Tag Archives: black

Asian Comic Book Fan Watches Doctor Strange…: An Addendum

Even though I wrote a little over a thousand words last week on my experiences with Doctor Strange [required reading for this blog post] there were a couple of additional criticisms I wanted to level against both that specific film and the industry as a whole. While I covered pretty thoroughly how Asians were poorly represented in Marvel Studio’s latest offering, what I didn’t really touch on was why.

When Diversity Means Painting With All the Colour of the Wind

In the months leading up to the release of Doctor Strange the conversation about the Ancient One’s casting began heating up. With mainstream news outlets picking up on the controversy there were many waiting to hear from the creators themselves, which brings us to the episode of the Double Toasted podcast that guest starred screenwriter C. Robert Cargill.

While his explanations regarding the character have since been championed by those defending the casting decision, even after his rescinding all comments made, and in spite of them being refuted by others, in particular by Shaun of the No, Totally! podcast, what I want to focus on are what he says right after that:

 

Now if you don’t want to actually listen to him, which I find perfectly understandable, I’ve also transcribed the relevant quote [emphasis added]:

“But when you start to see this film you’ll see that what we were able to do with Kamar-Taj, we made one of the most multicultural films most people have seen in years. Like this film is [. . .] I’m not certain that there’s a single major race that isn’t represented with a speaking role in this film. It allowed us to bring in, even as small characters to build upon later, a lot of characters from the Doctor Strange universe who come from all over the world. We were able to play with a lot of things and it gave us a lot to work with.”

Continue reading

The Magnificent Seven vs. The Historical Negationism of Westerns

Yesterday marked the North American premiere of The Magnificent Seven, a movie that I’ve been looking forward to ever since I saw the trailer some months back. The reason for that is far more simple than you might have guessed: I’m a sucker for Westerns. A large part of that can probably be traced back to my playthrough of Red Dead Redemption back in college-

rdrgif

-but even before that there had always been something appealing about the clink of spurs, the arid desert heat, and towns that weren’t big enough for two particular individuals. That being said, I did with The Magnificent Seven what I do with everything I’m excited about, which is research it obsessively.

mag7poster

Eventually my search led me to a thread in /r/movies sharing the new poster for the film, which you can see on the right. Clicking on the image should help you get a better look at the titular cast of characters, and reveal an additional reason for my interest you might have expected me to be more upfront about.

Of the seven men four are people of colour.

Denzel Washington, emphasized by the number that outlines him, is bounty hunter Sam Chisholm and leader of the group. On his far right is Martin Sensmeier, of First Nations descent, playing Comanche warrior Red Harvest. Skipping past Chris Pratt on his left are Byung-hun Lee as assassin Billy Rocks and Manuel Garcia-Rulfo as Vasquez, a Mexican outlaw.

Now if there’s anything enthusiasm likes it’s company, and as I scrolled down through the thread seeing if anyone else shared my excitement for the film I came across this comment:

multicultural7 Continue reading

Listening, Communication, and Police Brutality

It’s been a little over a month since the shootings of Alton Sterling, Phil Castile, and the police officers in Dallas and Baton Rouge, and I still don’t have the words to describe my emotions. I can say that I am still hurting, angry, terrified, and confused. But it’s more than that. I grieve with my black brothers and sisters across the nation and I wonder about my future here in the States as a black woman.

What’s going to happen to me if I am ever pulled over by a police officer for something I didn’t do? What’s going to happen if I’m out walking in my neighborhood and someone calls 911 on me because I look “black and suspicious”? What’s going to happen the next time I’m in a store and a clerk sees me wandering around?

After Sterling and Castile were shot, not one of my friends asked me how I was doing or if I was affected by the news. I’d even been posting about my pain and confusion on Facebook. But do you know what happened after the police officers were killed in Dallas? Family members and Facebook friends jumped on their keyboards typing out “Pray for Dallas” and “Blue Lives Matter” as fast as they could. I respect law enforcement and was hurting for the policemen’s families too but what does that mean to me when people do that? How do you think that makes me feel? Continue reading

“You Might as Well Have [insert character here] Be [insert 2-4 minority types here]!”

One of the most common adages on the internet is “don’t read the comments”. While this global network that we’re all currently using [unless you somehow managed to snag a printout of this post] has given us all the ability to share and discuss everything under the sun, the unfortunate truth is that a lot of that conversation amounts to hot garbage. You could scroll down past an article to see what people are saying about it, but chances are that it won’t be a particularly uplifting experience.

As someone who spends much of his time online reading about entertainment there’s a type of comment that I’ve seen crop up time and time again. It’s existence ties directly into a lot of the recent trends in comic books, television, and film, the push towards inclusivity and the people who are actively working to make that happen. A perfect example [of a handful I’ll be referencing throughout this article] is:

brandonallen

“disabled, multiracial trans women with disfiguring facial scars” – posted on “There are more (white) women starring in movies than ever before”

I’ve been compiling these for the past few months, originally with the intent of putting together another “For Your Consideration” and allowing readers to look them over and come to their own conclusions. A general [and accurate] takeaway would be to note them as being typical of inane online comments and move on, but I’d like to spend a little time breaking down the idiocy they represent.

They Perpetuate the Default

The default person, in case you needed to be informed of who generally holds the most power and screentime across the board, is a straight able-bodied cisgendered White man. I’m painfully aware that simply listing those words in successive order like that marks me as being one of the SJWs [my thoughts on that term here], but every one is important to take note of.

Take the following:

mikehuff

“black Asian gay lesbian transgender Spider-man” – posted on “Dear HOLLYWOOD REPORTER: May We Have a Word About ‘Cultural Appropriation’?”

To look at the list and mark it against the checklist of what makes a default human being, in the eyes of at least a few, we have:

  • straight  ≠ “gay lesbian”
  • cisgendered  ≠ “transgender”
  • White  ≠ “black Asian”

Other comments I’ll be including later on will add examples that include disabled people, but the general gist of every one capitalizes on the absurdity of a person who doesn’t match the standard cutout. A  straight able-bodied cisgendered White woman? Not a terrible strain of the imagination. Once you start to tick off more items that don’t coincide with the norm, however, things apparently get a lot shakier.

I don’t even think that many of these commenters are aware of the implicit message behind the words they type. By listing these adjectives and identifiers they end up with a person who most of them share absolutely nothing in common with, which exposes the very reason we need diversity at all. Everyone should be able to relate to entertainment, and for too long the industry has catered to an audience that gets smaller every day. Continue reading

Free State of Mind: Actress Nicola Breytenbach on Getting in Character

Free-State-Updated-PosterThis is the second installment of “Free State of Mind”, a series of Q&As with the cast and crew of a South African film currently making the rounds at film festivals. You can read my review here, and find out more about its creation from producer Terwadkar Rajiv here.

Today’s interview is with Nicola Breytenbach, who plays Jeanette, one of the two romantic leads. While she has spent the past several years as a successful model, with her career taking her to runways across the world, Free State marks the beginning of her acting career. Just last month The Blue Mauritius began filming in Montreal, with the US and German co-production being her second ever silver screen role.


Jeanette is first introduced returning home to her father after finishing law school. While it isn’t heavily covered in the film, what kind of impact do you think that education had on how she views life, especially after she meets with Ravi [co-lead and love interest]? 

As Jeanette went to Wits University, which was a more liberal university than many others, it would have changed the way she viewed and felt about apartheid and the immorality act. She pursued higher education as it was instilled upon her by Maria and her father, but her true desire was to be a wife and mother.

Jeanette was raised in the very small remote town of Memel and even though it was a Christian white community it was very sheltered, and as she says in the beginning of the film that’s why she was a real ‘political innocent’. She wasn’t exposed to the reality of it much, except for a few remote incidents which completely shocked her. As her mother also passed away at such a young age and her father had a difficult time reaching out to her because of his grief, she was raised almost solely by Maria who is black South African Zulu.

Hence when she met Ravi, she didn’t think about his race and it didn’t deter her from seeing a friendly man who went out of his way to help her in this traumatic incident of a near accident. She only saw his compassion and how selflessly he had helped her. As time goes on, they both come to the realize the severity of the situation they are in, as well as the fact that they are engaged to others, but at this point it is too late, they have already fallen in love. Continue reading

Free State of Mind: Behind the Scenes with Producer Terwadkar Rajiv

Free-State-Updated-PosterLast month I was offered the amazing opportunity to watch a screener of Free State, and published my review at the beginning of this one. Set in mid-70s South Africa the film revolves around an interracial relationship that would have been illegal due to anti-miscegenation laws of that time.

In addition to that I was also able to interview members of the cast and crew via email, with consequent installments of “Free State of Mind” being released in the following days. Up first is a Q&A with Terwadkar Rajiv, who produced the film alongside Piet De Jager and Sallas De Jager.


When many people think of South Africa and racism their minds immediately go to Nelson Mandela and apartheid. What do you think their reaction will be to Free State, which focuses on relations between White people and South Asians, instead of Black people?

Apartheid was one of the dark patches of South Africa, no doubt about that! When South Africa got independence and Nelson Mandela became the President most of the people were thinking – what will be the future of South Africa? Will whites be kicked out of the country? The way things happened clearly shows that all ethnic groups started living towards one nation, South Africa!

Although there are stories during Apartheid where Indians and blacks were tortured, beaten up or even killed by the Police or Army; some whites used to treat Indians & Blacks respectfully! There are so many stories from Apartheid which prove that inter-racial relationships and friendships existed before 1994.

­Free State is a film which focuses on the relationship between Jeanette (Afrikaans White Girl) and Ravi (Handsome Indian man). This also beautifully shows the motherly relationship between Zulu maid Maria and Jeanette, who she raised as her own daughter, ­­making it truly cross cultural and crossing ethnic boundaries. Continue reading