he’d always pictured Mindy Park as of Korean lineage, but emphasized again that he had never actually explicitly written her as Korean.”

This is all well and good, but problematic in that it doesn’t jive with an interview that took place in May of this year with the blog domesoph. When asked by blogger Sophie Milam about how he approached writing his extensive cast, Weir responded [emphasis added]:

“I didn’t set out to deliberately balance the crew. For the most part, I just wanted them each to be unique enough for the reader to tell them apart without prompting. It’s a real problem in written fiction. You don’t have the face on-screen or voice being heard to remind the audience who’s who. They need to know it immediately from the name.
So there are no two people on Hermes who are the same demographic. There’s one white American guy (Beck), one Hispanic guy (Martinez), and one German guy (Vogel). There are two women of undefined ethnicity (presumably white) but one of them is the Commander, so you won’t get them confused either. Especially since they all call her ‘Commander’.
So it wasn’t any deliberate attempt at diversity. It was really just a shortcut to making sure the reader knew who was who. You’ll find I pulled the same trick with the NASA characters: Teddy (white guy who is in charge), Mitch (white guy who isn’t in charge), Venkat (Indian), Annie (white woman), Mindy Park (Korean woman), Rich Purnell (African American).”

Now I want to be fair and admit that not every author is [or can be] Alan Moore, who has very publicly denounced all film adaptations of his own work. Weir is currently working on his sophomore novel, with The Martian making up the entirety of his current bibliography. As an author with his first-ever book being adapted by Hollwood, and with the film rumoured to be nabbing an Oscar, there are more reasons against than for when it comes to rocking the boat. So let’s discard what Weir has to say, separate from his novel, completely.

All art is open to interpretation regardless of the creator’s intent, so without Weir’s opinions here’s what we know about the characters:

That being said I’m willing to make the concession that free of Weir’s intentions Mindy Park certainly could have been either White or East Asian. When it comes to Venkat Kapoor, on the other hand, most signs point towards him being South Asian, more specifically East Indian. Let’s pull up the definition for “racebending” again:

“when the race or ethnicity of a character, in a story, is altered to an ostensibly more ‘palatable’ or ‘profitable’ ethnicity.”

vincentkapoor

Chiwetel Ejiofor is an Academy Award winning actor. He’s also a Nigerian English man, part of a demographic that has not struggled in Hollywood compared to many others. Comparatively speaking I would run out of American films headlining East Indian talent before I ran out of fingers. Are Black men more profitable than Indian men? Everything I know about North America answers a resounding yes. So this is what we’re left with:

Venkat Kapoor was racebent for The Martian.

Mindy Park [given the author’s intent] was whitewashed for The Martian.

To be fair [and I think I have been thus far], East Indian actor Irrfan Khan had been in talks to play Kapoor but had to decline due to another commitment. It’s worth noting that the role had been intended for Khan, and it’s also commendable that- Continue reading

Straight Outta Compton: A Film Review

It can’t be easy making a biopic.

Err to much on the side of leniency and you get a sappy, self-congratulatory, and ultimately meaningless popcorn flick. Err to much on the side of harsh truth and you’ll often get a vicious hatchet job.

Now try doing that while the main character’s still alive.

Suddenly there’s the additional burden of being honest and fair and avoiding litigation at the hands of the offended and his or her legions of lawyers.

Now try doing that with eleven characters at once.

Against all odds, Straight Outta Compton does just that.

Continue reading

Unbreakable Kimmy Schmidt‘s Unbelievable Dong Nguyen

dongSo after four months of dragging my feet I finally got around to watching Unbreakable Kimmy Schmidt, a Netflix exclusive show I had been meaning to check out if only to join in the conversation that Em Liu over at Fiction Diversity started surrounding the character of Dong Nguyen, played by Ki Hong Lee. Before I really get into things it has come to my attention that I can be negative, so allow me to preface this post with a list [CAUTION: spoilers from here onwards]:

1. I liked [and continue to like] Unbreakable Kimmy Schmidt. It not only succeeds, but soars on the merits of Tina Fey and Robert Carlock’s comedy as well as Ellie Kemper’s unbridled performance.

2.  I’m grateful a character like Dong Nguyen exists. Asian characters are rare enough on TV, let alone as romantic leads [something we desperately need].

3. I wish nothing but the best for Ki Hong Lee and have absolutely nothing against the guy. Similar to how I feel about Austin Falk on 2 Broke Girls my criticisms of a character do not affect my opinions about the actor portraying them. I think it’s great that he made #4 on People‘s 2014 Sexiest Man Alive list and hope it’s the first milestone of many.

I also want to mention that Em, whose article I linked to up above, has primarily approached Dong Nguyen as a character who subverts, instead of embodies, stereotypes. That’s ultimately not something I’m going to be delving into. Instead what I’d like to address is how Dong holds up as a believable Asian character, specifically as a Vietnamese person, and how this reflects on the show’s creators. Continue reading

When Life Gives You Don Lemon II: The Lemoning

Don Lemon.

Our more dedicated readers will remember we wrote about the CNN news anchor back in November, and by “wrote about him”, I of course mean “launched into a detailed tirade about what an spineless, amoral sleazebag the guy is“.

Yeah, we weren’t gentle with that one…

Now as we’ve said before, there’s plenty of folks out in the news who lack integrity. Those folks- your Piers Morgans, your Glenn Becks, your Keith Olbermanns- are plenty nasty, don’t get me wrong, but they’re at least motivated by some agenda. You can generally count on ’em to focus their bile in a precise direction or at specific targets.

No such luxury with Don Lemon.

Don Lemon- as he himself would tell you- isn’t tied down to any one perspective or set of politics. One day, he’s speculating to whether or not a black hole was the cause of the disappearance of Malaysian Airlines Flight 370. Or one day, he’s asking one of Cosby’s alleged rape victims why she didn’t just bite the guy’s penis. Or he’s endorsing the patently racist and unconstitutional practice of “stop-and-frisk”, and telling folks they have to choose between dignity and security. There’s really no rhyme or reason to it. The dude’s got the earnestness of Walter Cronkite and the journalistic ethics of the Daily Mirror.

You stay classy, Great Britain…

Continue reading

Movies For Socialists

Readers, it’s the beautiful month of May, and you know what that means-

That’s right! It’s a seemingly unending salvo of rabidly Socialist-themed blog posts!

From me, anyways…

Now readers, normally I’d get right into the thick of things and engage in a lengthy tirade on the insidious-and-soul-crushing nature of the Capitalist system and the failure of the radical left to challenge that. But since this post is coming to you late, how about I talk about something a bit lighter than the minutiae of modern political-economy instead?

How about movies?

Everyone likes movies, and lord knows that these ones listed here have probably done more to inspire righteous radicalism in the common man than all of the cliff notes on Das Kapital put together. Whether you’re a dirty, seditious Commie or just a fan of the berets and impassioned speeches, here’s Culture War Reporter’s recommendations for your revolutionary viewing pleasure:

The Edukators (German Title: Die Fetten Jahre Sind Vorbei)

Now right off the bat, yes, that is Daniel Brühl, of Rush and Inglorious Basterds. Now that you’re done wondering “where the **** have I seen that guy?”, let’s get into it.

Our story opens with a cadre of disaffected youth, tired and disillusioned with capitalism but not sure exactly what to do with themselves. The characters find themselves drawn into a campaign of pranking the houses of the wealthy elite- harmlessly, at first, but building momentum and severity. Their well-intentioned social statements spiral wildly out of control when they accidentally kidnap the owners of one of the estates they vandalize. Don’t think this is some cheap action movie though- the quiet, contemplative tone packs just as much punch, if not more, than any thriller.

More than anything, The Edukators is an exploration- touching on the zealotry of youth, the realities of growing up, and idealism in a world where ideals just aren’t relevant. The Edukators raises more questions than it offers, and is sure to convict both revolutionary and reactionary alike. Continue reading