I like Gawker. I mean, for the most part. Back when I was more into video game news Kotaku was one of my go-to sites, and I inevitably return to general science fiction and fantasy site io9 every Thursday to see if Rob Bricken has updated his weekly Q&A feature “Postal Apocalypse”. When things are going particularly slowly at work I even pop over to Kitchenette for “Behind Closed Ovens” to be regaled by tales of those who work in the restaurant industry. That of course leads me to the larger site Kitchenette is a part of, and probably the most reviled part of the Gawker network: Jezebel.
Of course, marketing yourself as a feminist blog in any way, shape, or form is sure to bring out a lot of angry, irrational, unsurprisingly male voices your way, but such is life. I’ve never particularly been bothered by anything on the site, but I’m only ever directed over there when one of their bigger stories is featured on io9. It wasn’t until just last week that a friend of mine linked me to the following feature that I even spent more than a couple of minutes clicking around Jezebel [click the image to be linked directly to the post itself]:
Which initially delighted me, primarily because I found out that a poster of a tatted-up Republican Presidential nominee Rafael Edward “Ted” Cruz was so very, very real. “Would U?” is described upfront as being “an academic forum in which [Ellie Shechet shares her] gross crush of the week and ask if you, too, would bang that person” and includes a roundtable between Jezebel staff which I found mildly amusing, though by the time I made it to the bottom and the poll, which I’ve embedded below, I felt more than a little bit uncomfortable.
In contrast, I love seeing young women standing up for themselves on social media with hashtags like #IAmNotAnObject, #MyBodyMyBusiness, and #MoreThanADistraction. I love seeing them reclaim their bodies as their own, rather than some grown (or young) man’s fantasy. I love seeing them call out our education systems for continuing to prioritize boys over girls. I love seeing them call out the innate sexism at the centre of most dress codes Continue reading →
Rape is never funny. However, the way Western society often responds to rape is an absolute joke. Schumer has perfected the socially conscious ‘rape joke’, not by downplaying the seriousness of the violent crime, but by mocking the ridiculous social circumstances that allow rape to go unpunished.
There are a lot of ways women police ourselves. We try not to be too cocky, or too naggy, or too loud and obnoxious, or too vain. We are taught to police these behaviours because they will make us less likeable, less dateable, or an embarrassment for our significant others.
Sketches like, “I’m Sorry” or “Compliments” draw attention to the pressure women feel to act coy, even in situations where their male counterpart would be encouraged to be confident.
Meanwhile, “I Have a Boyfriend” and “Hello Mi’Lady” highlight the way women can be manipulated into accepting unwanted advances, since ignoring or rejecting them is considered “bitchy” or “cruel”.
Rape, misogyny and beauty standards aren’t just ‘lady problems’, they are societal problems. These issues matter, and I’m glad Amy Schumer is drawing attention to them via her show. I’m also glad Schumer approaches these issues with a sense of humour. Humour has a powerful way of helping us self-examine ourselves, and think more deeply about problems we might have dismissed if they hadn’t made us laugh.
On May 19th In Touch Weeklypublished an article alleging that when Josh Duggar was a teenager, he molested five underage girls, including several of his sisters.
I didn’t want to write about the Duggars, but I felt compelled to. I wanted to write about this case because I am a Christian, so I understand a lot of the rhetoric of forgiveness that the Duggars and their supporters have used to explain their stance towards the eldest son. However, I am also a feminist, and I have seen the effects of sexual violence on the lives of people I love. So for this post, I want to explain why the Duggar’s act of forgiveness doesn’t make me angry, instead, it is the decisions they made along with that gift of forgiveness that have left me in disbelief.
We Need Forgiveness More Than We Realize
Those of you who know me in person have probably chatted with me about Christianity. I’ve struggled with it a lot over the last few years, and considered throwing the label out the window altogether. However, there are a few things that keep pulling me back to the faith I grew up in. One of these things is the tenant of forgiveness.
You have probably all heard some kind of variation of the quote I included above. While most of these sayings have essentially become cliches, I honestly believe the act of forgiveness can help wounded individuals in their journey of healing. In my own life, I’ve had experiences that could have easily led me to foster an intense bitterness towards certain individuals. The theology I grew up with helped me to understand those individuals as damaged people, which made it much easier to move on from those events.
The tenant of forgiveness extends far beyond the Christian faith. Forgiveness is a valued aspect of most world religions, and is even recognized by doctors and psychologists as a key part of healing. However, there are certain aspects about the Duggar case that undermine their appeal to forgiveness. Continue reading →
First thing’s first, I’d like to extend all the congratulations in the world to Em Liu of Fiction Diversity for having one of her articles hosted on The Hooded Utilitarian. This is thrilling to me for a number of reasons, listed in no particular order: she’s someone I follow and who I’ve had conversations with between our two blogs , The Hooded Utilitarian is one of my go-to places for pop culture critique on the internet, and the topic she wrote on is one that is very near and dear to my own heart, namely: “Hollywood’s (Real) Problem with the Asian Male”.
I very, very strongly recommend that you read it in its entirety, because with the sole exception of one small portion I’ll be addressing I believe it to be the gospel truth. If you still absolutely refuse to for some absurd reason, and I’m going to ask you to check it out again before moving on . . . the post catalogues the portrayal of Asian men in American cinema, specifically in terms of their desirability. It was particularly eye-opening to me in that one of the earliest examples goes back to the late 1950s with The Crimson Kimono [poster on the right, obviously].
After elaborating on how things have mostly been downhill from there, Liu takes care not to shy away from the fact that one of the cultural reactions to this trend has been “a troubling emphasis on the need for the Asian male to simply ‘get the girl‘ onscreen.” Allow me to take a brief, and very relevant segue to discuss how strongly that idea resounds with me, and how badly I once wanted [and oftentimes still do want] this.
The Thirst Is Real [Leonard Nam Should Be In More Stuff]
I very vividly remember being in my early teens and watching a trailer for 2004’s The Perfect Score-
To stop you before you get there, yes, it is funny that Chris Evans [aka Captain America] and Scarlett Johansson [aka Black Widow] appear together years before their stints in the Marvel Cinematic Universe. And yes, in her dream sequence she does imagine becoming a leatherclad ass-kicker, life is weird, isn’t it? Carrying on- Continue reading →
In all seriousness, though, this episode is awful. I honestly don’t think I’ve been as unsatisfied with an installment of 2 Broke Girls since “And Just Plane Magic”, where I listed off what happened in bullet points to avoid actually writing out what happened in multiple paragraphs. A bunch of stuff took place this week, sure, but to seemingly no end whatsoever. It says a lot that the writers were able to introduce a new recurring character [who will be reappearing in three more episodes] in such a thoroughly unforgettable fashion.
Anyway, I’m getting a little bit ahead of myself. The new character in question is Nashit, a handsome young man played by Austin Falk whose name is attributed to his being half-Indian and half-Irish [he very clearly isn’t]. Joedth, the joy which I get out of typing her name being the only saving grace of this review, hires him as a new waiter at The High. His stunning good looks create a ruckus and also causes Max to lust after him with a tenacity and passion she only ever devotes to . . . being snarky, I guess. Continue reading →