Category Archives: zombies

Benjamin Netenyahu: Holocaust Denier

Readers, we interrupt your regular horror-themed post to bring you news from the Middle East- where, for anyone not keeping up, things have started heating up (even in this cold October).

Past weeks have seen a surge of violence on the streets of Jerusalem, as a spate of stabbings has left 8 Israelis and 56 Palestinians dead. Tensions continue to rise in a cycle of attacks and brutal retaliations, leading many to question if the region will see a 3rd Intifada in the coming days and weeks. With the looming threat of an all-out uprising, many within the region and internally have urgently called for peace.

Israeli Prime Minister Benjamin “Bibi” Netenyahu has not been among them.

Speaking at the World Zionist Convention this past Tuesday, Netenyahu proclaimed to his rapt audience that (and I quote):

Hitler didn’t want to exterminate the Jews at the time – he wanted to expel the Jews.”

-BBC World News (I’d link you to the YouTube clip, but I don’t want to give those racists the hits)

Netenyahu would go on to claim that it was only after meeting Haj Amin al-Husseini, the mufti (high-ranking Islamic religious scholar) of Jerusalem, that the “final solution” was implemented- Netenyahu claiming that Hitler only began the holocaust at the behest of the mufti.

And that is…

…just so ****ing stupid that I don’t even know where to begin.

I mean that every single word of that is wrong. And not just wrong but so obviously and categorically wrong. The wholesale murder of Jews/Roma/homosexuals/the disabled/communists/etc. was already well (as in years) underway by the time the mufti met with Hitler. Historians both within Israel and without, and across the full political spectrum, have poured their collective derision on Netenyahu’s barefaced lie.

-Everyone on the planet.

Continue reading

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What Are We Afraid Of?

Well folks, October has come and gone, and gone with it is the movie industry’s litter of trope-y, recycled Halloween cash-ins.

Yes, I’m talking about you. Now get out of here. Scram.

This means we can get back to the horror movies being made as movies first, rather than cynical money-grabs.

Excluding the Paranormal Activity franchise, but obviously that goes without saying…

See, say what you like about horror flicks (and there’s no shortage of criticism to be leveled), I do truly believe this is a genre just as important as any other- heck, possibly even more. At the end of the day, I don’t think there’s a better gauge for contemporary culture than the things we fear most as a society. Continue reading

The Strain: It’s Nosferatu on Steroids

My last quasi-review on this blog was of Helix, a sci-fi horror show about a strange and deadly contagion which had overpowered a research lab in the arctic circle. My issue wasn’t with the set or the story, but rather that Helix wasn’t really about anything. Science fiction is a medium for us to explore big ideas, like the line between humanity and technology, free will, and responsibility. The horror genre functions the same way, with its stories serving as ways for us to examine the duality of our nature…

…our place in the cosmos…

…and questions of faith.

Going into The Strain, my biggest question was “what’s this all about?”, and readers, I’m not entirely sure. What I do know is that it’s a blast.

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A Show By Any Other Name Would Be Just A Spin-off

“There is nothing new in art except talent,” words by Anton Chekhov that I was forced to look up because I’ve already cited Ecclesiastes in a prior post. They’re also words that I feel forced to grasp firmly on to as I’m faced with the deluge of television spin-offs soon to flood your televisions and my laptop with more and more of the same. With that being the worst case scenario, of course.

That being said, I’m going to try my best to take the stance I typically take on these sorts of things, which is that ultimately execution trumps everything else. Chances are that you wouldn’t have thought that a movie about a guy with his arm trapped under a rock would be able to hold your attention, but 127 Hours is great. The premise of a work of art does not damn it, though it certainly colours how audiences choose to approach and experience that work. Continue reading

World War Z Doesn’t Take Place In A World I Live In

Newer readers may not know this, but this is actually the third post about World War Z on this blog. I first wrote about the way the film was to deviate from the book back in 2011, while former CWR writer [who I dearly miss] Elisa briefly explored their prevalence in pop culture the year after.

So two days ago I saw the movie, and I’m not going to write the logical continuation of my first post, complaining about how the movie could have been “so much better if only. . .”

What I’m going to write about how I wasn’t in the movie.

I drew this over two years ago for an all-comics weekly publication I used to run.

And no, I don’t mean why wasn’t there a zombified version of me in the movie, because seriously if you guys didn’t know I am deathly terrified of any sort of biting reanimated corpse. What I mean is why, when I watched this movie, weren’t there any dang Asians.

Spoilers follow. Kind mild, kinda not. Continue reading

Shame Day: Porn and Racism

Let’s be honest, porn is not the highest art form to begin with. That being said, it’s 2013, people. It is the 21st century and I expect better from all of us, even those in San Fernando Valley [lovingly dubbed “Porn Valley” by those in the industry].

glenntwdNow, I’m going to assume that most of you are familiar with AMC’s The Walking Dead [I’d be surprised if you weren’t, really]. If not, what you need to know is that it features among its core cast Glenn, who is played by Korean-American Steven Yeun]. A cast member of the original comic book series, Glenn makes his entrance by saving Rick, the protagonist of the series, and goes on to be an all-around successful human being [which, in a zombie apocalypse, equates to being a badass]. So that’s what you have to know about that.

What you also have to know, if you weren’t aware, is that porn studios churn out parodies like nobody’s business. They’ve parodied everything from beloved childhood cartoons [The Flintstones: A XXX Parody] to a 1976 DC/Marvel comic books crossover event [Superman vs Spider-Man XXX: An Axel Braun Parody]; nothing is sacred. It should come as no surprise, then, when they decided to take a stab at adapting AMC’s The Walking Dead [if you watch it, you’d know why I have to write it out like that].

Porn star Danny Wylde was cast to play Glenn in the as-of-yet untitled film. In it, he will be appearing as follows:

Continue reading

Internet Disgusted By Video Game Promotion [Also: Zombie Breasts]

Way back in the February of 2011 the following trailer was released for the video game Dead Island:


It was so impressive that last I heard, Lionsgate was going to make a Dead Island film based on the trailer. Not the game, the trailer for the game. A feature-length film based on the trailer for a video game. Think on that for a bit.

What it does is speak volumes for the game’s publisher, Deep Silver, and those it hired to advertise the game. There was an emphasis placed on the feelings of terror and loss and the need to protect one’s family; it sought to set itself apart from other zombie games [of which there are so many]. Unfortunately the game turned out to be your fairly standard run-of-the-mill zombie hack and slash, but that’s not the point here.

The point is that this trend was actually continued in the promotion of the game’s sequel, Dead Island: Riptide, the trailer of which can be viewed here. The tone is once again consistent with that of the first, highlighting the terrors of a vacation gone horribly, horribly wrong. Which is great. And which is why the following seems so shockingly out of place.

The image you see above is a promo image for the European “Zombie Bait Edition” of the game, the crowning glory of which is the statuette at the centre. This was, earlier this week, described as being “Dead Island’s grotesque take on an iconic Roman marble torso sculpture.” This was met with understandable outrage and disgust from the internet, which prompted those at Deep Silver to scramble wildly and release the following apology:

“We deeply apologize for any offense caused by the Dead Island Riptide “Zombie Bait Edition”, the collector’s edition announced for Europe and Australia. Like many gaming companies, Deep Silver has many offices in different countries, which is why sometimes different versions of Collector’s Editions come into being for North America, Europe, Australia, and Asia.

For the limited run of the Zombie Bait Edition for Europe and Australia, a decision was made to include a gruesome statue of a zombie torso, which was cut up like many of our fans had done to the undead enemies in the original Dead Island.

We sincerely regret this choice. We are collecting feedback continuously from the Dead Island community, as well as the international gaming community at large, for ongoing internal meetings with Deep Silver’s entire international team today. For now, we want to reiterate to the community, fans and industry how deeply sorry we are, and that we are committed to making sure this will never happen again.”

 So no harm now foul, right? Dead Silver took back their horrible statuette and we can chalk another victory up for the internet! But why exactly were people upset? An article on Rock, Paper, Shotgun which I linked to but will link to again said this about it:

This is beyond disgusting. It’s as if someone were attempting to demonstrate the most misogynist idea that could possibly be conceived, in an attempt to satirise the ghastly trend. A text book example of the most extreme ends of misogynist fantasy, a woman reduced to nothing but her tits, her wounds hideously depicted in gore, jutting bones, and of course barely a mark covering her globular breasts.

It’s very prevalent in a lot of zombie imagery you can find nowadays, and it’s certainly present in this picture of a zombified Snow White on the left. Her body is mutilated [appropriately so, for a zombie] but her breasts remain completely untouched. There’s this sense of the grotesque from the image as a whole, but her chest remains an object of potential titillation.

I don’t think I have to say too much about how grossly sexist this is, and how prevalent it is in the society we live in. What I am going to say is thank God that on some level we can make enough of a public outcry to stop stuff like this before it happens. The bottom line is this: if we as a community [on the internet or otherwise] care enough about something, we really can do something about it.  Even if it’s just stopping the production and sales of a tasteless statue.

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A rebuttal to essentially everything I’ve written can be read in an article by Daav Valentaten on Venture Beat entitled “The Dead Island: Riptide reaction was an equality fail.” I present it as a counterpoint to my own post.