Category Archives: film

Celebrity Blind Spots and Fixing Racist Narratives [By Making Everyone White]

ANCIENTONETILDALast week it was announced that Tilda Swinton was in talks to join Marvel Studios’ Doctor Strange, specifically in the role of the Ancient One. For those of you who don’t read a lot of comic books [and even those who do] the character in question is Doctor Strange’s teacher, a Tibetan mystic named Yao. If it wasn’t plainly apparent to you, Swinton is about as Tibetan as Emma Stone is Chinese or Native Hawaiian. The numerous comic book news outlets that I frequent have covered this in as much depth as they possibly can seeing as nothing is set in stone at this point, but I’ve noticed a trend in responses to the presumed casting choice. That perspective is what I’ll be covering first, following that up with how “progressive” Swinton playing this role would actually be-

“Meryl Streep could play Batman and be the right choice.”

Look, we’ve all seen at least one episode of Modern Family, and most of us can remember Cam reciting those exact words when lauding the actor’s ability to be perfect in any role. Like most effective jokes it’s funny because it’s a slight exaggeration of how people actually think and feel, in this case about their favourite talent.

Gordon lambasted the blog “Your Fave Is Problematic” last year, and for reasons that I generally agree with given their penchant of going overboard when finding areas in which celebrities and media have screwed up. That being said, at bare minimum the title of the site is effective in that it forces us to realize that nobody is above reproach. No one is so incredible that they should be given carte blanche to do [or be] whatever they want, yet that’s the attitude I’ve seen so many people give this news.

opinions

That’s not to say that people aren’t entitled to their own opinions of who can play what character, but that we’ll so quickly make exceptions when they involve people we love to watch perform. After it was announced that Martin Freeman would be appearing in the Marvel Cinematic Universe the number of people who wanted to see Martin Freeman as Wong opposite Benedict Cumberbatch’s Doctor Strange was staggering. That’s right, Martin Freeman. As a person named “Wong”.

martinwong Continue reading

Mad Max has a Feminist Hero for (Almost) Everyone

I know. Pretty well every woman with a computer has written about how great Mad Max: Fury Road was. I actually meant to write about it last week, but then I decided that I needed to address the news about the Duggars instead.

Not only am I late to the Mad Max conversation, but when I went to write about this post I came across the video I’ve included below, which succinctly summarizes many of the points I was hoping to make.

Even though Rowan Ellis beat me to the punch with several of her points, I loved this movie too much not to add my two cents. I also wanted to dig deeper into some of the feminist identities offered in the film and how they impacted me as a female viewer. Spoilers, obviously.

Furiosa: The Tough, Capable Woman

Furiosa is, of course, the first person anyone is going to think of when I say “strong female character”. She is a brave, intelligent, and capable character. I also love that she isn’t sexualized by the camera angles, and that we aren’t forced to view her through the male gaze.

As much as I absolutely love Furiosa, she doesn’t really bring anything new to the table. We’ve already had hardcore, confident female leaders like Sarah Connor and Ellen Ripley since the 80’s. And as much as I want to be like Furiosa, I don’t always feel myself reflected in these kind of figures. Sometimes that’s okay, sometimes all I want is to escape into the kind of fantasy where I can imagine myself kicking ass and taking names. However, it can be discouraging when movies only have one type of “strong female character”  to offer. While I absolutely love female heroes like Furiosa, I really loved having less capable heroines in Mad Max as well. Heroines who were well-rounded and brave in spite of their weaknesses and fears. Continue reading

Culture War Reporters’ Memorial Day Montage

War.

For the vast majority of the lives of every writer here at CWR, wars and rumors of war have been a part of daily life. As of 2013, over 43% of the US military is comprised of men and women aged 25 or younger, an additional 22% just barely older. The majority of this nation’s army are tasked with fighting in conflicts many are barely old enough to remember the start of. The once rare presence of a person in uniform has now become a commonplace in airports all across the continent, and for good or ill, the armed forces have become a major element in our culture, and we here at CWR have engaged the subject over and over again.

Today’s post comes to you on Memorial Day for Americans. In the spirit of the day, I figured we should take a moment to offer a review on the material we’ve produced on the subject of the military. The good, the bad, the ugly- altogether.

Why We Need Graphic Violence

Violence in media is often cited as being one of the chief sources of violence in everyday life. But is our paralytic fear of showing blood and gore actually a good thing? Here we argue that disturbing images need to be seen for us to be really and truly disturbed, and that there’s no better place to start than with war. How else can we measure the real cost?

Stars Earn Stripes (Is A Terrible, Awful, Idiotic Abomination)

Fortunately cancelled after only four weeks of airtime, NBC’s Stars Earn Stripes stands as a demonstration of just how depraved we can be when it comes to exploiting the horror of war and our sympathy for folks in uniform. Here we break down every repellent detail of why this show (and shows like it) are as damaging as they are deluding.

No War, No More

During the height of tensions with North Korea during the spring of 2013 there was more than a little bravado on the side of Americans mocking the little dictatorship and laughing at the prospect of bombing the country out of existence. Frustrated by the cavalier attitude of so many, we provided this reminder of the actual nature of war and conflict.

Shame Day: War As A Fashion Statement

Later that same year, Evan covered the trend on militaria as a fashion, targeting the ironic(?) use of Vietnam War caps specifically. Disrespectful to veterans? Trivializing of combat? Read on to see for yourself.

(Admittedly, the title’s probably a giveaway. It’s still a good piece- read it anyways.)

America Wants Dead Soldiers

In what was perhaps the most shocking titles ever given to a post here at CWR, yours truly argues that the sympathy offered the members of the armed services (especially on days such as today) are by and large crocodile tears. Actual gratitude to the men and women in uniform has a strange habit of disappearing when it involves any actual sacrifice or effort on our part. Read on to discover why.

The Black And White Of American Sniper [No, This Isn’t About Race]

While real support for the armed forces is no easy task, honest criticism’s no picnic either, as Evan demonstrates in his analysis of the reactions to American Sniper. In addressing the legacy of celebrated marksman Chris Kyle we examine how quickly both history and our depictions of it can be distorted to complement our own views. If you look at nothing else today, look at this one.

Recap Filler and What To Do This Weekend

Of the four posts that went up on the blog this week four of them were penned by yours truly. Alongside Gordon’s illuminating takedown of “career resource” website TheLadders and Kat’s experience watching a live production of The Phantom of the Opera I reviewed two items of pop culture:

  • the penultimate episode of the fourth season of 2 Broke Girls, a show that has tested every fibre of patience in my body yet still manages to amuse me just enough for me to keep going [the hundreds of site hits a day certainly don’t hurt].
  • the 15th issue of Ms. Marvel, a comic book that is as consistently good as the above is bad disappointing, in which a critically-acclaimed self-contained title threatens to connect more fully with the larger and more confusing universe it inhabits.

Just like any other piece of art it’s so easy to take what we’re given and simply let it entertain us. The truth is, however, that you don’t need to review a show for a living the sake of doing so in order to really engage it. We can always be consciously considering whatever it is we choose to get into, even if it’s to ask ourselves that most simple question: “What is the creator’s intent?”

Which is all to say that I don’t have it in me to write a third blog post this week, so this is me telling you to go out there and enjoy Mad Max: Fury Road. Not simply because it currently has 99% on Rotten Tomatoes but because it will make Men’s Rights Activists upset. Seriously, though, MRAs are actively campaigning against it, so what better reason to see it, possibly even more than once?

That’s all I have for you. Go out there, enjoy your Friday-

“What a day! What a lovely day!”

In Defence of the Theatre [or What the Film Version Just Can’t Give You]: A Culture War Report

theatreA few weeks ago a close friend called me up because her family had bought a bunch of tickets to see The Phantom of the Opera at Seattle’s Paramount Theatre. Lucky for us, they ended up with a few extra tickets that they needed to sell. The tickets were an incredible deal and Seattle isn’t very far from where we live, so we leapt at the opportunity.

On the day of the play we were ecstatic. In high school, several friends and I had become obsessed with the film version of The Phantom of the Opera. One of these friends made himself a Phantom-like cape for Halloween and even managed to convince the rest of our class that we should have a Phantom of the Opera theme for our grad banquet. While John wasn’t quite as familiar (or obsessed) with Phantom, he had acted in community theatre in high school and was looking forward to seeing a professional version of such a well-known play.

At this point I should probably warn you about spoilers, just in case you have never seen the film or the play. 

Since our tickets were such a great price, we were hardly surprised when we were seated in the nosebleeds. Quite frankly, we didn’t care. We were too busy looking around at the ornate theatre itself.

chandalier

This was the only photo I was allowed to take in the theatre itself. As you can see, we were pretty far back. The brown object in the centre is the chandelier, covered up, and the stage is covered with a dark screen that makes all the objects appear covered in cobwebs.

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Marvel Fan Admits DC’S Movie Are Better [In One Crucial Way]

Yeah, I saw Age of Ultron exactly a week ago. Yes, keeping myself from watching as much promotional material as possible prior to seeing it actually improved my viewing experience immensely. Oh, and that being said I did enjoy it, thank you for asking. Not a perfect film by any means, but still pretty good.

To back up the title of this post allow me to reveal that I spend at least three digits of dollars worth of comic books every month, and at least 90% of that money goes to Marvel Comics. As a company they own most of my favourite characters and are telling the stories I’m most interested in. I think “fanboy” goes a little too far, but you cut those last three letters off and I’ll wave that flag with a moderate amount of enthusiasm.

Having gotten that out of the way it should go without saying that even when they’re pretty bad [I’m looking at you, Iron Man 2] I still enjoy them. I know for a fact what movies I’m watching out to 2019, which is something I’ve never been able to say before. With the way the hype train has been rolling on towards the third installment in the Avengers film franchise there are still times when I need to pump the brakes [trains have brakes, right?] and remember something-

Three hunky White Chrises.

The Marvel Cinematic Universe is incredibly White [I know there’s something you want to bring up, fellow Age of Ultron viewers, and I’ll get to that closer to the end]- Continue reading