Last weekend, I was lucky enough to steal a couple of my nieces and bring them home with me. For the last few days, they’ve been busy helping me out with the kids program I run at work, and in the evenings we’ve all been busy showing them around the bustling metropolis of Williams Lake. While I thought about skipping out on this week’s post altogether, I decided instead to write a quick post about the movie we watched last night.
Below, I’ve included 3 reasons why we think you should watch it.
1) The aliens are super cute
This was why my nieces loved this movie so much. The main group of aliens, called the Boov, change colour according to their mood and seem to be made up of a jelly-like consistency.
The main character, Oh, is considerably cuter than I thought he would be. When I first saw the commercial for Home, I assumed that Jim Parsons would play a cartoon version of his well-known character from the Big Bang Theory. It was a pleasant surprise to see him change things up a bit while playing an equally quirky character in Home. Oh, the alien played by Parsons seems considerably more fun to be around than Sheldon.
Seeing how I love to pretend that binge-watching comedy sketches counts as research, I decided to follow up on last week’s post about Amy Schumer with a post about Key and Peele.
I find a lot of Schumer’s work funny because I can relate to it. It’s not quite the same with Key and Peele, since I am neither black, nor male, nor American.
Although sometimes their characters aren’t male either.
Even though I have little in common with Jordan Peele and Keegan-Michael Key, I do find their work hilarious. They do a variety of flawless impressions and have a much wider range than Schumer, who generally sticks to one (albeit very funny) schtick.
Like Schumer, they also take on some very serious social issues in their comedy. Since they are both half-black, Key and Peele often touch on the way racism affects the lives of black or biracial individuals. Below, I’ve included three racial inequalities that Key and Peele do a great job revealing via their sketches.
Key and Peele often subvert this “threatening black man” trope in their sketches. In “Flash Mob” and “White Zombies” Key and Peele play non-threatening black men who are mistaken as dangerous by the white people (or white zombies) around them.
Similarly, “Solution to Racial Profiling” mocks the racial double-standard that fames black youth in hoodies as “thugs” while their white peers are described as “misunderstood”.
One of their more serious sketches, “Negrotown,” addresses police violence directly, by imagining a world where police violence and racial profiling no longer existed.
I, Evan Yeong, do solemnly swear that I will keep it together when reviewing this episode. This close to the end of Season 4 and it only makes sense that I remain cool, calm, and collected as I chronicle how 2 Broke Girls concludes its fourth year and prepares for its fifth. In retrospect, given how things have gone as of late, I was kind of a fool for not instituting the EVAN YEONG MADNESS WATCH I considered back in my first ever review of the show.
This week’s episode is the first in over a month without Nashit, a poor character portrayed by a very stand-up dude named Austin Falk. His tenure as Max’s love interest lasted all of five weeks, which doesn’t quite match up with reigning champion Deke [Eric Andre] who holds the title at eight episodes. Let’s all pour out a bit of our beverage of choice for poor Sebastian who was with us but for a single installment of the show. And no, I haven’t forgotten about Johnny, but he’s from a time before I was officially reviewing 2 Broke Girls when it was somehow worse than it is now-
-and before you remind me of the first line of this entire review you need to hold on just a sec, because this episode was actually pretty good! There were some terrible “jokes” as per usual but also some very funny ones! I’m actually in a good mood because of it! Continue reading →
I love watching comedies when I’m in school. It allows me to check out mentally on those days when I feel like I can’t seem to turn off my brain. Although I am looking for thoughtless fluff, I still want to avoid straight-up terrible writing and plots. This makes my comedy search a little more difficult. Luckily, John and I came across Galavant, which provides what I am looking for in at least the following five ways.
1.It’s funny, without being offensive
I hate Seth MacFarlane. Just don’t like the guy at all. Yet his form of humour (i.e. let’s see how far we can push the line without getting in too much trouble) seems to dominate contemporary comedy. There certainly have been times when I have laughed at Family Guy or American Dad, but more often than not they leave me with a sour taste in my mouth.
One of the only gif’s from Family Guy that made me laugh instead of cringe.
I still want something that will surprise me into laughing out loud, but I don’t want to only ever be surprised because the punch line was too offensive for me to be expecting it.
Unlike McFarlane’s shows, Galavant is all about pushing around puns and being- well, for lack of a better word- silly. After being bombarded with jokes that make fun of real life trauma, it’s nice to be able to laugh at something because it’s just silly.
I cannot take personal responsibility for finding a single one of the amazing resources I’m going to include below. Instead, I have to give all the credit to the friends I’ve made here in Trois-Pistoles. If any of you happen to read this, thanks for being so rad.
Word Reference
Alright, I have to admit I still use Google Translate now and then, but there is a good reason teachers always tell you to stay away from it. It’s doing translation, and that is all. Unfortunately, literal translation can go very wrong. Like the time I planned a trip to France and told my hosts I could be “catching a coach” from the UK. Turns out instead of using the word for the vehicle, I used the French word for a sports-team coach. Awkward.
Also, Google Translate can be a little lazy sometimes.
So, when you find yourself searching for the right word, turn to WordReference instead. It’s not going to pretend to do all the work for you, like Google Translate, but it also isn’t going to pepper your translation with hilarious nonsensical phrases.
WodReference has “two of its own dictionaries plus those of Collins” and the French dictionary alone has “over 250,000 translations”. You can also find a verb conjugator and a forum for each language. Generally speaking you can find every possible definition of a given word, along with any idioms associated with it. If you do have trouble finding a word or phrase, however, you can often find an answer in the language forum. Continue reading →
2 Broke Girls And the Interview with Federico Dordei, Part 2 – Behind the Scenes at Stage 21
AT THE REQUEST OF FEDERICO DORDEI HIMSELF I HAVE TAKEN DOWN THIS ARTICLE. APOLOGIES TO ANYONE INTERESTED IN READING IT.
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Posted in Comedy, interview, television, writing
Tagged 2 Broke Girls, actor, behind the scenes, Cast, CBS, character, comedy, comments, criticism, Deke, direction, Eric Andre, Federico Dordei, funny, interview, Italian, Jennifer Coolidge, Jonathan Kite, Kat Dennings, live audience, Luis, Michael Patrick King, multicam, Oleg, regular, sitcom, Sophie, Supergirl, TV, writer, writing