Category Archives: feminism

A Story for the Average Woman: Maleficent on Rape and Motherhood

Spoilers below… and all that jazz.

Unabashedly a Story about Women

At this year’s Oscars Cate Blanchett happily exclaimed that her award proves that women are not a niche market. Some of this year’s top films are evidence that people care about women and their stories. There were the Hunger Games films, which blazed the trail for future female heroinesthen Frozen, which is now the fifth highest grossing film ever.  In fact, movies that pass the Bechdel test are now doing better at the domestic box office than those that don’t. But the latest trend in female heroines tends to imbue them with traditionally male traits, and rarely celebrates the issues that the majority of women regularly engage with. In contrast, Maleficent is a story that is unabashedly about women, and its success demonstrates that people care about the issues that affect the “other” gender.

   

I felt this was fitting, what with female protagonists breaking out of their “niche” market.

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David Goyer is the Worst, And We’re On A Break

So this post could be the logical continuation of my Shame Day post on Akira, which focused on Hollywood’s complete lack of respect for a film they’re looking to remake. David Goyer, a man I already cared very little for as a screenwriter, said some disparaging things about She-Hulk in a podcast [which from my understanding has since been edited somewhat]. He went on, however, to insult comic book fans everywhere, with the words:

“How many people in the audience have heard of Martian Manhunter?”

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“How many people that raised their hands have ever been laid?”

I could certainly delve into this much more, but Chris Sims over at ComicsAlliance already has, and done so quite well. Check out what he has to say, because he smartly points out that the one who just said these things has a hand in the future of DC’s cinematic universe. I’ll bring everything concerning that terrible man to a close with the following two panels-

shulkienotimpressed

Anyway, as the title of this post would suggest, I have some blog news for you all. Continue reading

Let Me Tell You “What Happened To Music?”

I enjoy a pretty broad range of music. It’s not just severe differences in genre [from Joshua Radin’s “Winter” to “Squeeze Me” by Kraak and Smaak], it’s stuff that spans several generations. From Elvis Presley to The Mamas & The Papas to Marvin Gaye, all can be my go-to depending on the day and my mood. In fact, it’s that appreciation for tunes through the decades that helps me enjoy so much of what’s on the cdza [or collectivecadenza] YouTube channel.

This isn’t a Fame Day post, so I’m not going to regale you all on why it’s so great. What I am going to do, however, is direct you to the very first video I saw by them. It’s called “History of Wooing Men”:

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Fame Day: #thevagenda, When Twitter took down the Tabloids

Have you seen these revamped tabloids floating around?

These awesome rewrites were prompted by a recent challenge that Vagenda Magazine gave on Twitter:

It’s a Twitter campaign I love for two big reasons. Continue reading

If We Really Want to Celebrate Motherhood, Can We Stop Being so Afraid of Boobs and Blood?

Mother’s Day is around the corner. Soon we’ll all be out buying flowers and chocolates for our moms and trying to make up for the way we talked to her in our teens (or is that just me?).  If we aren’t already out buying something for mom, then a whole bunch of really emotional commercials are going to try to guilt us into doing so.


While we often see mothers celebrated in media, usually for their hard work and dedication in the home, these ads tend to avoid any of the messy biological stuff that tends to go hand and hand with motherhood. You want examples? Well how about breastfeeding and periods? Continue reading

Fame Day: Leslie Jones

Saturday Night Live is a very White show.

This isn’t news for almost anyone who has been watched the late night sketch comedy mainstay at any point in the last four decades. Still, this fact was made all the more apparent when they announced the six new cast members that would be coming aboard last September. In case you didn’t know, they amounted to five men and one woman, all Caucasian.

Given the fairly sizable [and reasonable] amount of outcry over this, Lorne Michaels and the powers that be ushered in Black comedian Sasheer Zamata. Given the speedy response to their complaints the internet quieted, content with SNL and how it was dealing with race for the time being. That ended, of course, this past Saturday.

While Zamata’s casting was lauded by many, something else occurred concurrently which was less publicized, though arguably just as important: LeKendra Tookes and Leslie Jones, both Black women, joined the show’s writing staff. Ideally such a move would help the show to broaden its comedic range given life experiences that differ vastly from that of a White person, male or female, living in the USA. That particular perspective was showcased front and centre when Leslie Jones made her on-camera debut during the most recent episode’s Weekend Update-

goodjobleslie

Watch the video here or here.

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