Tag Archives: casting

Asian Comic Book Fan Watches Doctor Strange…: An Addendum

Even though I wrote a little over a thousand words last week on my experiences with Doctor Strange [required reading for this blog post] there were a couple of additional criticisms I wanted to level against both that specific film and the industry as a whole. While I covered pretty thoroughly how Asians were poorly represented in Marvel Studio’s latest offering, what I didn’t really touch on was why.

When Diversity Means Painting With All the Colour of the Wind

In the months leading up to the release of Doctor Strange the conversation about the Ancient One’s casting began heating up. With mainstream news outlets picking up on the controversy there were many waiting to hear from the creators themselves, which brings us to the episode of the Double Toasted podcast that guest starred screenwriter C. Robert Cargill.

While his explanations regarding the character have since been championed by those defending the casting decision, even after his rescinding all comments made, and in spite of them being refuted by others, in particular by Shaun of the No, Totally! podcast, what I want to focus on are what he says right after that:

 

Now if you don’t want to actually listen to him, which I find perfectly understandable, I’ve also transcribed the relevant quote [emphasis added]:

“But when you start to see this film you’ll see that what we were able to do with Kamar-Taj, we made one of the most multicultural films most people have seen in years. Like this film is [. . .] I’m not certain that there’s a single major race that isn’t represented with a speaking role in this film. It allowed us to bring in, even as small characters to build upon later, a lot of characters from the Doctor Strange universe who come from all over the world. We were able to play with a lot of things and it gave us a lot to work with.”

Continue reading

Asian Comic Book Fan Watches Doctor Strange with Low Expectations of Racial Representation, Is Unsurprised but Writes Blog Post Anyway

This is the second part of a series I began almost exactly three years ago with “Asian Comic Book Fan Watches Thor: The Dark World Expecting Racial Representation, Deals with Crushing Disappointment by Writing Blog Post“. The Marvel sequel in question sidelined Hogun, played by Japanese actor Tadanobu Asano, almost completely, and as the title of the blog post would suggest I had been very excited to see him again.

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I can’t not use this image again, it’s just too perfect. Source: platoapproved.tumblr.com

With Doctor Strange, on the other hand, that anticipation was not present at all. Last June I covered the news that Tilda Swinton was in talks to play the Ancient One, the title character’s mentor, in “Celebrity Blind Spots and Fixing Racist Narratives [By Making Everyone White]“. The gist of that post was how, in an effort to be more “progressive” filmmakers have been choosing to “fix” problematic minority characters by simply casting them with white talent. That’s as opposed to simply amending what made them so racist and stereotypical to begin with.

At that point in 2015 Swinton starring in the film had not yet been confirmed, and absolutely nothing had been mentioned about the character of Wong, Doctor Strange’s manservant in the source material. With Benedict Cumberbatch already locked into the role it was a magical time in which there was still the possibility of Marvel releasing a movie with two prominent Asian characters.

Look, my hopes were never particularly high that Swinton wouldn’t land the part. As soon as it was announced she was in talks for the role support began pouring in. That she was a woman in her 50s in a genre that has helped shine a spotlight on men of all ages and women of a very particular age was laudable to many. The thing is, the optics are so bad.

twowhiteys Continue reading

Free State of Mind: Andrew Govender Discusses Acting, Tradition, and Religion

Free-State-Updated-PosterThis is the third and final installment of “Free State of Mind”, a series of Q&As with the cast and crew of a South African film currently making the rounds at film festivals. You can read my review here, find out more about its creation from producer Terwadkar Rajiv here, and get some insight on how co-lead Nicola Breytenbach’s prepared for her role here.

Today’s interview is with Andrew Govender, who plays Ravi, the other half of the couple at Free State‘s core. Another former model like his co-star, he began his career at just sixteen-years-old. Being crowned Mr. South Africa in 2012 is only one of his many achievements, which include creating the Andrew Govender Book Club with the Nelson Mandela Foundation and being involved in various awareness campaigns.

Given that their characters share a few interesting parallels Govender answers a number of the same questions that Breytenbach did, with a few that are unique to Ravi himself.


An arranged marriage is the biggest barrier that Ravi faces in his relationship with Jeanette. How would you say he views that tradition and what it means for his future?

I think he respects it and accepts it. He was brought up in a traditional Indian family and those are Indian traditions. However, when he gets to meet his arranged wife he realises that he doesn’t have much in common with her. That’s when he meets Jeanette and falls madly in love. He knows that he shouldn’t be pursuing a relationship with her because it’s illegal during that time for inter-racial relationships. However, he can’t help himself and that results in detrimental consequences.

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Ravi makes it clear that he’s concerned about his sister’s safety, but what does he ultimately think about what his family does under cover of darkness?

He understands that they are doing it for a greater cause and he respects that. However, he does care deeply for them and doesn’t want anything to happen to them when they go on these missions. He’s close to his family and wants to protect them.

From what I can tell this is your first role in a feature film. How was that experience, especially with it being a South African production instead of a big Hollywood movie?

It was an incredible experience. I got the opportunity to work with some really talented South African actors. I learnt a lot by being on set and having these actors mentor me throughout the filming process.

Our director Sallas de Jager was also really supportive and helped me to give the best performance I could. Even though this was a South African film, the production standards on the movie were really high. That can be attested to with all the international awards that the movie has won. I really hope that I will have the opportunity to work on more films both in South Africa and Hollywood. Acting is really something that I enjoy immensely.

How much did you know about South Africa’s Immorality Acts before signing on to this film?

Not a lot. I grew up post Apartheid, so most of what I knew was from what I heard, not what I could have experienced. It was quite eyeopening to learn more about that time in South Africa’s history and how Indian people were treated. I gathered as much information as I could from my parents about their experiences during that time. I also was really fortunate that my acting teacher had been in an inter-racial relationship and she was able to help me understand my character better.

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Religion plays a large part in Free State for both Ravi and Jeanette’s families. Did you come from a religious background, and did this have any affect on how you played the role?

Yes, I did. I grew up in a conservative traditional Indian family so religion was important to us. My character was also brought up with the same core values and so religion would have been important to him too. There’s a scene in the movie where my character meditates and also seeks relationship advice from a guru. So we are aware that he relies on religion to guide him in the choices that he makes.

Can Casting Choices Promote Global Cultural Dominance? A Possible Explanation for Whitewashing in Cinema

This is a weird, random, and controversial thought, but….

I wonder if this consistent pattern of replacing Asian characters with White actors (even with more and more Asian actors getting more screen time [at least on TV] and all these articles highlighting whitewashing) is a subtle and unconscious battle of cultural and racial dominance? If it stems from a fear-based place of “if you put more Asians as leads in mainstream, worldwide entertainment, then it removes some of the cultural dominance of the status quo”.

I’m really not trying to bash White people, but you really can’t argue that White people overall have more privileges than any other race. And White men are the heads and execs at basically every major company in Europe and North America. And in entertainment, which has major worldwide influence, White people and predominately men are the execs, directors, writers, producers, and agents. Ironically, they welcome foreign money with open arms from Chinese to Middle Eastern investors.

Asians, population-wise, are more than 50% of the world; China and India have enormous populations with a lot of spending power. Asian countries have created very popular forms of entertainment with anime, manga, and video games. They frequently feature characters of Asian descent. Japan has always been a powerhouse country, but their status as an Axis power in World War II has set them up historically as a bad guy. Then their strength in electronics and cars in the 90’s set them up as the “competition” (i.e. not American and not us). And Chinese is ALWAYS the bad guy in the news. “We can’t have factories in China. The Chinese are gonna take over.” There’s a history of US vs THEM. Besides the military, the only industry of world dominance that White America has complete control over is the entertainment industry. American movies make so much internationally. Ironically, the US entertainment industry depends on the income from the foreign markets, but cater very little to their populations by representing them on screen. They know that the foreign populations will come see their movies no matter what, because they aren’t doing huge budget CGI movies where they are. Continue reading

My Problem With Ghost in the Shell (In A Nutshell)

I don’t think there’s anyone here who’s unfamiliar with the term “whitewashing” at this point.

It’s been a frequent topic of conversation here on Culture War Reporters, and while certainly not a new issue, it has been gaining wider and wider attention in recent years…


Most recently, the problem reared its ugly head in the form of Scarlett Johannson being cast in the live-action remake of anime classic Ghost In A Shell. Once again we’re seeing a traditionally non-white (in this specific case, Japanese) role being given to a white actor out of fear that audiences won’t watch movies with non-white leads. And if that were the only issue, I might have stuck with my usually political tirades and left this topic alone. But in the past few days, a shocking development has emerged in the story. Allegations have surfaced that the remake’s producers (and I quote) “Tested Visual Effects That Would Make White Actors Appear Asian“.

Or, as my best friend and this blog’s editor recently put it on Facebook:

“We think so little of you that we’d consider changing a White person’s appearance before entertaining the thought of casting an actual Asian.”

So yeah, I’m feeling compelled to write about this…

tthpnha

And let me tell you what really convinced me to submit the following rant. Continue reading

Free State of Mind: Actress Nicola Breytenbach on Getting in Character

Free-State-Updated-PosterThis is the second installment of “Free State of Mind”, a series of Q&As with the cast and crew of a South African film currently making the rounds at film festivals. You can read my review here, and find out more about its creation from producer Terwadkar Rajiv here.

Today’s interview is with Nicola Breytenbach, who plays Jeanette, one of the two romantic leads. While she has spent the past several years as a successful model, with her career taking her to runways across the world, Free State marks the beginning of her acting career. Just last month The Blue Mauritius began filming in Montreal, with the US and German co-production being her second ever silver screen role.


Jeanette is first introduced returning home to her father after finishing law school. While it isn’t heavily covered in the film, what kind of impact do you think that education had on how she views life, especially after she meets with Ravi [co-lead and love interest]? 

As Jeanette went to Wits University, which was a more liberal university than many others, it would have changed the way she viewed and felt about apartheid and the immorality act. She pursued higher education as it was instilled upon her by Maria and her father, but her true desire was to be a wife and mother.

Jeanette was raised in the very small remote town of Memel and even though it was a Christian white community it was very sheltered, and as she says in the beginning of the film that’s why she was a real ‘political innocent’. She wasn’t exposed to the reality of it much, except for a few remote incidents which completely shocked her. As her mother also passed away at such a young age and her father had a difficult time reaching out to her because of his grief, she was raised almost solely by Maria who is black South African Zulu.

Hence when she met Ravi, she didn’t think about his race and it didn’t deter her from seeing a friendly man who went out of his way to help her in this traumatic incident of a near accident. She only saw his compassion and how selflessly he had helped her. As time goes on, they both come to the realize the severity of the situation they are in, as well as the fact that they are engaged to others, but at this point it is too late, they have already fallen in love. Continue reading