Re: “Black Lives Matter and White Privilege”

I need to state upfront that this post is not an all-encompassing response to the Black Lives Matter movement [which I will be shortening to “BLM”] and the concept of White privilege. The title instead refers to a blog post titled “Black Lives Matter and White Privilege”. Written by Ghanaian-Canadian Samuel Sey and appearing on his site Slow to Write, the article delved into his opinions on both topics.

Regular readers of the blog will know that I don’t often respond to other blog posts in this manner; the last time I did so was back in 2014, to the article “Meet The Poster Child For ‘White Privilege’ – Then Have Your Mind Blown”. I wasn’t able to read it without addressing, and outright dismantling, many of the arguments presented, and having read Sey’s post I found myself in a similar position.

It should be mentioned that Sey and I have vastly more in common with one another than I do with Tal Fortgang, the writer of the aforementioned article. He is a fellow Canadian, POC, and Christian, actually attending a church in Toronto [although he lives just outside it]. Sey and I also, and I believe I can say this with confidence, care about the wellbeing of the Black community in North America. With all of those similarities in place it made it that much more difficult to read his post and find myself disagreeing with so many key points. Continue reading

2 Broke Girls, S6E3 “And the 80’s Movie”: A TV Review

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Even given the premiere’s botched opening it’s still a bit surprising that we return to see Max and Caroline’s Dessert Bar as having been open for a full week. As the girls’ most recent attempt at finally making it big I expected there to be more excitement surrounding it, yet we find that they’re still working at the diner due to their business having trouble taking off.

It’s strange to type the words “still working at the diner” since that’s such a core aspect of the show. All of CBS’s promotional material for 2 Broke Girls has them wearing their waitress uniforms and at this point doing away with them would be like having Howard Wolowitz in anything other than a turtleneck, or Barney Stinson without a suit. The fact that the premiere would even tease them leaving their mustard yellow threads behind  was jarring enough, however shortlived it was. Having them hint at moving away from the status quo in consecutive episodes may just be a coincidence, but if it shows up again next Monday something has to be up. It’s not to say that I expect the show to make any drastic moves right out the gate, but there does appear to be a testing of the waters.

All that being said, the A-plot of “And the 80’s Movie” isn’t anything to write home about. Seeking upscale clientele for the Dessert Bar they hit up the chicest spot in Williamsburg where they’re bound to find “models, gays, rich guys that want to have sex with models . . . and gays.” While Caroline starts rubbing shoulders with the aforementioned Max find a kindred spirit in a snarky female bouncer. This in turn leads to said bouncer showing up to the Dessert Bar with a crowd of rowdy, boisterous women who also happen to be members of NYC’s Elite Ladies’ Underground Arm Wrestling . . . Association [I’m not sure what the group is officially titled, they never say]. This of course is the opposite of what they wanted, and it’s up to them to figure out how to get them out of there. Continue reading

An Open Letter To The First Lady

Mrs. Obama
The White House
1600 Pennsylvania Avenue, N.W.
Washington, DC, 20500

Mrs. Obama,

It was a few weeks ago that I received an e-mail from a progressive group trying to whip up support for Hillary Clinton. Specifically, the text of the message read as follows:

BREAKING: New poll shows ONE-THIRD of voters ages 18-29 plan to vote for a third-party candidate

These “protestvotes will put Trump in the White House!

If you agree with Michelle and Bernie that we CANNOT afford to throw away our vote as a “protest” and allow Donald Trump to become the next President, please sign your name today:

This e-mail focused heavily on a quote you made:

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Image retrieved via correspondence sent by Progressive Turnout Project, fair use.

In the days that followed, Mrs. Obama, I’ve had a chance to consider your statement. And after much and truly earnest contemplation, I can only arrive at one single, solitary conclusion:

**** you. Continue reading

Miley Cyrus Bashing Supergirl Justifies Exactly Why We Need It

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I’ll be the first to admit that I could broaden my scope regarding how I engage with current events. It’s much to my chagrin that my primary news sources are Facebook’s trending sidebar and whenever my grandfather changes the channel to CP24, in that order. That said, every now and then one of the comic book news sites I visit daily will offer me a glimpse of what’s happening outside that bubble.

In the case of this topic, I was informed not of what actually happened but of the response to it, days after the fact. The “event” in question took place during Miley Cyrus’s interview with Variety, which as the title would suggest was largely focused on her role on The Voice, Donald Trump, and coming out. To be more specific, it was the following question and answer [and yes, it is in fact related to comics]:

Why do you think inequality still exists for women in Hollywood?

A lot of it could be changed if we had a female president. That would give us a subconscious boost. I think people will have to realize they’re looking really dated. For example, there’s a show called “Supergirl.” I think having a show with a gender attached to it is weird. One, it’s a woman on that fucking billboard — it’s not a little girl. Two, what if you’re a little boy who wants to be a girl so bad that this makes you feel bad? I think having a title like “Supergirl” doesn’t give the power that people think it does.

Continue reading

2 Broke Girls, S6E1-2 “And the Two Openings: Parts One & Two”: A TV Review

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Season premieres are all about expectations. On one hand a show needs to be instantly recognizable, a challenge for ensembles with shifting casts [I’m looking at you, Community]. On the other hand it also needs to live up to the promise of more to come. As Max and Caroline fall to the floor in the cold open, their clothing aflame, Oleg exclaims “now scissor a little, it can’t hurt” while hosing them down. That’s the first box checked off.

As for the second, there appears to be significantly more attention paid to continuity. While 2 Broke Girls season premieres have always had to follow-up on the last episode in regards to their business, both Parts One and Two of “And the Two Openings” play out in the shadow of a character I’m pleased to see is still with us.

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And what an imposing shadow it is.

That’s right, while on the business side of things the two girls are part-owners of the diner and finally looking to make the Dessert Bar a reality [a lot happened, okay] what’s really been on Max’s mind is Randy [Ed Quinn]. Compared to past love interests Deke and Nashit his connection with Dennings’ character has been both strong and, surprisingly, long-lasting. Having reviewed how Season 5 came to a close I can only take his continued presence, albeit via FaceTime, as being a net positive. Continue reading

CWR’s Halloween Recommendations IV

Well my repellent readers, after a horrific hiatus Culture War Reporter’s is back from the grave to fight for your faithful following. And we start with one of my personal favorites, our fourth annual Halloween movie recommendations! Now let us feast!

The Perfect Host

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As a rule, I don’t consider “comedy horror” to be a legitimate subgenre of horror. Things are either scary or they’re funny and mashing ’em together in a movie usually makes sure that it’s neither. That said, 2010’s The Perfect Host may well change my mind about that. Imagine if Hannibal was a black comedy and you pretty much have this delightful hidden gem. We bear witness to an evening of strange events as a conman knocks on the wrong door and gets more than he bargains for. And since you’re wondering, yes, that is Niles from Fraiser. He actually makes a pretty compelling villain.

 They Look Like People

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This is, without a doubt, one of the single best movies I have ever seen.

I cannot sing its praises enough. I’d spend a whole blog post breaking down all the things that make it awesome, but I don’t want to give away a single second of it. Know only that a young man receives a surprise visit from a childhood friend. What follows is a slow-burning, subtle, and staggeringly realistic film in the vein of such masterpieces as Stoker and It Follows. Amazingly written, beautifully shot, and utterly compelling. If you watch literally nothing else on this list, watch this.

 We Are What We Are

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It’s about a family of cannibals. But you knew that. You’d know that from the trailers, from the first five minutes, or from having watched even an episode or two of X-Files. But fortunately, the folks behind We Are What We Are know that you know that, and spend their time making this film less about any cliched twist (though there is certainly an unexpected jolt at the end) and more about painting a vivid and haunting picture of American Gothic. Beautifully shot, amazingly acted, and with a much needed degree of self-awareness that raises this film head and shoulders above it’s just-for-the-fans brethren. Continue reading