So, as I said I probably would, I did end up seeing Big Hero 6 this past Tuesday. While I ended up enjoying it a fair amount the problem, if I can call it that and which the post I just linked to addresses, was in the back of my head the entire time. To reiterate it here, the idea that both a city and almost the entire cast of superhero team had to be altered to make it more relatable, presumably to a Western [read: American] audience.
As mentioned I did like it, but during and after the film I was struck by the fact that a balance, if that’s what the creators were truly going for, was never really attained. To start with, San Fransokyo.
Based off of the name one would assume that this would be equal parts American and Japanese city, a blend that encapsulated the best of both worlds. The actual design approach is laid bare when considering the words co-director Don Hall used when describing the setting [emphasis added]:
“an alternate version of San Francisco.”
“I love the Painted ladies. We gave them a Japanese makeover; we put a cafe on the bottom of one. They live above a coffee shop.”
“Where Hiro lives, it feels like the Haight. When you get to the downtown area, that’s when you get the most Tokyo-fied, that pure, layered, dense kind of feeling of the commercial district there. When you get out of there, it becomes more San Francisco with the Japanese aesthetic.”
To put this in more musical terms, this isn’t so much a mashup as it is a remix. The former is a blend of two or more parts with both being displayed prominently, the latter is a modified version of something, the original of which is typically easily identifiable. Continue reading
nt should anyof these people stopped and thought to themselves, “Maybe a Black person would be able to provide a perspective on this that none of the rest of us could?” “Immediately” is the answer in case you were wondering.
If I want to be honest with all of you, which I do, the fact is that comic book characters don’t change all that much. That’s a gross overgeneralization, so let me backtrack a little: comics don’t change quickly. Sure, 
Not only is this the first full issue of no holds barred genuine superhero-ing as we all expect it, it’s also the first team-up the all-new Ms. Marvel has ever had and the first installment sans series regular artist Adrian Alphona. And man, is it good.
What better time to take a look back at the fourth issue of Ms. Marvel
“fridge” has become both a noun and a verb, and occurs to a character when, 
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