Category Archives: film

Don’t Just Hire Minority Creators [Promote Hiring Them, Too]

It should be absolutely no secret to any and all of you that I’m an advocate for diversity. There are a myriad of different reasons for this, from the “it would be nice…” of seeing a little more colour in popular media to the more specific “think of the children” that pertains to White boys specifically [not White girls or Black boys and girls] having their self-esteem boosted by watching TV. What some people don’t realize is that the need need for diversity extends beyond actors and the characters they portray to the actual creators involved.

I’m not going to say that a White man cannot ever be involved in the creation of art that discusses or features minorities and their struggles- it’s a topic I touched on when discussing children’s author Rich Michelson and the books he’s written about the Civil Rights Movement. These stories can, and have been, and will continue to be valid, the question remains as to why we live in a world where a James Brown biopic can be created as a summer blockbuster and have “all the producers, writers, and the director [. . . be] white.” At what point should anyof these people stopped and thought to themselves, “Maybe a Black person would be able to provide a perspective on this that none of the rest of us could?” “Immediately” is the answer in case you were wondering.

This is all a lead-up to how, if this is definitely a problem in our current culture, we can change things. As history would dictate I am going to be coming at this from a distinctly comic-related perspective, but the issues therein can be paralleled across the board to TV and movies.  Continue reading

Fixing Ghost Movies

A while back, we had a discussion on everything wrong with our attempts to make exorcism movies. Good ones, anyways. That done, I figured we might try to keep the ball rolling and talk today about how to repair our stories of ghosts and haunted houses.

Now as a disclaimer, I’m coming into all this with some bias. While I’ve never had anything particularly against these kinds of movies, ghost and haunting stories have always been my least favorite kind of horror. Heavily reliant on jump scares, rather than psychological horror, they’ve always struck me as being not all that much different than an amusement park ride. That’s all just to say that I’m not what you’d call an expert by any means, but I think  we can all agree on some ground rules here.

Let’s get started.

Drop the Victorian Crap

It’s not every ghost story that’ll include junk from this period in time- just most of ’em. If you see the ghost, 9 times out of 10, it’s some woman in ragged-but-unmistakable Victorian garb. This is actually one of the arguments skeptics use to discredit most paranormal claims- we’ve had so many people die since the 1800s that the fact that most every “sighting” is of a specter in turn-of-the-century clothing just shows how deeply ingrained this trope is into our psyche.

Of course, that doesn’t stop the film industry from showing nothing but that.


Granted, in the movie’s defense it looks like it actually is set in the 1800s, so the whole Victorian schtick is at least explained- that still doesn’t make any of it less tiresome.

And it’s not just the ghosts- it’s everything.  The settings, the props- old mirrors, dolls, mysterious antique boxes, little red balls that’ll inevitably roll down the stairs seemingly of their own accord. The moment the audience sees ’em there’s a collective internal groan of “here we go again”.

Right back at ya, Tina…

It’s a question of realism- who even has this kind of stuff anymore? 30 or so years ago, yeah, I could see someone inheriting some old turn-o’-the-century junk, but these days it just feels out of place. Horror can’t be horror unless the threat feels real, and the classic “you’ve inherited a haunted mansion” story is becoming harder and harder to buy.

We don’t exactly have a ton of these things lying around either…

Don’t get me wrong- I understand why people choose these settings. You can’t exactly do a convincing ghost story in a cramped apartment in the middle of the city, and as much as Japan tries to cash in on technology-horror (see One Missed Call or The Ring), it’s still a really tough sell.

There’s gotta be some other options, though. Haunted farm. Ghost town.  Heck, even some new housing development could probably be scary if you added the right twist. I’ve even seen a submarine make for a pretty decent haunting-story. All in we have got to stop relying on these old crutches if we want to make something worth watching. Continue reading

Shame Day: Whitewashed Bible Movies and the Christians Who Watch Them

I think it only fair, given the current situation in the Gaza Strip, to shout-out the West’s general view of the Middle East today as having honorary Shame Day status [you can check out yesterday’s post for what that’s all about]. Cue my flawless segue into today’s actual topic, which is in regards to the West’s general view of the historical Middle East.

This retreads some pretty well-worn ground for me, because it’s about Hollywood and race. I’ve spotlit problems with the “one size fits all” approach to casting minorities, heavily criticized Hollywood’s attempts to whitewash their remakes of groundbreaking animated films, and outright condemned producers who cite the inevitable change in the industry while stolidly refusing to have any part of it. The difference here is that this time it’s heavily tied into Western Christianity.

It’s been almost 60 years since The Ten Commandments, and I want to say we’ve come a very long way since then. Again note that that’s something I want to say. To be truly and completely honest there is almost nothing I want more than to be able to write to you all and tell you that in six decades we are so, so far from the time when Charles Heston and Anne Baxter were cast as Moses and Nefertiti, respectively. You know what they say, though, you can’t always get what you want. Continue reading

Shame Day: Your Fave Is Problematic

Writing “Shame Days” is harder than it looks. You gotta find a subject that’s extensive enough to merit an entire post of ranting without it being so reprehensible as to leave you speechless (Scott Lively, you satanic **********er, I’m looking at you). With that in mind, and as it’s rapidly approaching 9:00 PM as I write these words, we’re going to revisit an old subject that I personally don’t think got the lashing they deserve.

So who’s being drawn and quartered today?

It was in the title of this piece, so I guess the question’s pretty dang redundant.

“Your Fave is Problematic” is a Tumblr blog devoted, much like these Shame Day posts, to calling out celebrities and artists who the authors view as having committed bigotry in some form or another. Evan and I have both briefly touched on these guys, with us generally concluding that while noble in intent, they tend to be a bit extreme in their measures of what is and isn’t acceptable. Evan specifically stated that “I truly believe that Your Fave Is Problematic is doing a good thing”, however, after myself digging through their blog a bit more, I really just can’t say the same.

These guys are *******es.

Let me break it down here. Continue reading

Fixing Exorcism Movies

The Exorcist came out in 1973, and while pretty tame by today’s standards, was nonetheless an iconic film which arguably gave birth to the entire “exorcist-film” genre.

Of course, by “genre”, I mean a number of studios have been trying to make the exact same ****ing movie every single year and show no signs of stopping anytime soon.

We’re just now in July and we’ve already had a few out churned out, though what got me on the subject have been the non-stop ads for Deliver Us From Evil, the latest cash-grab which look like a soulless mash-up of both the exorcist and zombie apocalypse flicks.


Yeah. Possession that somehow spreads a la zombie-logic. Let’s go ahead and start right there.

Continue reading

Yahoo Saves Community

Yep, Community‘s getting a 6th season, and if you’re a sane person, your reaction to this news should probably look a little something like this:

Community is a bad show, people. Really bad. And it’s been bad for a long time and continued to get worse. The dang thing’s been cancelled twice now, and each and every time I hope it’s been put in the ground for good. But apparently you can staple the dang thing to the floorboards of Satan’s wine cellar and it still won’t be enough.

But we’re not here to talk about Community and how it’ll almost certainly continue to be a grotesque travesty of the glorious show it once was. We’re here to talk about its return in general (resurrected by Yahoo for their exclusive video service) and what ticks me off so much about it.

It actually has been one ******* ****** day, so buckle up.

Continue reading