Back like a bad rash, and this time on Thursday nights! That’s right, CBS has finally started airing the fifth season of 2 Broke Girlsand not even the AV Club, who stopped reviewing the show midway through the second season, could ignore its momentous return to the television landscape.
When we last left our heroines at the culmination of Season 4 they were headed off to France for a much-needed vacation. More importantly, however, they realized they had been neglecting their dream of running their own cupcake business [mostly through apparel-related moneymaking schemes]. While they waited for their plane to begin taxiing down the runway Max turned to Caroline and confided:
“Well, partner, after all we’ve been through this year, whatever comes next I kinda feel ready for it.”
In this episode, scripted and directed by showrunner Michael Patrick King, we find that “whatever comes next” includes a rude tour guide who shares a name with yogourt [Dannon] and the threat of their little corner of Williamsburg being levelled to make way for an IMAX theatre. At least one of these two is a substantial hurdle to the success of their business, as the absence of a storefront would make selling cupcakes pretty difficult. Also the loss of the diner, ostensibly their primary source of income. Continue reading →
I like Gawker. I mean, for the most part. Back when I was more into video game news Kotaku was one of my go-to sites, and I inevitably return to general science fiction and fantasy site io9 every Thursday to see if Rob Bricken has updated his weekly Q&A feature “Postal Apocalypse”. When things are going particularly slowly at work I even pop over to Kitchenette for “Behind Closed Ovens” to be regaled by tales of those who work in the restaurant industry. That of course leads me to the larger site Kitchenette is a part of, and probably the most reviled part of the Gawker network: Jezebel.
Of course, marketing yourself as a feminist blog in any way, shape, or form is sure to bring out a lot of angry, irrational, unsurprisingly male voices your way, but such is life. I’ve never particularly been bothered by anything on the site, but I’m only ever directed over there when one of their bigger stories is featured on io9. It wasn’t until just last week that a friend of mine linked me to the following feature that I even spent more than a couple of minutes clicking around Jezebel [click the image to be linked directly to the post itself]:
Which initially delighted me, primarily because I found out that a poster of a tatted-up Republican Presidential nominee Rafael Edward “Ted” Cruz was so very, very real. “Would U?” is described upfront as being “an academic forum in which [Ellie Shechet shares her] gross crush of the week and ask if you, too, would bang that person” and includes a roundtable between Jezebel staff which I found mildly amusing, though by the time I made it to the bottom and the poll, which I’ve embedded below, I felt more than a little bit uncomfortable.
Seeing how I love to pretend that binge-watching comedy sketches counts as research, I decided to follow up on last week’s post about Amy Schumer with a post about Key and Peele.
I find a lot of Schumer’s work funny because I can relate to it. It’s not quite the same with Key and Peele, since I am neither black, nor male, nor American.
Although sometimes their characters aren’t male either.
Even though I have little in common with Jordan Peele and Keegan-Michael Key, I do find their work hilarious. They do a variety of flawless impressions and have a much wider range than Schumer, who generally sticks to one (albeit very funny) schtick.
Like Schumer, they also take on some very serious social issues in their comedy. Since they are both half-black, Key and Peele often touch on the way racism affects the lives of black or biracial individuals. Below, I’ve included three racial inequalities that Key and Peele do a great job revealing via their sketches.
Key and Peele often subvert this “threatening black man” trope in their sketches. In “Flash Mob” and “White Zombies” Key and Peele play non-threatening black men who are mistaken as dangerous by the white people (or white zombies) around them.
Similarly, “Solution to Racial Profiling” mocks the racial double-standard that fames black youth in hoodies as “thugs” while their white peers are described as “misunderstood”.
One of their more serious sketches, “Negrotown,” addresses police violence directly, by imagining a world where police violence and racial profiling no longer existed.
1. I liked [and continue to like]Unbreakable Kimmy Schmidt. It not only succeeds, but soars on the merits of Tina Fey and Robert Carlock’s comedy as well as Ellie Kemper’s unbridled performance.
2. I’m grateful a character like Dong Nguyen exists. Asian characters are rare enough on TV, let alone as romantic leads [something we desperately need].
3. I wish nothing but the best for Ki Hong Lee and have absolutely nothing against the guy. Similar to how I feel about Austin Falk on 2 Broke Girls my criticisms of a character do not affect my opinions about the actor portraying them. I think it’s great that he made #4 on People‘s 2014 Sexiest Man Alive list and hope it’s the first milestone of many.
I also want to mention that Em, whose article I linked to up above, has primarily approached Dong Nguyen as a character who subverts, instead of embodies, stereotypes. That’s ultimately not something I’m going to be delving into. Instead what I’d like to address is how Dong holds up as a believable Asian character, specifically as a Vietnamese person, and how this reflects on the show’s creators. Continue reading →
Here we are at last, presented with nearly twenty-two full minutes of television to cap off the fourth season of 2 Broke Girls and set the stage for the fifth. As I’ve pointed out in the past few weeks leading up to this one there is a lot riding on season finales, so it really pains me to say that this one does not deliver.
Season 1 – they meet Martha Stewart, a gigantic leap forward when it comes to them opening their cupcake store
Season 2 – the decision is made to open a new store in a hidden room adjacent to the rest of the diner [given their old location having a car in one wall]
I also noted the way that that particular season ended:
Season 3 – Max passes a US History final and gets her GED
Which, let’s all be fair, is and was not the biggest deal. I mean, yes, it’s great that Max now has a high school diploma, but what does it mean for her and Caroline moving forward? Absolutely nothing, that’s what. This season’s finale does at least include both girls, but can unfortunately be summed up as:
Season 4 – Max and Caroline remember that they have a dream of their own, ie. their cupcake shop
That’s right, it dawns on them that they once had a plan to start their own business, a plotline that can actually be traced back to the very first season. What’s really jarring about this epiphany is that they’ve been in possession of their very own cupcake shop with its new storefront from the beginning of Season 3 to the end of Season 4. To have that fact in mind and then hear Caroline say that they “haven’t abandoned it, [they] just haven’t paid attention to it in three months” only makes it that much weirder. Continue reading →
Culture War Reporters 
2 Broke Girls And the Interview with Federico Dordei, Part 2 – Behind the Scenes at Stage 21
AT THE REQUEST OF FEDERICO DORDEI HIMSELF I HAVE TAKEN DOWN THIS ARTICLE. APOLOGIES TO ANYONE INTERESTED IN READING IT.
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